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An early Victorian hallmarked silver snuff box of rectangular form with engine turned sides and base, the cover decorated in relief with foliate scrolls around a cartouche engraved 'PRESENTED TO Samuel Gaskell Esq. by the Legators of the late MR. THOMAS HOLDEN', length 9cm, Birmingham 1839, Francis Clarke.
A George III hallmarked silver snuff box of oval form, the hinged cover bright cut and engraved with a central cartouche of an owl and inscribed 'THE GIFT OF THE ANCIENT CORPORATION OF CANN WOOD TO J. DISTING ESQ. MAYOR - 11 OCT 1797', length 9cm, London 1797, George Burrows.
Three early 20th Century hallmarked silver cigarette cases, to include an engine turned example with pierced foliate clip to the inside, engraved "FROM THE A.T.S. TYPES AT NO. 31", another engine turned example and one of plain form, various dates and makers, together with a Japanese lacquered cigarette case with inlaid decoration of a bird on a branch, length of largest 9.5cm, total weight of silver 9.5oz. (4)
Four early 20th Century hallmarked silver cigarette case, to include a canted rectangular case with engine turned decoration, another with reeded bands and a monogram and two of plain form engraved with monograms, various dates and makers, length of largest 9cm, total weight 12oz. (4)
A collection of Scandinavian silver and enamelled flatware, to include a set of four enamelled cake forks, TH. Marthinsen Norway, length 14cm, five Danish enamelled silver spoons, a yellow guilloche enamel Norwegian spoon, David Andersen Norway, and further spoons. (12)
A James I Silver Apostle Spoon, by Richard Feake, London, 1617, the finial cast as St Thomas, holding a builder's square and money bag, 18cm long, 1oz 15dwt Provenance: with Payne and Son, Oxford, July 1999. Another spoon by the same maker and with the same finial, possibly cast from the same mould as the present spoon, was sold Christie's, New York, 19 October 2001, lot 367. . Marked with leopards head t in bowl. The back of the handle marked with lion passant, date letter 'V; and marker's mark. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the casting on the finial. The nimbus is bruised in places, and is somewhat bright.
An Elizabeth I Silver Seal-Top Spoon, by William Cawdell, London, 1592, with tear-drop shaped bowl and part-fluted finial, the back of the handle engraved '*John*Cavston*Dec'emb 10*1598', 15cm long, 1oz 1 dwt . Marked with leopards head in bowl. The back of the handle marked with lion passant, date letter 'V; and marker's mark. There is some wear to the marks, though they are still generally clear. There is some overall surface scratching and wear, consistent with age and use. The edge of the bowl is slightly sharp due to wear.
A James I Silver Apostle Spoon, Marks Worn, London, Circa 1610, the finial cast as St Matthew, holding a loaf of bread, 18.5cm long, 1oz 19dwt . Marked with leopards head t in bowl. The back of the handle marked with lion passant, and other indistinct marks. The marks on the back of the handle are very indistinct and look as though they have been intentionally obscured. There is some overall surface scratching and wear, consistent with age and use. The finial has the remains of gilding.
A George II Silver Tumbler-Cup, by John Payne, London, 1756, of typical form, with a slightly domed base and gilt interior, 6cm diameter, 2oz 11dwt Another tumbler-cup by Payne and of the same date was sold Woolley and Wallis, Salisbury, 29 October 2008, lot 1005. . Fully marked near rim. There is some overall surface scratching and wear consistent with age and use. There gilding inside is somewhat pale and there are some pitted areas to the gilding.
A George II Silver Cream-Jug, by Thomas Rush, London, Probably 1746, pear-shaped and on pad feet, the sides chased on one side with a cow and the other with a duck, each within a rural landscape, 9cm high, 2oz 16dwt. Fully marked underneath. There is some wear to the marks, consistent with age. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. The cartouche is somewhat bright and has probably been erased.
A George II Silver Cream-Pail, by Walter Brind, London, 1759, tapering cylindrical and with simulated staves, with shaped rim and overhead openwork swing handle, 9cm high, 2oz 2dwt . Fully marked underneath. The cover with lion passant only. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There seem to be repairs at the handle junctions. There are some more obvious scratches inside.
