A JAPANESE GOLD AND BLACK LACQUER BUNDAI (WRITING TABLE) MEIJI ERA, 19TH/20TH CENTURY Of typical rectangular shape and raised on four scrolling feet, the top decorated with thirteen cranes, all rendered in gold takamakie, hiramakie and nashiji and with some details in red lacquer; the legs with a silver and gold diaper design enclosing four-petalled flower mon, the metal mounts decorated with scrolling tendrils, 13.8cm x 64.4cm x 36cm. Provenance: an Irish private collection, Dublin. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
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A JAPANESE EXPORT GILT AND BLACK LACQUER CABINET EDO PERIOD, 17TH/18TH CENTURY Of rectangular form with a flat top, the pictorial-style cabinet with two hinged doors to the front decorated with an extensive landscape, with temples and pavilions nestled in the hills; the right door painted with buildings reminiscent of Kiyomizudera and Kinkaku-ji in Kyoto; the sides with depictions of flowering peonies and bamboo; all rendered in gold and silver hiramaki-e on the black roiro lacquer ground; the front doors decorated to the inside with two pairs of cranes, and opening to reveal eight drawers of various sizes and two smaller doors with lockplates; the drawers embellished with further birds, flowers, and pavilions in landscapes; the back with a paper label for 'Curtiss & Sons, Ltd. Depositories: Comdr A. E. Johnstone (?), no.112'; with a built-in stand and raised again on an associated European stand with chinoiserie decoration, 149cm high overall, the cabinet 88.5cm x 102cm x 53.5cm. (2) Cf. O Impey & C Jörg, Japanese Export Lacquer (1580-1850), pp.130-34 where comparable cabinets are illustrated and discussed. The label at the back refers to Curtiss & Sons, a storehouse opened in the 1860s and first located in Portsmouth, UK, before expanding to the rest of the country. Portsmouth is home to the Royal Navy and the word 'Comdr' is a shortened version of Commander. Commander Johnstone may thus have been a member of the Royal Navy.
A JAPANESE EMBROIDERED PANEL MEIJI ERA, 19TH/20TH CENTURY Of rectangular shape, depicting the Yomeimon Gate at the Tokugawa Tosho-gu shrine in Nikko, the panel intricately embroidered with various shades of silver, cream and gold-coloured threads, mounted on board with a silk backing, 73cm x 69.5cm.
A COLLECTION OF EARLY JAPANESE AND CHINESE PHOTOGRAPHS 19TH AND 20TH CENTURY Comprising: four Japanese albums, two containing Yokohama shashin (early Japanese photographs), with staged studio images and views of Japan, some albumen silver hand-tinted pictures; and two containing Japanese postcards and other paper ephemera; one album of Chinese views; together with a collection of stereoviews of Japan, and a stereoscope. (a lot) Provenance: an Irish private collection, Dublin. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
TAMAMURA KOSABURO (1856-1923) MEIJI ERA, 19TH CENTURY An album of Yokohama shashin (early Japanese photographs), albumen silver prints, some hand-tinted; opening on three portraits of the original owner dressed in Japanese robes; the album containing seventy-three further pictures including views of Mount Fuji, Yokohama, Nikko, Enoshima, the Daibutsu in Kamakura, and other locations, and portraits of beauties, craftsmen at work, and other figures enjoying daily pursuits, some portraits staged in studio settings, some pictures with titles; together with the remnants of the original box with textile cover featuring the name of T. Tamamura, the album 7.8cm x 39.5cm x 32cm. (2) Provenance: an English private collection, acquired by L M Lees on his world tour in 1894, and thence by descent.
ADOLFO FARSARI (1841-98) 19TH CENTURY, C.1887 An album of fifty early photographs of Japan, albumen silver prints, some hand-tinted; opening on a frontispiece titled 'Japan, A. Farsari & Co., Yokohama', before a collage of various images; the album containing forty-nine further pictures including views of Mount Fuji, Nagasaki, Kyoto, Enoshima, and other locations, and portraits of beauties, craftsmen at work, and other figures enjoying daily pursuits, some portraits staged in studio settings, some pictures with titles, the album 6cm x 29.4 x 36cm.
A LARGE JAPANESE KUTANI OVOID VASE MEIJI OR LATER, 20TH CENTURY Decorated with a phoenix and a large writhing dragon amongst scrolling clouds and above crashing waves, in gilt and silver on the deep iron-red ground, the neck with a key fret border, the base inscribed Dai Nihon Kutani zo and with a three-character impressed seal mark, 35.5cm.
A SMALL JAPANESE SILVER-INLAID BRONZE VASE MEIJI ERA, 19TH CENTURY The pear-shaped body decorated with a pheasant perched on a flowering branch of prunus, with details rendered in mixed metals including silver, gold, and shakudo, the side with a two-character signature, together with a fitted wood stand, 16.3cm. (2)
A LARGE JAPANESE GOLD AND SILVER-INLAID BRONZE VASE MEIJI ERA, 19TH/20TH CENTURY Of tall cylindrical form, one side decorated with a small songbird perched on a flowering branch of magnolia, with daisies to the side and large lotus leaves underneath; the reverse with another large magnolia bloom and further lotus, the decoration rendered in mixed metals including gold, silver, and copper, the rim embellished with a band of scrolling patterns, the base with an inlaid copper seal mark for Dai Nihon Tokyo Saito seizo, 30cm.
