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Click here to subscribeA George V Silver Pedestal-Dish, by Atkin Brothers, Sheffield, 1933, hexagonal and on spreading foot, engraved with Art Deco style ornament, centring an inscription 'Presented to Mrs Osbaldeston by the Bretheren of Hope Lodge No 54 Ladies Night October 20th 1934', 26.6cm wide, 19oz 16dwt, 615gr
Two Edward VII Silver Casters, One by Goldsmiths and Silversmiths Co. Ltd., London, 1909 and One by Robert Stebbings, London, 1905, each octagonal and on spreading conforming base, the pierced cover on one with wrythen knop and the other with baluster finial, 22.5cm high and smaller, 13oz 4dwt, 411gr (2)
An Edward VII Silver Sugar-Bowl, by Elkington and Co. Ltd., London, 1901, octagonal and on collet foot, with two leaf-capped scroll handles, engraved on each side with initials below an earl's coronet, 13cm wide over handles, 5oz 6ddwt, 164grThe initials 'MS&B' are probably either later engraved for Margaret, Countess of Suffolk and Berkshire (1880-1968) or for her mother-in-law Mary, Dowager Countess of Suffolk and Berkshire (d.1928).Fully marked near rim. There is some minor wear to the marks but in general they are clear. There is some overall surface scratching and wear, consistent with age and use. There are some bruises, mostly shallow, to the sides.
A Victorian Silver Basket, by William Comyns, London, 1893, oval and on spreading pierced foot, the sides pierced with quatrefoils and with an overhead swing handle, 16.5cm wide, 6oz 8dwt, 199grFully marked underneath and further part marked on handle. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. Somewhat tarnished.
A Pair of Victorian Silver and Enamel Novelty Tot-Cups, by Colen Hewer Cheshire, Birmingham, 1876, each in the form of a thimble, with textured finish, the plain rim of each enameled 'Just a Thimbleful', engraved inside with an inscription, 60mm high, gross weight 3oz 7dwt, 104gr (2)The inscription reads 'To the 2nd Batt'n XX Regiment from Cap'n G. Fred Harris 1876'.Provenance:Sold by Order of the Royal Regiment of Fusiliers to Benefit the Fusiliers Aid Society (13 January Jewellery, Watches and Silver sale, lots 2273-2307 and Antiques and Interiors sale, 5 January 2024 lots 1-16).
A Pair of George III Silver Salt-Cellars, by Alexander Field, London, 1802, each oval and on four panel feet, the sides later chased with foliage scrolls, with associated blue-glass liners; Together With a pair of Beaded Old English pattern condiment-spoons with shell-shaped bowls, the salt-cellars 95mm wide (4)Provenance: with Burgate Antiques, Canterbury, November 2001.
A George V Silver and Tortoiseshell Ring or Jewellery-Box, by Edward Souter Barnsley, Birmingham, 1918, oval and on four scroll feet, the hinged cover set with a pique-inlaid tortoiseshell plaque, within husk border, velvet lined, 13.5cm wideProvenance: Dutton Manor, Lancashire Fully marked underneath and further part marked on cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some bruising overall, particularly to the feet. This causes the box to rock when placed on a flat surface. There is a possible repair on the front. The material inside with some wear and discolouration.
A George V Silver Waiter, by Herbert Edward Barker and Frank Ernest Barker, Chester, 1912, in the George III style, circular and on four scroll feet, with gadrooned border, 16cm diameter, Together With an Edward VII silver goblet, by John and William F. Deakin, Sheffield, 1907, the bowl tapering and on spreading foot, 17.5cm high, total weight 10oz 17dwt, 339gr (2)The waiter fully marked underneath. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. The centre is somewhat thin. The wear is noticeable as a softening to the border. The goblet fully marked near rim. There is some wear to the marks but in general each is legible. There is some overall surface scratching and wear, consistent with age and use. Heavily tarnished.
