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Fieldings Auctioneers
Lot 73

An early 20th Century hallmarked silver table centre piece, square base supporting boat shaped bowl of plain form detailed with acanthus leaf border and terminating in twin Griffin figures, weight 62oz, length 33cm, height 29cm, Sheffield 1914, Walker and Hall.

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Fieldings Auctioneers
Lot 731

Twenty one Elizabeth II Guernsey and Jersey five pound coins with an additional two pound coin in Westminster case, a silver five pound Captain James Cook First Day Cover, two five pound Diamond wedding anniversary coins in double cover and a VE Day fifty pence coin collection. (4)

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Fieldings Auctioneers
Lot 74

A hallmarked silver punch bowl of plain form with stepped circular base and terminating in floral waved border, diameter 25cm, with eight pedestal cups each terminating in leaf capped flying scroll handle, total weight 59.5oz, Birmingham 1985 and 1992.

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Fieldings Auctioneers
Lot 749

Twenty seven modern American silver one ounce enamel back dollars including a cased dollar and twelve nickel dollars, also various half dollars. (qty)

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Fieldings Auctioneers
Lot 75

A hallmarked silver twin handled bowl, circular spread foot below plain body with presentation engraving, terminating in twin scroll handles, weight 30oz, diameter 30cm including handles, Sheffield 1911, Walker & Hall.

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Fieldings Auctioneers
Lot 752

Various George V to George VI halfcrowns, florins and shillings, also German and foreign silver coinage. (qty)

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Fieldings Auctioneers
Lot 756

A small album containing a Roman denarius of Mark Antony, Trajan, Nero Sestertius, Hadrian and Agrippa, also two Tetradrachms, various Victorian Maundy money and silver coinage.

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Fieldings Auctioneers
Lot 76

A hallmarked silver pedestal bowl with part fluted decoration and presentation engraving, terminating in acanthus capped scroll handles, weight 26oz, diameter including handles 32cm, Edinburgh 1898, Brook & Son.

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Fieldings Auctioneers
Lot 77

Three hallmarked silver twin handle trophies each with presentation engravings, total weight 34.5oz, various styles and dates, S/D. (3)

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Fieldings Auctioneers
Lot 777

Four blue Whitman coin wallets of Edward VII to Elizabeth II silver threepences, other Whitman albums of copper coinage and banknotes including three Britannia issues, also various commemorative sets etc. (qty)

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Fieldings Auctioneers
Lot 778

Various hammered silver pennies including John class 5c, Henry III, Edward I Bristol mint, also class 2 Canterbury, three London class 1c, a cut silver cob, a Trajan Sestersius, a George I farthing and two South African coins. (13)

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Fieldings Auctioneers
Lot 78

Five items of hallmarked silver, a medallion, two goblets, two trophy cups and one cup, weight 21oz, the second trophy cup has a weighted metal base, total weight 10oz, all with presentation engravings, various styles and dates, S/D. (5)

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Fieldings Auctioneers
Lot 789

Four Victoria to George V crowns dated 1844, 1893, 1895 and 1935, with other silver and nickel coinage. (qty)

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Fieldings Auctioneers
Lot 79

A set of twelve hallmarked silver fiddle pattern dessert spoons, total weight 17oz, London 1893. (12)

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Fieldings Auctioneers
Lot 8

Eight assorted hallmarked silver condiments to include two pairs of peppers, two drum mustard pots etc, total weight 12.5oz, various styles and dates. (8)

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Fieldings Auctioneers
Lot 80

A set of six hallmarked silver hour glass pattern dinner forks, total weight 19oz, London 1810, William Eley I, William Fearn & William Chawner, S/D. (6)

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Fieldings Auctioneers
Lot 802

A Chinese silver dragon dollar, 29th year of Kuang Hsu, Pei Yang, weight 27g.

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Fieldings Auctioneers
Lot 803

A Chinese silver dragon dollar, 29th Year of Kuang Hsu, Pei Yang, weight 26.6g.

