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5 x Official United Nations Silver Proof Medallic First Day Covers 1973, .925 silver, in original album of issue; 3 x United Nations FAO collections of uncirculated world coins and notes in original albums; 5 x Coins of Great Britain specimen sets, comprising: 1972, 1973, 1974, 1975 and 1967; 3 x medallic postal covers, including: Singapore SEAP Games 1973, .500 silver; Royal Wedding 1973, .925 silver; and Test and County Cricket 1973, .925 silver; Elizabeth II proof 50p 1973 in case of issue; Elizabeth II silver proof crown 1977, mounted in removal mount, in Royal Mint case of issue (without certificate); Bahamas proof set 1974, 1 cent to 5 dollars, mixture of .925 silver, .800 silver and base metal coins, in original case of issue with certificate of authenticity, FDC; together with base metal commemorative crowns, medallions and a small quantity of silver and base metal coinage. Viewing recommended.
A George III Silver Snuff-Box, An Edward VII Silver Snuff-Box and a George IV Silver Vinaigrette, the first by Lea and Clark, Birmingham, 1812, curved oblong and reeded, engraved inside with initials, 50mm wide; the second by Harry Hayes, Birmingham, 1901, oblong and with gadrooned sides, the hinged cover engraved with foliage, 53mm wide, the vinaigrette Maker's mark IT, Birmingham, 1826, oblong, with pierced grille, a/f, 35mm wide, 2oz 6dwt, 71gr (3)
An Oversized Silver Plate Hip-Flask, by James Dixon and Sons, 20th Century, Retailed by Dunhill, oblong and with domed bayonet mounted cover and detachable cup, engraved 'To Arnold with Affection from Florence, Ruby, Barbara & Ronnie', 23cm highMarked underneath with James Dixon and Sons silver plate marks. Further numbered '0329A' and stamped '1 3/4 pints'. Engraved 'Dunhill London'. There is some overall surface scratching and wear, consistent with age and use. There are some more obvious scratches in places. There is an area non the body near the detachable cup where the silver plate has been worn away showing the yellowish metal underneath.
A French Silver-Gilt Mounted Glass Scent-Bottle, tapering and with plain hinged cover, in gilt-metal mounted simulated tortoiseshell box with hinged cover, the box 5.1cm wideA crack to the tortoise shell cover, small crack to the panel on the top left, the other panel is intact, hinge functions and without play, clasp also functioning, loop lacking from the finial, general wear to the gilding, internal fitting in good condtion, scent bottle with original glass stopper, hinge functioning with minimal play, some giltwear to the metal top, glass with slight edge chips and free from cracks
Japan, met goud en zilver ingelegd bronzen vaasje, Meiji periode (1868-1912), het geschulpte vaasje ingelegd met kraanvogels aan de waterkant Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [1] h. 12 cm Japan, gold and silver inlaid bronze vase, Meiji period (1868-1912), the sculpted vase inlaid with cranes at the water side, provenance: Dutch private collection
India, zilveren sprenkelaar en China, set van tien theelepels en paar zoutvaatjes, 19e/20e eeuw, de sprenkelaar met florale motieven (defecten), de theelepels met drakengrepen en de zoutvaten gemodelleerd als lotus, gemerkt met Chinese karaktermerken [13] h. 17,5 cm (sprenkelaar)/ diam. 5,5 cm (zoutvaten) India, silver sprinkler and China, set of ten teaspoons and a pair of salts, 19th/ 20th century, the sprinkler with floral motifs (damages), the teaspoons with dragon handles and the salts modelled as lotus, marked with Chinese characters
Japan, Imari porseleinen gemodelleerd zilvergemonteerd schenkkannetje, Edo periode, 18e eeuw, het zilver later, gemodelleerd en beschilderd met bloemenranken (craquelé, bodembarst) Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [1] h. 13,5 cm Japan, Imari porcelain modelled silver-mounted jar, Edo period, 18th century, the silver later, modelled and painted with flowering branches (crackles and crack to base), provenance: Dutch private collection
China, antieke wit jade cilindrische kom gemonteerd met Tibetaans zilveren standaard en deksel, 20e eeuw, het jade gesneden met rijen lotusblaadjes, het zilver met schedels en bloemen [1] h. 10 cm China, antique white jade cylindrical bowl mounted with Tibetan silver stand and cover, 20th century, the jade carved with rows of lotus petals, the silver with skulls and flowers
Japan, met zilver ingelegd bronzen vaasje, Meiji periode (1868-1912), het bolle vaasje ingelegd met een tempel in een landschap Provenance: Particuliere collectie Chinees en Japans porselein uit het bezit van een Nederlands verzamelaarsechtpaar [1] h. 12,5 cm Japan, silver inlaid bronze vase, Meiji period (1868-1912), the bulbous vase inlaid with a temple in a landscape, provenance: Dutch private collection
Oil on canvas, framed measurements: 89 X 79, canvas measurements: 73 X 61 cm. Between the 17th and 18th centuries, it was very common to dress the most venerated images with garments adorned with precious stones and jewels, in order to respect and update them at the same time, in addition to highlighting them and adding the richness that their 'rank' of Sacred Image requires. Being venerated since the year 1200, it is known as one of the oldest Marian invocations, made of wood and completely covered in silver except for the head and hands. Being venerated since the time of Alfonso X the Wise, continues Setdart, she was enthroned around 1226, highlighting her even more Isabella the Catholic. During the first half of the 17th century, her own chapel was built through the mediation of Gaspar de Quiroga and finished by Bernardo de Sandoval, whose consecration was presided over by Felipe III in 1616.
