A George II Irish Provincial Silver Waiter, by Joseph Johns, Limerick, Circa 1750, With Later Indistinct Marks, shaped circular and with shell and foliage cast border, on three pad feet, engraved with a crest, 22.5cm diameter, 14oz 10dwt. Marked underneath with maker's mark. There is a small oblong flooded area below the maker's mark which may be the original 'Sterling' mark. The maker's mark is flanked by two later marks which appear to be spurious marks for Dublin. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the border and the engraving. There is a bright area underneath which may be where an inscription was removed.
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A Pair of George III Silver Entree-Dishes and Covers, by William Laver, London, 1789, oval and with reeded rim and two reeded loop handles, the cover with fluted vase-shaped finial, the base and cover each engraved with a crest, 37.5cm wide over handles, 61oz 17dwt (2) Provenance: Tennants, 26 March 2010, lot 386.. Each fully marked underneath. The covers marked with maker's mark, lion passant and duty mark. There there is some wear to the marks, though each is still legible. One dish and one cover are each numbered with four dots. The other dish is numbered with one dot and the cover with three dots. There are some overall surface scratches and wear, consistent with age and use. The are some bruises to the surface and the covers are very slightly ill-fitting on the bases.
A George III Silver Wine-Funnel, Maker's Mark Rubbed, London, 1769, of typical form, with gadrooned rim, 11cm high, 1oz 18dwt. Fully marked on strainer. The funnel marked with lion passant only. There is some wear to the marks, particularly the marks on the strainer. There are some overall surface scratches and wear, consistent with age and use as well as some small bruises. There is a repair to the funnel section.
A George III Silver Toastrack, by Rebecca Emes and Edward Barnard, London, 1815, oblong and on four foliage and shell-cast feet, with gadrooned border and seven bars and overhead loop handle, engraved with a crest, 16cm wide, 7oz 19dwt . Fully marked underneath. The marks are generally clear. There are a number of repairs to the border, some of which have left solder in the border. The frame and branches are somewhat bruised. Persistent tarnish. Would benefit from a polish.
A Pair of George III Silver Candlesticks, by John Lindley and Co., Sheffield, 1799, each on circular base with fluted border, the baluster stem part fluted and terminating in a circular socket, with detachable nozzle, filled, 19cm high (2) . Each fully marked on base. The nozzles with maker's mark, lion passant and duty mark. There is some minor wear to the marks, consistent with age. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points. There is some solder under one of the nozzles which may be an old repair. There is some bruising to the nozzle on one.
A Victorian Silver Dinner-Plate, by Robert Garrard, London, 1865, shaped circular and with gadrooned rim, engraved with a crest, 25cm diameter, 18oz 6dwt. Fully marked under border. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the engraving. There are some small areas of pitting.
A George IV Silver Toast-Rack, by John and Thomas Settle, Gunn and Co., Sheffield, 1826, oblong and on four winged paw cast feet, with gadrooned border, with seven bars and an overhead loop handle, engraved underneath with an inscription, 16cm wide, 10oz 14dwt. Fully marked on base. The marks are generally clear. There is some overall minor surface scratching and wear, consistent with age and use. There has been a small repair visible underneath and further repairs to some of the bars. Further engraved with a crest. The base is somewhat bruised.
A Victorian Silver Strawberry-Dish, by Frederick Elkington, Birmingham, 1873, shaped circular and on three ball and claw feet, cast and chased with foliage scrolls and strapwork, engraved with a coat-of-arms, 25cm diameter, 19oz 5dwtFully marked on front near rim. The marks are clear with only a small amount of wear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the engraving and the high points.
A Three-Piece Victorian Silver Tea-Service, by Stephen Smith, London, 1872, each piece tapering cylindrical, the shoulder engraved with stylised foliage, the teapot with ivory insulated handle; Together With: A Victorian Silver Coffee-Pot, by Stephen Smith and William Nicholson, London, 1852, tapering cylindrical and engraved with foliage and a crest, with ivory insulated handle, the coffee-pot 22.5cm high, gross weight 65oz 19dwt (4) . The teapot and cream-jug each fully marked near handle. The sugar-bowl and coffee-pot fully marked underneath. The teapot and coffee-pot further part marked inside cover and on handle. The marks are generally clear, though there is some wear to the marks on the teapot. Overall there are surface scratches and wear, consistent with age and use. The ivory insulators have some cracking and discolouration. There is some bruising in places, particularly on the cream jug and sugar bowl. There is an area of discolouration visible inside the teapot, possible caused by a small patch, though this is not visible on the outside of the teapot. The teapot also has some repairs on the handle. The bottom hinge pin on the coffee-pot is lacking and replaced with a piece of wire.