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Fieldings Auctioneers
Lot 804

A Chinese silver dollar (fat man) 26.8g, a 1934 Chinese junk dollar 26.7g and various other provincial silver dragon, also Japanese ten, twenty and fifty sen coinage. (qty)

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Fieldings Auctioneers
Lot 81

A composed set of twelve William IV and later  hallmarked silver fiddle pattern dinner forks, total weight 31oz, various dates and markers marks. (12)

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Fieldings Auctioneers
Lot 82

A composed set of twelve William IV and later hallmarked silver fiddle pattern dessert forks, total weight 18oz, various dates and maker's marks. (12)

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Fieldings Auctioneers
Lot 826

A French Louis XIV silver ecu, dated 1691, and a Spanish eight reales, 1813. (2)

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Fieldings Auctioneers
Lot 83

A parcel lot of assorted hallmarked silver flat ware to include a sauce ladle, two serving spoons, sugar tongs etc, total weight 13oz, with a set of twelve silver plated pistol handled dinner and dessert knives etc. (qty)

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Fieldings Auctioneers
Lot 84

A hallmarked silver cushioned rectangular twin handled tray of plain form with gadroon detail to border, weight 73oz,  length 56cm including handles, Birmingham 1938, Barker Brothers Silver Ltd.

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Fieldings Auctioneers
Lot 85

A hallmarked silver three piece boat shaped set of plain form, each raised in four bun feet, total weight 28.5oz, Chester 1911 and Birmingham 1909, S Blanckensee & Son Ltd.

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Fieldings Auctioneers
Lot 86

A hallmarked silver tankard of circular stepped base below plain flaring body, weight 10.5oz, height 13cm, Birmingham 1947, A Wilcox.

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Fieldings Auctioneers
Lot 87

A hallmarked silver hot water pot with part fluted decoration terminating in angular wooden handle, weight 20.5oz, height 19cm, Sheffield 1893, Walker & Hall, S/D.

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Fieldings Auctioneers
Lot 872

AMENDED DESCRIPTION - Various single proof coins many cased and a quantity of silver and nickel coinage. (qty)Please note, a number of empty boxes have been removed from this lot and are now with lot 783.

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Fieldings Auctioneers
Lot 873

An Elizabeth II Royal Mint London 2012 sports collection folder of fifty pences, a Change Checker album of ten pences, eight royal edition silver proof five pound coins various titles in mahogany finish case, other nickel coinage and a Chinese cased set containing ingots and notes in presentation box. (4)

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Fieldings Auctioneers
Lot 874

An Elizabeth II Queens 80th Birthday collection set of thirteen silver proof coins, also The Royal Mint Emblems of Britain with booklets and a 1996 silver anniversary collection, cased. (3)

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Fieldings Auctioneers
Lot 875

An Elizabeth II London 2012 Olympics silver proof five pound coins, Britannia 2014 silver proof edition, various other proof silver coins and two Executive proof nickel collections in wooden boxes. (qty)

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Fieldings Auctioneers
Lot 876

A Panama 1975 nine coin proof set, a 1975 twenty Balboas silver coin, a 1950 specimen set and a eight coin Historic British set. (4)

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Fieldings Auctioneers
Lot 88

A pair of hallmarked silver piano candlesticks, circular bases below knop columns and conforming sconces, height 12cm, Birmingham 1972, Mappin & Webb, S/D.

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Fieldings Auctioneers
Lot 89

A hallmarked silver bachelor's boat shaped teapot with a similar hot water pot, total weight 14.5oz, London 1895 and Chester 1899 respectively. (2)

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Fieldings Auctioneers
Lot 9

A hallmarked silver pedestal swing basket, circular stepped base below plain bowl and arched swing handle, weight 20oz, Chester 1914, Barker Brothers.

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Fieldings Auctioneers
Lot 91

Four items of hallmarked silver to include a sugar castor, a small pedestal dish, a silver topped glass trinket box and a small rectangular tray, various dates and styles, S/D. (4)

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Fieldings Auctioneers
Lot 92

Three modern hallmarked silver easel photograph frames, two with embossed decoration and one plain, tallest 16cm, various styles and dates. (3)

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Fieldings Auctioneers
Lot 93

Five early 20th Century hallmarked silver cigarette cases, four with engine turned decoration and one plain, total weight 22.5oz, various styles and dates. (5)

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Fieldings Auctioneers
Lot 938

An album of coins from America, the Netherlands, Spain and South Africa, containing three Morgan dollars 1885, 1886, 1887 and a 1928 liberty dollar, Spanish reales, two and half Guilder coins and other silver and nickel coins.

