MONTBLANC, MEISTERSTÜCK, RAMSES II, 20164 A SPECIAL EDITION BALLPOINT PEN, EK100289, CIRCA 1995Cap and Barrel: lapis lazuli and lacquer cap with gold plated cap bands and clip, with silver gilt straited barrel, stamped 925 with common control markNib and Filling System: medium yellow and white gold coloured nib stamped 18K and 750, piston filling system, uninkedAccessories: original Montblanc box, Personal Montblanc Guide, Ramses II booklet, and outer card Ramses II boxCondition Report: As new condition, some signs of storage to outer card boxCondition Report Disclaimer
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Y MONTBLANC, PATRON OF THE ARTS SERIES 4810, J. P. MORGANA LIMITED EDITION FOUNTAIN PEN, NO. 3259/4810, CIRCA 2004Cap and Barrel: Silver coloured, stamped 925 with common control mark, cap with mother of pearl starNib and Filling System: stamped 18K 750, piston filling system, uninkedAccessories: original Montblanc box, international service certificate, outer card packagingCondition Report: Unused and almost as new.Condition Report Disclaimer
MONTBLANC, PATRON OF THE ARTS SERIES 4810, ANDREW CARNEGIE A LIMITED EDITION FOUNTAIN PEN, NO. 3960/4810, CIRCA 2002Cap and Barrel: black lacquer and silver coloured overlay silver coloured female figure clip stamped 925Nib and Filling System: medium white and yellow gold coloured nib stamped 18K and 750, piston filling system, uninkedAccessories: original Montblanc box, International service certificate, outer card box and outer plain white card sleeveCondition Report: Uninked and unused, almost as new condition.Condition Report Disclaimer
MONTBLANC, PATRON OF THE ARTS SERIES 4810, ALEXANDER VON HUMBOLDTA LIMITED EDITION FOUNTAIN PEN, NO. 4572/4810, CIRCA 2007Cap and Barrel: hardwood with silver coloured overlay stamped Ag 925 with common control markNib and Filling System: medium yellow and white gold coloured nib stamped 18K and 750, piston filling system, uninkedAccessories: original Montblanc lacquer box, International service guide, outer card box and outer white card sleeveCondition Report: Uninked and unused almost as new condition.Condition Report Disclaimer
MONTBLANC, PATRON OF THE ARTS SERIES 4810, GAIUS MAECENASA LIMITED EDITION FOUNTAIN PEN, NO. 2657/4810, CIRCA 2011Cap and Barrel: silver coloured cap engraved with the first verse of an ode to Maecenas by Horace, stamped Ag 925, with white marbled columnar barrelNib and Filling System: medium white gold coloured nib stamped 18K and 750, piston filling system, uninkedAccessories: original Montblanc lacquer box, Gaius Maecenas 4810 booklet, service guide, outer card box and outer white card sleeve
AN EDWARDIAN SILVER ROSE BOWL, WALKER & HALL, SHEFFIELD, 1903 the circular bowl chased below the beaded rim with a broad band of shells and acanthus, the short pedestal foot with similarly chased border, underside with stamped trademarks and numbered 52262 30.5cm diameter, 1478gr (47oz)
A PAIR OF VICTORIAN SILVER CANDLESTICK OIL LAMPS, HAWKSWORTH, EYRE & CO. LTD., SHEFFIELD, 1897 the loaded silver sticks with square bases rising to decorated columnar stems beneath Corinthian sconces and beaded nozzles, the detachable oil lamps with bulbous hob cut glass reservoirs, electroplated Evered"s wick mechanisms and fireproof glass shades 48cm high
TWO SILVER SEAL MATRICES, UNMARKED, CRICHTON BROTHERS, LONDON, CIRCA 1904 each a copy of Sir Walter Raleigh"s Seal of Office as Warden of the Stannaries of Devon and Cornwall, numbered 360 or 21 on the reverse 4.5 x 4.5cm *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography* See British Museum No.1904,0113.1-3 for three Raleigh seals (including the Stannary seal), the online entry noting that the Museum "was given these seals by subscribers who bought copies of the seals made by Crichton"s. Up to 600 of these, in silver but unmarked except with a serial number on the reverse, were apparently made."