A Victorian Silver Spirit-Flask, by William Gibson and John Lawrence Langman, London, 1893, oblong and with one canted corner, with bayonet-mounted cover, 13.5cm high, 7oz . Fully marked on side and on canted corner. There is some overall surface scratching and wear, consistent with age and use. There are some bruises, most obvious being one on the base.
An Edward VII Silver Tray, by Elkington and Co., Birmingham, 1906, oval and with integral handles, with gadrooned border above fluted sides, 56cm wide, 59oz 6dwt . Fully marked near rim. Further stamped '18234 Elkington & Co' underneath. There is some very minor wear to the marks. There are some overall surface scratches and wear, consistent with age and use. The wear is noticeable as a very minor softening to the high points.
A George IV Silver Lemon-Strainer, by John Reily, London 1821, the bowl pierced circular and with gadrooned rim, with two gadrooned and shell-cast handles, one side with a shell-cast hook, engraved with a crest, 24cm wide over handles, 7oz 2dwt. Fully marked on side. There is some wear to the marks. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the border. Further engraved on one side with a crest.
A George IV Silver Shaving-Mug, by Charles Rawlings, London, 1825, tapering cylindrical and with carved ivory side handle, the flat hinged cover engraved with a crest, 11.3cm high, gross weight 9oz 14dwt . Fully marked near rim. The cover marked inside with maker's mark, lion passant and date letter. There are some surface scratches, consistent with age and use. There are some minor cracks and some staining to the ivory handle. The top handle junction has been repaired. There are the remains of a later material base adhered to the base.
A Victorian Silver Mustard-Pot, by Charles Stuart Harris, London, 1896, of drum shape, the sides pierced in the George III style with foliage scrolls and birds, with beaded border and plain hinged cover, with blue glass liner, 9.5cm wide over handle, weight of silver 4oz 1dwt. Fully marked underneath. The cover with maker's mark, lion passant and date letter. The marks are clear. In generally good condition with only some minor surface scratches and wear, consistent with age and use.
An Indian Colonial Silver Jug, by Hamilton and Co., Calcutta, Mid 19th Century, shaped cylindrical and on spreading foot, the foot cast and chased with fruiting foliage on a matted ground, the hinged cover with foliage and flower finial, 17cm high, 24oz 10dwt A tankard with a very similar body to the present example and similar cast foot was sold Sworders, Stanstead Mountfitchet, 24 November 2015, lot 22. . Marked underneath with maker's mark, elephant and 'A'. The marks are generally clear. There are some surface scratches and minor wear, consistent with age and use. There is some flaking to the gilding inside.
An Indian Silver Scroll-Holder, Apparently Unmarked, dated 1911, tubular and chased with buildings within a landscape, engraved ' From S. C. Dhondy and H. F. Setna of Dhondy Road, Deolali To Henry Davis, Esq 31 May 1911', 32.5cm long, 10oz 8dwt. There is some minor surface scratching and wear overall, consistent with age and use. The wear is noticeable as a minor softening to the high point. Would benefit from being polished.
An Indian Silver Cigar-Box, Apparently Unmarked, probably Late 19th/Early 20th Century, oblong, the hinged cover chased with a scene of a figure on horseback pig-sticking, within a landscape and with a foliage border, the long sides chased on one side with two elephants and on the other two tigers, the short sides with differing scenes of animals hunting, wood lined, 18.5cm long. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor softening to the high points. There is some staining to the wood lining. The hinge is bruised so that the cover sits slightly forward when closed.
