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Lot 530

A collection of silver flatware, four boxed sets and eight loose pieces and a plated salt spoon, total silver approx 13.4 troy oz

Lot 531

A Norwegian 925 silver and blue enamel lidded pot by David Anderson, 5cm tall x 7cm diameter, approx 3.2 troy oz, in good condition some scratches to enamel 

Lot 532

A Victorian silver octagonal mustard, London 1837 J A G A, 9cm tall, silver weight approx 4.7 troy oz, generally good condition

Lot 533

A silver vesta on a 45cm long silver watch chain, approx 1.7 troy oz, slight wear but generally good, clasp working

Lot 534

A pair of silver napkin rings and a single napkin ring, total approx 1.4 troy oz, all boxed in good condition

Lot 535

Two pairs of silver napkin rings, approx 4 troy oz, one pair engraved

Lot 610

A silver Georg Jensen brooch, no 216A, 4.5cm long, in good condition

Lot 612

Selection of silver jewellery including enamel zebra and articulated peacock, approx 55 grams, some wear but reasonably good

Lot 614

A silver necklet, four silver bangles and a silver watch chain 45cm long, total weight approx 5.5 troy oz

Lot 615

A silver and blue John pendant and earrings, pendant 4cm x 2.5cm, in good condition

Lot 622

A 9ct Blue John ring, size O, approx 1.9 grams, a Blue John silver pendant on silver chain, pendant 1.5 x 2.5cm, and two Blue John pendants, one on a chain

Lot 625

A gold and silver sapphire and diamond set eternity ring, size Q, in good condition

Lot 627

A large silver Georg Jensen pendant, 3.5cm diameter, in good condition

Lot 628

A large silver and solar quartz pendant, 6cm x 3.5cm, in good condition

Lot 633

A silver vesta on a watch chain, three silver hallmarked bangles, a silver ring, and a silver bracelet, total weight approx 5 troy oz

Lot 643

A Georg Jensen sterling silver and enamel Amorphic brooch designed by Henning Koppel no 314, 7cm long, some usage marks but generally good

Lot 648

A silver smoky quartz and citrine silver earring and pendant set, pendant 21mm wide, all in good condition

Lot 662

A CALGARO silver ended necklace and bracelet set, necklace 42cm and bracelet 19cm, both generally good, some usage marks, with W Bruford box

Lot 671

Of local football interest: a collection of two 9ct gold and six silver medallions, one named W Stearn, two East Anglian Cup 1929/30 and 1930/31 in 9ct, two Cambs FA 1925/26 two Thetford Hospital Charity Cup 1929/30, Cottenham Nursing Cup 1924-25 and Lilley Cup 1922-23, 9ct weight approx 11.4 grams, silver weight approx 65 grams, with copy of Balance Sheet Stearns benefits 1926 Abbey United Football Club

Lot 676

Three silver gilt rings and assorted earrings, total weight approx 18 grams

Lot 685

Assorted silver and white metal jewellery, approx 5.6 troy oz, an enamel bracelet and a Troll bead bracelet

Lot 796

A collection of silver and other jewellery

Lot 797

Assorted costume jewellery, three watches and two silver page markers, silver weight approx 21 grams

Lot 798

An assortment of silver and white metal jewellery including a bangle and charm bracelet, total weight approx 1 troy oz

Lot 804

Six silver pocket watches all in need of restoration and a dented silver cheroot case

Lot 805

Three silver pocket watches with silver gilt dials, largest 4cm, all require attention

Lot 808

A silver key wind pocket watch on chain, 4.5cm wide, not running, catch loose, and a smaller watch and again not working, total weight approx 5 troy oz

Lot 810

Two silver cased pocket watches, both not running, Waltham ticks but stops

Lot 864

A good collection of assorted coinage mainly British dating from Queen Victoria including three Victorian crowns, approx weight of pre-1921 silver 11 troy oz and a child's asylum token

Lot 2025

A Garnet and Red Stone Necklace, the central panel formed of a bow motif suspends a scroll motif to three pear shaped cluster drops, to a chain formed of clusters alternating floral motifs, set throughout with round cut, pear cut and oval cut garnets and red stones, in white collet settings, drop length 7.3cm, necklace length 34.5cm see illustration . The necklace is in fair condition, a number of the garnets/red stones are cracked and abraded. The red stones have been replacements. There does not appear to be a clasp which has potentially been removed at some point. The end link is stamped indistinctly, possibly French, in our opinion it would test as silver gilt. Gross weight 75.8 grams. CR made 21.09.20.