A George V Silver Goblet, by William Henry Sparrow, Birmingham, 1910, the bowl tapering cylindrical and on spreaing base with beaded border, applied with a shield with an engraved inscription for best Lonk tup lamb from the Todmorden Agricultural society, on ebonised plinth with applied shields, 20.5cm high including plinth, weighable silver 4oz 8dwt, 137grProvenance: Dutton Manor, Lancashire
A George V Silver Caster and a George V Silver Bowl, The Caster by Edward Barnard and Sons Ltd., Birmingham, 1919, The Bowl by Walker and Hall, Sheffield, 1915, the caster of square baluster section and on conforming gadrooned foot, 16.5cm high, the bowl pierced circular, and on three pieced panel feet, 13.8cm diameter, total weight 8oz 9dwt, 262gr
An Edward VII Silver Spirit-Flask, by Walker and Hall, Sheffield, 1906, tapering and engraved with initials, with a bayonet-mounted domed cover, the base with pull-off cup, 16cm high, 7oz 7dwt, 229gr; Together With a George V silver purse, by F. D. London, Birmingham, 1916, engraved with foliage and with suspension chain, 11.5cm wide (2)
A Pair of Victorian Silver Coffee-Pots, by John Bodman Carrington, London, 1894, each baluster and on spreading foot, the hinged cover with cast acorn finial, with ivory insulated scroll handle, one side engraved with the badge of the Lancashire Fusiliers, the other side engraved on each with a differing presentation inscription, each 19cm high, total gross weight 34oz 9dwt, 1,071gr (2)With non-transferable standard ivory exemption declaration number SMKH93PL. Provenance: Sold by Order of the Royal Regiment of Fusiliers to Benefit the Fusiliers Aid Society (13 January Jewellery, Watches and Silver sale, lots 2273-2307 and Antiques and Interiors sale, 5 January 2024 lots 1-16).
A George III Silver Mustard-Pot, Maker's Mark TH, Possibly for Thomas Holland, London, 1813, shaped oblong and on four ball feet, with angular scroll handle, the hinged cover with spatulate thumbpiece and baluster finial, with associated clear glass liner, the liner damaged, 11cm wide, weight of silver 4oz 11dwt, 141gr
Three Various George III Silver Salt-Cellars, One by David Hennell and Robert Hennell, London, 1770, One by William Abdy, London, 1788 and One With Indistinct Marks, Circa 1780, each oval and ball and claw feet, the sides variously pierced with slats, with blue glass liners, 82mm wide and slightly smaller; Together With a George III silver cream-jug, by Ann Smith and Nathaniel Appleton, London, 1779, baluster and on spreading foot, engraved with a crest, 10cm high (4)
A Set of Three Victorian Silver-Gilt Salt-Cellars, by Henry Wilkinson and Co., Sheffield, 1839, 1842 and 1843, each in the Gothic style, the openwork sides stamped with foliage, on similar base, with conforming blue glass liners, 70mm high, 8oz 1dwt, 249gr (3)Each fully marked underneath. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The liners with some very minor chips to the edges. There gilding is somewhat pale, though the surface is tarnished so it is difficult to determine the surface underneath.
A George III Provincial Silver Mustard-Pot, by Robert Cattle and James Barber, York, 1810, cylindrical and with reeded borders, the hinged cover domed and with spatulate thumbpiece, engraved with initials, with associated blue glass liner, 72mm high; Together With a George III provincial silver condiment-spoon, by James Barber and William Whitwell, York, Possibly 1814, Old English pattern, engraved with differing initials, total weight of silver 2oz 17dwt, 89gr (2)Marked under foot and inside cover of mustard-pot. The York town mark lacking. There is some wear to the marks but each is legible. There is some overall surface scratching and wear, consistent with age and use. The blue glass liner is somewhat ill-fitting and is probably later. The spoon part marked on back of handle. There is some overall surface scratching and wear, consistent with age and use.
A George III Provincial Silver Cream-Jug, by James Barber and William Whitwell, York, Possibly 1814, oval and on four ball feet, with reeded scroll handle, engraved with initials, 94mm high, 4oz 12dwt, 143grMarked under spout. The York town mark lacking. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The bottom handle junction pushed slightly into the body. There are some minor bruises.
