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Lot 717

A hallmarked silver sugar bowl and cream jug in the Georgian style, Birmingham 1898, 7.5oz

Lot 718

A hallmarked silver pierced and embossed bonbon dish; a silver handled button hook; a pair of Georgian sugar nips, various dates; a siver plated sifter spoon, repelling pencil

Lot 721

A Yard-O-Led propelling pencil, silver cased; 2 other silver cased propelling pencils

Lot 730

An Art Nouveau set of 4 silver buttons; a Victorian agate set brooch; a blue enamel and white metal bracelet; other silver/white metal jewellery

Lot 743

A hallmarked silver set of ingots depicting postage stamps, boxed, for QEII Silver Jubilee, limited edition with certificate; etc.

Lot 745

A hallmarked silver sugar bowl, inscribed, Birmingham 1910, 5.25oz; a selection of silver plate

Lot 747

A hallmarked silver pair of wine coasters, London 1989; a silver plated pair of wine coasters

Lot 747A

A hallmarked silver set of of 6 Old English dessert spoons, Edinburgh 1802, 8oz

Lot 748

A hallmarked silver Georgian style coffee pot/hot water jug of rounded rectangular form, Sheffield 1939, 16.25 oz (lid hinge sprained)

Lot 748A

A hallmarked silver coffee pot/hot water jug of circular baluster form, London 1935, 22oz (dent to one side)

Lot 751

A hallmarked silver baluster cream jug, London 1959; a plain sugar bowl, Edinburgh 1937, 7.25oz

Lot 753

A pair of circular salts with ble glass liners; 2 pepper pots, 5oz; a silver plated salt spoon

Lot 754

A silver plated hot water jug in the Georgian style; a silver plated small oval tray; a cased pair of grape scissors; a silver small pastille case; etc.

Lot 754B

A silver plated grape basket decorated with vines in relief scrolling vine handle

Lot 755

An early 20th century overnight case in 'crocodile' leather, fitted interior with silver top jars; etc.

Lot 756

A 3 piece 19th century silver plated tea service with embossed decoration

Lot 757

A 19th century silver plated pint tankard with relief decoration of flowers etc, a similar half pint tankard

Lot 758

A silver plated hot water pot with monogram, a plated tray etc

Lot 759

Two Art Deco silver plated and etched glass cruets with twisting blue rim and another pair of plated and glass cruets

Lot 760

An Art Deco squared glass and silver plated oil/salad cruet stand with stepped base and a silver plated toast rack

Lot 761

A late 19th/early 20th century etched glass and silver plated military related biscuit barrel, from the Officers of 12th Royal Artillery, etched bird and plants with anchor finial; a silver plated and glass salad bowl

Lot 763

An Art Deco style canted rectangular 3 piece hallmarked silver tea set Sheffield 1975, 35oz; a rectangular silver plated gallery tray

Lot 771

2 white metal bangles st. 925; a herringbone white metal necklace st. 925; a silver torque necklace with looped pendant, st 925

Lot 773

A silver bracelet set with mother of pearl, another bracelet set with abalone and another chunky silver bracelet set with Labradorite stones; a silver bracelet set with amber and a necklace and earrings

Lot 778

A white metal flower and butterfly necklace st. 925, a similar Aztec style white metal necklace st. 925; another silver necklace and bead bracelet

Lot 786

"The Silver Map of Great Britain" limited edition authorised by The Council of Protection of Rural England hallmarked framed and glazed 55 x 38cm

Lot 789A

A Georgian hallmarked silver table spoon; three hallmarked silver tea spoons and a selection of silver plate cutlery etc.