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Fieldings Auctioneers
Lot 94

A hallmarked silver Art Deco canted square salver of plain form with raised borders, weight 24oz, 25.5cm square, all raised on four strut feet, Birmingham 1928.

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Fieldings Auctioneers
Lot 95

A pair of hallmarked silver piano candlesticks with ribbon and swag decoration to columns, height 12cm, with a silver sauce boat, Birmingham 1921 and 1926 respectively. (2)

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Fieldings Auctioneers
Lot 951

An Elizabeth II Westminster cased set of thirty two fifty pence variants, a Winnie the Pooh collect a classic fifty pence coin collection, also a 9ct gold Tristan da Cunha one crown, two similar coins, a silver proof five pound coin and two coin covers, cased. (8)

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Fieldings Auctioneers
Lot 952

Four Elizabeth II Beatrix Potter silver proof fifty pence coins to include The Tailor of Gloucester, Flopsy Bunny, Peter Rabbit and Mrs Tittlemouse, also three Paddington Bear silver proof fifty pence coins, all with certificates. (7)

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Fieldings Auctioneers
Lot 96

A hallmarked silver pedestal, octagonal shaped, four piece cafe au lait set, pots terminating in scroll wooden handles, weight 26.5oz, Birmingham 1933, Joseph Gloster Ltd.

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Fieldings Auctioneers
Lot 97

Three hallmarked silver trumpet vases, one modelled as a tulip, with a white metal Asian example. S/D. (4)

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Fieldings Auctioneers
Lot 98

A hallmarked silver circular salver, plain body within harebell and beaded borders, weight 35.5oz, diameter 36cm, raised on three claw and ball feet, Sheffield 1950, James Dixon & Sons.

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Fieldings Auctioneers
Lot 99

Five items of hallmarked silver, a cream jug, a sugar castor, a butter dish, a pin dish and a host box, total weight 16oz, various styles and dates. (5)

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Fieldings Auctioneers
Lot 992

A 19th Century Flight Barr and Barr teapot of silver form, bat printed with cartouche panels of classical figures against a gilt bubble ground, length 24cm, together with a matching sugar basin, a 19th Century Flight Barr and Barr teapot with bat decorated shells and gilt sprigs, length 25cm, a 19th Century sauce dish on stand decorated with a burnt orange rim and a gilt fruit border, length 18cm, and a 19th Century Chamberlain Worcester cream jug decorated with a view of Force Bridge Northumberland with a gilt seaweed ground, painted mark, length 13.5cm, all A/F. (5)

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Hampel Fine Art Auctions
Lot 882