A FRENCH SILVER TABLE BELL, MAISON PUIFORCAT, PARIS, 1920s probably designed by Jean E. Puiforcat (1897-1945), the tent-like bell with linear decoration below stylised leaves around the base of the turned mother-of-pearl handle, maker"s and 950 standard marks 14.5cm high Provenance: Private European Collector, "The Seawolf Collection", Object No.145 op. cit. (see lot 532 for further details.)
A SMALL SILVER PLAQUETTE, PROBABLY ITALIAN, 17TH CENTURY oval, of two classical female nude figures flanking a child, 4 x 3cm; together with a small bronze oval plaquette with St. Catherine with an angel ascending into heaven, ERNST MUZEUM AUKCIOI label to reverse (auctions organised by Lajos Ernst, Budapest, 1920s), 4.5 x 3.5cm (2) Provenance: Collection of Alfred Spero (1886-1973), London, from whom acquired by Bernard Kelly between 1967-1969. *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography*
A GROUP OF NINE CHINESE SILVER MINIATURE MODELS, EARLY 20TH CENTURY comprising: a lantern hanging from a leafy bamboo stand, a pair of armchairs, a side chair, a rocking chair, a boat on wood stand, a moon guitar (yueqin), a shoe, and a peasant with yoke (baskets lacking), most with chop marks, some retailer marks lantern stand 9cm high
AN EDWARDIAN SILVER "HOLMS CUP", CRICHTON BROTHERS, LONDON, 1904 the font shaped cup of unusually large size, the bowl flat-chased in Lombardic letters with part of a Benedictine monastic Grace in Latin "Benedictus deus im dona suis ame" above scalework, the stem with a corded border above bold lobes, the footrim with a band of leafage 21cm high, 2129gr (68oz) Provenance: Private European Collector, "The Seawolf Collection", Object No.113 op. cit. (see lot 532 for further details.) The original Holms Cup, also known as the Tudor Cup, is of 1521, with a scallop shell maker"s mark. Early 20th century copies of it by the manufacturing silversmiths Nathan & Hayes of Birmingham and Hatton Garden can be found, although not of the scale nor gauge of the present lot. Crichton Brothers were well known for their stock of both antique and reproduction silver. The progenitor of all these replica Holms Cups appears to have prompted their creation, following the astonishing price it achieved in 1901 of £4100, when sold in Christie"s auction of the Dunn-Gardner collection. It acquired its name since the buyer was John Augustus Holms (1866-1938), a wealthy Paisley solicitor who had made a fortune on the Glasgow Stock Exchange. Later financial difficulties forced the dispersal of Holm"s famous collection, said to rival the Burrell collection. The original cup is now held by the National Museum of Scotland (No.A.1958.301).
A GEORGE V SILVER CONSERVE SPOON AND A BUTTER KNIFE, OMAR RAMSDEN, LONDON, 1924/25 RESPECTIVELY hammer finished, each oval terminal with a low relief flowering thistle 15.5cm long, 83gr Provenance: Private European Collector, "The Seawolf Collection", Object No.67 op. cit. (see lot 532 for further details.)
FIVE JAIN CLOTH MANUSCRIPT COVERS, GUJARAT, 19TH CENTURY each of rectangular form with smaller folding back flap, two with embroidered floral and figural designs, the other three with silver thread and applique decoration 17 x 29cm approx. each For two similar Jain bookcovers, see Subashini Aryan, "Unknown Masterpieces of Indian Folk and Tribal Art", Gurgaon 2005, p.141.
