3rd century AD. A D-section silver hoop expanding to ribbed shoulders forming the scrolled borders of the plaque, tiered beaded wire collars surrounding an elliptical cell with inset garnet cloison. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 210. 41 grams, 28mm overall, 17.20mm internal diameter (approximate size British N, USA 6 3/4, Europe 14.0, Japan 13) (1"). Property of a gentleman; acquired in the late 1960s-early 1970s. Very fine condition. A very large wearable size.
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4th-6th century AD. A silver ring with D-section shank and widely flaring shoulder; oval and gilded bezel holding an onyx intaglio engraved with male and female busts facing one another with palm branch to the bottom and chi-rho above. 13 grams, 25.65mm overall, 17.64mm internal diameter (approximate ring size British O, USA 7 1/4, Europe 15.00, Japan 15) (1"). Property of a Surrey collector; acquired in the early 1970s. Very fine condition.
Dated 1937 to 1946 AD. Group comprising: halfcrowns (10; 1937-1946); florins (9; 1937, 1939-1946); shillings, English type (10; 1937-1946); shillings, Scottish type (8; 1938-1942, 1944-1946); sixpences (9; 1937-1939, 1941-1946"). S. 4080-4084. 365 grams total. A near complete date run set for the silver issues, lacking only the 1938 florin, 1937 and 1943 Scottish shillings and the 1940 sixpence. [46, No Reserve] Extremely fine to uncirculated; mostly brilliant.
1st-2nd century AD. A silver military belt set comprising: a hinged buckle with scrolled loop, narrow tongue, tapering plate with guilloche and roundel detailing; four belt-stiffener plates each with convergent long sides, knops to the angles, guilloche detailing. Cf. Appels, A. & Laycock, S. Roman Buckles and Military Fittings, Witham, 2007, item AA12.23. 32 grams total, 36-74mm (1 1/2 - 3"). Property of a Surrey collector; acquired in the early 1970s. Fine condition.
1st-3rd century AD. A silver vessel with flaring rim, long tapering neck engraved with chevron pattern and collar to the base; globular body with wide flat base. 60 grams, 62mm (2 1/2"). Property of a gentleman; acquired in the late 1960s-early 1970s. Fine condition.
Dated 1711 AD. Obv: horseman with arms below with MON NO ARG PRO CON FOE BELG TRAI legend. Rev: crowned arms with date below and CONCORDIA RESPARVÆ CRESCUNT legend; held in a silver mount inscribed 'TREASURE FROM DE LIEFDE SUNK 1711 sterling silver' to edge, with suspension mount and neck chain, with leatherette box. KM# 83.1; see Glendining & Co., Coins of the Netherlands... De Liefde, London, 28 October 1969. 108.24 grams total, box 85 x 65mm. Recovered from De Lifede shipwreck, of Shetland Islands, 1711. [No Reserve] Coin very fine; mount extremely fine.
Dated 1742 AD. Mexico mint. Obv: crowned arms with M/F left and 4 right with PHILIP V D G HISPAN ET IND REX legend. Rev: crowned double globe between pillars with VLTRAQUE VNUM legend and date with o/M mintmark; held in a silver mount inscribed 'TREASURE FROM HOLLANDIA SUNK 1741 sterling silver' to edge, with suspension mount and neck chain, with leatherette box. KM# 94; see Sotheby's, Coins and Other Artefacts, London, 18 April 1972 and W. H. Lane, Treasure from the Sea, Penzance, 1 June 1983. 88.98 grams total, box 85 x 65mm. Recovered from Hollandia shipwreck, Annet, Isles of Scilly, 1741; pendant mount added later. [No Reserve] Coin very fine; mount extremely fine.