Lot 372

AN IMPOSING IRISH SILVER MODEL OF THE BATTLE OF THE BOYNE OBELISK, Dublin 1861, maker’s mark of Samuel le Bas, the plain tapering shaft, on a pediment with the inset inscriptions, on a domed naturalistic rocky base, (hallmarked on the shaft, the pediment, and pediment base.) 83cm high, the base 32cm squaredThis silver model is of the obelisk erected on an outcrop of rock just across the river from Oldbridge in 1736, almost 50 years after the battle that took place nearby. The base was twenty feet square and it was one hundred and fifty feet high and was a landmark in the landscape until blown up in the 20th Century.This model is a valuable record of its appearance and of the inscriptions in the recessed panels. Of course, the triumphalism expressed of “Our Deliverance” and securing “Our Laws and Religion” ensured its ultimate destruction. Those who did this failed to realise that the battle for Irish Independence had been won and the obelisk was a measure of what had to be overcome.

Lot 374

A RARE IRISH SILVER BEER JUG, Dublin c.1734, probably by Thomas Walker, the banded rim continuing onto an elongated spout, the neck with a band of geometric chasing, the pear shaped body with harp shaped handle and engraved with a contemporary coat of arms, and raised on a spreading circular foot (c.21 troy ozs). 21.5cm highNote: this piece was hallmarked before the near-contemporary band of chasing was added - See Bennett 'Irish Silver'Condition Report: Very good overall condition Very soundJust two pronounced but small dents on the widest point of the baluster Other minor dingsSee images 

Lot 375

AN IRISH SILVER TWO-HANDLED CUP AND COVER, the body Dublin c.1700, maker's mark of Joseph Walker, the associated cover probably c.1730, the gadrooned cover with domed and knopped finial, the body with plain upper band, engraved with armorials, a girdle of chased fruits against a punched ground and above tall fluting, flanked by scroll handles, and on a tucked foot. The body 26.5 troy ozs, the lid 11.5 troy ozs