A Victorian Silver Two-Handled Cup, by George Richards Elkington, London, 1858, the bowl inverted bell-shaped, engraved overall with foliage and with four cartouches, one engraved with an inscription, with two scroll-handles and on spreading foot, 11.2cm high, 6oz 8dwt, 199grProvenance: Dutton Manor, Lancashire
A Pair of Victorian Silver Coffee-Pots, by John Bodman Carrington, London, One 1895 and One 1896, each baluster and on spreading foot, the hinged cover with cast acorn finial, with ivory insulated scroll handle, one side engraved with the badge of the Lancashire Fusiliers, the other side engraved on each with a differing presentation inscription, each 19cm high, total gross weight 35oz 18dwt, 1,162gr (2)The inscription on the 1896 coffee-pot reads 'Presented to the Officers 1st Lancashire Fusiliers by Major S. F. Charles on Promotion 1897'. With non-transferable standard ivory exemption declaration number H8QUD296. Provenance: Sold by Order of the Royal Regiment of Fusiliers to Benefit the Fusiliers Aid Society (13 January Jewellery, Watches and Silver sale, lots 2273-2307 and Antiques and Interiors sale, 5 January 2024 lots 1-16).
A George VI Silver Cigarette-Box and a Continental Silver Cigarette-Box, The First Maker's Mark Worn, Birmingham, 1945, The Second Stamped '925', each oblong, the first with an engine-turned cover, the second with gilt engraved chevron border, each wood lined, 15.5cm wide and slightly smaller (2)
Three George III Silver Items, comprising a pair of salt-cellars, London, 1773, each on three pad feet and with shaped rims, the interiors gilt and a cream-jug, London, 1800, baluster, later chased with foliage, 14cm high, total weight of silver 10oz 1dwt, 313gr (3)The salt-cellars are each fully marked underneath. There is some wear to the marks, more noticeable to one than to the other. There is some overall surface scratching and wear, consistent with age and use. One foot has been repaired on one salt-cellar. The cream-jug is fully marked under spout. There is wear to the marks. There is some overall surface scratching and wear, consistent with age and use. The chased decoration is later.
A Collection of Assorted Silver and Silver Plate, including a three-piece cased Victorian silver child's flatware set, Beaded Old English pattern, engraved with initials; a cased silver button-hook and shoe-horn; a silver-mounted glass decanter, stopper lacking, and a silver plate Art Nouveau-style dish, in the manner of WMF (qty)
A Collection of Assorted Silver and Objects of Vertu, including a Danish silver match-box cover, by Georg Jensen, Copenhagen, with English import marks for London, 1962, designed by Sigvard Bernadotte, model 825; a Dutch or German miniature toy rocking-chair; various boxes and match-box holders and a napkin-ring (qty)
A Pair of Victorian Silver Straining-Spoons, by Atkin Brothers, Sheffield, 1898, each with circular gilt and pierced bowl, the stem fluted and terminating in finial cast as a classical figure, with further lion mask and foliage terminal16.2cm long, 3oz 15dwt, 117gr (2)Provenance:Sold by Order of the Royal Regiment of Fusiliers to Benefit the Fusiliers Aid Society (13 January Jewellery, Watches and Silver sale, lots 2273-2307 and Antiques and Interiors sale, 5 January 2024 lots 1-16).Each marked on bowl. There is some minor wear to the marks but in general they are still legible. There is some overall surface scratching and wear, consistent with age and use. The wear is mostly noticeable a softening to the gilding, more so on one bowl than the other. There are some shallow bruises to the bowls.
A Collection of Assorted Silver Condiment Items, including an Edward VII silver mustard-pot, in the George III style, with gadrooned border; a tapering fluted caster; a pair of Art Nouveau-style pepperettes and other items (qty)Provenance: Dutton Manor, Lancashire The weight of silver is 533gr.
