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Lot 1803

A George V silver replica of The Tudor (Holms) Cup, by Nathan & Hayes, Chester, 1910, the border with Latin inscription, height 11cm, 10.9oz.

Lot 1804

An early George III demi-fluted silver porringer, by John Moore, London, 1761, height 85mm, 7.2oz, with contemporary engraved date.

Lot 1805

A pair of late Victorian fluted silver sweetmeat bowls, on tripod supports, Daniel & John Welby, London, 1885, diameter 10.7cm, 12.1oz.

Lot 1806

A late Victorian silver tea kettle, on stand with burner, Edward Hutton, London, 1880, height 25.2cm, gross weight, 27.3oz.

Lot 1807

A late Victorian silver baluster hot water jug, with rattan handle, F.B. Thomas & Co, London, 1879, height 20.2cm, gross weight 12.9oz, together with a silver candlestick(a.f.) and a silver mounted glass inkwell (a.f.).

Lot 1808

A late Victorian silver mounted cut glass claret jug, Goldsmiths & Silversmiths Co, Sheffield, 1897, height 27cm.

Lot 1809

An Edwardian pierced silver sifter, with blue glass liner, Haseler Brothers, London, 1904, 17.3cm and a single Victorian silver candlestick, weighted.

Lot 1810

A late Victorian silver sugar bowl, London, 1897, diameter 90mm, a late Victorian silver trinket box and a Dutch white metal circular pill box.

Lot 1811

A pair of George II Irish silver bright cut engraved basting spoons, Michael Smith, Dublin, 1754 & 1757, 31.8cm, 6.3oz.

Lot 1812

A 1930's engine turned silver traveling watch, retailed by Dunhill, with engraved name, import marks for Hernu, Peron & Stockwell Ltd? London, 1937, 35mm.

Lot 1813

An Edwardian ornate silver sugar caster, Nathan & Hayes, Chester, 1908, 18.6cm, 7oz.

Lot 1814

A cased late Victorian silver mounted purse, London, 1883, 82mm, together with a later engine turned silver mounted compact.

Lot 1815

A late Victorian pierced silver mounted navette shaped inkstand, with silver mounted single glass well, Charles Stuart Harris, London, 1896, 26.5cm, together with a 1920's 'The Classic' silver mounted cylindrical lighter and an Auctro-Hungarian 900 standard white metal money? clip.

Lot 1817

A Victorian reeded silver mug, Goldsmiths Alliance, London, 1865, 97mm, 9.1oz.

Lot 1818

A Victorian silver mounted etched glass claret jug, by W & G Sissons, Sheffield, 1865, the glass with monogram and dated 1867, height 27.4cm.

Lot 1821

A George V silver sauce boat, Chester 1911, together with four silver condiments, a Georgian silver sauce ladle by William Bateman and four other items of silver cutlery.

Lot 1823

A George III silver inverted pear shaped cream jug, marks rubbed, 72mm and a later silver christening mug.

Lot 1824

Two Art Deco silver and two colour enamel compacts, largest 85mm and a Victorian mother of pearl handled silver christening knife and fork.

Lot 1826

A 1930's silver and blue guilloche enamel six piece dressing table set, including hand mirror and toilet jar.

Lot 1827

A pair of George III silver Hanovarian pattern 'berry' spoons, Jacob Marsh?, London, 1768, 20.5cm, together with an Edwardian pierced silver nurses buckle, Chester, 1907, decorated with herons, width 10.5cm.

Lot 1828

A pair of modern silver mounted wine coasters, M.C. Hersey & Son Ltd, London, 1993, diameter 9cm.

Lot 1829

A pair of late Victorian silver Corinthian column candlesticks, now drilled and converted to table lamps, James Dixon & Sons, Sheffield, 1890, weighted, with decorative shades, overall 45cms high.

Lot 1877

A Georg Jensen modern sterling silver oval leaf and berry brooch, design no. 101, 48mm, with Jensen box.