20th century AD. A silver cup with deep bowl on an ornamented stem with repoussé decoration to the outer face depicting two male couples engaging in coitus, with a slave boy in the background observing the scene from behind the door; a lyre, double-flute, and draperies to the background; parcel-gilt rim and interior to the bowl; accompanied with a presentation box with text to the inner lid 'The Warren Cup Replica'. The silver Roman drinking vessel known as the Warren Cup dates from the reign of Nero in the first century A.D. Discovered in the late nineteenth century, it was soon purchased by E.P.Warren (1861-1928), a wealthy American anglophile and the pre-eminent collector of antiquities in his day. Upon Warren's death, no museum dared acquire or exhibit the cup, and in 1953 it was denied entry into the US. The cup has recently been the subject of widespread scholarly interest because of its unique place in the history of sexuality, and it is now on permanent exhibition in the Greek and Roman department of the British Museum, where it can assume its rightful place in art history. Accompanied by a copy of the publication Williams, D. The Warren Cup, The British Museum Press, 2006. 562 grams, 11.5cm (4 1/2"). From an important London, W1, collection; acquired 1960-1980s. Possibly one of only six known silver replicas of the cup known to exist. Just one replica was ordered by Warren, which is now in the Ashmolean museum, Oxford, U.K. The cup would have formed part of a silver tableware used for banquets, an essential part of any wealthy Roman home. The cup finds parallels in ceramic Arretine cups that portray similar scenes of homosexual lovemaking. The imagery is possibly influenced by Greek examples that appear on vases and other pottery of the Classical period, and which emulate the ideal of youthful beauty and the practice of younger males being taken as lovers by older males. This was not just for sexual gratification, but also a form of sponsorship in which the youth received an informal education and guardianship. In the ancient world there were no words for homosexual and heterosexual and people could take lovers of any sex. In the Roman world it was the norm for a male to be the dominant partner, usually with a slave; for a Roman male to be the passive partner was seen as demeaning and against the concepts of the male dominated society. Images like this were not unusual in the Roman world. Some of the boys on this cup are underage by today's standards, but the Romans, like the Greeks, tolerated relationships between older and younger men. Relationships between men were part of Greek and Roman culture, from slaves to emperors, most famously the emperor Hadrian and his Greek lover, Antinous. Today such ancient images remind us that the way societies view sexuality is never fixed. [A video of this lot is available on the TimeLine Auctions website] Extremely fine condition.
1st-2nd century AD. A bronze balsamarium in the form of a bust of a Celtic male with coils of lime-washed hair, handlebar moustache and closely cropped beard; eyes inlaid in silver; torc around neck with terminal inlaid in silver; hinge and loops to the top of the head, separate lid in the form of hair. 285 grams, 11cm (4 1/4"). Property of a Surrey collector; acquired in the early 1970s. The Celtic tribes were divided into different classes or castes of hierarchal nobility. Their society was quite complex with a king or queen at the top of society and a warrior aristocracy below them, with merchants and peasants forming further subdivisions of society; the religious sect formed a separate class that was divided into Druids, Bards and Ovates and who not only dealt with religious matters but also formulated the laws. Classical authors, such as Caesar and Strabo, describe the Celtic aristocracy as dyeing their skin with blue paint and washing their hair in lime so that it formed spikes. Another feature of the aristocracy was the wearing of neck torcs, something that was only reserved for the royal family and the warrior aristocracy, as well as the gods, as it was seen to have divine connotations. One of the most famous depictions of the Celtic warrior is the statue of the so-called 'Dying Gaul' now in the Capitoline Museum, Rome, which displays the characteristics described in Classical sources. [A video of this lot is available on the TimeLine Auctions website] Very fine condition.
