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An Elizabeth II four-piece tea and coffee service of plain rectangular form with canted corners and geometric pattern borders, on a matching silver octagonal twin-handled tray 54cm. wide, maker CB&S, Sheffield, 1975. total weight of silver 120.61ozs. of circular lobed form.
A fine Victorian silver gilt necessaire, of rectangular bombe form, the cover inset with an oval enamel panel of a young girl with a basket of flowers on her head, framed by cast mermaids and masks and chased foliate scroll borders, the side panels cast with frolicking putti within rococo scroll borders, the scrolled feet surmounted by cast musical putti, framed by a pierced and scrolled apron, the interior fitted with two removable velvet lined trays holding a mother of pearl handled button hook, folding ruler, bodkin, scissors, spike, pen knife, thread spool, together with a travelling inkwell engraved with foliate scrollwork and a bloodstone hand seal, the casket London 1844, maker John Linnet, 12cm wide, the casket weighing 18ozs.
A William IV/Victorian matched Fiddle, Shell and Thread pattern flatware service, crested, mainly maker George Adams , London 1845/47 and Mary Chawner London, 1834/35 comprising eighteen tablespoons (two plated), twenty four table forks, fifteen dessert forks, fourteen dessert spoons, six soup spoons (Sheffield, 1922, by Hutton& Sons Ltd) a basting spoon, a pair of sauce ladles by the Lias Brothers, A George III ‘Hourglass’ pattern soup ladle, maker Eley Fearn & Chawner, London, 1810, a pair of condiment spoons, a pair of condiment spoons, a Scottish sugar sifting spoon, a pair of sugar tongs, teaspoon. etc. various makers and dates, total weight of silver 226ozs, (88).
A set of four Victorian presentation salts of flared hexagonal outline, with pierced scrolling sides, raised on hexagonal spreading foot, together with a matching lidded mustard pot, all with ruby glass liners, the bases inscribed S. Keeley, fecit, New Street, Birmingham, maker REA, Birmingham, 1847, the mustard pot Birmingham 1845, together with four Victorian silver salt spoons and a matching mustard spoon, maker Robert, James & Josiah Williams, Exeter, 1847, contained in a fitted presentation case with inscribed plaque and retailer’s label for Samuel Keeley, Goldsmith 12 New Street, Birmingham, total weight of silver 15.43ozs.
A Victorian cream jug of baluster shape and simulated coopered construction, with ribbed girdle and handle, and a matching sugar bowl, 11.5cm. diameter, maker Andrew Crespel & Thomas Parker, london, 1864 (sugar bowl), 1865 (cream jug), total weight of silver, 12.02ozs
An Georgian Irish silver sugar caster of baluster form , crested, raised on a spreading circular foot, 16cm. high, maker’s mark worn but possibly PB below a crown ?, Dublin, remaining marks worn; and a smaller matching caster by the same maker, 14cm. high, marks worn, total weight of silver 10.09ozs
A Victorian silver mounted ‘rock crystal’ claret jug with foliate decorated domed lid having a pierced thumbpiece and acanthus decorated spout, the body intaglio cut in the manner of Stevens and Williams and decorated with flowerheads and trailing foliage, 27.5cm. high, maker Charles Edwards, London, 1884.
An impressive Victorian silver gilt ewer, of ovoid form on a pedestal foot, the body chased with two classical warriors and armour trophies within ribbon and leaf swags, the fluted shoulder beneath a broad pouring lip and helmet surmounted scroll handle, the coat of arms on the knight’s shield are for Gooch, impaling Hirst, Baronets of Benacre Hall, Suffolk 48cm. high, maker’s mark unclearly stamped possibly -F over E-, the base stamped ‘Frazer & Haws from Garrards, Regent Street, London, London, 1869, 87.90ozs.
Samuel Hood. A gentleman’s silver pair-cased pocket watch, the circular white enamel dial with Arabic numerals, the fusee verge movement with backplate inscribed ‘Saml Hood, London 13424’ in a case inscribed ‘G.Mitchell’ with matching outer case initialled ‘GM’, with hallmarks for London 1812.
An Arts and Crafts silver and gem pendant The openwork oval scroll design panel with central oval yellow chrysoberyl, circular colourless gem and cushion shaped green gem accents, and gilt leaf detail, suspending a single cushion shaped green gem collet, circa 1900 View on Christie's.com
A late 19th century Austro Hungarian silver gilt amethyst, ruby, emerald and enamel bracelet Composed of a line of seven graduated cut-cornered rectangular amethysts in scroll design mounts with black, white and pale blue enamel detail and foiled ruby and emerald accents, approximately 18.0 cm. long, some stones deficient, some loss to enamel View on Christie's.com
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2466194 item(s)/page