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Click here to subscribeOrganized by the Socialist Youth and Student Association in 1967. 4 photos of protesters smoking, marching in the street, and hanging a flag on the monument in Dam square. Vintage silver gelatine prints, approx. 20 x 25 cm, w. verso stamp Jaring Commelinstraat. 1 photo duplicated in larger format. Added: 5 more Jaring photogr. of students protesting in the "1 mei=rood" protest (?). All but 1 w. Jaring Commelinstraat stamp verso. (total 9)
at the Kleine-Gartmanplantsoen after a March for Peace. 2 photogr. showing young protesters w. crossed arms. Added: 2 photos of the Eastermarch '66: Provo activist Hugo Jansen chained w. a large cross on his back and protesters w. large white crosses on the Dam. Silver gelatine prints, 2 w. copyright stamps and 1 w. name "Cor Jaring" written on verso, 1966. 30 x 24 and 20 x 25 cm. (total 4)
and 3 other people posing for a group portrait at an unidentified happening. (2) Simon Vinkenoog making a speech at an anti H-bomb protest. (3-4) 2 photogr. of a theatrical performance w. Simon Vinkenoog as an onlooker. Vintage silver gelatine prints, 1 w. copyright stamp of Cor Jaring Commelinstraat verso, 1960s. 25 x 20 cm. (total 4)
2 photogr. showing the Vliegerfeest in Almere w. a portrait of Max Reneman and self portrait of Jaring. (2) The "Insektensekte" in Limburg on the terrain of the D.S.M. Holland Promotion. (3) Max Reneman in a lab coat on a bicycle, as part of the "Insektensekte". (4-5) 2 group portraits, 1 posing in front of the Magic Bus at Ruigoord w. the church in the background, another one posing next to a traffic sign and an old farm (also at Ruigoord?). Vintage silver gelatine prints, all but one w. copyright stamp of Cor Jaring verso, 1970s. 25 x 20 cm. (total 6)
en witte fiets', 1966. 1 photo w. the white chicken, another of the police stopping the demonstration w. white bike in background, and 1 photo of the Monument Indië-Nederland w. "witte kip" written on it in white paint (duplicate in smaller format). Vintage silver gelatine prints, var. sizes, 2 w. stamp "Jaring Commelinstraat" verso, 1 w. copyright notice verso as well. Added: 4 Jaring photogr. of police dispersing provo demonstrations. Vintage silver gelatine prints, all approx. 20 x 25 cm. 2 w. stamp "Jaring Commelinstraat" verso. (total 8)
1965. 1 photo of people burning a crate, another of a person w. a painted face holding a sign. Vintage silver gelatine prints, one 20 x 25 cm, the other 23 x 30. Both w. stamp Cor Jaring verso. Added: 1 photo of a provo protest in front of the American Hotel on Leidseplein, 1966, of protestors playing in the fountain. Vintage silver gelatine print, 20 x 25 cm, stamp Cor Jaring verso. -and 2 other photos of provo protests by Jaring. (total 5)
Incl. 2 photos of Grootveld as the "Anti-rook magiër": 1 of him working on the Klaasstoel (a collaboration w. Kees Hoekert (1929-2017), w. whom he founded the Lowlands Weed Company in 1969) and 1 w. the artist Yoshio Nakayima at the "Traffic in Town" protest. Also incl.: several photos of Grootveld at (weekly) happenings near 'het Lieverdje' (Spui) and 1 speaking at the Social Religious Conversation Centre. Silver gelatine prints, some w. copyright stamp of Jaring verso, 1960s. 30 x 24 cm. Robert Jasper Grootveld was an artist and forerunner of the Provo movement in Amst. He was an anti-smoking activist (the "Anti-rook magiër"). He also coined the White Bike plan, founded the Lowlands Weed Company and initiated the Insektensekte and Deskundologie movements together w. Max Reneman and Theo Kley. (total 8)
Johnny van Doorn and Marijke Koger. 1965-66. (1) 3 photos of Galerie 49 at Herengracht 49, one w. Gérard Poolman. (2) 1 photo of the Anti-traffic event "Traffic in Town" at Gallery Hunger in Schiedam w. artist Yoshio Nakayima. (3) 3 photos of Doorn. (4) 1 of Koger's striptease during the happening "Stoned in the Streets". Vintage silver gelatine prints, var. sizes, all. w. "Jaring Commelinstraat" verso. -and 1 other Jaring photo. (total 9)