A JAPANESE SILVER-INLAID BRONZE DISH MEIJI ERA, 19TH CENTURY Decorated to the well with a silver crane wading amongst large lotus leaves and flowers, with details highlighted in inlaid wires of various colours, the cavetto with a band of geometric designs and three mitsuba-aoi mon (three hollyhock leaves crest) used by the Tokugawa clan, the reverse with a two-character mark, 24.2cm.
A JAPANESE SILVER-INLAID BRONZE VASE MEIJI ERA, 19TH CENTURY Of baluster form with a splayed foot, the shoulder applied with dragon-shaped handles, decorated to both sides with birds and flowers in low relief, with details highlighted in gilt and silver iro-e takazogan, takabori and katakiribori, the foot with two shishi masks and the neck with formal scrolling patterns in iro-e hirazogan, 30.5cm.
A JAPANESE SILVER-INLAID BRONZE VASE BY THE KURODA WORKSHOP MEIJI ERA, 19TH CENTURY The tall slender body decorated with an onagadori chicken perched on a flowering branch of prunus, with details in red, gilt and silver inlays, the side with a three-character signature, possibly for Koen, and marked Kyoto Kuroda zo underneath, 22.2cm.
A JAPANESE SILVER-INLAID BRONZE VASE BY MORIGUCHI MEIJI ERA, 19TH CENTURY Of baluster shape, decorated in gold and silver nunomezogan with shaped panels enclosing thatched pavilions in mountainous river landscapes and various plants with leafy tendrils, the shoulder with lappets of formal designs, the neck with grapevines and a key fret border to the rim, a seal mark for Kyoto Moriguchi to the side, 13.5cm.
A JAPANESE KOMAI INLAID IRON BOX AND COVER MEIJI ERA, 19TH/20TH CENTURY Of rectangular shape with a hinged cover and raised on four bracket feet, decorated to the top with a panel enclosing pavilions and thatched buildings in a mountainous river landscape, a silver Fuji towering in the distance; the sides with a dense pattern of vine leaves, the inside with a further depiction of Mount Fuji, the base with the dragonfly mark for Komai Otojiro of Kyoto (1842-1917) and sealed Nippon koku Kyoto ju Komai sei, 4.5cm x 10.5cm x 7.4cm. Provenance: from the collection of Lord Montagu (1926-2015) of Beaulieu Palace House, New Forest, Hampshire.
A JAPANESE KOMAI INLAID IRON BOX AND COVER MEIJI ERA, 19TH/20TH CENTURY Of rectangular shape with a hinged lid and raised on four bracket feet, the top decorated with the sankin-kotai procession of a daimyo and his retinue to Edo, the lord riding on a horse and surrounded by soldiers and other attendants, some bearing standards; the sides with depictions of arms, armours and auspicious objects; the inside with a three-tiered pagoda and another pavilion, all rendered in gold, silver and copper on the black ground; the base with the dragonfly mark for Komai Otojiro of Kyoto (1842-1917) and sealed Nippon koku Kyoto ju Komai sei, 4.3cm x 10.7cm x 7.4cm.
A PAIR OF JAPANESE CLOISONNE VASES MEIJI ERA, 19TH CENTURY Of cylindrical form, both decorated with continuous designs of many butterflies flying amongst flowering peonies on a bright blue ground, the necks embellished with a band of writhing dragons amongst scrolling clouds, the design rendered in silver, gold and brass wires, both 31.8cm. (2)
A JAPANESE CLOISONNE VASE BY HAYASHI KODENJI (1831-1915) MEIJI ERA, 19TH OR 20TH CENTURY The tall baluster body decorated with two sparrows in flight on a deep midnight-blue ground, with sprays of flowering daisies and bamboo beside them, the reverse with further bamboo branches, with bands of lappets enclosing formal designs above the foot and below the rim, with silver mounts, the base signed with the lozenge mark of Hayashi Kodenji rendered in silver wire, 24.5cm.
A JAPANESE CLOISONNE VASE BY HAYASHI KODENJI (1831-1915) MEIJI ERA, 19TH/20TH CENTURY The baluster body embellished with a continuous design of many flower sprays including chrysanthemum, peonies, daisies, dandelions, a maple tree and many other plants, a small stream meandering amongst the vegetation, all rendered in silver and gold wires on the dark midnight-blue ground; with bands of formal designs above the foot and to the neck including paulownia mon, the rims with silver mounts and the base marked Aichi Hayashi saku with the stamped lozenge seal of Hayashi Kodenji, 18.2cm.
A LARGE PAIR OF JAPANESE CLOISONNE VASES MEIJI ERA, 19TH CENTURY Both of baluster shape and raised on a slightly flared foot, embellished with many birds flying and perched amongst blossoming branches of prunus rendered in gold and silver wires; the rims with formal borders of lappets and stylised flowerheads, both with silver mounts stamped jungin underneath, both 37cm. (2)
A JAPANESE CLOISONNE VASE BY HAYASHI TANIGORO (ACT. 1895-1935) TAISHO OR SHOWA ERA, 20TH CENTURY Of bulbous shape, decorated with a band of rhomboid patterns in a variety of colours on a deep midnight-blue ground, the rims with silver mounts, the one to the foot impressed 'SILVER', the base with a two-character mark reading Hayashi Tani for Hayashi Tanigoro, 17cm.
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