A George III Silver Snuff-Box, by Robert Cattle and James Barber, York, 1807, oval with reeded sides, the hinged cover engraved with initial 'M'; Together With: a Victorian Silver-Mounted Mother-of-Pearl Fruit-Knife, by George Unite, Birmingham,1897, the snuff-box 8cm wide, 2oz 11dwt. (2) Robert Cattle and James Barber would seem to have entered into partnership sometime after 20 November 1807, when Cattle was submitting silver to the York Assay office on his own account and 27 December of that year when they is the first record of them submitting work together (M. Baggott, An Illustrated Guide to York Hallmarks 1776-1858 and a Transcript and Index of the York Assay Office Ledger 1805-1821, Bodmin, 2010, ledger pp.16-17). The present box is very probably that which was submitted by 'Mess Cattle & Barber' on 26 March 1808 as part of a parcel of silver weighing 297oz 9dwt (op cit., ledger p. 19, line 1).. The snuff-box: Fully marked inside the base including with York town mark. The cover part marked with maker's mark, lion passant and duty mark. There is a small amount of wear to the marks, though each is legible. There are some overall surface scratches and wear, consistent with age and use. The surface is somewhat bright. The fruit-knife: Fully marked on blade. The marks are clear. There is some pitting to the blade. The handle with silver shield later engraved with initials.
A George IV Silver Meat-Skewer, by William Bateman, London, 1826, of typical form, with loop finial and engraved with an initial 'D', 33.5cm long, 4oz 8dwt. Fully marked near finial. The marks are clear. With some overall scratching and wear, consistent with age and use.
A George III Silver Meat-Skewer, Maker's Mark Indistinct, London, 1770, of typical form, with loop handle and later engraved with an initial 'B', 33.5cm long, 3oz 6dwt . Fully marked near finial. The marks are generally clear, though the maker's mark is poorly struck. In generally good condition with some overall scratches consistent with use. The initial is later engraved.
A George III Silver Marrow-Scoop, by Paul Storr, London, 1819, of typical form, the back of the large bowl with shell terminal and engraved with a crest, 23cm long, 1oz 15dwt. Fully marked on back of handle. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points.
A George IV Silver Double Snuff-Box, Maker's Mark GC, Possibly for George Cowie, London, 1821, oval and with two hinged covers, engraved overall with rosettes on a matted ground, further engraved top and bottom with a coat-of-arms, each with differing Egerton crest, and on the sides with initials 'FHE' and a crest, 8.5cm wide, 3oz The arms are those of Egerton, possibly for Francis Henry Egerton (1756-1829). In 1829 Egerton succeeded his brother John to become 8th Earl of Bridgewater. . Fully marked inside one section. The other section and each cover further struck with maker's mark twice. The marks have some wear but are generally legible. There is some overall minor surface scratching and wear, consistent with age and use.
A Victorian Parcel-Gilt Silver Wager-Cup, by Thomas Henry Francis and Frederick Francis, London, 1862, formed as a female figure in traditional Russian costume and wearing a kokoshnik , the bodice tightened at the waist and with flowing dress finely chased and engraved with foliage and flowers on a matted ground, holding aloft two grotesque-capped brackets which support the pivoting cup, 27cm high, 18oz Provenance: with Garrard, 112 Regent Street, London, February 1979 where acquired by the present owner. . Fully marked on the back of the skirt. Part marked on the bottom of the pivoting cup. There is some minor wear to the marks, though each is still legible. There is some surface scratching and wear. The cup doesn't sit exactly level.
A Victorian Silver Punch-Bowl, by Walker and Hall, Sheffield, 1897, tapering cylindrical and on spreading foot, the shaped rim with cast and chased border of putto and female figures in a watery landscape, engraved with an inscription, with ebonised wood plinth, 35cm diam., 43cm high including plinth, 64oz 13dwt The inscription reads 'Presented to Thomas Brassey Maddocks by tenants and friends on his Coming of Age 3rd Sept 1895'. Thomas Brassey Maddocks (1874-1901) was the son of Thomas Maddocks of Woodlands-in-Wem, Shropshire (b.1846) and his wife Mary Crawley, who he married in 1873. The younger Thomas was born on 3 September 1874 and educated at Shrewsbury School before joining first the Somersetshire Light Infantry and later the Shropshire Light Infantry, becoming Lieutenant in October 1898. He travelled with his regiment to South Africa and was killed there during the re-occupation of Potchefstroom on 10 September 1900. . Fully marked near rim. The marks are generally clear. There is some minor surface scratching and wear, consistent with age and use as well as some minor bruises. The wear is noticeable as a slight softening to the high points. The gilding inside is somewhat pale. There is a visible seam in the border which is likely to be constructional where the border was soldered together. There are some minor scratches to the border.