Lot 2027

A Diamond Star Brooch, a round brilliant cut diamond within a border of smaller round brilliant cut diamonds centres eight radial arms set throughout with graduated round brilliant cut diamonds, with knife edge bars between each terminating to round brilliant cut diamonds, in white claw and collet settings, total estimated diamond weight 2.60 carat approximately, measures 4.3cm by 4.3cm see illustration.  The brooch is in good condition, it has an attachment for a safety chain but the chain is lacking, the clasp is likely to be a replacement.  It fastens with a pin and revolver catch. It bears no hallmark nor stamp but in our opinion would test as silver and gold. The central diamond is approximately 0.20 carat. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 12.6 grams. CR made 28.01.21.

Lot 2042

An Edwardian Diamond and Yellow Topaz Brooch, the rectangular cut yellow topaz in a yellow millegrain setting, to an openwork foliate border set throughout with old cut and rose cut diamonds, in white millegrain settings, total estimated diamond weight 0.50 carat approximately, length 3.7cm see illustration . The brooch is in good condition. It fastens with a pin and revolver catch and features a safety chain. It bears no hallmark nor stamp but in our opinion would test as silver and gold. The approximate qualities of the diamonds are; colour J/K/L, clarity SI1/SI2/I1. Gross weight 8.0 grams. CR made 01.02.21.

Lot 2067

An Art & Crafts Enamel Necklace, by William Hair Haseler, Attributed to Jessie M. King design, circa 1900, the central plaque suspends a T-shaped drop surmounted by pairs of chains linked to a clover motif, enamelled throughout in blue and green, on a trace link chain, pedant length 9.0cm, pendant width 6.5cm, chain length 44.5cm see illustration The design is in the Liberty Pattern Book, model 8809. The necklace is in good condition with ever so slight enamel losses and it has been re-enamelled. It fastens with a bolt ring catch. The reverse of the pendant is stamped with maker's mark ' WHH' for William Hair Haseler and stamped 'SILVER'. In our opinion it would test as silver. Gross weight 15.2 grams. CR made 01.02.21

Lot 2068

An Arts & Crafts Enamel Brooch, by Murrle Bennett & Co., the white oval plaque with beaded detail centrally, flanked by square sections enamelled in blue and green, length 3.5cm see illustration . The brooch is in good condition with slight wear to the enamel. It fastens with a pin and hook catch. It is stamped with the maker's mark for Murrle Bennett & Co. It is also stamped '950' and in our opinion would test as silver. Gross weight 5.5 grams. CR made 01.02.21.

Lot 2069

An Enamel Iona brooch, by Alexander Ritchie, the circular plaque depicting a Viking ship and the sky enamelled in turquoise, measures 2.1cm diameter see illustration . The brooch is in good condition with slight enamel damage and the pin is loose. It fastens with a pin and hook catch. It bears no hallmark but in our opinion would test as silver. It is stamped 'A.R.' for Alexander Ritchie and 'IONA'. Gross weight 6.1 grams. CR made 01.02.21.

Lot 2116

An Edwardian Diamond Necklace/Tiara, circa 1900, the front graduated with seven floral scrolled drops set throughout with old cut diamonds, interspaced by knife edge bars set with old cut diamonds, to a similarly formed back chain centred with a cluster, in white claw and collet settings, total estimated diamond weight 5.30 carat approximately, length 38cm, in a fitted case by Nigel Milne see illustration. .  The necklace is in fair condition there are signs of repair. There is one scroll of the centre cluster detached and the smallest diamond is lacking. The size may have been altered slightly looking at the spacer bars and some joints are slightly split. The central drop is 2.8cm. It was sold by Nigel Milne 18 January 1995 with the original catalogue entry for £10,250. Possibly the frame was re-made at this time. Box is not original but in a Nigel Milne box. It has fittings to the reverse for a tiara and the tiara frame is present. It fastens with either of the 'chain ' section hooking on to either end of the 'drop' section. It bears no hallmark nor stamp but in our opinion would test as silver and gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1/I2/I3. Gross weight 22.8 grams. CR made 23.02.21.

Lot 2147

A Lady's Silver Plated Wristwatch, signed Must de Cartier, circa 1990, quartz movement, black dial, synthetic cabochon set crown, back cover signed and numbered 18 118051 and stamped 925 argent plaque or G20M, 23mm wide, with Must de Cartier box and booklet see illustration 12.04.21 Case with surface scratches, case is discoloured, case with minor dents in parts, later strap and buckle, dial is clean, hand setting correctly, movement not working.