(1) Frankenstein cum cannabis (1969). 59 photogr. from the movie. Most silver gelatine prints, var. sizes (largest 18 x 24 cm). 6 w. stamp "Sander Faassen, Vryheidslaan 100 Amsterdam" verso; 1 w. stamp "Copyright: Susan Janssen Amsterdam" verso. -and a DVD of the movie. Many photogr. w. manuscript dates verso, some cut/ dam./ w. glue and/ or tape stains. All in 1 box labeled "Foto's en DVD's Frankenstein". The film was produced by Karel Schmeink and features Theo Kley (Deskundologie). (2) Film reel labelled "Niko in U.S.A. 1975". (3) 2 film reels labelled "Niko Paape Movements Pt. I". (4) 1 film reel labelled "Ravi Shankar 16mm optique" and "Niko". (5) 1 film reel labelled "Living Theater" (and Elect.-C, dam. to writing). -and 1 other unlabelled film reel. Niko Paape was at the center of the Dutch experimental film movement of the mid 20th cent. He, along w. other STOFF (Studio ter Ontwikkeling van Film and Filmmanifestaties) employees such as Barbara Meter, Mattijn Seip and Jos Schoffelen, ran the Electric Cinema, which was at the heart of the movement. (total 8)
(1) 16 silver gelatine photogr. Germany, 1930s. All approx. 9 x 6 cm. With: (2) a small archive of 72 silver gelatine photogr. France, 1930s. All approx. 9.5 x 6 cm. All photos of the same French couple, some duplicates. A few w. manuscript descriptions and dates verso. (total 88)
Warsaw, Biuro Wydawnicze Ruch, 1967. Sc. Children's book by one of the best-known Polish book illustrators. (2) Bimbo de poes. Ca. 1890. Sc. (3) Peter, onze oude kater. (1943). Sc. (4) Kathleen Hale. Orlando (The Marmalade Cat). His Silver Wedding. London, Country Life, n.d. (mid 20th cent.). Sc. -and 1 other. Added: Song "Van een roofzieken Kater en Eendengesnater" by Hendrika van Tussenbroek. Utrecht, Wagenaar, 1909. -and 10 other cat-related paper ephemera. (total 16)
ca. 1850-1860, both covers with a different, mounted Christian embroidery in silver framing-line, all corners of both sides w. silver or steel cornerpieces with attached openworked brass ornament, similarly decorated clasp and catch, gilt spine, turn-ins and edges of covers, silk endpapers, a.e.g., 16.5 x 10.5 cm. The cloth sheets carrying the embroideries w. worn spots. On: J.A. Schneider. Gebeth und Erbauungsbuch für katholische Christen (Vienna, n.d. (ca. 1850), w. engr. plates). -and 2 similar others. Very fine and rare examples of German embroidered bindings. Added: finely embroidered wallet. (total 4)
Publication of the Dutch ZERO group featuring new movements in art. First issue edited by Armando, Henk Peeters and herman de vries, later issues edited by de vries. Published by Nul-Verlag, Arnhem, in an edition of 500 (Nos.1-2) and 300 (Nos.3-4). Stapled copies, 27.6 x 21.8 cm, ca. 16-22 pp. each. Text in German, French and English. Scarce complete set in very good condition. Comprises: (1) No.1 (1961) silver metallic cover, with a rare addition, i.e. a punched out circle revealing the 'O' printed on the underlying blue sheet. Contributions by Aubertin, Mack, Uecker et al. Minor irregularities on the edges of the covers, interior near mint. (2) No.2 (April 1963) dedicated to the then recently deceased Yves Klein and Piero Manzoni. Includes the original collage with an 'Yves Klein-blue' square on black paper. Cover shows Manzoni's enlarged fingerprints and a hand stamped 'O'. Contributions by Schoonhoven, Aubertin, Haacke, Castellani et al. Very good copy, staples rusty, interior mint. (3) No.3 (1963). Includes original collages (2 tiny blue squares, 1 composition with 4 white squares) and ‘Relief’ and ‘Reflection’ by de vries. Regular age-toning on covers, interior very good. (4) No.4 (1964). Includes original works by Schmidt, Bischoffshausen, de vries, serigraphs by Goepfert and Calderara. Staples loose, cover with usual age-soiling, moderate age wear to edges of the fragile paper in interior.
