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A 19th Century mahogany banjo barometer with two silver tone dials, convex mirror to the centre with thermometer above, with a broken swan neck pediment to the top and inlaid borders together with a station wall clock (does not appear in working order, no pendulum present). Barometer measures 97cm tall.
1. Arthur G. Grimwade, London Goldsmiths 1697 - 1837, London 1976.2.John Culme, The Directory of Gold & Silversmiths 1838 - 1914, London 1987, zwei Bände.3. N. M. Penzer, Paul Storr, 1771 - 1844, Silversmith and Goldsmith, London 1971.4. Philip A. S. Phillips, Paul de Lamerie, His Life & Work, London 1973.5. Kat. British Silver in the Huntington Collection, San Marino 1978.
1. Kat. Collection D. David Weill, Orfèvrerie France XVe au XVIIIe siècle, Paris 1971.2. Kat. Collection D. David Weill, Orfèvrerie France XVIIe et XVIIIe siècle, Paris 1971.3. Kat. Collection D. David Weill, Orfèvrerie XVe au XVIIIe siècle, Paris 1971.4. Kat. Les Grand Orfèvres de Louis XIII à Charles X, Lausanne 1965.5. Dennis, Three Centuries of French Domestic Silver, Vol. I und II, New York 1960, zwei Bände im Schuber,6. Edition des Musées Nationaux, Catalogue de l'Orfèvrerie du XVIIe, du XVIIIe et du XIXe siècle, Paris 1958.
An Art Deco silver, marcasite and ruby novelty elephant brooch watch. Set with round mixed cut marcasite stones and a ruby cabochon for the elephant's eye, the blanket lifts up to reveal the watch face which has blue steeled hands and numerals. Movement Swiss made. Elephant and case hallamarked LS for Hernu, Peron & Stockwell Ltd, 1939, London import marks. The elephant watch is joined by an articulated chain which leads to a crescent marcasite set brooch with secure hinged pin to the back. 5x4cm
A collection of thirteen Victorian botanical watercolours by Gertrude Churchill in a green velvet covered and silver edged Asprey Blotter with shell detail at the corners. Hallmarked. With St Johns Ambulence certificate and letter about the artist. Each annotated and dated. H.3xW.31xL.22cm
An Art Deco Dunhill silver miniature travel clock, the engine turned case with hinged divided doors enclosing the hinged clock, the dial with glow in the dark Arabic numerals. Inside of case stamped Brevette cross depose, 0.925, Tavannes Watch Company, Swiss and numbered. Working. 3xW.5cm
Late Victorian walnut specimen or cutlery cabinet with carved pediment, fielded panel doors each with Art Nouveau pierced brass escutcheon, four drawers with brass handles, containing various sets of silver-plated cutlery, Victorian and later, a cut glass mustard pot, foliate bread fork etc, H48cm, W38cm, D29cm
Victorian mahogany tea caddy of sarcophagus form, L22cm, Girolamo Savonarola commemorative bronze medallion, Edwardian silver mounted clear glass globular match striker table vesta, small wooden plane, silver framed clock by R. Carr, 18th/ 19th century snuff box and 19th century bamboo parasol handle with carved ivory terminal in the form of a dog
Three 19th century leather bound jewellery boxes, including a ring box with fitted green velvet interior, the two other with fitted interiors and lift our trays, a Victorian cutlery box, together with costume jewellery including a Bill Skinner Hare necklace, silver bangle stamped 925, two gold plated bracelets, ladies wristwatches etc
Victorian oak tantalus with silver-plated mounts, holding three square-cut glass decanters, two with silver collars and the other with a Charles Rennie Mackintosh pewter label, with two hinged doors enclosing two compartments and secret drawer beneath, L38cm x H34cm
Frederick William Frohawk: 'Natural History of British Butterflies', London, Hutchinson, [1926], 1st edition, two volumes, volume 1 with author's signed manuscript errata slip loosely inserted, re 'Valezina' (form of Silver-washed Fritillary, whom Frohawk named his daughter after) "Natural History of British Butterflies. Errata. should read Pl.12 Fig.22 var. Valezina, F.W.F.coll. Fig.23 Valezina var. nigrizina. n.ab. A.B. Farn.Coll. Kindly give this to the Editor. F.W. Frohawk", 60 coloured plates and four black and white plates, as called for, folio, original cloth gilt, vol.1 cloth VGC and with majority of dust wrapper (worn) loosely inserted, vol.2 lower corner of boards worn/soiled (2)
