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An unusual composition rubber on paper mache Figure, possibly a French Advertising figure or otherwise an automaton figure from a fairground organ, having remains of a green and silver painted finish with facial tones and blond hair. The lower portion of the left arms is absent as are parts of it's feet, 17'' tall approx.
Jonathan Harris - A limited edition contemporary silver cameo glass vase of footed ovoid form, cased in silver over lilac and opal over a pale turquoise blue ground and cut with a rolling landscape scene, engraved signature to the base, numbered 10 of 25 , dated 2005, height 21cm.
Jonathan Harris Studio Glass - A contemporary limited edition studio silver cameo glass vase of footed ovoid form in the Aquarium pattern decorated with silvered fish swimming amongst reeds over a tonal blue ground, raised to a clear crystal foot, engraved signature and date for 2001, height 14cm.
Liberty & Co - An Art Nouveau hallmarked silver Cymric dressing table set, each piece collar set with turquoise matrix cabochons, comprising hand mirror, two hairbrushes, a clothes brush, button hook and glove stretchers, Birmingham 1904 and 1906, Liberty and Co, hand brush stamped Cymric (6)
Hans Saugmann Bjerregaard - A 1920s to 1930s Danish silver panel link bracelet formed of five geometric links each designed as three rigid chain linked squares and spaced by six oblong black lined links, terminating in conforming snap clasp, length 18cm, clasp stamped Sterling H-S-B, for H S Bjerregaard, Kjellerup 1921 - 1937.
Marius Hammer - A 1920s Norwegian silver gilt and guilloche enamel pendant and brooch, the pendant with three suspended foliate strands below a wirework and filigree frame, centred by a powder blue guilloche enamel oval with matching blue seed pearl highlights, together with similar cantetille wirework target brooch to a blue enamelled frame, both stamped Marius Hammer, 830S (2)
Georg Jensen - A 1920s Danish sterling silver sugar or candy basket, model 235A, designed in 1917, the ovoid lipped basket supported by stylised fronds and leaves above circular stepped base, sinuous rigid handle with foliate bud detail, stamp with dotted oval and crown mark for Jensen 1915 - 1930, GJ 925S and 235A, import marks for 1928.
Andrew Prentice - Chipping Campden - An Arts and Crafts polished pewter oval brooch, the mount embossed with honesty leaves and scrolls with central blue Ruskin style oval, incised mark to reverse By 'Prentice', Chipping Campden Glos, together with another similar square brooch centred by an enamelled domed roundel in peacock blues and pinks, with Sterling silver floral mount (2)
Christopher N. Lawrence - A 1970s silver and silver gilt rose bowl of shallow circular outline with central well supporting a detachable silver gilt candle sconce, cast with textured stylized branches radiating from the centre, the underside with applied HS for Hill Samuel who commissioned the piece, the base with presentation inscription to Samuel Campkin, diameter 14cm, approx. weight 17oz, original certificate of authenticity within fitted silk lined case, London 1976, Christopher Nigel Lawrence
Alphonse La Paglia for Georg Jensen - A 1940s American Sterling silver openwork brooch decorated with two acorns and an oak leaf within an oval wirework frame, length 5.2cm, stamped Georg Jensen Inc., U.S.A. L.P., Sterling 105. Lit: "Silver Jewelry Design Evaluating Quality" published by Schiffer in 1996, p. 243
Johan Rohde for Georg Jensen - A Danish Sterling silver Acorn pattern napkin ring, number 110A of ovoid ribbed outline centred by a pierced panel with scroll decoration, length 5.6cm, stamped Dessin, Johan Rohde, post 1945 Georg Jensen marks, Denmark, Sterling design number 110A
Georg Jensen - A Danish Sterling silver cream ladle in the Blossom pattern, the ovoid hammered bowl tapering to a fine sinuous stem with curled loop and terminating in a blossoming pod, length 13cm, Copenhagen 1925, assay master Christian Frederik Heise, stamped design number 84 and 925 with London import marks for 1925, George Stockwell.
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2475480 item(s)/page