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A Victorian silver repousse circular box and cover, by Blackburn & Tysall, London, c.1900. The cover with central embossed panel depicting a man seated fishing with a female standing by. The body decorated with a band of scrolling leaf with a dog chasing a hare. 14.5cm max diam, 16ozs.
An impressive silver, triple light candelabrum, by 'Hart, Son, Peard & Co Ltd', London, c.1911. The light was made to celebrate the silver wedding anniversary of Mr & Mrs James Younger in 1911. The candelabrum frame with gothic elements mounted with an enamel armorial shield for the 'Younger' family. Below the shield with a silver model of 'Arnsbrae House, Alloa, Clackmananshire Scotland'. James Younger of the brewing family 'Youngers', commission Alfred Waterhouse to build Arnsbrae which was finished in 1885. With a raised hexagonal foot, mounted on an ebonised plinth. Wired for electrics, the house lighting up when turned on. 52cm, high.
A George III silver navette shape pedestal dish, London, c.1997 makers mark rubbed. Fitted with swing handle. With reeded edge to the bowl and foot. Engraved geometric border with floral reserves to the interior of the bowl, engraved monogram 'D' to the exterior. 19cm max diam, 4ozs.
A shagreen & silver mounted table timepiece, retailed by Mappin & Webb, London, c.1913. Dome top case, fitted with circular 4cm enamelled dial signed Mappin & Webb. With silver collar to the watch face. The the edge of the fronts capped in silver, on four silver stepped feet. 12cm high.
A collection of Georgian & later silver items. To include: Six Scottish George III silver teaspoons,makers mark 'W M' c.1809; A Victorian oval silver mustard, London, c.1880, the cover with shell thumb-piece, fitted with blue glass liner; An Edwardian silver sugar bowl by Elkington & co, Birmingham, c.1907, 10cm diam, 3.8ozs; A Victorian silver repousse rectangular dressing table tray, embossed with winged putti decoration, Chester, c.1902, and further silver items.
A George II silver coffee pot, London, c.1774. Possibly by Charles Woodward, makers mark rubbed. Of classical urn shape, with beaded edge decoration to the cover, body and foot. On raised circular foot. The body engraved with armorial crest one side & italic monogram the other. Fitted with wooden handle. 31cm high, 32ozs gross weight.
A Victorian silver twin handled tray, Sheffield, c.1891, makers mark 'T.C.J.W.C'. Of oval shape with beaded edge, pierced gallery, the interior with foliate and scroll engraved decoration. The two handles of shaped outline with graduated split ball moulding's. The whole on domed feet (one foot missing). 71cm wide. 123ozs.
A continental silver and amethyst bracelet. Each link modelled as a stylized flower head central set with amethyst, 17.5cm long ; A continental silver brooch in the form of a bunch of flowers, stamped MIC Z8 and bearing marks to the rear, also a 14ct gold and lapis lazuli set bar brooch. (3)
NOTE: VATABLE LOT-An oval silver gilt watch case cover, possibly French, early 17th century. Chased with a band of foliate scroll work enclosing a classical scene, 4.6cm max diam. - for a similar watchcase cover see The Quiet Conquest, The Hugenots 1685-1985, Museum of London Publication 1985.
British School 19th Century- "The Dace and Minnow"; together with five other plates from a first edition of Sir H Maxwell's British Fresh Water Fish, by Vincent Brooks, Day & Sons, lithograph printed in colours heightened with gold and silver, 18x24cm., each, in hand-painted decorative frames and a further six hand-coloured engraved plates from Oliver Goldsmith's "A History of the Earth and Animated Nature", published by A Fullerton, 1856, (12)
Paul Wyeth 1920-1983 RP RBA- "Coversation at John Ward's"(recto), Group portrait, (verso); oil on unstretchered canvas, signed and dated 53-54 (recto), signed, (verso), 196x198cm: together with six other unstretchered oils on canvas by the same hand to include Moored house boats in winter, (recto), Portrait of a retriever in an interior, (verso); oil on unstretchered canvas, signed and dated 1958, 95x106cm; Artist in his studio, signed and dated 64, 120x100cm; "Conversation Piece", signed and dated 63, titled verso, 176x127cm: Portrait of a gentleman holding a cue, 153x81cm; Family group portrait, 120x146cm., (trimmed)., (7), (unstretchered, rolled and unframed) Note: Studied under Raymond Coxon and Gilbert Spencer and was a member of the Societe des Artistes Francais, winning Gold and silver medals at the Paris Salon. Showed at the RA and The National Gallery of Victoria, Melbourne Australia holds his works.
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2466194 item(s)/page