Lot 1916

A Victorian silver hunter keywind pocket watch, with Roman dial and subsidiary seconds, by Robert Reid, Bristol, with key.

Lot 10

Lot to include an Orrefors glass vase, Swiss silver cased pocket watch, vesta case, scent bottles and other

Lot 36

925 silver bracelet and three mixed pendants including an Ankh. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 37

925 silver charm bracelet with hallmarked silver padlock clasp and twelve charms, chain L: 18 cm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 57

Contemporary set of 925 silver mounted jewellery formed of semi precious stones, comprising necklace and bracelet, boxed. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 64

Hallmarked silver key wind full hunter pocket watch, Chester assay, not working at lotting, 139g. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 74

Boxed ladies 925 silver wristwatch on a silver bark effect strap, 30g, not working at lotting. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 92

William Neale, hallmarked silver George V trophy, Birmingham assay 1929, H: 60 mm, 52g. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 14

An early Victorian snuff box in carved horn with a silver plaque dated 1821 Liverpool.

Lot 159

A selection of silver plated serving wares including muffin dish, serving tray, goblets and a pair of ice buckets

Lot 49

Two fine silver plated tea sets including Barker Ellis with a serving tray and a spirit burner with kettle

Lot 86

A fine selection of silver plated table wares including egg holder, revolving lid serving dish and cutlery

Lot 9

Two sets of poultry related cocktail sticks one set by Dixon with cockerel head tops and a similar part set with HM silver sticks.

Lot 23

Large Paravon 925 Sterling Silver Centerpiece. With twin cherub handles and rose floral design around exterior. Stamped on base. Dimensions: 14 x 25 x 14 in. Approx. Total Weight: 180 oz

Lot 232

Possibly 15th/16th Century Miniature Portrait of Christ Crucified, Oil on Copper, Original Silver Frame. Diameter: 2.5 in.

Lot 26

Large Parlayan 900 Silver Centerpiece. With twin cherub handles and fruit wreath design around exterior. Stamped on base. Dimensions: 10 x 19.5 x 10.5 in. Total Weight: 109 oz

Lot 457

Keith Reynolds (American, B. 1929) "Golden Hinde" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. On December 13, 1577, in a boat less than the size of a small modern tug, Francis Drake set sail from England on a daring three-year odyssey that would take him into oceans hitherto explored only by the Spanish. Drake and about 160 men ventured forth in five vessels: the Pelican (which he later renamed the Golden Hinde), the Elizabeth, the Marigold, and the supply ships Swan and Benedict. Of the five, only the Golden Hinde, with a crew of about 50, completed the voyage. After passing safely through violent storms in the Strait of Magellan, Drake raided Spanish settlements along the west coast of South America. Drake captured two vessels with cargoes of gold, silver and jewels that were so heavy, they caused the Golden Hinde to sail below her watermark. Continuing northward, Drake sighted what is now Canada's west coast. But bitter cold forced him to turn back, and he set a course south and westward to the Philippines and Molucca (the Spice Islands), where he negotiated a trade treaty with the local sultan. From Java to Sierra Leone on the Cape of Good Hope -- 9,700 miles -- Drake sailed without a port of call or a stop for maintenance. On his return to England in September of 1580, he was greeted as a national hero. Queen Elizabeth I came on board his ship to dub him Sir Francis Drake. His fortune and reputation as a brilliant navigator were made -- and the way was opened to England to become a global superpower. Image Size: 15 x 12.5 in. Overall Size: 16.5 x 14.5 in. Unframed. (B06810)