A Three-Piece Victorian and Edward VII Silver Tea-Service, by J. Sherwood and Sons, Birmingham, The Cream-Jug and Sugar-Bowl 1900, the Teapot 1905, each piece fluted oval, alternating flutes chased with lines, the teapot 19.5cm wide, 13oz 18dwt (3) . The teapot, cream-jug and sugar-bowl each fully marked on one side. The cover further marked with lion passant and date letter on bezel. There is surface scratching and wear overall as well as some bruises.
A Silver-Plated Inkstand Timepiece, 20th Century, oblong, the base with rests for the two silver-plated mounted cut-glass bottles, with a central plinth with horse head masks either side and with jockey finial, 26.5cm wide. In generally good condition with only some minor scratches consistent with use. The clock mechanism is only accessible by unscrewing the base. The mechanism has not been examined and is not currently in working order.
A George V Silver Tray, by the Goldsmiths and Silversmiths Co. Ltd., Sheffield, 1919, shaped oval and with two scroll handles, 46.5cm wide over handles, 41oz 6dwt. Fully marked underneath. Further stamped 'Goldsmiths & Silversmiths Company 112 Regent Street W'. The marks and stamp are clear. There is some surface scratching and wear, consistent with age and use. There are also some small pitted areas.
A George IV Silver Teapot and a George IV Silver Cream-Jug and Sugar-Bowl, The Marks on the Teapot Worn, London, Circa 1820, the Cream-Jug and Sugar-Bowl by Rebecca Emes and Edward Barnard, London, Circa 1820, each piece differing oblong and with fluted lower body, the teapot with gadrooned rim, the cream-jug and sugar-bowl with shell and foliage cast gadrooned border, the teapot 28.5cm wide over handle, gross weight 43oz 2dwt (3) . The teapot is fully marked near handle. The handle further part marked. The sugar-bowl and cream-jug each marked near handle. The marks on each piece are worn. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There has been a small strengthening patch applied inside the cover of the teapot. This has perhaps been applied over the marks on the cover.
A Victorian Silver Christening-Mug, Maker's Mark Rubbed, London, 1880, cylindrical and on collet foot, with plain loop handle, the sides engraved with figures in rural pursuits, 9cm high, 4oz 19dwt. Fully marked near handle. The marks have some wear, particularly the maker's mark which is not legible. There is some surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor softening to the engraving.
A Victorian Silver Christening-Mug, by George John Richards, London, 1844, baluster, the sides cast and chased in high relief with figures in a rural landscape, engraved with initials, 11.5cm high, 6oz 9dwt . Fully marked near handle. There is some minor wear to the marks. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor softening to the high points. There are some minor bruises near the handle.
A Victorian Silver Punch-Bowl, by William Hutton and Sons, London, 1900, in the form of a Queen Anne monteith, tapering cylindrical and on spreading foot, the body part fluted and with lion-mask cast drop-ring handles, engraved on each side with an inscription to Joseph Francis Chance on his retirement from the Department of the Treasury Solicitor, on ebonised wood base, 22cm high excluding base, 58oz 12dwt. Fully marked near rim. The drop-ring handles each part marked with lion passant and leopards head. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points and to the engraving. There is a bruise to the left of one cartouche and the base has been pushed slightly up into the body. There are some scuffs and marks to the ebonised wood base.
A George V Silver Cup, by R. and W. Sorley Glasgow, 1911, centrally waisted circular and on spreading foot, with two scroll handles, one side engraved with an inscription from the Barrhead Agricultural Society to Mr W. H. Goff, the other with names of various winners, with wood base, 22cm high excluding base, 30oz 7dwt. Fully marked near rim. The base further stamped 'Sorley Silversmiths to HM the King Glasgow'. The marks and stamp are clear. There is overall surface scratching and wear, consistent with age and use. There is a bruise to the foot on one side, this causes the cup to rock very slightly. There are a number of scuffs and scratches to the base, which also has some wax spilled on it.
A Set of Eighteen Victorian Silver Fruit-Knives and Fruit-Forks, by Francis Higgins, London, 1845, each with foliage-cast handles, engraved with a crest, filled (36). Each is marked on handle and blade or tines. The marks are generally clear. In generally good condition with only some minor wear, consistent with age and and use.