Vergoldete Automaten-Türmchenuhr mit Glockenschlag, Wecker und beweglichen Figuren der JagdthematikHöhe: 44 cm. Sockelbreite 27 cm. Tiefe: 23 cm.Wohl Augsburg, um 1630.Feuervergoldete Bronze, Eisen, Stahl, Silber und Versilberung.Spindelwerk in Eisen und Eisenschnitt, Federwerke in Stahl, poliert. Federaufzug mittels Schlüssel. Die Seitenwände abnehmbar, wodurch ein Einblick ins Werk und die Federn möglich ist.Das Stundenschlagwerk ist mit den Jagdfiguren des Aufsatzes verbunden, die nach rechts kreisen. Der Viertelschlag ist zudem mit den beiden außerhalb des Pavillons sitzenden Hunden verbunden, die sich beim Schlag auf- und nieder heben. Diese Raffinesse führt eine lebendige Schauszenerie vor, entsprechend einem figürlichen Glockenspiel.Der Aufbau turmförmig, wie bei etlichen berühmten Augsburger Beispielen, auf ebonisiertem Sockel und nochmaliger vergoldeter, floral reliefierter Gehäusebasis, über der sich der rechteckige Turm erhebt. An den Ecken kannelierte Eckpilaster mit Volutenkapitellen und hohen Basen mit prominenter Diamantrustika. Der bekrönende Aufsatz verjüngt sich nach oben, dreiteilig gegliedert. Er setzt mit einem durchbrochen gearbeiteten Gesims an, mit Einblick zu den beiden Glocken. An den Ecken vier pyramidenförmige Aufsätze, dazwischen Baluster, die den runden, zweistufigen Aufsatz umstehen. In der ersten Ebene werden in den Öffnungen Figuren sichtbar, die bei Glockenschlag kreisen – eine Hirschfigur, verfolgt von einem Bogenschützen in Begleitung von Hunden. Daneben beidseits zwei kleine Hunde, die sich beim Glockenschlag anheben. Die Figürchen in Silberguss. Der obere Aufsatz, in Form eines runden Pavillons, enthält im Inneren eine stehende menschliche Gestalt mit Hirschgeweih, die sich dreht. Gemeint ist Aktäon, der mythische Jäger, der durch die Jagdgöttin Diana in einen Hirsch verwandelt wurde. Die bogig durchbrochene abschließende Kuppelkalotte trägt als Bekrönung eine plastische, ebenfalls vergoldete Figur des Gottes Hermes mit geflügeltem Petasos und Flügelschuhen.Sämtliche vier Seiten des Turmgehäuses sind in feiner Graviertechnik mit C-Bögen, Blattvoluten und Blüten dekoriert und mit runden Zifferblättern bzw. Funktionsanzeigen besetzt:An der Vorderseite das primäre Zifferblatt mit eingefasstem Ziffernring, versilbert (dunkle Patina) als 24-Stunden-Kapitelring mit römischen Stunden und 5-Minuten-Intervall-Anzeige. Alarm-Einstellungsscheibe, lateinisch beschriftet für Sonnenaufgang, Mittag und Sonnenuntergang. Die drei Zeiger gebläut.An den Seiten Hilfszifferblätter mit Angabe der zuletzt geschlagenen Viertelstunden und Stunden.An der Rückseite ein weiterer 24-Stunden-Kapitelring, der ebenfalls eine vergoldete Volvelle umschließt, mit Anzeige der Mondphasen, ferner mit Diagramm der ptolemäischen Planeten-Aspekte; die Alarm-Einstellscheibe mit 24-Stundenangabe und lateinischen Bezeichnungen für Sonnenaufgang, Mittag, Sonnenuntergang und Nacht.Ein der vorliegenden Uhr wenigstens im Aufbau sehr verwandtes Beispiel schuf der Augsburger Uhrmacher Matthias Greylach. A.R. (†)Provenienz:Masterpieces from the Time Museum, Sotheby’s, New York, 2. Dezember 1999, Lot 50.Literatur:Peter Frieß/ Eva Langenstein (Hrsg.), Mechanik aus der Wunderkammer, Die Vorläufer der Computer, anlässlich einer Ausstellung auf der 41. Deutschen Kunst- und Antiquitätenmesse vom 28. November – 4. Dezember 1996, Katalog des Deutschen Museums Bonn – im Gespräch mit Wissenschaft und Technik, München 1996.Jürgen Abeler, Meister der Uhrmacherkunst, Wuppertal 2010.Richard Mühe/ Horand M. Vogel, Alte Uhren. Ein Handbuch europäischer Tischuhren, Wanduhren und Bodenstanduhren, München 1976 (mit Abb. einer Türmchenuhr). (1322017) (11)Gilt automat “Türmchenuhr” with strike on bell, alarm and moving figures with hunting theme Height: 44 cm.Base width: 27 cm.Depth: 23 cm.Probably Augsburg, ca. 1630.Fire-gilt bronze, iron, steel, silver, and silver plating. The structure is tower-shaped, as are several famous Augsburg examples, on an ebonized base and a further gilt-base decorated with floral reliefs surmounted by a rectangular tower. The corners are decorated with pilasters with volute capitals and tall bases with prominent diamond rustication. The top-most part tapers upwards and is divided into three parts: it starts with an openwork cornice revealing two bells on the inside. There are four pyramid-shaped attachments at the corners, with balusters in between that surround the round, two-tiered top part. The first level reveals cast silver figurines in the openings that circle when the clock chimes: a deer pursued by an archer accompanied by dogs. Next to it on either side are two small dogs, which rise at the chime of the bell. The upper part is shaped like a round pavilion with a revolving human figure with deer antlers inside. This is Actaeon, the mythical hunter who was transformed into a stag by the hunting goddess Diana. The arched, openwork calotte at the top of the dome is surmounted by a three-dimensional gilt-figure of the god Hermes with winged petasos hat and winged shoes.All four sides of the tower housing are decorated with fine engravings with c-shaped arches, leaf volutes and flowers and set with round dials or function displays: On the front the primary dial with a framed numeral ring, silvered (dark patina) as a 24-hour chapter ring with Roman hour numerals and 5-minute interval display. Alarm dial, labelled in Latin for sunrise, noon, and sunset. The three hands are blued.Subdials on the sides show the last struck quarter hours and hours. On the reverse another 24-hour chapter ring, also enclosing a gilt volvelle, showing the phases of the moon, further with a diagram of the Ptolemaic planetary aspects; the alarm dial with 24-hour indication and Latin terms for sunrise, noon, sunset and night. Spindle movement in iron and cut iron, spring mechanisms in polished steel. Spring winding by key. The side walls can be removed, allowing access to the movement and the springs. The hourly striking mechanism is connected to the hunting figures of the top part, which circle to the right. The quarter beat is also connected to the two dogs sitting outside the pavilion, who rise up and back down on each strike. This sophisticated mechanism presents a lively spectacle, corresponding to a figural carillon.The Augsburg clockmaker Matthias Greylach created an example that is very similar to the present clock, at least in terms of the clock’s structure. (†)Provenance:Masterpieces from the Time Museum, Sotheby's, New York, 2 December 1999, lot 50.Literature:Peter Frieß/ Eva Langenstein (ed.), Mechanik aus der Wunderkammer, Die Vorläufer der Computer, on the occasion of an exhibition at the 41st German Art and Antiques Fair, 28 November – 4 December 1996, catalogue of the Deutsches Museum Bonn – im Gespräch mit Wissenschaft und Technik, Munich 1996.Jürgen Abeler, Meister der Uhrmacherkunst, Wuppertal 2010.Richard Mühe/ Horand M. Vogel, Alte Uhren. Ein Handbuch europäischer Tischuhren, Wanduhren und Bodenstanduhren, Munich 1976 (with ill. of a little tower clock).Bodenstanduhren, Munich 1976 (with ill. of a little tower clock).