Lot 463

Mel Crawford (Canadian, B. 1925) "Yukon" Signed lower left. Original Mixed Media painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the Canada 17c Flags of Canada Yukon stamp issued June 15, 1979. Like much of the Canadian west, the Yukon Territory was first explored by fur traders of the Hudson's Bay Company. With the discovery of gold in 1873, settlements were established along the Yukon and Stewart Rivers. In 1895, the Territory was incorporated into the newly-organized Northwest Territories along with the rest of the former Hudson's Bay Company lands, and the Northwest Mounted Police were dispatched to the region to maintain Canadian law. When a rich gold strike was made in the Klondike region in 1896, the real modern history of the Yukon began. Thousands of gold seekers swarmed into the Yukon from all over Canada and the United States, and the rough-and-ready reputation of the territory began to spread throughout the world. In 1898, an Act of Parliament separated the Yukon Territory from the Northwest Territories, and established local control over most questions of administration in the Territorial Capital at Whitehorse. By the end of the gold rush, in 1901, the Territory's population had risen to more than twenty-seven thousand. Twenty years later, barely over four thousand people remained in the Territory. Today, there are still fewer than thirty thousand people in the whole Territory. But the Yukon will continue to grow and to prosper, because its rich lands have the resources that the more developed lands to the east and south need: lead, zinc, copper, nickel, asbestos, cadmium, tungsten, coal, gold, and silver are but a few of the resources that the Yukon has in abundance. Image Size: 14 x 12.25 in. Overall Size: 17.75 x 15 in. Unframed. (B05407)

Lot 496

Erik Nitsche (Swiss, 1908 - 1998) "Flowers - Manuscript Illumination" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Combination Cover for the Germany Medieval Manuscript Illumination stamps issued October 15, 1985. Amid a life of prayer, fasting and hard work, the monks of the Middle Ages found time to leave a magnificent artistic legacy for the entire world. Their artform, illumination, allowed the monks to transform simple, hand-copied pages into a treasure of artistry which has been handed down for generations. First came the artistic flourishes to the first letter in a paragraph. Marginal drawings explaining the Holy Scriptures followed and finally the artistic genius of the age burst forth in fantastic marginal landscapes, scrolling, vines, geometric shapes ... all embellished with gold and silver. Image Size: 12 x 14 in. Overall Size: 15 x 20 in. Unframed. (B09833)

Lot 58

Jerry Norman Uelsmann (Michigan, b.1934) 'Woman, Hand, Pod, 1972" Gelatin silver print. Initialed and dated (1972) in pencil lower right. Image Size: 6 7/8 x 9 3/8 in. Overall Size: 20 x 16 in.Unframed.

Lot 1279

A VICTORIAN SILVER BEAKER by Atkin Brothers, Sheffield 1898, typical form with a gilt interior, the base engraved 'Bruford & Sons Silversmiths Eastbourne & Exeter'. 9.5cm high, 4 troy ouncesLight general wear, no dents or damage.

Lot 1280

A WILLIAM IV SILVER CASTLE-TOP VINAIGRETTE by Taylor & Perry, Birmingham 1836, rounded rectangular form, the hinged cover depicting Newstead Abbey, the rest with engine-turned decoration, within a foliate scroll border, the hinged gilt grille pierced and engraved with foliage. 4cm wideGood condition. Depicting Newstead Abbey, not Windsor Castle as originally catalogued.

Lot 1285

A PAIR OF VICTORIAN SILVER CADDIES by Charles Hawksworth & John Eyre, Sheffield 1846, in Rococo style, shaped square with pull-off covers, chased with scrolls and acanthus leaves. (2) 10cm square, 16.2 troy ounces grossThe marks are clear. The lids with corresponding marks. The lids fit well. In generally very good condition.

Lot 1349

ANGLING INTEREST: A PAIR OF GEORGE V SILVER MENU HOLDERS by Gourdel Vales & Co, Chester 1911, of circular form, each with a framed fishing fly and raised on three pad feet. (2) 4cm high, 1.3 troy ounces grossPad feet to both slightly bend out of position, slight wear and unevenness to frames, dust and dirt trapped behind plastic.

Lot 1371

A SET OF FOUR GEORGE III SILVER TABLE CANDLESTICKS maker W A (attributed to William Watkins), London 1773, of clustered column design with leaf-form capitals, the square bases chased with swags and flowerheads, crested, weighted. (4) 32cm highThe marks match throughout the sticks and sconces. One sconce is misshapen. One with pierced holes to raised swags. One rocks slightly. Surface wear commensurate with age but generally in reasonable/good order.

