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Click here to subscribeAn Austrian silver and enamel box,retailed by Nissel and Sikora, Vienna, circa 1900-1920,rectangular form the hinged cover enamelled with two puppies playing with a mole, on a light green background, the sides and base with turquoise decoration, gilded interior, in a fitted red case, length 8.8cm, approx. weight 4oz.
A Royal commemorative Britannia standard silver-gilt mounted Holy Bible for the1981 Royal Wedding, by John Odell, London 1981, rectangular form, embossed with the Prince of Wales Feathers and '1981', within a shell and foliate border, length 12.3cm.This bible was given to guests who attended the Royal Wedding of Prince Charles and Lady Diana Spencer.
A Scottish provincial silver teaspoon,by William Robb, Stonehaven circa 1920, the terminal set with a citrine, length 10.5cm, plus a pair of late 18th-century silver poultry skewers, script maker's mark, possibly Irish, plain tapering form, ring terminals, length 19.5cm, approx. total weight 0.7oz. (3)
λA mixed lot of flatware,comprising: a Scottish provincial silver toddy ladle, by Ferguson and MacBean, Inverness circa 1890, twisted handle, thistle finial, plus a masking spoon with maker's mark only JS, possibly Scottish provincial and four King's pattern tablespoons with maker's mark AW. (6)
A small collection of George III Scottish silver tablespoons,comprising: a Hanoverian pattern one, by Alexander Aitchison I, Edinbugh 1765, two Edinburgh-made Old English pattern spoons, by John McKay, 1804 and William Davie, 1784, and two Greenock spoons, one Fiddle pattern, no makers mark, circa 1820 and one Celtic point, by John Heron, circa 1800, approx. weight 10oz. (5)
An early 19th century Scottish silver-mounted cow horn snuff mull,the cover unmarked, conventional form, the base with a later English mount, 1905, hinged cover inscribed with a motto, thistles and flowers and the centre 'Sans Souci 26th June 1807', the body mounted with a thistle and four hanging chains with a spike, an animal foot, a spoon, by Thomas Bradbury & Sons, Sheffield 1922, and another implement, length 28cm.
A late-19th century Scottish silver-mounted wooden quaich,unmarked, circa 1890,circular form, lug handles, the centre with a thistle and 'SGUAB AS'E', length handle to handle 10.1cm, plus an unmarked quaich, probably 18th century, the centre scratch initialled 'RP' over 'EL', length handle to handle 10.3cm. (2)
An 18th century Scottish silver spirit flask, unmarked, tapering oval form, pull-off drinking cup, screw-off cover, engraved borders, one side engraved with the arms of Oughton above the Oughton crest and motto, and inscribed 'Ex praeda praedatoris Glengary [sic] 1746', height 15.5cm, approx. weight 9oz.This lot is also sold with a printed research document. The inscription means "from the treachery of the traitor Glengary 1746". The MacDonnells of Glengarry were Jacobites and engaged in the '45 Rebellion and it would appear to be a reference to that.
A mixed lot of silver items,comprising: an Art Nouveau German silver-mounted scent bottle, the glass body with engraved decoration, four further silver-mounted scent bottles, a tea canister, a dressing table box, a napkin ring, a pair of pin dishes and other items including a charm bracelet, approx. weighable 6oz. (qty)
A Queen Anne Scottish silver-footed salver, possibly by William Ged, Edinburgh 1710, assay master Edward Penman, circular form, engraved with an armorial, on an unmarked elongated raised circular foot, diameter 30.5cm, approx. weight 29oz.The armorial is that of Spottiswood impaling Arbuthnot.