A Set of Victorian Silver-Mounted Ivory Fruit-Knives and Fruit-Forks, by Mappin and Webb, Sheffield, 1853, each piece with carved ivory handle, the blades and tines engraved with foliage scrolls, comprising 12 fruit-forks and 11 fruit-knives, in fitted brass-bound box, the box 30cm wide (23) . Each piece fully marked on blades or tines. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There are cracks and discolouration to the ivory. The box has some cracking and loss to the veneer as well as scratching overall.
A Set of Eight Edward VII Scottish Silver Fish-Knives and Fish-Forks, Fruit-Knives and Fruit-Forks and a Pair of Fish-Servers, by Hamilton and Inches, Edinburgh, 1908, each piece Thread and Shell pattern, comprising: 8 fish-knives and fish-forks and 8 fruit-knives and fruit-forks and a pair of fish-servers, with filled handles (34) . Each piece is marked on blade or tines and handle. The marks are generally clear. There is some overall surface scratching consistent with age and use.
A Victorian Silver Novelty Whistle, by Sampson Mordan and Co., London, 1888, realistically modelled as an owl, with glass eyes and suspension loop, 5.5cm long, gross weight 7dwt. Marked on back of owl with maker's mark and lion passant. The whistle end fully marked. There is some wear to the marks, thought they are still legible. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There is some scratching to the glass eyes.
A Pair of Victorian Silver Serving-Spoons, by John Aldwinckle and James Slater, London, 1883, each with shell-shaped bowl, the handle cast with a male bust, 22cm long, 6oz (2) . Each fully marked on back of bowl. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points.
Three Victorian, Edward VII and George V Silver Entree-Dishes and Covers, by Charles Frederick Hancock and Co., London, 1898, 1908 and 1914, each elongated octagonal and with detachable handle, one handle defective, engraved with a coat-of-arms, 28cm wide, 125oz 16dwt (3) . The bases are marked for 1898, 1908 and 1914, two covers are marked for 1908 and one for 1914, the bases are each stamped 'Hancocks & Co 39 Bruton St London'. There is some wear to the marks, though they are generally still legible. There is some overall surface scratching and wear, consistent with age and use. There are also some bruises. One side of the lug on one handle is lacking so this handle doesn't fix to the cover.
A George V Silver Sauceboat, by Stanley and Thomas Shapland, London, 1930, bombé oval and on spreading foot, the foot and rim each gadrooned, with leaf-capped scroll handle, 18cm wide, 14oz 17dwt. Fully marked near rim. Further stamped 'London' underneath. The marks and stamp are clear, though with a small amount of wear to the mark's mark. Overall minor surface scratching and wear, consistent with age and use.
A George V Silver Tea-Caddy, by Walker and Hall, Sheffield, 1919, fluted oval section and on four paw feet, the pull-off cover with drop-ring handle, 13.5cm wide, 12oz 3dwt. Fully marked on one side. The cover bezel marked with maker's mark, lion passant and date letter only. The finial with lion passant only. Further stamped 'Walker and Hall Sheffield 53246' underneath and with Walker and Hall trademark. The marks and stamp are generally clear. With overall minor surface scratching and wear, consistent with age and use.
A Set of Four George V Enamelled Silver Place-Card Holders, by John Collard Vickery, Chester, 1911, on circular base, each enamelled with a differing game bird, each depicted in a landscape, in fitted blue leather covered case, the case 22cm wide, gross weight 5oz 9dwt (4) . Each fully marked on base. The marks are generally clear. There are some minor surface scratching and wear. Consistent with age and use. The enamel appears to be intact, though with some small scratches in places. There is some scuffing to the leather case.
A Cased Set of Six George V Silver-Mounted Tortoiseshell Place-Card Holders, by William Comyns, Birmingham, 1912, each on circular base holding the circular tortoiseshell disc, each piqué inlaid, four with differing game birds, one with a hare and one with a fish, in fitted case, the case 17cm wide (6) . Each fully marked underneath, further stamped 'A5435'. The marks and stamp are both clear. There is some overall surface scratching and wear, consistent with age and use. There is some very minor shrinking to the tortoiseshell though the pique seems to be intact. The wire clip on the back of some is slightly bruised. There is some scuffing to the leather case and some wear to the material inside the case.
A Pair of Victorian Silver Asparagus-Tongs, by William Eaton, London, 1845, King's pattern, engraved with two crests, 26cm long, 8oz 5dwt. Fully marked inside the tongs. The detachable clip and each of the fixing screws each marked with lion passant only. The marks are generally clear. There is some surface scratching and wear, consistent with age and use. The wear is noticeable as a very minor softening to the high points and the engraving.