Lot 1372

A GEORGE III SILVER COFFEE POT by James Mince, London 1799, of ovoid form with pedestal foot, bright-cut engraved decoration. 28.5cm high, 36.6 troy ouncesNo crests or personalised engraving. A lovely set of clear and crisp marks to the underside. Handle firm in the sockets. It stands upright and does not rock. Some surface wear commensurate with age but generally in very good condition.

Lot 1391

A PAIR OF GEORGE II SILVER CASTERS by Thomas Bamford, London 1727, of baluster form. (2) 14.5cm high, 12.4 troy ounces grossMarked to the bases and covers. The marks are clear. No engraving or sign of erasure. In generally good condition commensurate with age.

Lot 1393

AN 18TH CENTURY RUSSIAN LARGE SILVER BEAKER Moscow 174?, of tapering form, raised on a stepped circular base, embossed with a cupid, a stag and hound and a figure with a hare, in cartouches topped with canopies and spaced by masks. 16.5cm high, 7.6 troy ouncesLight wear, base marked '357'

Lot 1399

GEORG JENSEN: A DANISH STERLING SILVER CACTUS PATTERN CADDY SPOON by Georg Jensen, 1933-1944 mark, Sterling Denmark. 9.7cm longSome fairly heavy surface scratching.

Lot 1411

AN EARLY 20TH CENTURY SILVER AND ENAMEL VESTA CASE import marks, Robert Friederich, London 1905, of curved oblong form and enamelled with bust of a lady with flowing hair, on a green ground. 5cm by 4.5cm, 1.2 troy ouncesGood condition, enamel good with no damage.

Lot 1000

CHRISTOPHER NIGEL LAWRENCE: A SET OF SIX SILVER GOBLETS by Christopher Nigel Lawrence, London 1973, each round bowl with gilt-washed interior, and raised on a pierced and textured stem with a plain circular foot. (6) 15.5cm high, 45.5 troy ounces grossChristopher Nigel Lawrence worked under several well-regarded silversmiths, including C.J. Vander, R.E. Stone and Gerald Benney, before setting up as a silversmith in his own right in the late 1960s.The marks are crisp and clear. Some minor surface marks but generally in very good condition.

Lot 1017

A LARGE 18TH CENTURY RUSSIAN PARCEL-GILT SILVER BEAKER unidentified assay master, Moscow 17(?)8, of tapering form, with gilt borders, the rim scratch engraved 'AR 1609', elaborately engraved with foliate cartouches. 15cm high, 8.31 troy ouncesSome rubbing to the gilt, mainly to the bottom border, light general wear.

Lot 1039

AN ART DECO SILVER MUG by Mappin & Webb Ltd, Birmingham 1936, with a plain tapering bowl and gilt-washed interior. 9cm high, 4 troy ounces

Lot 1043

A NORWEGIAN SILVER-GILT AND ENAMEL SALT AND PEPPER SET by David Andersen, comprising open-salt, spoon and pepper pot, in the original box. (3) Open-salt 6.5cm wide, 1.7 troy ounces grossThe enamel in excellent condition. The set as a whole in excellent condition.

Lot 1107

A VICTORIAN SILVER AND RUBY GLASS SUGAR BASKET by William Gough, Birmingham 1857, with rope-twist swing handle, pierced sides and foot, within beaded borders. 11cm excl. handle, 7 troy ounces (excl. glass)The marks are clear. The handle is in good order and stays in position. The glass bowl is in good condition. In generally very good condition.

Lot 1108

A GEORGE V SILVER CHRISTENING MUG by Page, Keen & Page, Sheffield 1932, of plain tapering form. 9cm high, 6.14 troy ouncesVery light wear, no engravings

Lot 1119

A LARGE VICTORIAN FANCY SILVER SERVING SPOON by Henry John Lias & Henry John Lias, London 1868, cast to the front and back with Classical figures and ornament, crested. 22.5cm long, 3.2 troy ouncesThe marks are clear and crisp. In generally very good condition.

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