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An Elliott green onyx cased mantel clock, square brass dial with cherubs head spandrels, silver chapter ring bearing Roman numerals for J R Ogden & Son Ltd, London & Harrogate, clockwork movement, the case of rectangular section, raised on a plinth base, with key, 22cm H, 19cm W, 7cm D. (AF)
An Edwardian silver calling card case, with mauve silk lining, engraved with foliate scroll decoration and shield cartouche with monogram 'JRB', Birmingham 1906, 8.5cm, 1.71oz all in, together with a George V silver card vase with hinged lid (AF) and embossed flower head and scroll borders, Birmingham 1913, 1.92oz. (2)
A George V silver full hunter pocket watch, the outer casing of plain design to back, with vacant cartouche to front rubbed, opening to the enclosed W Williams, 29 Castle Street, Swansea., white enamel dial with Roman numerals, seconds dial, silver and blue hands, with enclosed movement, Birmingham Assay 1927, makers stamp W E, key wind, 5cm W, 114.6g all in.
A Sheffield Goldsmith Company Ltd gentleman's pocket watch, open faced, key less wind, enamel dial bearing Roman numerals, subsidiary seconds dial, Akurit movement, white metal case with monogrammed back, on a silver Albert chain, and a further pocket watch, open faced, key wind, enamel dial bearing Roman numerals, subsidiary seconds dial, the white metal case with engine turned decoration, with key. (2)
A late 19thC silver half hunter pocket watch, with white enamel dial, seconds dial and blue hands, key wind in a silver casing, bearing initials to back R J? rubbed, London Assay 1877, no 23270, stamped RJP, with enclosed movement stamped Dancaster Bell & Atkinson, no 25270, 4.4cm W, 86.3g all in.
A late 19thC silver pocket watch, with engine turned silver casing, with circular central panel to rear, bearing initials J C, with a white enamel dial, and seconds dial, key wind, with enclosed movement stamped Marriott, 27 Farnchurch Street, London, 16108., London Assay 1837, 4cm W, 69.9g all in.
A fine Japanese mixed metal inlaid Panel, by Hagiya Katsuhira, Meiji Period, richly decorated with two birds perched on flowering kiku stems and a thin bamboo stem, a third bird flying above, inlaid in high relief with carved gold, silver, shakudu, red bronze and shibuichi, signed on a tablet KATSUHIRA, original hardwood frame, 25 1/2 x 18 1/2in.Footnote: Hagiya Katsuhira (1804-1886) was born in Mito where he became the greatest metal artist of his generation. The second son of Teramon Yoshige, he began working for the Mito Daimyo in 1844. During his career he trained many of the most important late 19th and early 20th century masters, including Unno Shomin and Kano Natsuo.
A fine Chinese bronze and inlaid Gu-shaped Vessel, 17th Century, for the Islamic market, the flared rim with silver inlaid keyfret band, above a narrow waist with two ribbed collars, and flared base with raised foot, the body inlaid in gold with four registers of different arabic script (two on silver inlaid diaper cartouches) as follows:-La ilaha illa'l-lah (There is no god but God) and Yaumu'l-din (The day of Judgement)The base with crisp 12-character mark in square seal script reading Xuande Ernian Zhou Xijia Xinhuang Zhuren Zhi (Made in the Second year of Xuande, by Zhou Xijia, Master of Xinhaing). 11 7/8 in HFootnote: Compare to a 17th Century bronze Yi (water ewer) and bronze Kuei (censer) in the Victoria and Albert Museum (FE.109 - 1975 and FE.110 - 1975) similarly inlaid in gold and silver with inscriptions and with Xuande marks. The scripts are Kufic and possibly Sini.
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2477115 item(s)/page