A William IV Silver Serving Slice, by Paul Storr, London, 1835, Elizabethan pattern, the triangular blade pierced and engraved with foliage scrolls, engraved with a crest below a baron's coronet, 19.5cm long, 2oz 12dwt The crest is that of Crewe, probably for Hungerford Crewe, 3rd Baron Crewe (1812-1894). Crewe was educated at Eton and Christ Church, Oxford, succeeding his father in 1835. He was responsible for a number of alterations to Crewe Hall. On his death he estates passed to his nephew who was to go on to become Marquess of Crewe. . Fully marked on blade. The marks are generally clear. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and to the engraving.
A Victorian Silver-Mounted Scent-Bottle, by Saunders and Shepherd, Birmingham, 1888, Design Registration Number 89919, in the form of an acorn, the screw cap chased with flowers, with suspension chain, 4cm high excluding chain . Fully marked on side. The cover with slightly indistinct mark which is probably the lion passant. Further stamped with design registration mark. The marks have some wear, particularly the mark to the cover. There is some overall surface scratching and wear, consistent with age and use. There are some bruises as well. The chain is possibly later.
A Victorian Silver-Mounted Horn Vinaigrette, Apparently Unmarked, Possibly Scottish, Late 19th Century, the silver mounts chased with thistles and foliage on a matted ground, set with a facetted glass finial and with suspension loop, 4.5cm high . Apparently without hallmarks. The silver mounts is very slightly loose on the horn body, this is probably due to a small amount of shrinkage to the horn. There are some minor chips to the glass finial.
A French Gilt-Metal Posy-Holder and A Silver Plated Posy-Holder, Each 19th Century, the first with openwork gilt metal frame, the sides applied with a miniature depicting a lady; a mirror and a mother-of-pearl panel, with mother-of-pearl handle, the second cast with foliage and with loop handle, 14cm high and slightly smaller (2) . The gilt-metal posy-holder: There is some wear to the gilding at the high points. The mirror has some foxing. The silver plated posy-holder: There is some wear to the plating at the high points.
A George III Silver and Mother-of-Pearl Corkscrew, Maker's Mark IT Only, Probably For Joseph Taylor, Birmingham, Circa 1815, the threaded cover of the helix cast with lines, with carved mother-of-pearl handle, 8.5cm long. Marked with maker's mark only on base of cover. The mark is generally clear. There is some surface scratching and wear, consistent with age and use. There is some corrosion to the steel helix. There is some minor discolouration and scratching to the mother-of-pearl.
A Cased Set of Elizabeth II Parcel-Gilt Silver Queen's Beast Spoons, by Richard Comyns, London, 1972, Designed by James Woodford, each with a finial cast as one of the Royal heraldic beasts, in fitted red leather covered case, the case 38.5cm wide, 10oz 10dwt (10) Produced to commemorate the silver wedding anniversary of Queen Elizabeth II and Prince Philip in 1972. The beasts cast as the finials of the present spoons are copies of the ones made by Woodford to be placed at the entrance to Westminster Abbey for the coronation of Queen Elizabeth in 1953. . Marked with leopards head in bowl and with remaining marks on back of handle. The back of the handle further monogrammed 'JW' (for James Woodford) and with intials 'CC' (for Crown Copyright). The spoons are in generally good condition. There is some scuffing and damage to the leather case.
A Victorian Silver-Gilt and Malachite Vinaigrette and A George III Silver Vinaigrette, The First Apparently Unmarked, Circa 1840, The Second by John Bettridge, Birmingham, 1818, the first shaped oblong and engraved with foliage scrolls, the base and cover each with malachite panels, the panels damaged, the second oblong and with canted corners, the cover applied with fruiting grapevines, 3cm wide and smaller (2) . The Victorian vinaigrette: the silver-gilt mounts are in generally good condition. There are some cracks and chips to the malachite panel on the base. The malachite panel on the top is intact though with a number of scratches. The George III vinaigrette: Fully marked inside cover. The grill marked with lion passant only. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the fruiting grapevines.
