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Coromandel vanity case, the hinged top opening to reveal a fitted interior complete with various glass toilet bottles and jars fitted with silver plated lids and covers, the cover interior with mirrored panel opening to reveal a stationary compartment and the box with lower fitted jewellery drawer, 12in (30.5cm) wide
Beaton (Cecil, 1904 - 1980). Ottilie Ethel (Tilly) Losch, c. 1940s, later printing from the original negative, head and bare shoulders in profile between two ivy - clad tree trunks, silver print, small crease to lower right corner, photographer's ink stamp to verso, 239 x 239 mm together withKaren Blixen, [1962], cropped full - face smiling close - up, silver print, small chemical blemish near outside of right eye socket, photographer's stamp, no. 661 - 12 and faint adhesion marks to verso, 237 x 241mm (9.3 x 9.5in.) (2)
Bridgework & Gasworks. An album of fifty - two mounted gelatin silver prints, c. 1930s, showing structural and quasi - arc engineering details and construction, etc., of Chelsea Bridge, a welded span - bridge at Billingham Beck, Middlesborough, welded bubble tower, hot water reservoir, etc., followed by sturctural photos of gasholders incl. the Fitzroy gasholder in Melbourne, Australia, image sizes approx. 8" x 6" and slightly smaller, mounted on thrity - three pages, contemp. cloth, oblong 4to, together with a contemp. typed contents list (1)
Charcoal Burning. (). A collection of twenty - nine gelatin silver prints of charcoal burning, c. 1940, mostly showing a charcoal burner building and attending to his charcoal kiln, most with typed captions and copyright labels of Camera Talks to versos, approx. 27 x 21cm and smaller (29)
Karsh (Yousuf). H. R. H. Faisal Ibn Abdul Aziz, c. 1945, later printing from the original negative, half length in profile, with arab head - dress and hands clasped, Karsh copyright ink stamp to verso and pencilled no. 13 to lower right, few other ink and glue marks, minor creasing to corners, 333 x 267 mm together with Beaton (Cecil, 1904 - 1980). Charles, Prince of Wales, c.1970, half length, leaning forward in a royal interior, silver print, photographer's ink stamp and no. 996/17 to verso, very minor creasing to corners, 239 x 241mm and Queen Elizabeth, the Queen Mother, [1939],later printing, full length, seated and wearing a tiara and silk evening gown, with a painted woodland backdrop with real roses, silver print, photographer's stamp to verso, no. N.S. - 9, 223 x 155mm (3)
Montgomeryshire. Attractive Exemplification recovery of a Fine, dated 7th May 1636, written in a fine bold chancery hand, recording the Court of Great Sessions for Montgomery, held at Welshpool in which Edward Waties, Esquire and Evan Phillipp, gent, claim against John Lloyd, gent, and Elizabeth Price, Widow, eight acres of land, ten acres of meadow, twelve acres of pasture, in Leighton & Hope in consideration of eighty marks in silver, with accompanying translation (1)
Rhind (W. G.). The Tabernacle in the Wilderness; the Shadow of Heavenly Things. Three Engravings, Coloured, and Inlaid with Gold, Silver, and Brass, According to the Texts of Scripture: with Explanatory Notes, Samuel Bagster, 1842, actually with four engraved plates in colours and gold, contemp. half roan, maroon cloth sides blocked in blind, uniformly faded, printed leather label on the upper cover, folio, good copy (1)
Tenniel (John, illust.). Lalla Rookh: an Oriental Romance. By Thomas Moore, Longman, Green, [etc.], 1861, sixty - nine wood - engs. by the Brothers Dalziel after John Tenniel, four wood - eng. plts. and one colour - printed plate of Persian design after Thomas Sulman, leaf of publisher's adverts. at the end, light foxing, orig. purple cloth, blocked in blind, silver, and gilt to a Persian design, spine and upper cover faded, slightly rubbed, a.e.g., 8vo (1)
An attractive Turkish cevre, embroidered in silk satin stitch and gold thread on a fine silk gauze ground, probably Brusa second half 19th century, 36in. x 91.5cm. sq. And a Turkish yaglik, finely embroidered at either end with floral motifs in silk satin stitch and gold and silver thread on linen ground decorated with cypress tree and other motifs in white silk, the edges bound in cream silk and with a narrow cream silk border either end. Brusa early 19th century. Sold with all faults not subject to return. (2)
A Victorian walnut lady's dressing box, with parquetry inlay strap decoration and mother of pearl key and name plates, the interior with mixed collection of eight bottles (five with silver plated tops) and blue velvet lined tray, with secret drawer to side and bevel edged mirror, 17cm high, 30cm wide.
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2487960 item(s)/page