A collection of antique Irish silver flatware,various dates and makers,comprising: a George II hook-end basting spoon, maker's mark worn, Dublin 1759, a Fiddle pattern basting spoon, a matched set of four Fiddle pattern table forks, the reverse of the terminals engraved with the badge of the '34 North Cork Regiment', and a George III Old English tablespoon, the terminal engraved 'North Cork Reg', plus three tablespoons and a provincial teaspoon, approx. weight 27oz. (11)
A small collection of George II/III silver Irish silver flatware,comprising: a matched set of four Bright-cut Celtic point tablespoons, three by John Shiels and one by Michael Keating, Dublin 1785, the terminals engraved with a crest, plus a George II Hanoverian Rat-tail pattern tablespoon, by John Hamilton, Dublin 1732, the reverse of the terminal engraved with a crest, length 20cm, approx. weight 11.5oz. (5)
A George III Irish silver cream jug, by Richard Sawyer, Dublin 1808, rounded rectangular form, engraved decoration, scroll handle, on four ball feet, with two crests, length 15cm, plus a silver sugar caster, by William Comyns, London 1906, approx. total weight 12oz. (2)One crest is for Ackelmom, Bendlowes, Fitch and others, the second crest is for Irwin.
A George III Irish silver Hook-end basting spoon, by John Laughlin, Dublin 1770, the terminal with two crests, plus a George IV silver Fiddle pattern basting spoon, Dublin 1826, approx. total weight 6.6oz. (2)Provenance: A Private Collection. The crests are that of Meade-King.
A pair of George III Irish silver waiters, by William Townsend, Dublin circa 1760, circular form, shell and gadroon borders, the centres with foliate scroll decoration and erased, on three hoof feet, diameter 16.5cm, approx. weight 14.5oz. (2)Provenance: A Private Collection.
A George III large Irish silver sauceboat, maker's mark worn, Dublin circa 1770, oval form, ribbed decoration, leaf-capped scroll handle, engraved with an armorial, on three shell-capped webbed feet, length 23cm, approx. weight 14.4oz.Provenance: A Private Collection. The armorial is possibly that of Pierrepoint/Pierpoint.
A mixed lot of silver items,comprising: a George III funnel, London 1770, an oval salt cellar, a George III toilet box, London 1816, a caster, probably Indian colonial, engraved 'Salt', another caster, a Bromsgrove Grammer School Athletics medal, a Samuel Pemberton circular box, with a pierced detachable grille, a seal, a continental needle case, and other items, approx. weighable 13oz. (qty)
By Robert Catterson-Smith, an Arts and Crafts silver sugar bowl, unmarked, circa 1920, circular form, spot-hammered decoration, punch bead border, on a circular foot, diameter 10.4cm, plus a tapering beaker and two electroplated beakers. (4)Provenance: A Private Collection. Woolley & Wallis, Salisbury, Silver & Collectors' Items, 22nd October 2013, lot 1044. Gorringes, Lewes, 6 September 2001.
λBy Robert Catterson-Smith, a three-piece Arts and Crafts silver tea set, unmarked, circa 1920, circular bellied form, ivory insulators, spot-hammered decoration, stylised borders and scroll handle, the domed cover with an ivory finial, length of teapot handle to spout 22cm. (3)Provenance: A Private Collection. Woolley and Wallis, Salisbury, Silver & Collectors' Items, 22nd October 2013, lot 1040. Ivory Act registration number: EP1ZFEW3Robert Catterson-Smith (1853-1938) was born in Dublin. He left Dublin around 1892 and worked for the Kelmscott Press in Chiswick. In 1901, he was appointed headmaster at Vittoria Street School for Jewellers and Silversmiths and then went on to be Head Master at the Birmingham School of Art. His silver-work shows the clear influence of Ashbee and other designers of the period, and his design for the Kenrick casket is in the Birmingham Museum and Art Gallery, he also helped Webb to make the University of Birmingham's Mace.