Lot 2158

A Small Silver Limited Edition Carriage Timepiece To Commemorate The Wedding of H.R.H Prince Charles and Lady Diana Spencer, retailed by Charles Frodsham, model: Spencer Silver Milestone Clock The Heritage Collection, limited number 162 of 1000 made, 1981, single spring barrel movement with a platform lever escapement, engine turned dial with a silvered Roman numeral chapter ring, Prince of Wales feathers, arched case with carrying handle, hinged case back engraved The Prince & Princess of Wales 1981, London silver hallmark for 1981, 9.5cm high over handle, with Charles Frodsham box, Certificate of Authenticity and guarantee paperwork and Prince of Wales feathers form key see illustration 12.04.21 Case with light surface scratches, dial is clean, movement is clean, winding smoothly, movement in going order.

Lot 2159

A Small Silver Limited Edition Carriage Timepiece To Commemorate Queen Elizabeth II 40th Anniversary (1952-1992), retailed by Charles Frodsham, model: The Palace Clock, limited number 63 of 750 pieces made, 1992, single spring barrel movement with a platform lever escapement, white dial with Roman numerals, architectural carrying handle, fluted side columns, bevel glass panels, back door stamped with maker's mark DC, No.63/750 and a Birmingham silver hallmark for 1992, 10cm high over handle, with Certificate of Authenticity, guarantee paperwork, dust cloth and chrome plated key see illustration 12.04.21 Case with light surface scratches, glass panels are clean, dial is clean, winding smoothly and hand setting correctly, movement is clean and in going order.

Lot 2184

A George I Silver Sugar-Bowl and Cover, by William Fleming, London, Apparently 1717, the bowl tapering and on spreading foot, the detachable cover with collet finial, later engraved with a crest, 11.5cm diameter, 9oz 18dwt, 308gr . Marked on side and part marked inside cover. The marks on the side are worn with the maker's mark either lacking or completely worn off. Marked inside with maker's mark and leopard's head erased. The marked inside the cover have some wear. There is overall surface scratching and wear, consistent with age and use. The surface of the body and cover are both bruised. Overall the surface has been lacquered. The lacquer has broken down and caused the surface to be an uneven colour.

Lot 2185

A George II Silver Porringer, Maker's Mark RB, Probably For Richard Bayley, London, 1728, tapering cylindrical, the lower body part spiral-fluted, further chased on one side with a vacant foliage cartouche, with two scroll handles, 13cm wide over handles, 7cm high, 2oz 15dwt, 85gr. Fully marked underneath. There is some wear to the marks, though they are generally still legible. There is some overall surface scratching and wear, consistent with age and use. The cartouche has signs of engraved initials which have been flooded.

Lot 2186

A George II Silver Cup, by Benjamin Cartwright, London, 1752, inverted bell-shaped and on spreading foot, with central reeded band and two scroll handles, one handle engraved with initials, 12cm high, 10oz 1dwt, 314gr. Fully marked near rim and marked with maker's mark only on handles. There is some wear to the marks. There is overall surface scratching and wear as well some bruising. There have been some repairs to the reeded band on each side. This has caused areas of broken fire in areas. The foot is bruised so that the cup rocks when placed on a flat surface.

Lot 2187

A Pair of George III Silver Tea-Caddies and a George III Silver-Mounted Tortoiseshell Caddy, The Pair of Tea-Caddies Maker's Mark ED, Possibly for Edward Dobson, London 1774, The Tortoiseshell Caddy Circa 1770, the pair each plain oblong and with cast husk borders, on cast openwork base, the hinged, slightly domed covers chased with foliage and husk swags and with vacant cartouches, with later drop-ring handles, 10cm high, 17oz 17dwt, 555gr, the contemporary but possibly associated caddy oblong and on cast silver openwork feet, with drop-ring handle and key plate,18.5cm wide (2) Grimwade doesn't record an identical match to the maker's mark on the present pair of tea-caddies, though the only two candidates would seem to be either Edward Dowdall or Edward Dobson. As Dowdall is only recorded until 1758 Dobson seems the most likely candidate. Dobson was originally from Newmarket, his father being a barber there. Having been made free of the Goldsmiths' company in 1751 he is recorded as entering his first mark in 1755, in partnership with James Williams and William Pryor. That partnership was dissolved the same year and he was to go on and enter other marks. By 1774, when the present caddies were hallmarked he is listed as working on Old Street as a goldsmith. Other similar tea-caddies to the present include one by Dobson, 1771 (Sotheby's, New York, 23 October 2006, lot 240) and another of the same date sold Charlton Hall Auctioneers, 4 April 2019, lot 130. Each of those examples had a very similar openwork foot and chased decoration on the hinged cover.. Each marked under base, the covers apparently unmarked. The marks underneath are generally clear. There is some surface scratching, wear and minor bruises, consistent with age and use. The wear is noticeable as a softening to the high points including some small holes to the high points on the covers. The cover of each with an oval cartouche which has possibly been erased. The ring finial is a modern replacement on each. There are some scratches to the tortoiseshell on the caddy.

