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A 19th century Hanau silver wager cup, French and Dutch import marks, etched and engraved in the 17th century style with foliate scrolls and marriage coats of arms and monogram cartouche suspended on ropes, the stem with three cast open C scroll brackets and a figure of a man supporting the rotating bowl, 22.5cm high, 6.53ozt
A Japanese silver, mixed metal and rattan miniature chest, circa 1900, cuboid form, the double doors etched and applied with storks and pine trees overlaid in copper and enamel, opening to reveal three graduated lacquer drawers, the sides and tops set with silver and copper fan, scroll and rectangular panels of peony chrysanthemums, pine and bamboo motifs, on a bracket base, 11cm wide, 13cm high, 9.5cm deep
An 18th century Dutch silver and parcel gilt tobacco box or caddy, Hendrick Kamerlingh II, Amsterdam 1735, lobed cylindrical form with ogee domed lid and foliate pear shaped finial, engraved to each panel Rococo floral and scroll motifs, on a cast foliate C scroll and three bracket foot base, 18.5cm high, 17.42ozt
†Alice Mary Burton (British, 1893-1968), still life of chrysanthemum in a glass vase, signed with initials l.l., oil on canvas, 55 by 66cm, in the original leaf moulded gilt frame. Notes: Alice Mary Burton (1893-1968) was born on September 21st 1893 in Nogent-sur-Oise in France. She studied art at the Byam Shaw and Vicat Cole School of Art and at the Regent Street Polytechnic School (Bronze and Silver Medals). She was a portrait and figure painter, although she did produce a few landscapes. She was elected a full Member of the Royal Society of British Artists in 1932. She lived in North Wales (1913), Royal Tunbridge Wells and London (1921). Note: Artist Resale Rights apply
Imperial Borghese Service: a French Empire silver gilt platter and cover, on gilt copper warmer stand, Martin Guillaume Biennais, Paris circa 1809, after a design by Percier and Fontaine, the oval dish with anthemion border, supporting an ogee domed cloche cover, the sides applied with cast relief frieze of classical women united by floral garlands, each supporting a swan emerging from a flower, between lappet borders, the finial with acanthus and laurel lappet shoulder, oval bud knop finial, engraved Biennais, Orfevre de S. Mtes l'Imperiales et Royales a Paris, the stand with twin handles on winged lions head and paw feet, 51cm long, 155.7ozt Note: engraved to each with the arms of Prince Camillo and Pauline Borghese (Bonaparte) Provenance: Prince Camillo Borghese, who married Pauline Bonaparte, the sister of the Emperor Napoleon on 6 November 1803; Borghese Palace Sale, Giacomini and Capobianchi, Rome, 28 March-9 April 1892, part of lot 847; Don Antonio Licata; Prince Baucina; Ercole Canessa; Mrs. Edith Rockefeller McCormick, American Art Association/Anderson Galleries Inc., New York, 5 January 1934, either lot 729 or 730; acquired by the father of Simone de Borges, who married into the founding family of the Borges & Irmao Bank of Portugual; Christie's Property of a Spanish Private Collection, 2nd June 2009, lot 121
A French silver four piece tea and coffee set, Fray Fils, Paris circa 1890, wrythen fluted baluster form, the bodies chased and embossed with feathered flame bands, on four cast foliate cartouche acanthus scroll legs, including teapot, coffee pot, lidded sucriere and jug, retailers mark H Dumont, 24cm high, 78.68ozt (4)
A 17th century German Renaissance stone and silver gilt tankard or stein, turned footed baluster form with chased strap banding and acanthus foot, the cast figural and scroll handle with bust thumb piece, embossed with mask, scroll and berry banding to the lid, surmounted by a putto with shield and staff, 20.5cm high Provenance: Jacques Guerlain Collection
A Queen Anne silver and mother of pearl tobacco box, incised ND, circa 1710, oval form, the removable lid engraved with a Chinese style roundel of incised peony and bird design, the base engraved and chased with a coat of arms in a shell and scroll cartouche, 10.5cm x 8cm
A George II mahogany tea caddy, circa 1740, caddy top with cast metal scroll swing handle, Chinese blind fretwork frieze, Rococo metal escutcheon, the velvet lined fitted interior with triple divisions containing triple silver tea canisters/mixing vessel each with matching bright cut engraved stag heraldry, the largest hallmarked for maker Thomas Newton, London 1740, 15.5cm high, 24.5cm wide, 15.5cm deep
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2466194 item(s)/page