A George III Silver Cream-Jug, Maker's Mark AS NS, London, 1768, pear-shaped and on pad feet, one side chased with a cow within a rural landscape, the other with a swan near a windmill, engraved with initials 'H' over 'R*M', 9cm high, 2oz 8dwt. Fully marked underneath. There is some wear to the marks, consistent with age. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. Two feet have been pushed slightly into the body and there is a repair at the top handle junction
A George III Silver Tray, by Timothy Renou, London, 1794, oval and with beaded border and two beaded loop handles, on four tapering panel feet, the centre later engraved with a ribbon-tied foliage wreath, 53.5cm wide over handles, 49oz 6dwt. Fully marked underneath. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The foliage wreath is later engraved in an area which has been erased The surface in this area is somewhat thin and uneven. There is some pitting overall.
A George II Silver Coffee-Pot, by John Manners, London, 1736, tapering cylindrical and with reeded slightly spreading base, the hinged cover with baluster finial, with later ebonised wood handle, 21.5cm high, gross weight 18oz 19dwt. Fully marked underneath. The cover with lion passant only. There is wear to the marks underneath, though they are still legible. There is overall surface scratching, consistent with age and use. There have been repairs to the top of the spout and the handle junctions as well as to the cover. The wood handle is a replacement.
A George II Irish Provincial Silver Waiter, by Joseph Johns, Limerick, Circa 1750, With Later Indistinct Marks, shaped circular and with shell and foliage cast border, on three pad feet, engraved with a crest, 22.5cm diameter, 14oz 10dwt. Marked underneath with maker's mark. There is a small oblong flooded area below the maker's mark which may be the original 'Sterling' mark. The maker's mark is flanked by two later marks which appear to be spurious marks for Dublin. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the border and the engraving. There is a bright area underneath which may be where an inscription was removed.
A Pair of George III Silver Entree-Dishes and Covers, by William Laver, London, 1789, oval and with reeded rim and two reeded loop handles, the cover with fluted vase-shaped finial, the base and cover each engraved with a crest, 37.5cm wide over handles, 61oz 17dwt (2) Provenance: Tennants, 26 March 2010, lot 386.. Each fully marked underneath. The covers marked with maker's mark, lion passant and duty mark. There there is some wear to the marks, though each is still legible. One dish and one cover are each numbered with four dots. The other dish is numbered with one dot and the cover with three dots. There are some overall surface scratches and wear, consistent with age and use. The are some bruises to the surface and the covers are very slightly ill-fitting on the bases.
A George III Silver Wine-Funnel, Maker's Mark Rubbed, London, 1769, of typical form, with gadrooned rim, 11cm high, 1oz 18dwt. Fully marked on strainer. The funnel marked with lion passant only. There is some wear to the marks, particularly the marks on the strainer. There are some overall surface scratches and wear, consistent with age and use as well as some small bruises. There is a repair to the funnel section.
A George III Silver Toastrack, by Rebecca Emes and Edward Barnard, London, 1815, oblong and on four foliage and shell-cast feet, with gadrooned border and seven bars and overhead loop handle, engraved with a crest, 16cm wide, 7oz 19dwt . Fully marked underneath. The marks are generally clear. There are a number of repairs to the border, some of which have left solder in the border. The frame and branches are somewhat bruised. Persistent tarnish. Would benefit from a polish.
A Pair of George III Silver Candlesticks, by John Lindley and Co., Sheffield, 1799, each on circular base with fluted border, the baluster stem part fluted and terminating in a circular socket, with detachable nozzle, filled, 19cm high (2) . Each fully marked on base. The nozzles with maker's mark, lion passant and duty mark. There is some minor wear to the marks, consistent with age. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points. There is some solder under one of the nozzles which may be an old repair. There is some bruising to the nozzle on one.
A Victorian Silver Dinner-Plate, by Robert Garrard, London, 1865, shaped circular and with gadrooned rim, engraved with a crest, 25cm diameter, 18oz 6dwt. Fully marked under border. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the engraving. There are some small areas of pitting.
A George IV Silver Toast-Rack, by John and Thomas Settle, Gunn and Co., Sheffield, 1826, oblong and on four winged paw cast feet, with gadrooned border, with seven bars and an overhead loop handle, engraved underneath with an inscription, 16cm wide, 10oz 14dwt. Fully marked on base. The marks are generally clear. There is some overall minor surface scratching and wear, consistent with age and use. There has been a small repair visible underneath and further repairs to some of the bars. Further engraved with a crest. The base is somewhat bruised.
A Victorian Silver Strawberry-Dish, by Frederick Elkington, Birmingham, 1873, shaped circular and on three ball and claw feet, cast and chased with foliage scrolls and strapwork, engraved with a coat-of-arms, 25cm diameter, 19oz 5dwtFully marked on front near rim. The marks are clear with only a small amount of wear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving and the high points.
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2477115 item(s)/page