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Hampel Fine Art Auctions
Lot 186

Hendrik van der Borcht d. Ä., 1583 Brüssel – 1651 FrankfurtBlumenstrauss in einer SilbervaseÖl auf Holz.43 x 28 cm.Beigegeben Dokumentation von Violette Doclo, Kuratorin des Archievenfonds voor Schone Kunsten.Um die Farbwirkung der Frühlingsblüten, wie Tulpen, Narzissen, Anemonen, einer Schachbrettblume und Bartnelken besonders zur Geltung zu bringen, präsentiert sich das Stillleben vor schwarzem Hintergrund. Lediglich die graue Stellplatte und die dekorativ getriebene bauchige Vase mit eingezogenem Rundfuß nehmen in der Farbskala durch Grau- und Silbertöne einen eleganten, auch überleitenden Mittelwert ein. Das volutierende Akanthusmotiv der Vase entspricht dem Dekorationsstil der Zeit des Hochbarock des 17. Jahrhunderts. Die Blumenpracht ist farblich zurückhaltend, aber dennoch aufleuchtend, ein Stilmerkmal des genannten Meisters.Die Themen- und Stilverwandtschaft des Gemäldes hat bereits in der Vergangenheit dazu geführt, das Gemälde dem Maler Georg Flegel (1563-1638), beziehungsweise dessen Kreis zuzuweisen. Dieses ist insofern verständlich, da Hendrik van der Borcht ein Schüler Flegels war. Ähnliche Blumenstillleben in reich dekorierten Metallvasen finden sich auch in Flegels Werk. So steht etwa dessen „Großer Blumenstrauß in Prunkvase zwischen Broten, Nüssen und Feigen“ (Hampel 11. April 2013) als überzeugender Vergleich da. Gegenüber den Blumenstücken Flegels hat van der Borcht jedoch auf das sehr üppige Beiwerk am Fuß der Vase verzichtet, was dem Bild Ruhe verleiht. A. R. (†) (13414525) (11)Hendrik van der Borcht the Elder,1583 Brussels – 1651 FrankfurtBOUQUET IN SILVER VASEOil on panel.43 x 28 cm.Accompanied by documentation by Violette Doclo, curator of the Archievenfonds voor Schone Kunsten.The volute acanthus motif of the vase is typical for high Baroque decorative style of the 17th century. Due to similarities in style and subject it has previously been assumed that the painting can be attributed to the painter Georg Flegel (1563-1638) or his circle respectively. This is understandable insofar Hendrik van der Borcht was one of his students. (†)

