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A Chatsworth Vase by Spode, limited edition no.54 of 250 (boxed) ; another Haddon Hall Vase, limited edition no.54 of 250 (boxed); a Coalport Cobalt Goblet commemorating the wedding of Prince Charles to Lady Diana, limited edition no.1,847 of 2,000, (boxed); another to commemorate the birth of Prince William, no 1,735 of 2,000 (boxed); a Coalport Silver Jubilee Goblet limited edition no. 65 of 2,000 (boxed); etc(7)
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON RARE SET OF SIX SILVER & ENAMEL TEASPOONS, each of differing design with stylised foliate finials highlighted in richly graduated enamel tones, maker’s mark L & Co., hallmarked Birmingham 1902, in a fitted case retailed by Edward & Sons of Glasgow (Dimensions: 11cm long) (Qty: (6))(11cm long)
ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER BROOCH, MARKS FOR 1933-44 depicting a robin on a fern frond, stamped maker's marks GJ/ STERLING DENMARK/ 309, 5cm across; together with a STERLING SILVER PENDANT, in the form of a bird amongst fern fronds within a heart, with fine link chain, stamped maker's marks GJ/ 925/ STERLING DENMARK/ 97, pendant 4cm across (Qty: (2))
H. W. DE KONINGH SILVER & ENAMEL NAVETTE-SHAPED ‘KINGFISHER’ PENDANT, CIRCA 1910 delicately painted with a kingfisher with iridescent bright blue plumage and golden breast, perched in a watery reed bed, on a silvery pale blue ground, signed with initials HWK, in a silver frame with bead & reel border, the plain silver reverse stamped with maker’s mark HW over K, and STERLING SILVER (Dimensions: 5cm high)(5cm high)Footnote: Literature: Spiel, Erika Dictionary of Enamelling , pages 36-7 de Koningh, H. The Preparation of Precious and other Metals for Enamelling Note: Henri de Koningh, born in Dordrecht, established himself as an art enameller with premises at 14-15 D'Arblay Street, Poland Street, London
GEORG JENSEN (1866-1935) STERLING SILVER AND AGATE BRACELET, MARKS FOR 1933-44 comprising four agate links and two further links with stylised flowers, set with two agates and four green cabochons, with link spacers, stamped maker's marks GJ (twice)/ STERLING/ DENMARK/ 925/ 34 (Dimensions: 17.5cm long)(17.5cm long)
HARALD NIELSEN (1892-1977) FOR GEORG JENSEN PART CANTEEN OF SILVER 'PYRAMID' PATTERN FLATWARE, comprising 10 table knives, 10 dessert knives, 10 soup spoons, 10 table forks, 10 dessert spoons, 10 dessert forks, 9 grapefruit spoons, 2 carving knives, 2 carving forks, 2 salad servers, a sauce ladle, a pie fork and pie slice, 2 small butter knives, 6 table spoons, 10 fish knives, 10 fish forks, variously hallmarked with stamped maker's marks and import marks for London 1931-1938 (mainly 1936-8 with one knife 1958), enclosed within an associated brass-mounted mahogany case comprising 4 fitted drawers (Qty: (qty))
LOETZ, AUSTRIA 'TITANIA' IRIDESCENT GLASS VASE, CIRCA 1910 the ruby glass body with pulled silver iridescent frieze and bubble inclusions (Dimensions: 19.5cm high)(19.5cm high)Condition report: In good order and pretty appearance Couple of minor bruises to underside foot rim Otherwise some light surface scratches here and there, and dirt to interior, but good order
ERNEST GIMSON (1864-1919) LARGE COLLECTION OF PHOTOGRAPHS OF HIS WORK, EARLY 20TH CENTURY to include images of interiors, furniture and metalwork and including views and interiors of The Leasowes and Daneway House, Sapperton, Gloucestershire; Cottages at Kelmscott (for May Morris), workshop etc., silver gelatin prints, between 200 x 150mm and 105 x 135mm, some bearing inscriptions verso in pencil with clients' names, photographer's initials, locations etc. (Qty: (220))Footnote: Note: Rather than produce extensive illustrated catalogues to promote his designs, Gimson employed Dennis Moss of Cirencester to capture high quality photographs of his work. Many of these were sent to potential clients, often with Gimson’s own handwritten details including prices and instructions for their return. Similar photographs exist in the De Montfort University Archives and Special Collections, GB 3071 D/038/A
ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER PENDANT, POST 1945 designed with a kneeling deer amongst stylised flowers, within an oval frame, with fine link chain, stamped maker's marks GEORG JENSEN/ 925/ STERLING DENMARK/ 95, 4.4cm across; together with a GEORG JENSEN STERLING SILVER BROOCH, depicting a deer and squirrel amongst foliage, stamped maker's marks GEORG JENSEN/ STERLING DENMARK/ 318, 3.6cm across (Qty: (2))
ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER BROOCH, POST 1945 depicting a bird on a fern frond, stamped marks GEORG JENSEN/ STERLING/ DENMARK/ 309, 5cm wide; and another STERLING SILVER BROOCH, CIRCA 1940, depicting a songbird above fern fronds, stamped maker's marks GEORG JENSEN/ STERLING/ DENMARK/ 258, 4cm wide (Qty: (2))
LIBERTY & CO., LONDON ART NOUVEAU SILVER & ENAMEL BELT BUCKLE, BIRMINGHAM 1909 set with turquoise enamel roundels, stamped maker's marks L&Co, hallmarked Birmingham 1909, 8cm across; and a DEAKIN & FRANCIS ART NOUVEAU SILVER BUCKLE, with entwined foliate decoration, stamped maker's mark D&F, hallmarked Birmingham 1908, 7cm across (Qty: (2))
M. OFFNER ART DECO COPPER FLOOR LIGHT, CIRCA 1925 with silver and brass geometric design, the turned shade on knopped column and spreading base with corresponding decoration, bears signature to base M. OFFNER (Dimensions: 29cm wide, 168cm high)(29cm wide, 168cm high)Condition report: Some minor wear/tarnishing and marks to metalware. Minor dents to pedestal base. There is a hole drilled through the lower part of the shade.