Lot 419

AN IRISH GEORGE II STYLE MAHOGANY SIDE TABLE BY HICKS OF DUBLIN, late 19th CENTURY, the moulded top over on a carved frieze with foliate swags issuing from eagle heads and centred with a mask, on foliate carved ‘broken’ cabriole legs and paw feet, stamped HICKS. 79.5cm high, 179cm wide, 70cm deep.Provenance: The Davey Family; sold Mealy's Co. Kilkenny, 30 July 1991, lot 476  The work of James Hicks, from Dublin, is the antithesis of modernism. Renowned for his use of exotic woods, astounding marquetry and a profound interest with Chippendale, Adams and Sheraton styles, Hicks opened his workshop in 1894. Worldwide royal patronage followed and the firm won many famous commissions.Early furniture reflected the 18th century Palladian style featuring decorative shells, acanthus leaves, laurel swags, and heavyset cabriole legs. Later work was classical in style and refined.Hicks won many awards - notably the Aonach Tailteann in 1928. This satinwood display cabinet won a silver medal at the Royal Dublin Society Spring show in 1934, and the satinwood table dating 1929 was one of several pieces, which represented Ireland’s craftsmanship at the New York World Trade Fair in 1939. The President and Chairman of the fair sent a certificate to the Hick’s firm conveying their appreciation of the substantial contribution which Hick’s exhibit had made towards the success of the fair. Hick sadly died in 1936, never gaining the opportunity to receive this accolade in person.This impressive side table is attributed to the celebrated Dublin cabinet-maker, James Hicks and Sons of 5 and 6 Lower Pembroke Street. James Hicks was born in 1886, the son of a chairmaker, Patrick Hicks. The family may have been associated with the Dublin cabinet-making firm of Michael Butler, by tradition living next door in Upper Abbey Street. Butler made some of the finest 18th century revival Irish mahogany furniture and dealt in antique furniture. James Hicks set up his own business in Lower Pembroke Street, in 1894, having worked in Tottenham Court Road, London. He described himself as ‘Cabinet Manufacturer, Collector and Restorer of Chippendale, Adam and Sheraton furniture’, and included among his clients, several members of the Royal family as well as the aristocracy. Hicks had many important patrons and President Cosgrave in 1928 gave the firm the big commission of fitting out the Dail and Senate in the new Parliament in Leinster House and work was done in the Four Courts. Sets of Chippendale style chairs were ordered for the President’s house - Aras an Uachtaráin - and the Irish Embassy in Berlin. Hicks died in 1936.James Levins Snr. was the finest carver at Hick’s workshop and was responsible for the Irish baroque style mahogany side table with its grotesque head that was sold by the McGrath family, Cabinteely House, Co. Dublin, Christie’s house sale, 5-6 November 1984, lot 18 (see introduction by The Knight of Glin, ‘The McGraths, Cabinteely and James Hicks and Sons’). That mask is very close to the mask on the present table, also being flanked by C-scrolls, so it is probably that Levins carved the present lot. The table draws heavily on Irish 18th century prototypes, with its deep carved drapery-swagged apron and Venus shell badges, but is clearly of the revival period in its exageration of some of the lines (for example the oversized feet and narrow legs). That the essentially conservative nature of the Irish collector is nothing new can be demonstrated by the career of James Hicks. The most proficient and admired of this country’s cabinetmakers in the 20th century, Hicks enjoyed as much popularity during his life as he has posthumously.Pieces from his workshop come up regularly at auction and they always secure excellent prices, as buyers are confident of every item’s quality and durability. Hicks’s furniture, in addition to its impeccable craftmanship, is invariably graceful and easy to place in any home. However, while his high standards are consistent, so too is Hicks’s want of imagination and the essentially anachronistic character of his designs. When he first started his own business in 1894, the Celtic Revival movement was at its height, yet Hicks showed no interest in producing items with a distinctively “Irish” appearance. By the time he died in 1936, the modernist movement had permeated Ireland but evidence of this is non-existent in his work. Instead, Hicks was content to design and manufacture what might be called pastiche 18th-century English furniture.Except on a handful of pieces, he did not employ Irish motifs such as the lion’s claw foot or central mask on tables which had been so popular during the early and mid18th century. Hicks’s preference was for designs from a slightly later period, when neoclassicism had come into favour; Adam, Sheraton and Chippendale were his three muses.A specific influence has been traced to the late 18th-century cabinet-maker William Moore, who moved to Dublin in 1782 after training in London with the firm of Ince and Mayhew. The son of a chair-maker, James Hicks was born in Dublin and after serving an apprenticeship in London he returned to open premises in his native city on Lower Pembroke Street in 1894. His success appears to have been rapid; in 1903, Princess Victoria, daughter of Edward VII, bought a number of his pieces - the king himself is also supposed to have purchased a set of chairs - and two years later the newly-married Crown Princess of Sweden ordered Hicks’s furniture for her palace in Stockholm. In 1928, Hicks was commissioned to furnish the Dail and Seanad in Leinster House and he refurnished Cabinteely House after 1933 for Joe McGrath.In The Arts & Crafts Movements in Dublin and London, 1885-1925, published in the late 1990s, Nicola Gordon Bowe quotes Daisy, Lady Fingall as recalling that in 1904 Hugh Lane arranged for Hicks to make shelving and bookcases for her home, Killeen Castle. “His own high standard of art”, she remembered, would not allow him to produce anything unworthy of “the great tradition of cabinetmaking from which he was descended”.In her memoirs, Lady Fingall also referred to Hicks possessing “an untidy workshop in Pembroke Street, where many great people visited him”. His firm employed some 24 cabinet-makers and artisans, supervised by Hicks, who seems to have been particularly preoccupied with high standards.According to Desmond Fitzgerald, the Knight of Glin, Hicks’s marquetry was done to his designs by Harry Sherrard of Liffey Street, while carving was usually left to James Levins Snr and Jr; they would have been responsible for the rococo-style mirrors produced by Hicks and for the friezes featured on certain table fronts.Hicks’s nephew, Harry, was another member of staff, who worked on Titania’s Palace, the dolls’ house designed by Sir Neville Wilkinson, the framework of which was built of mahogany in eight sections in the Pembroke Street workshop. Mahogany was the most common material used, but his work also features a variety of imported woods such as satinwood, tulipwood and rosewood. Furniture by Hicks regularly won awards when exhibited at fairs, including the Gold Trophy at the 1928 Aonach.Although he found time to teach at craft schools in Dublin, Hicks, who died in 1936, seems to have had few successors and certainly none of his calibre. He was, in effect, this country’s last master cabinet-maker of the old school. His want of innovation, occasionally the subject of critical comments during Hicks’s lifetime, never deterred admiration either then or since.Condition Report: 178 x 71 x 80cm highIn excellent original condition - no damages to the carvingThe top could do with a wax polish