An Edward VII Silver Table-Service, by George Jackson and David Fullerton, London, 1904, Old English pattern, comprising, 12 table-spoons 12 table-forks 12 dessert-spoons 12 dessert-forks, two by Vander, London, 1968 12 teaspoons, one 1899, one 1901 and one 1911 A pair of sauce-ladles, by Robert Pringle and Sons, London, 1928 A basting-spoon, by The Goldsmiths and Silversmiths Co. Ltd., London, 1900 A soup-ladle, by Walker and Hall, Sheffield, 1909 A sauce-ladle, Birmingham, 1935 and the following with filled handles and stainless steel blades: by Francis Higgins, London, 1887: 12 table-knives 12 cheese-knives A three-piece carving set 2 cheese-knives and the following with filled handles and original steel blades: by Francis Higgins, London, 1887 6 table-knives 2 cheese-knives and 2 handles for cheese-knives in fitted oak canteen weighable silver 123oz 8dwt (104)
A George VI Silver Table-Service, by Pinder Brothers, Sheffield, 1947 and 1950, the handles fluted and with foliage terminal, comprising: 6 table-forks 6 dessert-forks 6 dessert-spoons 6 soup-spoons 6 egg-spoons 6 teaspoons 6 fish-knives 6 fish forks, one differing 6 spoons with round bowl 2 table-spoons A large serving-spoon 2 small serving spoons 2 butter-knives A pickle-fork and the following with stainless steel attachments and filled handles: 6 table-knives 6 cheese-knives A three-piece carving set in mahogany finish canteen with hinged cover and single drawer, the canteen 47cm wide, weighable silver 90oz 19dwt (77). Each piece is marked on back of handle. Some are further stamped 'Made in Sheffield Eng'. In generally 'as new' condition. There are some minor scuffs to the case.
A Victorian and George V Silver Table-Service, by John Round and Son Ltd., Sheffield, 1894, the Soup-Spoons by Ackroyd Rhodes, London, 1911, Old English pattern, engraved with initials, comprising: 12 table-forks, one 1893 12 dessert-forks 12 dessert-spoons 12 soup-spoons 4 table-spoons 110oz 13dwt (52)
A Victorian and Later Silver Table-Service, Mostly by Elkington, Birmingham, 1902, Queen's pattern, comprising: 12 table-forks 12 table-spoons 12 dessert-spoons 12 dessert-forks, three Sheffield, 1902 and one London, 1854 12 teaspoons, by Elizabeth Eaton, London, 1848 and 1854 4 condiment-spoons, by John James Whiting, London, 1850 A pair of basting-spoons, Exeter, 1861 A pair of salad-servers, by Charles Lias, London, 1839 and the following with filled handles: 12 table-knives, the handles marked for London or Sheffield 12 cheese-knives, the handles by Aaron Hadfield, Sheffield, circa 1840 12 fruit-forks, the tines by Sebastian Garrard, London, 1907, some handles earlier 12 fruit-knives, the blades by Sebastian Garrard, London, 1907, some handles earlier A carving-fork A sharpening-steel weighable silver 177oz 14dwt (118)
An Assembled George II and Later Silver Table Service, Various Maker's and Dates, Old English pattern and Hanoverian pattern, some pieces engraved with initials, comprising: 16 table-spoons 7 table-forks with three tines 6 table-forks 6 dessert-spoons 12 dessert-forks with three tines 5 dessert-forks 2 sauce-ladles and the following with composition handles and stainless steel blades: 12 table-knives 12 cheese-knives weight of silver 94oz 5dwt (78)
A Silver and Chrome Mounted Wood Cocktail-Stick Caddy, The Cocktail Sticks stamped '935', 20th Century, realistically modelled as a golf-caddy, the bag holding six cocktail-sticks in the form of golf-clubs and a further cocktail stick set with a composition golf ball, on chrome plated base, 11.5cm high
A Victorian Gold Royal Antediluvian Order Jewel, by Joseph Davis, London, 1897, 9ct, formed as the Royal Antediluvian Order of Buffaloes medal, engraved with presentation to Primo William J Hankin by the members of the Waverley Lodge No. 240, with gilt-metal mounted red ribbon, in fitted case; Together With: A Victorian Silver Royal Antediluvian Order Jewel, by Vaughton and Sons, Birmingham, 1890, with buffalo head set with red stone eyes, engraved with presentation to Primo W J Hankin by the Prince of Wales Castle Lodge Farnham No. 873, the case 12.5cm wide, weight of gold 8dwt (12gr) (2)
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