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A wicker stick stand of cylindrical form containing: an early 20th Century walking cane with ivory-mounted burrwood handle and silver collar. An early 20th Century walking cane with cloisonne enamelled handle (chipped). A natural wood walking stick with man's head-shaped pommel. etc
A Royal Worcester Porcelain Coffee Service, by Harry Stinton, 1919, painted with highland cattle in landscape within gilt line borders, comprising six cups and saucers, signed, printed marks in puce, together with Six George V Silver Gilt Coffee Spoons, London 1919, in a fitted tooled morocco case stamped Asprey See illustration. Cups and saucers with some minor faint glaze crazing. One cup with a stain to a crazing line showing to the outside only. One saucer with a very small foot chip. Cups all internally gilded. Some wear to spoons and typical minor wear and creasing to case.
A Chinese Silver Gilt and Enamel Box, early 20th century, of rectangular form, filigree decorated with flowers and scrolls, the hinged cover set with a carnelian carved as Buddha, stamped SILVER, 11cm wide See illustration. Some typical surface scratching. Minimal damage to enamel. Small area of damage to textured ground, approx 3mm x 2mm. Gross weight 260 grams.
A Japanese Cloisonne Enamel Koro and Cover, by Namikawa Yasuyuki (1845-1927), circa 1880-1890, of spherical form, the domed cover with chrysanthemum finial, worked in coloured enamels and gold and silver wire with three cream coloured panels with insects amongst flowering branches on a dark blue ground with scattered chrysanthemums within formal panelled borders, four character signature to silver tablet, 11.5cm high See illustration Having been a Samurai, Namikawa Yasuyuki began working as an artist after the Restoration of the Meiji Dynasty. He joined the Kyoto Cloisonne Company in 1871, leaving three years later to form his own company, whose works were displayed at several international exhibitions, and visits to his workshop became popular with foreign visitors, including Rudyard Kipling. The quality of his work received recognition in 1896 when he became one of only two cloisonne artists ever to be appointed Imperial Household Artist to create works of art for the Tokyo Imperial Palace and other Imperial residences. Examples of his work are on display in the Victoria & Albert Museum, the Ashmolean Museum, the Los Angeles County Museum of Art, the Khalili Collection of Japanese Art, as well as various museums in Japan. Some typical minor flaws to enamel. Three small areas of loss to gilding on upper rim of pot. Some very minor surface wear throughout.
~ A Victorian Silver Cup, by Frederick Elkington, London, 1886, tapering and on spreading foot, with two leaf-capped handles, one side engraved with an inscription to Captain J. H. Edwards Heathcote on the occasion of his leaving Apedale Hall, dated 1891, the other with two crests, 18cm high, 36oz 6dwt, 1,129gr
~ A Victorian Silver Card-Case, by George and Mary Wheeler, Birmingham, 1855, oblong, engraved with foliage, one side engraved with the Heathcote crest and initials JEH, in leather case, the case 9.5cm wide, 1oz, 32gr. The case fully marked on bezel. The marks are generally clear. The card-case is in generally good crisp condition. The leather case is distressed with the cover and base detached and with some scuffing and marking to the leather.
~ A George III Silver Toothpick-Case, by Samuel Pemberton, Birmingham, 1789, oblong and with cut corners, engraved with foliage and initials, probably 'AJC', the interior velvet lined, 8cm long, gross weight 19dwt, 30gr. Fully marked on base. There is some minor wear to the marks, though each is still legible. The box is in generally good and crisp condition though with some very minor surface scratching and wear, consistent with age and use. There is a shallow bruise on the cartouche. There is some wear to the velvet inside.
~ A Set of Four Mother-of-Pearl Buttons, a seed pearl placed upon a circular mother-of-pearl plaque in white plain polished frames; and A Pair of Mother-of-Pearl Cufflinks, of similar design, cased by Plante, 12 Bury St, London. Both sets are in fair condition commensurate with age and wear. The buttons are stamped '18' and in our opinion would test as gold. The cufflinks are stamped 'STERLING' and in our opinion would test as silver. Buttons - 9.2 grams. Cufflinks - 4.1 grams. CR 08.02.21.
~ A Silver Single Push Chronograph Pocket Watch, retailed by P Orr & Sons Madras, circa 1910; a Lady's 18 Carat Gold Converted Wristwatch, 1908; a Silver Cushion Shaped Enamel Dial Wristwatch, 1923; Nickel Cased Trench Style Wristwatch, circa 1930, a Plated Day/Date Centre Seconds Wristwatch, signed Timex, circa 1970, and a Chrome Plated Stirrup Shaped Travelling Alarm Timepiece, signed Smiths, circa 1935, (6) Silver pocket watch is working.