Lot 431

A PAIR OF GEORGE III IRISH SILVER SHAPED CIRCULAR CARD TRAYS, Dublin 1775, mark of Matthew West, the chased gadroon rim interspersed with scallop shells and foliate sprays raised on scroll feet, (17.5 troy ozs all in). 18cm diameterCondition Report: Both examples in very good condition. One tear to one border but sturdy, see additional images. Good clear hallmarks each with scratch marks reading "date Dublin 1748". Some light surface scratches to reserves and underside consummate with age.  

Lot 436

A LARGE IRISH SILVER CIRCULAR PUNCH BOWL, Dublin c.1821, maker's mark of James le Bas, with gilded interior, gadrooned and foliate rim, the bulbous body heavily embossed with flower heads and scrolls, with armorial cartouches and flanked by lion mask ring handles, raised on conforming ring foot, (c.99.85 troy ozs). 31cm diameter, 21cm highCondition Report: There are no inscriptions however both cartouches are fitted with armorials. Good overall condition. Gilt bowl bright and intact. Hallmarks clear. Rim with two small tears and thumb sized area of repair and some other small areas of repair to underside of lip. Body otherwise good. Underside of foot with evidence of repair  

Lot 438

***PLEASE NOTE THIS LOT CONTAINS FOURTEEN DISHES (THE WEIGHT REMAINS THE SAME)***A SUITE OF FOURTEEN GEORGE III SILVER SERVING DISHES, London 1761, mark of George Metheun (14) and London 1772, mark of Sebastian and James Crespell (2) of shaped oval form with gadroon borders each engraved with the Rosse coat-of-arms, (581.9 ozs all in). In sizes ranging from 32.5cm long to 53cm Lots 437 - 442 are sold on the instruction of The Trustees of the Earl of Rosse. The crests and armorials are those of the parson's family, or their connectionsCondition Report: Please note the description should read: ‘London 1761, mark of George Metheun (14) and London 1772.’

Lot 439

A GEORGE III SILVER OVAL CAKE BASKET, London 1776, mark of Charles Aldridge and Henry Green, with pierced beaded swing handle, the lattice work body decorated with drapery swags, oval medallions within a bound rod, urn and ram's head mask border and raised on pierced beaded rim foot, (39 troy ozs). 36cm x 29cm x 11cm high.Lots 437 - 442 are sold on the instruction of The Trustees of the Earl of Rosse. The crests and armorials are those of the parson's family, or their connectionsCondition Report: Very good overall condition Strong bowl and pierced sidesRepairs to each base of swing handle and small tear to underside of rim where rams head is (see images)Some light scratching to undersideOtherwise good See additional images

Lot 440

A SUITE OF THREE GEORGE IV SILVER PLATED DESSERT STANDS C. 1830, of circular form with three graduated frosted glass tiers having grape cluster and vine leaf borders, raised on cast vine leaf and grape columns with ring finial, on a shaped circular base engraved with the Rosse coat-of-arms with conforming decoration and four scroll bracket feet. 24cm diameter at its widest, 64cm highLots 437 - 442 are sold on the instruction of The Trustees of the Earl of Rosse. The crests and armorials are those of the parson's family, or their connections

Lot 441

A LATE GEORGE III SILVER CAKE BASKET, Sheffield 1818, mark of Kirkby Waterhouse & Co, of shaped rectangular form with repousse, chased and engraved fish scale, foliage and scrollwork decoration within a cast foliate border with twin handles raised on a rim foot with gadroon border, engraved with the Rosse coat-of-arms, (40 troy ozs). 43.5cm long over handles.Lots 437 - 442 are sold on the instruction of The Trustees of the Earl of Rosse. The crests and armorials are those of the parson's family, or their connectionsCondition Report: Strong sturdy piece with clear armorial to centre When turn over two repairs visible to rim (reinforcement bands, see images)Two small tears visible t underside of rim No tears visible from top of basketOtherwise goodSee additional images