A SET OF FOUR SILVER DOG FIGURAL PEPPERETTES, GERMAN, EARLY 20TH CENTURY each realistically modelled as a German Shorthaired Pointer with one leg raised and simply pierced detachable head, stamped with indecipherable maker"s mark, Reichsmark and "800" 13.5cm long, 280gr (9oz)
ËœA SILVER, TORTOISESHELL AND MOTHER-OF-PEARL BOX, PROBABLY DUTCH OR GERMAN, SECOND QUARTER 18TH CENTURY the lid with a geometric arrangement of nacre motifs and silver cagework all set into tortoiseshell within a reeded silver rim mount, with bombé silver sides and tortoiseshell base 5.3cm diameter
A GERMAN SILVER TAZZA, CIRCA 1900 the richly decorated stand with shaped square base on four splay feet and a stem formed as a two-handled vase supporting a Belgian glass dish from Cristallerie Val St. Lambert, incuse maker"s mark M&S., Reichsmark and "800" stamps 17.5cm high
A GEORGE VI SILVER CIGARETTE BOX, E.J. TREVITT & SONS LTD., BIRMINGHAM, 1938 engine-turned stepped rectangular lid with foliate thumbpiece, the cedar-lined navette-shaped plain silver body on rounded pad feet 18.5cm long Provenance: Private European Collector, "The Seawolf Collection", Object No.123 op. cit. (see lot 532 for further details.)
A PAIR OF DANISH SILVER CUFFLINKS, PROBABLY GEORG JENSEN, COPENHAGEN, EARLY 20TH CENTURY each openwork shaped circular plaque with leaf and flower motif, curved post and swivel fittings, stamped "830" and "830S" and a poorly struck indecipherable mark plaque 2.2cm wide Provenance: Private European Collector, "The Seawolf Collection", Object No.184 op. cit. (see lot 532 for further details.)
A GEORGE V SILVER TEAPOT, DAVID T. DAVIES, LONDON, 1931 planished oval, on short pedestal foot, with bold angular girdle, the lid with an applied cruciform motif 26.5cm long, 706gr (22oz) including composition handle and finial Provenance: Private European Collector, "The Seawolf Collection", Object No.77 op. cit. (see lot 532 for further details.) For further examples of studio work from this elusive maker see: Peter Francis, Carmarthen, 18 May 2016, lots 200-202, each lot noted as: "Provenance: Consigned by the silversmith"s family."
[GP] A PAIR OF GEORGE III SILVER SALT STANDS, ONE ROBERT HENNELL, THE OTHER ROBERT & SAMUEL HENNELL, LONDON, 1796 / 1809 dished oval, the everted rims engraved with a crest below a reeded edge, with one glass liner hobnail cut below a shaped rim 11.8cm long, 124gr (3oz 19dwt) (3)
A CANTEEN OF GERMAN TABLE SILVER, PETER BRUCKMANN & SOEHNE, HEILBRONN, CIRCA 1920 Fruchte Rand pattern, probably designed by Helene Lock-Brandt, initialled PZ, comprising twelve of each of the following: tablespoons table forks table knives with stainless steel blades dessert forks dessert knives with stainless steel blades fish forks fish knives fruit forks fruit knives with electrogilt blades ice cream spoons teaspoons and twenty-four assorted serving pieces, makers, Reichsmarks and "800" stamps, all in their oak case with parquetry top above double doors with brass decorative hinges and key plates opening to five fitted drawers, with key weighable silver 6514gr (209oz) (156 pieces excluding case) Provenance: Private European Collector, "The Seawolf Collection", Object No.169 op. cit. (see lot 532 for further details.) The sculptor and modeller, Helene Lock-Brandt (1879-1950), worked for Bruckmann"s between 1910-22, creating a table suite with fruit decoration for the Deutsche Werbund exhibition in Cologne in 1914, the suite later extended into a complete line of table wares.