Lot 2188

A George III Silver Basket, by Robert Hennell, London, 1794, oval and with wirework sides below a reeded rim, on conforming foot and with overhead swing handle, the handle later engraved with an initial, with an associated blue glass liner, 27cm wide, weight of silver 19oz, 591gr. Fully marked under base. The handle with lion passant and maker's mark only. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The have possibly been some repairs to the tops of the wires where they attach to the rim. The handle has been later engraved with an initial. This engraving is one an oval plaque which may also be later. The glass liner is probably later.

Lot 2189

A George II Silver Coffee-Pot and Stand, by Ayme Videau, London, 1739, the coffee-pot tapering cylindrical and on spreading foot, the hinged cover with fruiting finial, with wood handle, later engraved with a crest below a bishop's mitre, the stand shaped circular and on three scroll feet, each chased with foliage scrolls and flowers, the coffee-pot 23cm high, the stand 17.5cm diameter, total gross weight 38oz 6dwt (2) The later crest is that of Mountain for Jacob Mountain, Anglican Bishop of Quebec (1749-1825). Jacob was born at Thwaite Hall in Norfolk and went on to study at Caius College, Cambridge and was later granted an honorary Doctor of Divinity. His friendship with William Pitt the Younger was to help him be appointed as the first Anglican Bishop of Quebec. During his time there he was responsible for the construction of the Cathedral of the Holy Trinity, where he was to be buried following his death at Marchmont House in Quebec City. He also served on the legislative councils of both Upper and Lower Canada. Provenance: Jacob Mountain, Anglican Bishop of Quebec (1749-1825) and by descent. . The coffee-pot fully marked underneath. The cover apparently unmarked. The stand fully marked underneath. The marks on each are clear. There is some overall surface scratching and wear, consistent with age and use. The stand has probably been erased as has the cartouche on the coffee-pot. The wood handle is probably replaced.

Lot 2190

A George III Irish Silver Cream-Jug, Maker's Mark ?B, Probably GB for Gustavus Byrne, Dublin, 1801, fluted oval and with reeded handle, engraved with foliage and on each side with a cartouche, one engraved with a crest, the other with initials, 13cm high, 5oz 6dwt The crest is possibly that of Irvine and the initials 'DI' are probably for Diane Irvine, daughter of Sir Alexander Gordon who married Major General Charles Irvine in 1790. Provenance: Probably Diane Irvine, daughter of Sir Alexander Gordon and by descent. . Fully marked near rim. There is some wear to the marks, particularly the maker's mark which is only have visible. There is some overall surface scratching and wear, consistent with age and use. The top handle junction has been reattached to the body.

Lot 2191

A George III Silver Coffee-Pot, Maker's Mark Rubbed, B?, Possibly BB for Benjamin Bickerton, London, 1763, pear-shaped and on spreading foot, the hinged cover with tapering foliage cast finial and gadrooned rim, engraved with a crest, with later carved-wood handle, 28cm high, gross weight 29oz 11dwt, 920gr. Fully marked near handle. The cover bezel marked with lion passant only. There is some wear to the mark, though they are still legible with the exception of the maker's mark which is only party legible. There is some overall surface scratching and wear, consistent with age and use. The foot is bruised so the coffee-pot rocks slightly when placed on a flat surface. The handle is slightly ill fitting and is probably a replacement. There is a lead solder repair to the top handle junction where the hole for the pin has been damaged. There is a small area of damage to the cover bezel.

Lot 2192

A George III Silver Basket, by William Plummer, London, 1783, oval and on spreading pierced foot, the rim and foot each beaded, the border pierced with foliage scrolls and with an overhead beaded swing handle, engraved with a crest, engraved underneath with initials 'D' over 'BM', 33.5cm wide, 26oz 9dwt, 823gr. Marked near handle, on one side with maker's mark and lion passant and on the other side with date letter and duty mark. The handle marked with lion passant only. The marks are generally clear. There are some overall surface scratches, wear and minor bruises, consistent with age and use. There is a solder join at the top of the handle, this is perhaps a later repair to the original join.