Lot 442

A LARGE EARLY 19TH CENTURY SILVER PLATED DOMED DISH COVER, of oval form, having cast ring handle of foliate scroll form and with gadroon and plain moulded borders. 32cm high overall, 49cm x 34.6cmLots 437 - 442 are sold on the instruction of The Trustees of the Earl of Rosse. The crests and armorials are those of the parson's family, or their connections

Lot 443

AN IRISH SILVER REGENCY HEAVY CIRCULAR TUREEN AND COVER,Dublin c.1820, probably William Doyle, retailed by West, the stepped lid with a prominent cresting formed as five Ostrich feathers from a Ducal crown, with shell and gadrooned outset rim, the bulbous body engraved with a coat of arms and flanked by leaf cast handles, on four asymmetrical scroll feet with rabbits heads peeping out of foliage (192.5 troy ozs). 36cm wide over handle and 28cm highCondition Report: The armorials on this tureen are those of William Duckett of Duckett’s Grove, Co. Wicklow

Lot 469

A RARE 19TH CENTURY MAHOGANY METAMORPHIC KNEEHOLE VANITY CABINET,by Mappin & Webb, London, the rectangular hinged top with hidden mirror and opening to reveal three compartments, holding silver topped perfume and powder bottles and a selection of brushes, the front two section hinged laterally, sliding out to reveal further hidden compartments, raised on square tapering legs, brass toe caps and castors. 94 x 56 x 95cm high

Lot 545

A LARGE SILVER TWO HANDLED SERVING TRAY, Sheffield 1894 , mark of Martin Hall & Co, of octagonal form with cast pierced border and finely engraved reserve. 60cm long over handles x 39.4cmCondition Report: 113.14 troy ozs or 3519 gramsVery good condition Some light scratch marks to reserve and underside Join marks evident to underside of pierced rim, no tears apparent See additional imagesClear hallmarks

Lot 547

A VICTORIAN SILVER GILT CLARET EWER, London c.1874, maker's mark of Bernard & Sons Ltd., with tall acanthus capped loop handle, above lozenge shaped lid, strigle neck, the ovoid body embossed in Mannerist Style with ribbon tied fruit swags and with four laurel trimmed blank cartouches interspersed with portrait medallions, on tall circular acanthus wrapped foot (c.38.5 troy oz). 39cm highCondition Report: Very good conditionNothing untoward to report

Lot 548

A GEORGE I SILVER TWO-HANDLE CUP AND COVER, London c.1726, makers mark of Richard Bayley, the domed cover with urn finial, the body with central girdle, engraved with contemporary crest, raised on circular spreading foot (c.42 troy ozs). 25.5cm high, 26.5cm wide over handles Provenance: Langham of Tempo Manor, Co. Fermanagh and formerly of Cottesbrook Hall; Sold HOK at Slane Castle, 27/09/2004, Lot 142;Note: A quantity of the famous collection of Nathaniel Booth, Baron Delamere and Earl of Warrington came to the Langham family through marriage Margaret Jones of Ramsbury Manor, whose arms are quarters with those of Booth on this piece. Some of the Booth silver collection is preserved at Dunham Massy (National Trust)

Lot 549

A PAIR OF GEORGE III NAVETTE-SHAPED SILVER SAUCE TUREENS AND COVERS, London c.1777, maker's mark of Robert Makepeace & Richard Carter, the oval stepped domed lids with urn finials, the plain bodies centred by armorials, flanked by reeded loop handles, with beaded rims and oval feet (c.42.5 troy ozs). 24cm wide over handles, 14cm highCondition Report: Very good conditionVery sound