AN EDWARDIAN SILVER BELT, ATKIN BROTHERS, BIRMINGHAM, 1901 openwork, cast as alternate Arts and Crafts foliate and lyre-like panels with cable links between, the buckle as a pair of foliate wing-shaped panels 62cm long, 188gr (6oz) Provenance: Private European Collector, "The Seawolf Collection", Object No.180 op. cit. (see lot 532 for further details.)
A SET OF SIX HUNGARIAN SILVER CUPS, ANTAL BACHRUCH SUCCESSORS, BUDAPEST, CIRCA 1930 each bulbous cup set with a wood handle, trade name and 900 standard marks 8cm across handle, 318gr all in Provenance: Private European Collector, "The Seawolf Collection", Object No.160 op. cit. (see lot 532 for further details.)
A GEORGE V SILVER LARGE CROSS, OMAR RAMSDEN, LONDON, 1932 the presentation inscribed hammered rectangular stepped foot with in-curved corners rising to a conforming stem set with two chrysoprase cabochons between girdles below a bold knop issuing eight amethyst set lozenges, surmounted by the adorned fleury cross with openwork sunburst surrounding both front and back an applied quatreform cartouche charged with the Paschal Lamb (Agnus Dei), the fleur-de-lys terminals with Tudor roses, underside set with a wood panel into which screws the baize lined wood base 81cm high overall Provenance: Private European Collector, "The Seawolf Collection", Object No.71 op. cit. (see lot 532 for further details.) The inscription reads: TO THE GLORY OF GOD AND IN MEMORY OF ELLEN BERTHA TUFNELL 1867-1930 Ellen Bertha Gubbins, daughter of Rev. Richard Shard Gubbins, Rector of Upham in Hampshire, married Lt.-Col. Edward Tufnell in 1891. Edward Tufnell (1848-1909) was from a political family: his Whig MP grandfather developed Tufnell Park in London, his father was a civil servant and educationist. He himself served as a Conservative MP for South East Essex from 1900-06, before dying at the house leased by the family, Crowhurst Park, Battle. One son, Richard, was also a Conservative MP, but another, Carleton, fell at the Somme. Ellen Tufnell died at 46 Eaton Square, London, the 1911 census recording seven servants in the house of twenty-two rooms. Given her nearby residence, she may well have been familiar with Omar Ramsden"s silver Relic of the True Cross at St Mary"s Bourne Street.
[GP] A SET OF SIX FRENCH SILVER-GILT DESSERT KNIVES, PROVINCIAL, 1819-1838 with silver-gilt blades and mother-of-pearl handles with a vacant pointed oval between foliate shell terminals, maker"s mark PG, 800 standard; together with another six French silver-gilt dessert knives, circa 1850, similar, without vacant pointed oval (12)
A DIAMOND SET SILVER-GILT LETTER OPENER, UNMARKED, EARLY 20TH CENTURY tapered, the handle formed as a clip mounted with a rose diamond set snake wrapping itself around the top, in a probably later tan morocco case, the fitted interior with gilt stamped retailer"s label for Tessiers Ltd., 26 New Bond Street, London 17.8cm long, 76gr all in
A SET OF TABLE SILVER, VINERS LTD., RETAILED BY ASPREY & CO. LTD., SHEFFIELD, 1955-1960 of an Art Deco pattern and initialled GG, complete for six of each of the following: table forks dessert spoons dessert forks soup spoons teaspoons; and six table knives and six dessert knives with ivorine handles and stainless steel blades etched "ASPREY / BOND STREET" 1494gr (48oz) excluding knives (42 pieces)