(1) Piece of white cloth, coarsely cut to 100 x 8.5 cm, stamped 'nul=0' in black ink. Undated. Unknown function but possibly used in a Zero happening as a sash or headband. (2) Gold coated matchbox, 5 x 4 x 0.7 cm, printed 'armando henderikse henk peeters schoonhoven'. Interior holds 20 matches, a printed 'O' and the text 'Close Cover Before Striking.' Undated. (3) Groep Nul= O, New Years greetings 1966. Harmonica sheet with die cut hole, 6 x 6 cm, folds out to 30 x 6 cm. White paper with black text on recto, silver paper on verso. Text reads 'group O =nul, meilleurs voeux, best wishes, auguri, 't beste, 1966'. Signed in print by Armando, Henk Peeters and J.J. Schoonhoven. Some age toning, else a fine and rare copy. (total 3)
Rotterdam, Galerie Delta, 1967. Soft cover, 22.5 x 22.5 cm, 12 pp. with loose inserted extra sheet featuring Andy Warhol's 'Selfportrait' on silver coated paper, with a text on Warhol by Hans Sonnenberg at the backside. Striking catalogue published for a group show by Allan D'Arcangelo, Yoyoi Kusama, Claes Oldenburg, Larry Rivers and Tom Wesselmann. Profusely illustrated with documentation of work by the above artists, and two bright colour reproductions of Warhol's Flowers. Browning along the edges of the cover, the interior pages including the Warhol print are in very good condition. Scarce item.
Second edition. Although dated 1966 in the book (the original publication date), this copy is not from the first edition as it is lacking the blank flap to the final panel. Leporello featuring b/w photos of both sides of the street, 18 x 14.3 cm, total length when unfolded approx. 8 meter. Moderate bend on spine, else an excellent copy, the original silver-coloured slipcase is in mint state.
Antwerp, ICC Internationaal Cultureel Centrum, 1972. Folded portfolio wrapper, 21 x 14.5 cm, with 40 loose inserted printed sheets. Catalogue for the exhibition held 4 - 26 Nov 1972. Edited by Flor Bex. With an original Ben drawing on silver sheet pasted on front cover (as issued). Partly made perforation holes on left top and bottom, not obstrusive, generally a fine copy.
Reykjavik/Amsterdam, Silver Press, 1972. Softcover, 18 x 15 cm, 12 pp. Edition of 300 numbered and signed copies, this one 276 signed in pen on last page. Periods in poems by Halldor Laxness selected (and augmented) by Kristjan Gudmundsson. Pronounced soiling on cover, interior fine with regular age toning. Captivating artists' book featuring 3 enlarged printed periods.
Custom-shaped printed silver mylar balloon, 72 x 49.5 cm, inflated 25 x 6.5 x 25 cm. Self-published, signed and numbered 47/100 in black marker. 'General Idea Magic Bullet' printed on the balloon. The installation Magic Bullet comprised of 1500 helium-filled balloons and was first shown in General Idea's exhibition at Stux New York in 1992. Fine copy, folded.