Lot 2193

A George III Silver Teapot and Stand, by Charles Aldridge, London, 1790, each shaped oblong, the stand on four fluted panel feet, each with panels of foliage and flowers and with a vacant cartouche, the teapot with wood handle and finial, the teapot 27.5cm wide over handle, the stand 17.8cm wide, total gross weight 19oz 12dwt, 609gr (2) . Fully marked under teapot and under stand. The teapot further part marked inside cover. The marks are generally clear. There is some surface scratching and wear, consistent with age and use. The cartouches have been erased and the engraving has perhaps been refreshed. The handle is somewhat loose in the sockets.

Lot 2194

A Pair of George III Silver Wine-Coasters, by Henry Tudor and Thomas Leader, Sheffield, 1775, each circular and with openwork sides below a beaded border, each applied with a rococo cartouche engraved with initials below an earl's coronet, with turned wood base, 13cm diameter (2) . Each fully marked on base. There is some wear to the marks, though they are generally still legible. There is some overall surface scratching and wear. The wear is noticeable as a minor softening to the high points and the engraving. The wood is possible replaced. The total gross weight including the wood bases is 300gr.

Lot 2195

A Pair of George III Silver Pepperettes, Maker's Mark IC, London, 1792, each vase-shaped and on square pedestal foot, with reeded rim, the pull off cover with vase finial, 15.5cm high, 6oz 9dwt, 200gr (2) Provenance: Captain Edward Arthur Aylmer, D.S.C. (1892-1974), and by descent. . Each fully marked on rim and cover bezel. There is some overall surface scratching and wear, consistent with age and use. There is some pitting on one of the pepperettes and the cover bezel of one has been reattached to the cover.

Lot 2196

A George III Silver Condiment Set, by Robert Hennell, London, Probably 1810, oval and on four panel feet, with overhead reeded handle and with supports for the seven silver-mounted cut-glass bottles, the base wood lined, 23cm wide . Fully marked on base. Further part marked on each foot, bottle support, handle and some bottle-mounts. The marks on the base are very worn and the other marks have some wear. There is overall surface scratching and wear, consistent with age and use. There are some bruises and the base does not sit flat, causing the stand to rock slightly. There are chips, fogging and scratches to the glass bottles. One glass bottle is cracked and one is possibly replaced.

Lot 2197

A Pair of George III Silver Salt-Cellars and a Pair of Scottish Provincial Silver Condiment-Spoons, The Salt-Cellars by William Vincent, London, 1786 The Spoons by James Erskine, Aberdeen, Circa 1800, the salt-cellars shaped oval and on conforming foot, the spoons Old English pattern, engraved with differing initials, the salt-cellars 10.5cm wide, total weight of silver 6oz 3dwt, 191gr (4) Provenance: Harrogate Antiques Fair, May 2000.. The salt-cellars each marked below rim. The marks are generally clear. The spoons marked on back of handle with 'E' and hand with dagger. There is some wear to the marks, though there are still legible. Each has surface scratching and wear, consistent with age and use

Lot 2199

A Pair of George III Silver Candlesticks, by John Winter and Co, Sheffield 1776, each on square base with beaded border, stamped with drapery swags, the tapering stems fluted and terminating in foliage stamped sockets with detachable beaded nozzles, filled, 35cm high (2) . Each marked on base and nozzle. There is some wear to the maker's marks on the base but generally the marks are clear. There is some overall surface scratching and wear, consistent with age and use. There have been some repairs to the base. One nozzle has been resoldered to the stem and is now fixed with glue.

Lot 2201

A George III Scottish Silver Salver, by P. Cunningham and Son, Edinburgh, 1810, shaped circular, with a cast shell and foliage heightened gadrooned border and on four ball and claw feet, engraved with foliage scrolls and flowers, 27cm diameter, 25oz 17dwt, 804gr. Fully marked underneath. The marks are clear. There are some surface scratches and wear, consistent with age and use. The wear is noticeable as a very minor softening to the engraving and the high points. It is possible that the centre has been erased though it does not feel thin.