ËœA GEORGE IV SILVER TEA AND COFFEE SET, JOSEPH ANGELL, LONDON, 1823 / 1826 fluted compressed circular, each on four cast shell and acanthus panel feet and with an applied everted rim of cast foliate rocaille, the teapot and coffee pot with leaf-capped spouts and handles, the milk jug and sugar bowl with gilt interiors coffee pot 22cm high; 2367gr (76oz) including ivory insulators to pots
A SET OF TABLE SILVER, GARRARD & CO. LTD., LONDON, 1969-1979 Elizabethan pattern, plain, comprising: six tablespoons fifteen table forks twelve table knives with stainless steel blades twelve dessert spoons twelve dessert forks twelve dessert knives with stainless steel blades twelve soup spoons twelve fish forks twelve fish knives twelve fruit forks twelve fruit knives twelve teaspoons twelve coffee spoons and a soup ladle (C.J. Vander Ltd. for Garrards), and a pair of sauce ladles 7836gr (251oz) excluding stainless steel knives (156 pieces)
A SILVER-GILT RELIGIOUS MEDAL OF ADAM AND EVE, AFTER HANS REINHART (1501-1581), GERMAN, DATED 1551 initialled K B above the figures flanking the serpent entwined tree, the crucifixion on the reverse, both sides with Latin inscriptions, with applied suspension loop, 5 x 4cm; together with a Dutch silver medal with the arms of the House of Orange Nassau, the reverse with inscription dated 1747 (partly covered by a collector"s label), with filigree border, 5.5cm diameter (2) Provenance: Collection of Alfred Spero (1886-1973), London, from whom acquired by Bernard Kelly between 1967-1969. *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography*
A VICTORIAN SILVER YACHT CLUB CIGARETTE CASE, DEAKIN & FRANCIS, BIRMINGHAM, 1891 oblong pocket-fitting form, the lid painted in guilloché and opaque enamels with the burgee of the Norfolk & Suffolk Yacht Club, the gilt interior inscribed "A.H. JACKSON. / LOWESTOFT." 8.5cm long, 92gr The Royal Norfolk & Suffolk Yacht Club, with its famous Lowestoft clubhouse, was granted a Royal Warrant by Edward VII, back-dated to 1898. This was the year the club started calling itself "Royal", adding a crown to its insignia, following a mistaken understanding from its Patron, the then Prince of Wales, that it had the right.
A SILVER PANEL "SUFFER THE LITTLE CHILDREN TO COME UNTO ME", AFTER LUCAS CRANACH (1472-1553), PROBABLY GERMAN, 19TH CENTURY oval, the cast scene surrounded by the Latin inscription 6 x 8cm Provenance: Collection of Alfred Spero (1886-1973), London, from whom acquired by Bernard Kelly between 1967-1969. *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography*
A PAIR OF VICTORIAN PARCEL-GILT SILVER DESSERT STANDS, ALEXANDER MACRAE FOR HARRY EMANUEL, LONDON, 1859 each openwork basket-weave bowl supported by a playful trio of clambering putti, on ornate pedestals with matted grounds and strapwork bordered oval cabochon panels, the spreading circular base with applied cast swags between four scroll feet, the undersides stamped "EMANUEL / HANOVER SQUARE / LONDON" below a crown 31.5cm high, 2513gr (80oz) excluding associated blue glass liners These stands must have been retailed from the glamorous new showrooms Harry Emanuel had recently created in Hanover Square, described by The London Illustrated News as "one of the most unique and commodious buildings for business and domestic purposes at the West End of London" (for further information on the firm see John Culme, "The Directory of Gold and Silversmiths", Woodbridge, 1996, Vol.II, p.145-148).