A Victorian Silver-Mounted Crocodile Desk-Blotter and a George V Silver-Mounted Desk-Blotter, The First Marked for Birmingham and London, 1892 and 1895, the Second by Goldsmiths and Silversmiths Co. Ltd., London, 1917, each oblong, the first with openwork scroll mounts, the second with plain mounts, 33cm high and smaller (2)Provenance: Dutton Manor, Lancashire
Five Elizabeth II Silver Armada Dishes, Four by Hugh Crawshaw, Sheffield, 1991 and 1993, of typical form, three engraved with a view of St Wilfrid's Church Ribchester, some further engraved, one engraved with a differing badge and one unengraved, two in a case; Together With a circular dish commemorating the silver jubilee, in cardboard box, the dish 95mm diameter, total weight of silver 8oz 14dwt, 271gr (6)Provenance: Dutton Manor, Lancashire
A George V Irish Silver Christening-Bowl, by Wakely and Wheeler, Dublin, 1920, tapering cylindrical and on spreading collet foot, applied with Celtic-style ornament, cased with a George V silver dog-nose spoon, by Wakely and Wheeler, London, 1920, the case 17.5cm wide; Together With an Elizabeth II silver ashtray, by Elkington, Birmingham, 1966, circular, with Celtic-style border, engraved for the Royal Lancashire Agricultural Society bi-centenary, 12cm diameter, weight of silver 10oz, 311gr (3)Provenance: Dutton Manor, Lancashire
An Edward VIII Silver Hot Water-Jug and a George V Silver Tea-Caddy, The Hot-Water Jug by Edward Barnards and Sons Ltd., London, 1936, the Tea-Caddy by Mappin and Webb, Birmingham, 1922, the hot-water jug tapering and on spreading foot, with ebonised handle and finial, 13cm high, the tea-caddy oval, engraved with an inscription to Miss Bessie Dugdale, 85mm wide, total gross weight 10oz 19dwt, 339gr (2)Provenance: Dutton Manor, Lancashire
A Collection of Assorted Silver and Silver Plate, the silver comprising a curved card-case with suspension-loop and engraved with initials; a curved silver cigarette-case, engine turned and engraved with initials and a napkin-ring, 5oz 13dwt, 177gr; the silver plate comprising a sugar-bowl in the form of a coal-scuttle and a paper-knife (qty)
A Collection of Assorted Silver and Silver Plate, the silver including two differing mustard-pots; a pair of sauceboats; a salt-cellar; a cream jug and assorted various flatware, weighable silver 21oz 17dwt, 679gr; the silver plate including a three-piece tea-service; condiment items and assorted flatware (qty)
A Collection of Assorted Silver Plate, comprising a shaped octagonal basket with openwork sides and overhead swing-handle; a Victorian coffee-pot with shell and foliage cast feet; an oval basket with pierced sides, overhead swing handle and ribbon-tied reeded border and an oblong entree-dish with gadrooned border (4)
Assorted Modern Scarves and Belt comprising Balenciaga blue silk scarf, Marc Jacobs pink silk square, Armani spotty blue silk scarf, Malo pale blue cashmere scarf,Yves Saint Laurent green blue and silver wide woven belt, 5cm wide, red fine wool tartan style scarf, Saint Laurent cherry printed silk chiffon scarf and a black and white wool scarf, (one box)
Colin Osman (1926-2001) Nude Portrait Vintage silver print Photographer copyright stamp on back 19.5cm x 22.5cm (7 5/8" x 8 3/4") Colin Osman (1926-2001), founder and editor of the monthly/bi-monthly magazine "Creative Camera". He was also the owner of an extraordinary archive - in part through the portfolios deposited with the magazine, photographs supposedly loaned to it and books sent for review. The emergence of Creative Camera coincided with the 1960s renaissance in British photography, and Osman featured the likes of Tony Ray-Jones, David Hurn and Philip Jones-Griffiths, although he also produced portfolios on earlier masters such as Kurt Hutton, Martin Munkacsi and Alexander Rodchenko.
Page London - Vintage Paint Tins / Pallets. A selection of Fourq vintage 1970's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by Page London, a British maker of quality paint boxes with fine lithograph colours. The Page London logo is impressed on the rear or printed on the lid. No lithographer is identified. “Made in England” is printed on the paint tray insert inside. Page London paint sets typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories". The 70's era are more Cartoon specific or psychedelic. Lot consists of: Intoxicated Animals, 1977 Queen's Silver Jubilee, Painting by the River and Magician Mickey Paint Box. All measure approx: 172mm x 246mm x 15mm (This does not constitute a guarantee).
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