Very important Christ in ivory attributable to an important Genoese master. With rosewood cross and silver finials, in the upper part, the Latin inscription INRI: "Jesus of Nazareth, King of the Jews". An example from the same workshop is preserved in San Pedro del Vatican. Origin: private oratory of Casa Milà, Barcelona. Christ measures: 40 x 38 cm
Oil on canvas, possibly a workshop version of the version considered to be the original preserved in the Dúlwich Picture Gallery in London (accession code DPG127). Framed measurements: 157 x 232 cm. Canvas measures: 150 x 225 cm. Provenance: important Spanish private collection. Based on a passage from the Old Testament, Samson represents the struggle of the Jewish people against the Philistines. He was the son of Manoah and a barren woman. When an angel from heaven appeared to them and predicted that they would have a son who would free the people of Israel from the Philistines. Samson is born with a miraculous strength that he could lose only if his hair was cut. In an episode of his life, after a failed marriage, Samson falls in love with Delilah, a Philistine woman. The Philistines try to bribe Delilah with silver coins in exchange for discovering how to take away Samson's secret strength. After several attempts, Samson finally confesses the secret to Delilah and a servant ends up cutting seven braids from his hair. The Philistines end up capturing him, gouging out his eyes and taking him to Gaza where he worked grinding grain for his enemies. Later, before the attempt of the Philistines to sacrifice to their God, Dagon, in his temple, Samson invokes Yahweh to recover his strength for the last time, and collapsing the columns, he achieves the death of more than three thousand Philistines but he dies too . Samson appears from the rubble and is buried in the family tomb. In the composition we see how Anton Van Dyck represents Samson asleep on Delilah's lap and the Philistine barber is about to cut his hair with scissors, while Delilah delicately removes the cloth that Samson has on his hair. Behind Delilah, an elderly woman and a young woman observe the scene, curious and surprised. The composition is charged with a strong eroticism that is represented by Dalila's semi-nude. Bibliography: BERNARDINI, Maria Grazia, Van Dyck — Riflessi italiani, Skira, Milan 2004, ISBN 88-8491-850-2. The composition is charged with a strong eroticism that is represented by Dalila's semi-nude. Bibliography: BERNARDINI, Maria Grazia, Van Dyck — Riflessi italiani, Skira, Milan 2004, ISBN 88-8491-850-2. The composition is charged with a strong eroticism that is represented by Dalila's semi-nude. Bibliography: BERNARDINI, Maria Grazia, Van Dyck — Riflessi italiani, Skira, Milan 2004, ISBN 88-8491-850-2.
Royal Mint Great Engravers Collection, Five Pounds, 2019, Una and the Lion, after William Wyon R.A., UK Two-Ounce Silver Proof Coin, in original presentation case with numbered certificate 1419/3000.There are light surface marks on both sides of the coin, most notably in the fields on the reverse as can be seen in the large images. These may be light contact marks or spills. The exterior cardboard box has a small rip and some creases.
Large assortment of modern commemoratives and other miscellaneous historical coins to include a George III Cartwheel Twopence, a selection of modern silver proof coins to include several silver One Ounce Britannias, a selection of Royal Mint Annual Coin Collections and a small assortment of American slabbed coins, together with a modern coin cabinet (quantity).* A full series of images showing all the items in this lot is available upon request.