A GROUP OF NINE WINE LABELS (BOTTLE TICKETS) all with chains, comprising: a silver set of five oblong with shell and foliate rims inscribed for WHISKEY, GIN, PORT, BRANDY and SHERRY, EP&Co, Sheffield, 1962; another pair of the same pattern but plated and both for CLARET; a George III silver cut-cornered rectangular example for CLARET, William Ellerby, London, 1819; and a similar but plated example for VIN DE GRAVE
[GP] A GEORGE III SILVER MILK JUG, STEPHEN ADAMS, LONDON, 1794 pedestal helmet form, square foot, plain excepting the reeded rim and handle, 15cm high; together with a silver cream jug, S. Blanckensee & Son Ltd., Birmingham, 1920, slightly bulbous oval, plain excepting reeded rim and leaf-capped handle, 8cm high 166gr (5oz) (2)
THREE SILVER COINS comprising: a Dutch 28 stuiver siege coin, Leiden, dated 1574, the city arms and legend GODT BEHOEDE LEYDEN, reverse with a crowned lion with liberty cap on pole and the legend HAEC LIBERTATIS ERGO; an osella, Venice, after Piero Pasta for Francesco Loredan, dated 1759, commemorating the presentation of the Golden Rose by Pope Clement XIII, Religion on pedestal flanked by St Mark and the Doge, reverse with the Golden Rose; and a large scudo, Papal States, Pius VI, dated 1780, seated Religion in clouds with legend AUXILIUM DE SANCTO, reverse with the arms of the Pope and legend PIUS SEXTUS PONT.M.A.VI, applied cresting with suspension loop; together with a brass pilgrim badge, after Francesco Cesarini, Italian, probably 19th century, after a medal of about 1688, profile bust of Pope Innocent XI, reverse with a procession approaching the Church of the Virgin at Loretto (4) 4 to 3.5cm diameter Provenance: Collection of Alfred Spero (1886-1973), London, from whom acquired by Bernard Kelly between 1967-1969. *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography*
A FRENCH ART DECO SILVER TRAY, CH. BOULENGER & CIE, PARIS, 1933-38 "service à thé Monique" pattern, the plain circular plate within a dodecagonal rim applied with angular rosewood set handles, maker"s and 950 standard marks 50cm across handles, 2325gr (74oz) all in Provenance: Private European Collector, "The Seawolf Collection", Object No.152 op. cit. (see lot 532 for further details.) Ch. Boulenger & Cie, principal suppliers to the French Navy, were renowned for their silver and plated table wares, winning exhibition awards at International Exhibitions, including: Paris 1925, Cairo 1929 and Antwerp 1930. |In a "Supplément à l"Extrait No 4", dated 1933, their "nouveaux modèles" in "style moderne" are presented. According to this, the tray is part of the "Service à thé Monique (Garnitures palissandre)" and was apparently designed by M de Thèze.| (The Seawolf Collection op. cit., p.173)
A VICTORIAN SILVER "TEMPERANTIA" BASIN (VENUS ROSEWATER DISH), ELKINGTON & CO., BIRMINGHAM, 1872 electrotyped after a basin following designs by Francois Briot (1545-1620), the central raised medallion with Temperance holding a wine cup surrounded by a band with cartouches of the four classical elements with herms and strapwork between, the outer border with cartouches of the seven Liberal Arts and one of their patron Minerva between further strapwork and masks, with ovolo rim 46.5cm diameter, 2035gr (65oz) The Temperantia Basin (also known as the Temperance Dish) is one of the most copied and adapted pieces from the Renaissance period (Victoria and Albert Museum No.2063-1855). The same Elkington silver electrotype model, commonly known by the misnoma the Venus Rosewater Dish, is especially renowned when held aloft annually by the Wimbledon Ladies Singles champion.
A DANISH SILVER CHILD"S (OR CADDY) SPOON AND A CHILD"S PUSHER, GEORG JENSEN, COPENHAGEN, CIRCA 1930 AND 1954 RESPECTIVELY Acorn pattern (designed by Johan Rohde in 1915), both with Jensen marks, the spoon import marked for Stockwell & Co., London, 1930, the pusher for Georg Jensen Ltd., London, 1954 (2)
AN AMERICAN "MODERNE" SILVER-MOUNTED ROSEWOOD TRAY, INTERNATIONAL SILVER CO., MERIDEN CT, CIRCA 1940 the elongated oblong tray with broad silver mounts to the rounded ends set with reeded loop raised handles, trademarks, "STERLING", and "774" stamps 34.5cm across handles Provenance: Private European Collector, "The Seawolf Collection", Object No.173 op. cit. (see lot 532 for further details.)