Lot 2202

A George III Silver Wine-Jug, by Thomas Heming, London, 1765, pear-shaped and on spiral-fluted conforming foot, the lower body with waved decoration below a band of chased fruiting grapevines, the upper-body spiral-fluted, with leaf-capped quilted handle and beak-form spout, engraved with initials, 28cm high, 36oz 8dwt, 1,133gr Provenance: Possibly Charles William Grenfell, M.P. (1823-1861) and by descent to his grandson Captain Edward Arthur Aylmer, D.S.C. (1892-1974), and by descent. While the early history of this jug is not entirely clear there is a strong possibility that it was acquired by Charles William Grenfell, M.P. (1823-1861), either as a gift or a purchase in the 19th century. Grenfell was the son of Charles Grenfell and his wife Lady Georgiana Frances, daughter of William Molyneux, 2nd Earl of Sefton. His brother Henry was, for a time, a director of the Bank of England. He was certainly acquiring items at auction, for example at least three lots from the celebrated sale of the collection of the Duke of Buckingham and Chandos at Stowe House. While in general shape the present jug most resembles a beer-jug, the ornament clearly suggests that it could only have originally been intended for wine. As such it would seem to be an unusual survival of an identifiable wine-jug dating to the 18th century. Michael Clayton notes that such jugs were nearly indistinguishable from ale-jugs during this period, though does illustrate a pair, also by Thomas Heming, which date to 1777 (M. Clayton, The Collector's Dictionary of the Silver and Gold of Great Britain and North America, London, 1971, p. 63, pl. 331). Unlike the present example that pair was decorated in the Neo Classical style as would have been the fashion by the time they were made. Arthur Grimwade also illustrates a number of jugs in his book Rococo Silver, though as noted above their form is virtually unchanged from earlier examples. One however, made by Philips Garden and hallmarked for 1754, stands out (A. Grimwade, Rococo Silver, London, 1974, p. 38, pl. 17b). Like the present example it is exuberantly decorated, through Grimwade suggests it may have been intended for beer. Most interestingly perhaps is a depiction on Thomas Heming's trade card of a jug which, while of a more baluster form, shows the same use of ornament as on the present example with the suggestion of a quilted lower body and a spiral-fluted upper body and with fruiting grapevines between. An example of the trade card, believed to date to the 1760s-1770s, is in the collection of the British Museum (Heal,67.204), having been donated by Sir Ambrose Heal, Chairman of Heal's furniture store along with a large collection of other trade cards in 1960. . Fully marked under base. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is an area of unevenness on one side, visible inside. This may be a repair or it may be constructional. The wear is noticeable as a minor softening to the high points. There are some minor bruises.

Lot 2204

A George III Provincial Silver Teapot, by Dorothy Langlands, Newcastle, 1808, oblong and on four ball feet, the hinged cover slightly domed and with part-wood finial, with wood handle, engraved with a crest, 21.5cm wide over handle, gross weight 12oz 16dwt, 225gr . Fully marked underneath, the cover apparently unmarked. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wood handle is replaced and there is some loss to the wood finial. The surface is somewhat bright. The wing-nut inside is marked with lion passant only and is probably later.

Lot 2205

A Set of Six George III Silver Dinner-Plates, by Paul Storr, London, Four 1800 and Two 1801, each plain circular and with gadrooned rim, the rim engraved with crest with initials below and later engraved with a cypher below a baron's coronet, 25cm diameter, 108oz 14dwt, 3,380gr (6) . Fully marked under border. The marks are generally clear. Each further numbered and engraved with a scratchweight 'No 2 18''15'; 'No 11 18''11'; 'No 18 18''11'; 'No 40 18''7'; 'No 89 18''12' and 'No 96 19''6'. There is some overall surface scratching and wear, consistent with age and use as well as some knife marks.

Lot 2206

A Set of Twelve George IV Silver Fruit-Knives, Maker's Mark WE, Possibly for William Eaton, London, The Handles 1829, The Blades 1826 (2) and 1827 (10), Retailed by T. Jones, Goldsmith, 18 Ludgate Street, the handles of each facetted tapering, with plain silver blades, filled, in fitted red-leather covered case, the case 24.5cm wide. There is some wear to the marks, particularly on one handle. There is some overall surface scratching and wear, consistent with age and use. The box is scuffed and worn.

Lot 2207

A George III Provincial Silver Fish-Slice, by John Robertson II and John Walton, Newcastle, 1814, Fiddle pattern and with pierced blade, 30cm long, 4oz 3dwt, 128gr. Fully marked on back of handle. There is some minor wear to the marks, though each is still legible. There is some overall surface scratching and wear, consistent with age and use.

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