1st-2nd century AD. A bronze statuette of an acrobat on a round, drum-shaped base, standing on his hands, body arching slightly and legs together; wearing a loin cloth and cap decorated with floral pattern; eyes inlaid with silver. 162 grams, 12cm (4 3/4"). Property of a Surrey collector; acquired in the early 1970s. Acrobats in ancient Rome could perform at a number of venues; either in theatres, as 'gap fillers' between gladiatorial contests at the amphitheatre, at private parties or at impromptu street performances and fairs. A convivium was a dinner party with family, friends or associates. It was somewhat like a Greek symposium except that it was generally regarded as a chance to talk business or politics rather than philosophy and weighty matters. A commissatio was a wild drinking party. Prostitutes, jugglers, musicians, acrobats, actors and fire-eaters entertained guests at the banquets of wealthy Romans. From the descriptions given by Roman authors these banquets were lavish affairs with rose petals scattered on the floor, mechanical devices lowering acrobats and entertainers from the ceiling and slaves blew exotic scents into the room. The Emperors also had special entertainment barges constructed on some of the ornamental lakes in the parks of Rome where acrobats entertained the guests. [A video of this lot is available on the TimeLine Auctions website] Very fine condition.
4th century BC. A gold-framed coin pendant with ribbed loop and crimped outer flange; the coin a silver drachm of Alexander the Great, posthumous issue with portrait bust of Herakles in lionskin mantle to the obverse, Zeus seated to the reverse with an eagle on his extended right wrist. 4.27 grams, 23mm (1"). Property of an Essex, UK collector; acquired London art market, 1960s-1980s. Fine condition.
4th century BC. A flat D-section silver bezel attached to a Greek coin with horse and 'EYP' to obverse, wine grapes and 'MA' to the reverse. 4.38 grams, 20.32 overall, 18.12 internal diameter (approximate size British M 1/2, USA 6 1/2, Europe 13.16, Japan 12 3/4) (3/4"). Property of a Surrey collector; acquired in the early 1970s. Very fine condition.
1st century AD. A silver appliqué formed as the standing figure of a nude woman seen from the rear, with plaited hair and left hand extended to her buttocks; mounted on a custom-made stand. 15 grams, 42mm including stand (1 1/2"). Property of a London gentleman; acquired before 1985. [No Reserve] Fine condition. Rare.
1st-2nd century AD. A bronze female mask with dressed hair, fleshy features; eyes formed oversize for silver foil inserts(?); mounted on a custom-made stand. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 204. 45 grams, 48mm including stand (2"). Property of an Essex gentleman; acquired on the London art market. [No Reserve] Fine condition.
2nd century AD. A silver knee brooch with rounded piriform bow, crossbar with D-shaped stop, extended catchplate with recess to the lower edge; hinged pin to the reverse. Cf. Hattatt, R. Brooches of Antiquity, Oxford, 1987, item 1239. 10 grams, 35mm (1 1/2"). Property of an Essex gentleman; acquired on the UK art market. Very fine condition.
2nd-3rd century AD. A flat-section silver hop with expanding shoulders supporting a discoid plaque, high-relief image of Orpheus(?) wearing a mantle, advancing, playing a lyre. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991, item 187 for type. 9.67 grams, 23mm overall, 18.78mm internal diameter (approximate size British R, USA 8 3/4, Europe 19.0, Japan 18) (1"). Property of a European collector; acquired Europe, 1980s-1990s. Fine condition; bezel restored.
1st-3rd century AD. A silver D-section ring with extending shoulder; oval bezel set with a carnelian intaglio engraved with standing figure of Minerva holding figure of Victory and spear. 4 grams, 19.91mm overall, 15.58mm internal diameter (approximate ring size British J 1/4, USA 4 3/4, Europe 49, Japan 9) (1/2"). Property of a North London gentleman; previously in an important European collection. Fine condition.
Later 1st-2nd century AD. A silver-gilt plate brooch with openwork scrolled trumpet motifs; pin-lugs and catch to the reverse. Cf. Beck, H. et al. Fibel und Fibeltracht, Berlin, 2000, fig.112 (18"). 7.67 grams, 30mm (1 1/4"). Property of a private collector; acquired before 1975. Fine condition, usage wear.
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2466194 item(s)/page