A MAHARAJA ON HORSEBACK, JODHPUR, RAJASTHAN, INDIA, LATE 18TH CENTURY gouache with silver and gold on paper, riding by a river in a hilly landscape, holding a spear, wearing orange robes and tall turban, accompanied by three attendants, framed, with copy of 1997 Spink invoice 29.5 x 21cm (inside mount) Provenance: Private Collection, London, acquired from Spink & Son, 3 November 1997
• JOSE DE CREEFT (1884-1982): SELF PORTRAIT oil on canvas, signed lower right 111 x 74 excluding frame Provenance: Private European Collector, "The Seawolf Collection", Object No.186 LOTS 532 - 574: WORKS FROM THE SEAWOLF COLLECTION This private European collection was formed in the later years of the last century to exemplify the products, predominantly in silver, of the Arts & Crafts, Art Nouveau and Art Deco movements. The collector"s passion for the period 1880-1940 culminated in the showcasing of the collection at Rotterdam"s famous Museum Boijmans Van Beuningen in an exhibition titled "A Personal Touch". Held from February to April 2003 in Rotterdam, the exhibition then travelled to Ghent, Koldingshus and Munich. All the following lots feature in the exhibition"s catalogue under their "Object No." Exhibited: Museum Boijmans Van Beuningen, Rotterdam, 28 February - 20 April 2003; Design Museum, Ghent, 15 June - 5 September 2003; Museet PA Koldingshus, Denmark, 21 February - 30 May 2004; Pinakothek der Moderne, Munich, Autumn 2004. Literature: "A Personal Touch: The Seawolf Collection: late 19th- and 20th-century silver", Veena Duncker and others, Museum Boijmans Van Beuningen, Rotterdam, 2003.
A FRENCH ART DECO SILVER AND ALABASTER TABLE CENTREPIECE, MAURICE DAURAT, PARIS, CIRCA 1930 in three parts, the central alabaster vase of pedestal urn form, rectangular with canted corners, the stylised scroll handles fitted with electric downlights to the interior, with a further light to the base, affixed to a silver stepped socle, the flanking elongated rectangular silver dish holders with vertical ribs, each with an electroplate liner, 950 standard and maker"s marks 99cm long, 37cm high Provenance: Private European Collector, "The Seawolf Collection", Object No.151 and pp.173-175 op. cit. (see lot 532 for further details.) Maurice Daurat (1880-1960) is perhaps best known for his work in pewter. The existence of a drawing of this centrepiece design (Private Collection, illustrated in the Seawolf catalogue p.175), titled "Appareil d"Eclairage / Métal Argenté & Porcelaine Teintée" suggests the original intention was for a centrepiece of porcelain and electroplate. The electrically lit ensemble must have been designed between 1927-1931, the years Daurat lived at the address hand inscribed on the design ("32 Av. de Friedland"), although it is not known when the decision was taken to use the more luxurious materials of silver and alabaster.
A GEORGE III SILVER SALT CELLAR, ROBERT HENNELL, LONDON, 1814 cauldron form, chased with buildings, foliage and a vacant cartouche below a shaped gadroon rim, applied with three cast chinoiserie mask headed supports on trefoil pad feet, 9cm long; together with a George III and later decorated silver pepperette, John Delmester, London, 1762, baluster, simply pierced domed cover with acorn finial, later flat-chased with Rococo scroll foliage, 11cm high 200gr (6oz) (2)
A VICTORIAN SILVER COMMUNION DISH, ALFRED JAMES HOW, LONDON, 1897 chased with the Christogram IHS with flowering tendril serifs on a chequer ground, the hammered sides with plain moulded rim 26.5cm diameter, 581gr (18oz) Provenance: Private European Collector, "The Seawolf Collection", Object No.99 op. cit. (see lot 532 for further details.)