Lot 550

A LARGE GEORGE II IRISH SILVER TWIN HANDLE CUP, Dublin c.1728, mark of Peter Gervais, of baluster form, the twin s scroll handles attached to a ribbed body, engraved with a crest raised on a circular spreading foot, inscribed to the underneath of the base 'Bequathed to His beloved sister A.J.M Beamish by William Cuthburt of Bloomfield', (43 troy ozs). 24cm high, 31cm wide across handlesWilliam Cutburt married Rose Beamish, daughter of Capt. William Beamish and Alice Bernard in 1774. He died in 1824 and lived at Bloomfield, Cork.Condition Report: Makers marks should read Peter Gervais Very good overall condition strong bowl with no evident tears to rimThe body engraved with clear armorial hallmarks rubbed Slightly clear inscription to foot See additional images

Lot 551

§ A HISTORIC DUBLIN SILVER-GILT PRESENTATION TROWEL, Dublin 1792, the blade formed as an armorial with bright cut rim, the centre engraved with a large coat of arms, the reverse engraved with an illustration of Annesley Bridge and inscribed Annesley Bridge Erected by The Right Honble and Honble the Trustees for Improving the Roads leading from Dublin to Malahide, Raheny, Clontarf &c. The first stone was laid by the Honble Richard Annesley on the 25th day of July in the Year of Our Lord MDCCXCII and in the 33d year of the Reign of his Majesty George IIId. Rich Evans Esqr. Engineer., applied with faceted green stained ivory handle. 38cm longProvenance: The Collection of the Late Dr Kurt TicherThe bridge is named after the Hon Richard Annesley, 6th Earl of Anglesey, who was a well-established and important figure in the development of Dublin commercial and civil life during the late 19th and early 20th Century. As well as holding a number of principal positions including Director of the Royal Canal Company, a Commissioner of Irish Excise, Irish Customs, Annesley was also an MP in the Irish House of Commons up until the Act of Union. Although the events at Annesley Bridge during the 1916 Rising do not feature prominently in the history books, ferocious fighting involving the Local members of the Citizen Army and Volunteers took place not only on the bridge but in the surrounding areas. While historians have found it difficult to compile accurate figures indicating the number of those wounded and killed in the battle, there is thought to have been a significant number of casualties, including civilians caught in the crossfire, some in their homes.§ Bidders should be advised that importation regulations of several countries, including the US, prohibits the importation of ivory and that of coral, or any goods containing same. Therefore Adams advises prospective purchasers who intend to ship lots containing either ivory or other specimen that fall under CITES regulation, to another country to familiarize themselves with the relevant importation regulations prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organize shipping at their own behest.Condition Report: Very good overall condition The stained ivory handle with some small nibbles to the tip of and edge, see images The back with some surface scratching commensurate with age and gilding worn especially to rim Hallmarks slightly rubbed Armorial and inscription clear See additional images

Lot 552

A GEORGE II IRISH SILVER WARWICK CRUET STAND, C.1750, the typical frame fitted with three castors, Dublin c.1750, and a pair of facet cut glass bottles, with an armorial cartouche, on shell feet, (c.45 Troy ozs not including glass bottles). 20cm high

Lot 553

A FINE SET OF FOUR GEORGE II IRISH CAST SILVER CANDLESTICKS, Dublin c.1750, mark of George Hill, the flared detachable drip guards on urn sconces with knopped twist stems and shaped square bases cast with acanthus and scallop shells with gadroon rim, (98 troy ozs all in). 29cm high

Lot 555

A 19TH CENTURY CORAMANDEL AND BRASS BOUND LADIES TRAVELLING VANITY CASE, the hinged lid with inlaid plaque inscribed 'John Kelly', with inset brass side handles, the rectangular top opening to reveal a fitted velvet lined interior, with three-tier compartments, containing a compliment of silver topped bottles, jars and brushes, the second tier containing mother of pearl handled manicure and grooming tools. 36 x 26 x 16cm high

Lot 659

A VICTORIAN SILVER EGGERY, London c.1844, maker's mark of Charles Reily & George Storer, the circular stand with central carrying with shaped ring and four scroll feet, with attachments for six cups, with gilded interiors; together with a set of six egg spoons with gilded bowls, Sheffield c.1832, spoons and stand marked with the same star crest (c.41.5 troy ozs in all)Condition Report: Very good condition overall Just requires a good cleaning/polishing