B/w glossy silver gelatin print, 25.5 x 20.5 cm. Portrait of Warhol in a pensive pose, shot by Mike Tighe. Signed in black ink below the image, on the photo margin featuring the printed text 'Andy Warhol' and 'Photo: Mike Tighe'. Publicity shot (cropped from a 1976 photo 'Sylvia Miles & Andy Warhol at the Factory') in unknown edition. Very moderate creasing on photograph, verso with glue remnants, generally a good copy. Tighe photographed celebrated people in the arts through the 70s and was shooting regularly for Andy Warhol’s Interview Magazine.
Budapest, self-published, 1984. Softcover, 29.5 x 20.5 cm, ca. 400 pp. Handmade artists' book. Signed, numbered IV/5 and titled in handwriting on spine and cover in silver marker. Also marked IV/5 on the first page. Contains xeroxed sheets, with biographical data and a compilation of the artists' works, exhibition overviews and press clippings. Marker on glossy cover slighty rubbed, else in very good state. Amazing document in very small edition. Extremely rare. György Galántai (1941) is a Hungarian neo-avant-garde and Fluxus and Mail Art artist. From 1970 onwards he organized semi-legal exhibitions, actions and happenings. In 1979 he founded Artpool Art Research Center (with Júlia Klaniczay), an avant-garde and contemporary art venue and archive in Budapest which is still active today.
Set of 8 exquisitely designed exhibition cards with collage elements and fold-outs, intended to be hung on perforation hole on verso. Glossy stock, 21 x 10.5 cm. Includes four cards from 1971: (1) Fontana (black cut out card, slight tear). (2) J.R. Soto (yellow card with kinetic image). (3) Jorge Stever, Hommage a Zero. (4) Karl Gestner, Algorhythmus 2 (with blindstamp of Stedelijk Museum library Amsterdam). Four cards from 1972: (5) Mack (with loose sand in transparant sleeve). (6) Le Parc (with silver foil mirror). (7) Narciso Debourg. (8) César Paternosto. (total 8)
Announcement cards for Andre exhibitions at the Dusseldorf gallery dated: 1981, exceptionally held at the Zurich location (with pinhole), 1984 (with pinhole), 'Belgian Blue Limestone' 1986, 'Revel (for KF)' 1987, 1988, 1990, 1992, 'Stillanovel Trials- Stillanovel Synopsis- Stillanovel Edition' 1999, 2002, 'Aluminum Squares' 2003 (light bend on shiny silver stock), 'Graphite' 2004, 'Passport & Poetry' 2006, 'CuAl' 2008, 'Stone' 2009, 'Lines' 2011(dog-ear) and 'Squares' 2014. (total 16)
Vintage silver gelatine print of one of the most legendary bars in Jordaan, established in 1937. With: 23 other similar photos of Amsterdam cafés and bars, incl. a.o.: a waiter in front of Café 't Luifeltje, the barkeeper at Café Oosterling, 2 waiters at Café Bellevue, a group portrait in front of Café De Spiegel, and many other bar scenes and other horeca interiors and exteriors. All vintage silver gelatin prints, some w. copyright stamp of Cor Jaring on verso, ca. 1970-90. All 25 x 20 cm. 1 duplicate. (total 24)
(...) This Map of South America, according to the newest and most exact observation. Ca. 1730. Engr. map on linen w. handcol. inset and cartouche, map itself handcol. in outline. On 2 joined sheets, total 60 x 98 cm. Large map extending from the Solomon Islands in the Pacific to West Africa, focusing on South America. W. an inset view on lower left of Potosi, a peculiar conical mountain in Peru, rich in silver, and a large cartouche on the lower right by George Vertue after Bernard Lens, of native peoples w. gold nuggets and silver ingots at their feet in front of a landscape w. a waterfall and a pair of erupting volcanoes. Rolled, former folds professionally restored, sl. browned.
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