~ A Victorian Silver and Mother-of-Pearl Trowel, by Hilliard and Thomason, Birmingham, 1876, the blade triangular and engraved with an inscription to Mrs Edwards Heathcote on the occasion of laying the foundation stone of St Martins Mission Church, Talke Staffordshire, dated 1887, the trowel 25cm long
~ A Cased Victorian Silver Bowl and Sifting Spoon, by Richard Martin and Ebenezer Hall, Sheffield, The Bowl 1872, The Sifting Spoon 1884, the tapering bowl engraved with an inscription to Mrs Edwards Heathcote by the Alsacer Bank Orphanage Committee, dated 1885, the sifting spoon with pierced bowl,in fitted case, the case 18.5cm wide, weight of silver 5oz 12dwt, 174gr (2)
~ Mixed Lot of Silver Plate, including: a souffle-dish on ball and claw feet, engraved with the Heathcote crest; a mug, engraved with an inscription from the 17/21st Lancers, a kettle and stand, engraved with initials; a cased King's pattern table service and other items (qty)
~ A George V Silver Teapot, by Sebastian Garrard, London, 1921, bullet-shaped, the rim engraved with a band of latticework, with wood handle, the hinged cover with ball finial, engraved with the Pike crest, 26.5cm wide over handle, gross weight 23oz 12dwt, 733gr. Fully marked under base and part marked inside the cover. The marks are clear. Further stamped under base with maker's name. There is some very minor surface scratching and wear, consistent with age and use. The wood handle has lost some of its finish. Would benefit from being properly polished.
~ An Elizabeth II Silver Goblet, by Barker Ellis Silver Co., Birmingham, 1971, Number 110 From a Limited Edition of 1,300, tapering cylindrical and on spreading foot, engraved to commemorate the 1,300th anniversary of the consecration of Ripon Cathedral, with certificate 12.5cm high, 4oz 17dwt, 151gr
~ A George V Silver Caster, by The Goldsmiths and Silversmiths Co. Ltd., London, 1912, tapering and on spreading foot, the pull off pierced cover with baluster finial, engraved with an inscription to Michael Heathcote from his Godfather Lionel N. Beatty, dated 1912, 23cm high, 11oz 3dwt, 347gr
~ A Set of Twelve Pairs of George III and Victorian Silver Fish-Eaters, The Handles on Six Pairs by Robert Trickett and Co., Sheffield, Circa 1790, The Blades and Tines by Francis Higgins, London, 1871 and Six Pairs by John Aldwinckle and Thomas Slater, London, 1890, each with beaded handle and engraved or later engraved with the Heathcote crest, filled, (24)
~ A Set of Victorian Silver-Mounted Ivory Fruit-Eaters, by James Dixon and Sons, Sheffield, 1898 and 1899, each with carved ivory handle, comprising:8 fruit-forks and 7 fruit-knives; Together With: 4 silver-mounted composition fish-knives, by Henry Atkin, Sheffield, 1904 and 5 silver plated mounted composition fish-forks and 2 sliver plate mounted composition fish-knives (28)
~ A Pair of Victorian Silver Grape-Scissors, by Richard Martin and Ebenezer Hall, Sheffield, 1871, the handles cast with fruiting grapevines, engraved with initials, in fitted case, the case 21cm wide, weight of silver 3oz 14dwt, 115gr. Marked inside each blade. The marks are generally clear. The grape-scissors are in generally good condition. There is some scuffing and soiling to the leather case.
~ A Set of Twelve Pairs of Victorian Silver Fruit-Eaters, Probably by Thomas Sansom, Sheffield, Six Pairs 1839 and Six Pair 1842, King's shape, the handle stamped with trailing vines, engraved with the Heathcote crest, filled (24) . Each is marked on blades and tines. In generally good condition with only some minor surface scratching and wear.
~ A Victorian Silver Seal, Retailed by Benjamin Wyon, with the arms of Heathcote quartering Edensor and Gresley and impaling Sandford, with openwork handle and in fitted case, in fitted case, the case 5cm high; Together With: a lignum vitae box contained two wax seal, 5cm diameter and with a brass box, the hinged cover and base each set with a banded agate panel, 4.5cm wide (3)
~ A Quantity of Assorted Silver, Silver Plate and Other Items, including: seven various silver buttons; a set of eleven silver plate buttons, engraved with initials; a gilt-metal and enamel Primrose League badge, retailed by H. Lewis, New Bond Street and other items (qty)
~ Two Scottish Silver-Mounted Kilt-Pins, One With Design Registration Mark for 1861, The Second Apparently Unmarked, Second Half 19th Century, the first modelled as a basket hilt sword, silver-mounted and set with bloodstone and jasper, 8.5cm long, the second modelled as a sgian-dubh with bog oak handle, 9.5cm long; Together With: A silver-mounted horn snuff mull, 19th century, the hinged tortoiseshell set cover engraved with initials, 8cm long (3)
~ A Set of Four Edward VII Silver-Mounted Place-Card Holders, by Grey and Co., Birmingham, 1906 and 1907, each applied with a differing fishing fly, behind glazed panel, one glass panel lacking; Together With: a pair of Place-Card Holders, by Sampson Mordan and Co., Chester, 1906, each formed as two tapering discs and on circular base (6)
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2466194 item(s)/page