Lot 660

A GEORGE III SILVER COFFEE POT, London c.1763, makers mark of William Cripps, of plain baluster form, the domed hinged lid with flame finial, the spout with applied foliate decoration, having timber c-scroll ebon handle and raised on stepped circular base, with gadrooned decoration, crested (c.31 troy ozs including handle). 29cm high

Lot 661

TWO SMALL SILVER TEAPOTS, one London c.1738, maker's mark of Richard Gurney & Thomas Cook, with all-over bright-cut decoration and timber handle; the other London c.1877, maker's mark probably that of Robert Frost (c.23.7 troy ozs in all including handles). 19.5cm 19cm wide over handle and spout respectivelyCondition Report: Teapot no 1.With cast spoutOne major dent above the vacant cartoucheOther minor knocks and small dents Otherwise good conditionTeapot 2Repairs are evident at the lid hinge and restorations also apparent to the underside of the spout See images Repairs and solder to the base area of the handle Other minor dings

Lot 662

A GEORGE III SILVER TANKARD, London c.1764, makers mark of William Shaw II, with scroll handle, the plain baluster body raised on a spreading circular foot, (c.12.2 troy ozs). 12cm highCondition Report: Good presentable conditionSmall impact mark to mid-bodyClear marks Minor dings Handle engraved with marriage initials 'R.R.H' in triangular formSee images

Lot 665

A SILVER PEACOCK, POSSIBLY GERMAN, the body engraved profusely with feathers and an elaborate feather tail, (6.59 troy ozs). 28cm long, 14cm high.Condition Report: 6.59 troy ozsSee additional images

Lot 667

A QUEEN ANNE BRITANNIA STANDARD SILVER TANKARD, London possibly 1700, maker's mark *E* (both marks rubbed), the domed lid, with a gadrooned thumb piece with s-scroll handle and heart shaped terminal, with stylised foliate decorated, plain tapering body, on skirted foot (c.20.5 troy ozs). 17.5cm highCondition Report: Photos taken Lid unmarked

Lot 668

AN IRISH SILVER GEORGE III PEAR SHAPED COFFEE POT, Dublin c.1770, mark of John Craig, the domed lid with acorn finial, above plain body, with leaf capped demi-fluted spout, and c-scroll timber handle, raised on circular spreading foot (c.31.5 troy ozs). 27.5cm high, 25cm wide over handle and spout

Lot 669

A LARGE GEORGE III IRISH SILVER MEAT PLATTER / TRAY, Dublin c.1770 (lacking date mark), maker's mark of James Graham, of shaped oval form, the plain reserve contained within a raised border, engraved with crest, and gadrooned rim (c.59.6 troy ozs). 46 x 35cmCondition Report: Very good overall condition Some scratching to the reserve and underside The underside of rim with some variations and semi-tearOtherwise good See additional images

Lot 674

'THE BARRISTER'S CUP'A Victorian silver gilt ewer shaped trophy and cover, London c.1861, maker's mark of John Samuel Hunt, the cover with a model of a prancing stallion, the body flanked by tall looped foliate pierced handles, flanking an arabesque neck, the ovoid body with animated reliefs of stallion racing and stallions fighting, on a domed foot, with a knopped stem, with the disengaged lettering 'The Barrister's Cup' (c.65.5 troy ozs). 47cm highCondition Report: Provenance: Private Dublin Collector, collecting for over 50 years. No further provenance knownVery good conditionWell maintained giltThe horse finial with crack to tail joint but is stable, no movementThe interior ring of cover with some dents - see imagesClear marksStable footNothing further to report

Lot 675

A LARGE GEORGE III SILVER TUREEN AND COVER,London c.1802, mark of Paul Storr, of oval form, the domed lid with acanthus capped and foliate loop handle, the body with gadrooned rim twin cast scroll side handles and raised on four scroll feet (125 troy ozs). 37cm wide, 35cm highCondition Report: Please see images

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