Assortment of various Royal Mint Silver Proof Coins to include 1984-1987 United Kingdom £1 Silver Proof Collection; 1986 XIII Commonwealth Games Two Pounds Coin (2); The Royal Wedding Medal commemorating the marriage of Prince Andrew and Sarah Ferguson, 1986; 90th Birthday Silver Proof Crown; 1988 Coat of Arms One Pound coin; 80th Birthday Commemorative Crown; Falkland Islands £25 Coin to commemorate The Royal Wedding 1986, weighing 150g; 1989 £2 Two-Coin Set; 1988 Piedfort Coat of Arms One Pound coin; 1972 Wedding Crown; 1977 Queen's Silver Jubilee Crown; 1973 Accession to the EEC Hands 50p (2) and 1981 Marriage of The Prince Of Wales And Diana Crown, all in original boxes of issue with certificates.
King Philip IV, Ducaton, 1639, Spanish Netherlands - Brabant, Antwerp mint, Draped and armoured bust of Philip IV with large collar r. Legend: P H I L . I I I I . D . G . H I S P . E T . I N D I A R . R E X . 1 6 (hand mint mark) 3 9, R. two lions supporting crowned shield with coat of arms of the Spanish line of the House of Habsburg with the Golden Fleece Order below, Legend: . A R C H I D . A V S T . D V X . B V R G . B R A B . Z c., silver, weight 32.5g, 43mm diameter, about VF and toned.
Vatican. Benedict XIII (1723-1740). Silver medal by Ermenegildo Hamerani, Italian (active Rome 1683-1756), 1729. Bust of Pope Benedict XIII l. with camauro, mozzetta and stole with cross struck off; on the cut of the bust HAMERANI. R. APOTHEOSIS IN LATERANO The Holy one on clouds crowned from an angel, on the background monuments of Rome, in exergue S IOAN NEPOM MDCCXXIX, dedicated to the canonisation of John of Nepomuk in 1729, silver, weight 29.4g, diameter 38mm.
Ireland, Charles I, Shilling, The Great Rebellion, Issue of 1643-44, 'Ormonde Money', Crowned C·R (for Charles Rex) in double circle, R. XIId (denoting 12 pence, or one shilling) in double circle, silver, weight 4.5g, S.6546, gF and toned.Double-struck on reverse with some old scratches.
Henry VIII, Groat, Third coinage (1544-7) - Tower mint, Bust 2, Lis mintmark (1544-7), HENRIC 8 D G AGL FRA Z HIB REX, R. POSVI DEV ADIVTORE MEV, Quartered royal arms over long cross fourchée with annulets in forks, silver, weight 2.3g, S.2369, gF and toned with a strong portrait.
King Charles I, Shilling, Tower Mint under the King (1625-42), Group F, sixth large 'Briot's' bust, type 4.4, with stellate lace collar, double-arched crown. R. Square-topped shield over cross moline, with Triangle mintmark (1639-40), silver, weight 6.2g, 30mm, S.2799, in about VF for issue with patchy toning, in presentation case from Harrington & Byrne with a certificate of authenticity.
Royal Mint "Bermuda Shipwrecks - Silver Proof Coin Collection", Three Dollar proof coins from Bermuda in original box of issue, featuring San Pedro, Cristobal Colon, Santa Lucia, Manilla Wreck and many other Bermuda Shipwrecks, with a portrait of Elizabeth II by Ian Rank-Broadley and the vessel on reverse, each coin struck in .925 sterling silver and weighing 33.63g, total weight 403.56g, with accompanying certificates of authenticity and a book "Bermuda Shipwrecks" by Daniel & Denise Berg (12 coins).Qty: 12
Assortment of silver proof coins to include a cased London Mint "The Eighty Glorious Years" Silver Proof Set, with four coins, each struck in .925 sterling, with certificate and in original case of issue; A Queen Elizabeth II 90th Birthday Silver 1oz, struck in 999/1000 silver and weighing 31.10g, with certificate; Royal Mint 1990 Silver Proof Five Pence Two-Coin Set; Royal Mint 1992 Silver Proof Ten Pence Two-Coin Set; Royal Mint 1994 Silver Proof D-Day Commemorative Fifty Pence Coin; Royal Mint 1997 Silver Proof £2 Coin and a 1993 Silver Proof Alderney Coronation Anniversary £1 Coin (7).