ARNO MALINOWSKI (1899-1976) FOR GEORG JENSEN STERLING SILVER BROOCH, CIRCA 1942 of circular outline, depicting two butterflies amongst flowers, stamped marks GEORG JENSEN/952 S/DENMARK/283 (Dimensions: 5.5cm wide)(5.5cm wide)Condition report: In good condition, only minor surface wear. Marks are all clear. Pin and safety chain is working well. In original Georg Jensen box. Gross weight: 26.7g
ATTRIBUTED TO CHARLES ROBERT ASHBEE FOR THE GUILD OF HANDICRAFTS COPPER, ENAMEL AND PLATED CHALICE with planished surface, the cover with red enamel roundel and openwork finial, set with a red cabochon and enclosing a plated interior, the bowl above a knopped stem with openwork plant form supports, above a circular base with six domed roundels (Dimensions: 35.5cm high )(35.5cm high )Footnote: Literature: Crawford, Alan 'C.R. Ashbee', Yale University Press 1985, pp.318-321. Note: During the early 1890s, the Guild of Handicrafts started using silver and silver plate for the first time. The focus at first was decorative sports trophies and cups, followed by more functional objects in the latter half of the decade as the Guild shifted its attention to silver tableware. Ashbee continued to make cups with covers, some of which were used as prizes or trophies for sport in the late 1890s and early 1900s. These he produced partly because of his interest in watching competitive sports, and also because of his passion for craftsmanship and his disdain for mass-produced trophies that he believed to be an insult to both art and athletics. The cup and cover offered here demonstrates this admiration for hand-crafted metalwork. The textured surface of the metal is intentionally left unsmooth or planished to show the human interaction and imprint of the craft. It demonstrates typical characteristics of Ashbee's designs, not only with regard to its finish but also due to the foliate openwork decoration, the enamelling and the setting of cabochon stones (which also feature in his jewellery and metalwork from the early 1890s.) The plated finish on the interior is thought to have extended throughout the piece and has now been polished away. The form is inspired by German and Dutch standing cups of the 1600s, of which there was a fine collection at the South Kensington Museum in London, where Ashbee was a regular visitor.
ATTRIBUTED TO EDWARD WELBY PUGIN FOR JOHN HARDMAN & CO. GOTHIC REVIVAL SILVER AND ENAMEL BEAKER, with gilt interior, bearing inscription AND HE SHOWED ME A PURE RIVER OF WATER OF THE CLEAR AS CRYSTAL, with an applied central band of Gothic tendrils and four enamelled cartouches, one depicting the Virgin teaching the Christ child to read, with maker's marks and hallmarks for Birmingham 1866, weight 8.29ozt approx. (Dimensions: 10cm high)(10cm high)Condition report: Beaker in good general condition with no bumps or dents Enamels are essentially sound although there is a flake to the RH side of the Madonna's head All applied elements, wirework etc are good and sound Some allover light scratching and rubbing to the gilt in the interior Minor tarnish marks and scratches here and there Provenance anonymous vendor
RAMSDEN & CARR (OMAR RAMSDEN & ALWYN CARR) ART NOUVEAU SILVER BON-BON DISH, LONDON 1906 with three pierced shouldered handles inset with cabochon stones, raised on a circular foot, stamped maker's marks, hallmarked London 1906 (Dimensions: 10.5cm high)(10.5cm high)Footnote: Provenance: Private collection of G. S. May Esquire
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2466194 item(s)/page