AN ARTS & CRAFTS SILVER TEA STRAINER ON STAND, ENID KELSEY, LONDON, 1933 the simply pierced and planished strainer with openwork bar and roundel set handles, the stand with planished bowl on a pierced rim foot 12cm across handles, 76gr (2oz) Provenance: Private European Collector, "The Seawolf Collection", Object No.88 op. cit. (see lot 532 for further details.)
A JAVANESE KRIS IN CARVED WOOD STAND, 19TH CENTURY the silver repousse hilt in the form of a bird-headed deity, with wavy blade and wood and sheet metal scabbard, the stand in the form of Hanuman, with bulging eyes and bared fangs, traces of pigment 50cm high (together) Provenance: Collection of a late diplomat, thence by descent.
A VICTORIAN SILVER AND SHAGREEN CIGAR BOX, H.W. & L. DEE FOR T. JONES, LONDON, 1877 of square pillar box form, with plain silver mounts surrounding shagreen panels, the cedar lined interior accessed by hinging open the top to reveal a tray of six cigar depressions and opening the door below to a stack of ten similar trays, engraved to rear base: 23 Bd. des Capucines / Paris. / JONES. / 41 St. James"s Street / London. 27.5cm high Provenance: Private European Collector, "The Seawolf Collection", Object No.97 op. cit. (see lot 532 for further details.) Thomas Jones (or usually simply T. Jones) traded in a variety of luxury goods including travel bags, stationery, jewellery and perfumery, in both London and Paris, listed at the London address above between 1878-1905, but by the 1920s specialising in perfume in Paris only. In 1877 the company was listed at Golden Square, round the corner from Dee"s in Sherrard Street, Golden Square. H.W. & L. Dee were well known to the luxury retail trade of the time for their high-quality (and often novel) gold, silver and jewellery items.
A DANISH SILVER LETTER OPENER, GEORG JENSEN, COPENHAGEN, 1933-44 designed by Sigvard Bernadotte, with ribbed cylindrical handle and plain blade, facsimile signature "Sigvard", STERLING / DENMARK and GJ marks 22.5cm long Provenance: Private European Collector, "The Seawolf Collection", Object No.157 op. cit. (see lot 532 for further details.) Sigvard Oscar Fredrik Bernadotte, Count of Wisborg (1907-2002) was the second son of King Gustav Adolf VI of Sweden. One of Scandinavia"s pioneering industrial designers, Bernadotte first produced designs for Jensen in 1931 and continued to do so over a 50-year period.
A CANTEEN OF GERMAN TABLE SILVER, PETER BRUCKMANN & SOEHNE, HEILBRONN, 1930s Jubiläum pattern designed by Josef Lock, the plain handles with canted edges, comprising twelve of each of the following: tablespoons table forks table knives with stainless steel blades dessert spoons dessert forks dessert knives with stainless steel blades fish forks fish knives fruit forks fruit knives with stainless steel blades cake forks ice spoons teaspoons and twenty-seven assorted serving implements (183 pieces total); all in their parquetry side cabinet with ebonised details and legs, the double doors concealing five fitted drawers, the frieze drawer fitted with a four-piece silver tea set, Peter Bruckmann & Söhne, Heilbronn, 1930s, plain baluster, on scroll and pad feet; all silver with maker"s, Reichsmark and "800" stamps, the tea set also stamped E. SEILER weighable silver 7813gr (251oz) including handles to tea set (187 pieces) Provenance: Private European Collector, "The Seawolf Collection", Object No.170 op. cit. (see lot 532 for further details.) The Jubiläum pattern (model No.655) was designed in 1930 by Josef Michael Lock (1875-1964) in honour of the 125th anniversary of the Bruckmann firm.
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