Five trays of mostly silver assorted historical coinage dating back to Edward I and through to modern commemoratives, to include Shillings and Sixpences from Elizabeth I, William III, George II, III and IV, a hammered silver penny from Edward I, Halfcrowns and Florins from Queen Victoria through to George V, Threepences from Queen Victoria to George V, a George IV Crown, 1821 and a selection of modern commemorative crowns and a selection of low-grade pennies from Queen Victoria to George VI, variety of grades with many of the silver coins having been polished.
Real Del Monte Mining Company, Subscription on Four Shares, 1840, to John Saunders Esq., printed by Arthur Taylor, 3 Coleman Street and numbered 10541-10544.* The silver mines surrounding Real del Monte were the source of more than half the silver produced during the 300 years that Spain rule Mexico (1521–1821). By 1824, however, they were in bad condition and were bought by a group of English investors. To get the mines working again, the investors formed the Company of the Gentlemen Adventurers in the Mines of Real del Monte, and recruited more than 130 miners and engineers from Cornwall. When they arrived a year later in Veracruz, some never got any further, falling victim to an outbreak of yellow fever. It took the others more than a year to reach Real del Monte, hauling their Cornish steam engines through marshes and rainforests with the help of donkeys. The famous engines were used to drain the water in the Cornish mines and would do the same job in Mexico. The mines in Pachuca and Real del Monte (officially Mineral del Monte since 1869) had long been flooded and badly needed modernising. These Cornish technicians and their machines were able to fulfill both requirements. The first wave of Cornish miners and engineers were followed by many others. In the 1830's and 1840's, up to 350 were working in the surrounding mines. They were recruited through family networks with most coming from the towns of Camborne, Redruth and Gwennap. While some eventually returned to England, others chose to remain in Mexico.Please find the full article on the Real Del Monte Mining Company here
Two modern Royal Mint silver proof and annual coin sets to include 1989 £2 Silver Piedfort Two-Coin Set, commemorating the tercentenary of the Bill of Rights and the Claim of Right and the United Kingdom Royal Mint Annual Proof Coin Collection for 1996, both in original presentation cases with certficates (2).
Assortment of nine London Mint Office Great Monarchs Silver Proof Crowns to include Edward IV, Mary, Henry VII, William I, Edward I, George III, Charles II, Elizabeth I and Canute, each struck in .925 silver and weighing 28.28g, 38.6mm, in capsules with associated certificates (9).Qty: 9
Argenteria Silver House di Gianmario Pizzera, Samovar in argento lavorato a mano, Milano, seconda metà del XX secolo. Contenitore a sezione circolare riccamente decorato a motivi geometrici e con ramages vegetali poggiante su piede svasato, rubinetto a foggia di testa ferina, reca alla base incisione “lavoraz. a mano” e punzoni 800 - 743 MI entro losanga, gr. tot 1031, H cm 37, larghezza max cm 20 (lievi usure)
A 19th century Colonial ebony and bone inlaid desk stand with two cut glass bottles, having silver rims, 32cm wide x 12cm deep x 18cm high From Wick Hall, the estate of Patrick Dockar-Drysdale.In good condition, with very small chips to the stopper bases, a chip to one ebony hook design, possibly two roundels missing on the top of the handle
A quantity of metalware to include eight arts and crafts copper and brass door plates with engraved and pressed decoration, including fish, together with a Walker & Hall silver plated hip flask, 19cm in length From Wick Hall, the estate of Patrick Dockar-Drysdale. Some dents and marks
A Victorian silver brooch with engraved swallow decoration, 4cm diameter, together with three stick pins, two with gold coloured metal mounts, one with paste gems in a half moon and the other with seed pearls in a flower, the third with white metal mount and seed pearl set within half moon and star, the largest 6cm long (4)Brooch hallmark rubbed off, surface dent to front of brooch and surface marks and scratches. Metal on stick pins a little tarnished, some paste stones with discolouration.
A Goliath pocket watch and silver fronted case, London 1906, the case engraved 'From Alice and Jack to Dear Father and Mother on the occasion of their Silver Wedding', and a silver cigarette case, the top engraved with initials J.S.C., with wood-lined interior, 15cm wide x 8cm deep x 3.5cm high and a silver medal inscribed 'Jumping Bramshott District Show 1912', 4cm diameter (3)Pocket watch with chip to edge of glass face, minute hand bent, not sold as working. Interior of case tatty. Surface scratches to both watch case and case.Cigarette case with two large dents to the lid and surface scratches.
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2475480 item(s)/page