By Gerald Benney, a modern silver serving spoon and tablespoon,London 1987 and 1998,textured feather decoration, and a Millenium spoon for the Cloth Workers Company, by Leslie Durbin, London 2000, the terminal with a gilded ram's head, in a case, approx. total weight 9.8oz. (3)
A collection of Arts & Crafts silver spoons and a letter knife,comprising: one by Harry Wilson, London 1914, spot-hammered fig-shaped bowl, wire-work stem, plus a spoon by Winifred King and Co., a letter knife by F. Smythe-Greenwood, and five teaspoons, maker's mark AG, possibly Australian, approx. weight 5.5oz. (8)
By Charles Boyton, a silver dish,London 1937, also signed Charles Boyton,oval spot-hammered bowl, on a foliate stem and raised oval foot, length 12.6cm, approx. weight 4.8oz, plus a silver commemorative porringer, by Stuart Devlin, London 1982, no. 239 of an edition of 750, commemorating the birth of Prince William, circular form, decorated with a band of parcel-gilt lotus leaves and flowers, scroll handles, in a fitted case, diameter handle to handle 10.4cm, approx. weight 9.7oz. (2)
A pair of silver-mounted decanters in a fitted electroplated tantalus,by Asprey and Co. the mounts Birmingham 1922,the decanters of upright rectangular form, ribbed decoration, plain mounts, the frame of rectangular form, with a lock and key and central carrying handle, height 37cm.
Three similar Art Deco silver-mounted decanters,one by William Hutton and Sons, Birmingham 1909, one by Levi and Salaman, Birmingham 1926, and the smaller one French,faceted arched form, plain mounts, faceted stoppers, the smaller one possibly for scent, heights 22.5cm and 16cm. (3)
Φ ɸ By Hiroshi Suzuki, a modern fine silver 'Aqua Poesy Dom' beaker, London 2006, 999 standard, swirl-fluted circular form, chased decoration, height 7.7cm, approx. weight 11.6oz.Provenance: A Private Collection.Hiroshi Suzuki was born in Japan in 1961, and after completing an MA at Mulashino Art University in Tokyo in 1993 he came to the UK to study English and explore museums. The following year he enrolled at Camberwell College of Art and later the Royal College of Art. His work is now represented in major collections and museums around the world.
By Omar Ramsden, a three-piece Arts and Crafts silver condiment set,London 1938, also engraved 'Omar Ramsden Me Fecit',tapering hexagonal form, spot-hammered decoration, wire-work borders, the mustard pot with a blue glass liner, height of mustard pot 6.3cm, approx. weight 6.8oz. (3)
By Omar Ramsden, an Arts and Crafts silver hand mirror,London 1922, also engraved 'Omar Ramsden Me Fecit', shaped oval form, spot-hammered decoration, foliate wreath, the tapering handle with a banner and bifurcated wirework mounts with a ball motif, also with a vacant banner cartouche, length 34cm.
By Omar Ramsden, an Arts and Crafts silver presentation bowl,London 1936, also engraved 'Omar Ramsden Me Fecit',circular form, spot-hammered decoration, figural child and bifurcated scroll handles, the underside inscribed 'To Charlotte From Her Godfather George Lewis', length handle to handle 18.5cm, approx. weight 14.2oz.
By Omar Ramsden, an Arts and Crafts silver-mounted wooden mazer bowl,London 1931, also engraved 'Omar Ramsden Me Fecit',circular form, spot-hammered mounts, pierced foliate apron, inscribed 'Weekend Aerien, Arrival Rallye, 2nd Prize, September 1st 1932, Won by Roger Seligman', on a circular foot, diameter 14.8cm.
By Omar Ramsden and Alwyn Carr, an Arts and Crafts aluminium and oak Zeppelin paperweight, 1916, rectangular form, mounted with a chased panel depicting the Zeppelin in flames above 'Potters Bar Oct 1st 1916', the underside with a panel 'I was made by Ramsden and Carr of Metal from the Zeppelin and Oak from the Tree on which it fell', length 12cm.Provenance: The Wood Hall Collection of Omar Ramsden. Bonhams, New Bond Street, London, Fine Silver and Objects of Vertu, 2 July 2008, lot 187 (part).
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