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Leo Spik KG Kunstversteigerungen
Lot 770

Klassizistischer kleiner Korb Koch und Bergfeld, Bremen Ovale Form, mit Lochgriffen. Godronierte Wandung mit Girlandenrelief. D. 33,5×18 cm. Feingehalt 800. Und: 2 Ovale Tabletts. Godronierter Rand. Otto Wolter, Schwäbisch Gmünd. D. 28,5×18,4 cm. Feingehalt 800. Girlandenrelief auf hochgewölbtem Rand bzw. eingravierte Girlanden im Spiegel. Phantasiemarken. D. 25,5×20,5 cm. Und: Fünf Untersetzer. Viermal profilierter Rand mit Perlstab-Fries. William Butler Durgin und Gorham Sterling Silver Providence, Rhode Island. Ein Untersetzer mit laufendem Hund am Rand. Feingehalt 900. D. 15,5 / 12,5 cm. Gew. zus. ca. 1380 g. (60026)

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Criterion Auctioneers Ltd
Lot 119

A collection of silver jewellery, including various Danish silver brooches, a taj mahal charm, pair silver and enamel lantern earrings and other brooches. H.3 W.9 D.9cm.(box)

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Criterion Auctioneers Ltd
Lot 176

Two 19th century Burmese white metal (tests as silver) smoking pipe bowls. H.9 W.16 D.5cm (largest)

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Criterion Auctioneers Ltd
Lot 258

An Art Deco sterling silver scalloped and rope edged mint tray standing on three claw and ball feet. Hallmarked: HA for Atkin Brothers, Sheffield, 1931. Engraved inscription. H.2 W.19 D.20cm Weight 341g

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Criterion Auctioneers Ltd
Lot 289

A BV Headman glass sculpture by Kosta Boda. A globe made of clear glass with a silver leaf head inside on marble base. Designed by Bertil Vallien, signed Kosta Boda, B. Vallien and serial number. H.18 W.18 D.18cm

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Unique Auctions
Lot 572

A good selection of silver plated items (2 shelves)

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Unique Auctions
Lot 600

A silver plated epergne, comport, h'orderves dish & hip flask

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Tate Ward
Lot 100

Tracey Emin (British 1963-), ‘You Loved me Like A Distant Star’, 2016, poster on 250 gsm silk finish paper, signed in silver pen, from an edition of 500, published by Emin Internation, London; sheet: 70 x 50cmARRsheet: 70 x 50cmIn Very Good ConditionThis work has been stored rolled covered with acid-free paper in its original Emin Internation TubeTo preserve the condition of the work a Stock Image has been used for the catalogueIn Very Good Condition

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Tate Ward
Lot 11

Aya Takano (Japanese 1976-), 'Convenience Store', 2006, lithograph in colours on wove paper, signed, dated and numbered from an edition of 300 in silver ink, sheet; 63.5 x 50.8 cm63.5 x 50.8 cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Very Good Condition

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