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Click here to subscribeA Danish sterling silver rose quartz necklace, c.1960, by Niels Erik From. A circular cabochon rose quartz, rub set in a plain collet, with an outer flat wire frame, suspended from a square section bar. An integral curved bar necklace, with a bolt ring clasp, signed 'N.E. FROM, STERLING, DENMARK 925S'. Pendant 53 x 34mm
An Art Deco sterling silver and enamel hinged compact, of circular form with an interior mirror. The lid with a stepped black enamel geometric design to a yellow guilloché enamel ground, with an applied enamel and marcasite giardinetti. The base with circular zigzag engine turned decoration, with yellow guilloché enamel. Import hallmark London 1929. Maker's mark 'TK & Co.'. 55mm diameter
A sterling silver and gold-faced rainbow brooch, c.1970, by Catherine Mannheim, a lunette-shaped mother-of-pearl plaque with a rainbow above, matt enamelled in blue, yellow and green, 58 x 32mm, and a green and yellow circular plaque, with a partially cut out bird to a plain frame, London 1974, 45mm diameter, damaged (2) Both with original receipts from 'The Electrum Gallery' dated 1973 and 1974.
A gold sapphire and diamond necklace, with a later silver back chain. The centrepiece composed of three oval mixed cut sapphires with two emerald cut pink sapphires between, with pairs of brilliant cut diamonds to each outer edge. A ribbon bow at either side set with marquise cut diamond star flowers, tapered baguette cut diamond bow loops and pavé set diamond set tails. A further emerald cut pink sapphire to each end with pairs of brilliant cut diamonds, to a later Brazilian snake chain with lobster claw clasp. 410mm long, 20.13g. Case by 'Cobra & Bellamy, 149 Sloane Street, London'
An 18ct gold and silver emerald set Cartier lipstick holder, c.1950, of reeded tubular form. An hinged cap with a slide action cage-style thumbpiece, claw set with a circular cabochon emerald. Signed 'Cartier Paris 0106807778 01 256'. French poinçon for mixed metals. 60 x 16mm, 57.17g
A Victorian gold and silver, split pearl, padlock form brooch pendant, the heart-shaped padlock with a domed rock crystal cover over a photograph of a girl, central applied motif deficient . A border of split pearls in cut down collets to a split pearl clasp, all backed in gold. Glazed locket verso with a brooch pin and jump rim top. Tested as approximately 9ct gold and silver. 52 x 36mm, 21.93g
Of Royal Interest: a gold commemorative locket, to celebrate the recovery of the Prince of Wales from typhoid. Hinged oval bombé form, with a relief coat of arms, with a red and white enamelled flag to a blue enamel ground, damaged , with gold lettering, 'Committee Royal Reception', to a silver fleur-de-lys bale. Hand engraved to the reverse 'Thanksgiving Day 27th Feb 1872' with a central monogram. With photographs of Queen Victoria and The Prince of Wales. Tested as approximately 18ct gold. 55 x 35mm. 27.21g The Prince had fallen gravely ill in October, sickened by foul drains at Londesborough Lodge in Yorkshire where he'd been visiting. Two other members of the party, including the Prince's groom, had died and the Queen had been told that her Bertie's demise could be expected at any time. Her prayer to 'spare my beloved child' was answered. In fact, it was on the very anniversary of Prince Albert's death that his son's fever broke. The Prince emerged from delirium to request a Bass ale.
A cased Anglo-Indian ruby and diamond fringe necklace, c.1900, with a graduated centrepiece. A flower head cluster composed of a cushion-shaped eight cut ruby, surrounded by rose cut diamonds in petal shapes, with a ruby and diamond foliate pendant drop below. A graduated fringe at either side with a cushion-shaped, mixed cut ruby, each one milligrain set in a yellow collet, articulated between pairs of rose cut diamonds. An articulated foliate fringe set with rose cut diamonds, all set in silver and backed in gold. A fetter back chain with a ruby and diamond set box clasp with later safety chain. Tested as approximately 18ct gold and silver. Case by 'F E Bowden & Sons, Goldsmith and Silversmith, 72 George Street, Plymouth'. Centrepiece 170 x 44mm, 34.95g
A sterling silver necklace by Georg Jensen, c.1960, designed by Tove and Edward Kinnit-Larson, no.A104. A series of block links with compressed ends to the butterfly design with a barrel box clasp and figure of eight safety catch. Import hallmark London 1964. Signed Georg Jensen 1945 - present. Sterling Denmark. 470mm long, 51.06g
A silver assorted gemstone set chain, with oval, pear, marquise and cushion shaped amethyst, citrine, garnet smoky quartz, tourmalinated quartz, rose quartz, tourmalinated prehnite, apatite and moonstone cabochons, each one spectacle set between sections of trace chain. Tested as approximately sterling silver. 230cm long, 211.71g
A pair of sterling silver fusion enamel earrings, by Tamar De Vries Winter, c.1990, circular flat section discs with fused enamel in turquoise and blue with gold post and butterfly fittings, London 1995, a Dutch silver brooch, by Onno Boekhoudt, c.1980, of staggered lozenge form, with a layered surface, Dutch assay marks for 835 standard silver, together with an oxidised sterling silver and wood brooch, by Paula Latki of Toronto, c.1980, a domed natural wood centre with an incised black stone border and stand, pink triangular centre, with the original catalogue booklet, a mixed metal pike brooch in copper, with inlaid silver spots, signed 'CJVD', and a silver and titanium sector brooch, c.1980 (6) The first three pieces with receipts from 'The Electrum Gallery', dated 1996, 1980 and 1988
A Victorian diamond set spray brooch, c.1890, with two diamond set flower heads or blooms. Each bloom rub set at the centre with a cushion cut or an old European cut diamond, with graduated cushion-shaped old Swiss cut and rose cut diamonds, grain set to the petals. Leaves and stems grain set with graduated diamonds to include pear cut diamonds to milligrain settings. Tested as approximately sterling silver and 9ct gold with later rhodium plating. 67 x 31mm, 18.22g
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