Adrian Bell, a collection of 33 titles, including nearly all published by him, plus some biographies, collections of short stories by countryside writers including Bell etc: 'Men and the Fields', illustrated John Nash, London, Batsford, 1939, 1st edition, 8 coloured litho plates by Nash as called for, original cloth gilt, pictorial dust wrapper by John Nash; 'Corduroy; Silvery Ley; The Cherry Tree', illustrated Harry Becker, London, Country Book Club, 1951, de luxe illustrated edition, 3 volumes, colour & black & white plates throughout as called for, uniform original cloth, dust wrappers, Bell's classic rural trilogy; 'Silver Ley', Cobden-Sanderson, 1931, 1st edition, signed and inscribed by Bell to FFEP, original cloth, dust wrapper by Clifford Webb, authors 2nd book; 'The Cherry Tree', 1932, 1st edition, original cloth, dust wrapper by Clifford Webb (with part loss at head of spine); 'Folly Field', 1933, 1st edition, original cloth, dust wrapper by Clifford Webb (with neat tape repair/reinforcement to spine); 'The Balcony', 1934, 1st edition, original cloth gilt, dust wrapper (by John Nash); 'The Open Air an Anthology of English Country Life', 1936, 1st edition, original cloth, dust wrapper; 'By-Road', 1949, 3rd impression, original cloth, dust wrapper; 'The Shepherd's Farm', 1939, 1st edition, original cloth, dust wrapper by Clifford Webb (with some small part losses); 'Apple Acre', 1947 reprint, original cloth; 'Sunrise to Sunset', 1944, 1st edition, original cloth, dust wrapper; 'The Budding Morrow', 1946, 1st edition, original cloth, dust wrapper by Asgeir Scott; 'The Black donkey', 1949, 1st edition, original cloth, dust wrapper; 'The Flower & The Wheel', 1949, 1st edition, original cloth, dust wrapper (with some small part losses); 'The Path by the Window', 1952, 1st edition, original cloth, dust wrapper; 'Music in the Morning', 1954, 1st edition, original cloth, dust wrapper; 'A Young Man's Fancy', 1955, 1st edition in wrapper; 'A Suffolk Harvest', 1956 1st edition in wrapper; 'The Mill House', 1958 1st in wrapper; 'My Own Master', 1961 1st in wrapper; 'A Street in Suffolk', 1964 1st in wrapper; 'A Countryman's Notebook', Ipswich, Boydell Press, 1975, 1st edition in wrapper; 'The Green Bond', Boydell Press, 1976 1st in wrapper, Adrian Bell autograph postcard signed loosely inserted; plus proof copy of 'Music in the Morning', 1st Reynolds Stone illustrated edition of 'The Open Air', 1949, in wrapper, 'Countryside Mood; Countryside Character; Country Company', 1945, 1946, 1949, 1st editions, 3 volumes, all original cloth, all in dust wrappers, contributions from Adrian Bell, J. Wentworth Day, Henry Williamson, A.G. Street, H.J. Massingham etc, plus 3 others. Adrian Bell came to Suffolk from London in 1920. He was first a farm pupil and then a farmer and lived in various parts of the County for the next 60 years until his death in September 1980. During that time he wrote 25 books, most of which were based on his life and work in Suffolk. His work on farms included the rebuilding of a near-derelict 89-acre (36 ha) smallholding at Redisham, near Beccles. His first book, Corduroy, published in 1930, vividly describes his early years on the land when farming depended on the horse to do what man could not. He also contributed many articles to various magazines and for 30 years his 'Countryman's Notebook' was a feature of the Eastern Daily Press, he was also the first 'setter' of the Times crossword and is credited with help develop its cryptic style. (33)
Samuel Youd, a collection of ten UK 1st editions, all original cloth,all in dust wrappers, including science fiction works under the psuedonym John Christopher: 'The Year of the Comet', Michael Joseph, 1955, 'The Long Voyage', Eyre & Spottiswoode, 1960, 'Cloud on Silver', Hodder, 1964, etc. as Samuel Youd: 'Messages of Love', Longmans, [1961], 'The Summers at Accorn', Longmans, 1963, etc, a Anthony Rye: 'Giants Arrow', Gollancz, 1956, as Hilary Ford:'Felix Running', E&S, 1959, all in unclipped wrappers (10)
Collection of stone set silver and silver jewellery including stone set bangle stamped Nakai, turquoise and pearl bracelet, similar necklace, mother of pearl pendant, quartz, amethyst and pearl necklace , Lapis lazuli pendant and other other bead necklace, stamped or tested
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2466194 item(s)/page