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An Edwardian opal and diamond circular brooch pendant, centred with a circular-cut diamond within a heart-shaped opal surround and further similar opals and diamonds to the openwork silver and gold mount, detachable brooch fitting and with further opal and diamond-set gold pendant loop and fine-link gold neck chain, case
A nine-row ruby bead necklace, separated with diamond-set spacers with white gold clasp, 50cm longest, a graduated three row cultured pearl necklace, strung to sit in a V-shape, with plain gold clasp, 55cm longest, and a cultured pearl bracelet with a paste-set silver clasp, 18cm long
A silver brooch set by Georg Jensen, design no. 100 & 100A, c1945-1951, formed as large and small blossoming tulips connected by two extension chains, each stamped Sterling Denmark and with maker's mark for Georg Jensen & Wendel A/S, 4.5 & 3.5cm wide For a similar brooch, see DRUCKER, J., Georg Jensen: A Tradition of Splendid Silver, p.125
A jewellery casket with lift-out draw containing various items of jewellery, including an 18th century silver and gold ring set with an emerald and diamonds, a cabochon ruby-set gold ring, a carved hardstone antique cameo depicting Alexander in gold mount, a pendant with double-sided enamel centrepiece painted with a prayer in latin within rose-cut diamond and seed pearl surround, various items of gold jewellery, a desk seal with thistle matrix, an Edwardian gold hinged bangle set with opals, seed pearls and a ruby, etc.
A Louis XV gold, hardstone, shell and silver gilt-mounted snuff box, by Antoine Daroux, Paris 1747, the rectangular box with hinged cover decorated with girl offering a drink from a nearby barrel to a soldier with gun and sword, gold highlights to the ground and tree trunks and all on a carved shell ground, depicting tents, with confirming scenes and decoration to the four sides and base, 8cm wide, the cover and internal base with the mark of Antoine Daroux, the silver borders with wavy decoration A box with similar military camp iconography was sold by the late Baron Maximilien de Goldschmidt-Rothschild, Sotheby's Monaco, 29th November 1975, ex lot 136.
A Victorian sapphire and diamond brooch pendant, set with a central circular-cut sapphire within scrolling diamond-set border and further border of smaller circular-cut sapphires in silver and gold, 2.7cm wide, with a Victorian sapphire and diamond shamrock bar brooch, 3.8cm wide
A quantity of jewellery, including an amethyst-set gold ring, an Edwardian amethyst and seed pearl-set gold pendant, a coral and seed pearl-set gold ring with matching earrings, a three-row cultured pearl necklace with a diamond and cultured pearl-set gold clasp, 35cm long, an amethyst-set foliate silver gilt bracelet, a gold curb link bracelet, 27g, an amethyst and seed pearl-mounted gold bracelet, a cultured pearl-mounted yellow gold swirl brooch, an Edwardian seed pearl and turquoise-set gold circular floral brooch, a pair of blue zircon-mounted gold earrings, a sterling silver fish bracelet with London marks and maker's mark BP, a silver cruciform pendant set with a cabochon green stone with London marks for 2000 and maker GL on an oval-link silver neck chain and a pair of imitation pearl earrings
A silver, enamel and mabé pearl pendant by James Fenton, of pierced teardrop shape, set with a mabé pearl and decorated with blue and green enamel (damaged), suspending a blue enamel plaque in silver, maker's mark and Birmingham hallmarks for 1908, 5.7cm long, with another Arts and Crafts blue enamel and silver brooch, 4cm high
A lady's diamond-set cocktail wristwatch by Benson, the silver dial with black Arabic numerals. The oval-shaped case set overall with circular-cut diamonds and with quarterfoil fleur-de-lys pattern. The movement signed Vogt & Co. The case with inscription to revere for 'Sept 8th 1950'. On extending link white gold band.
A George III diamond-set flower head brooch pendant, c1790, centred with a cluster of cushion-shaped diamonds, the six petals set with cushion and old marquise-shaped diamonds in silver closed-back mount, with later hinged suspension loop and brooch pin This brooch was probably originally sewn on to a dress.
A half-hunter pocket watch with import hallmarks for London 1910, unsigned keyless-wind movement with straight line lever escapement, silver dial with Arabic numerals, 9ct gold case with Shaw family crest and motto 'Vincit que Patitur' to the rear, 45mm, weight 45g, together with a yellow and white gold albert chain, 35cm, 6g with fitted box
A late Victorian diamond-set crescent brooch, the closed crescent is set with a line of graduated cushion-shaped diamonds on blue enamel ground and within borders of rose-cut diamonds on silver and gold, engraved with Hebrew inscription dated 10.1.59 and translates to Yevarechecha Adonai v'yishmarecha (May the Eternal one bless you and watch over you), 2.3cm wide The inscription is the first line of the priestly blessing found in the Book of Numbers Chapter 6, verses 24-26.
A late 19th century replica of the `Alfred Jewel` in silver-gilt; the upper face a polychrome enamelled image of a standing male with a rock crystal cover; the edge of the cell with the text `+AELFRED MEC HEH GEWYRCAN` (Alfred ordered me to be made) with pelletted border above, textured band below; the finial a beast-head with socket emerging from the mouth, with pelletted rim and attachment pin; to the reverse an incised acanthus motif and two suspension rings, 52g, 63 mm (2 1/2") This piece is one of a number of replicas of the Alfred Jewel (original jewel in the Ashmolean Museum, Oxford) produced during the reign of Queen Victoria, commissioned and distributed by Elliot Stock, a London bookseller and publisher. They were made in silver-gilt (with a few in gold) and were on sale until circa 1903. The Victoria and Albert Museum bought at least three examples to be used by art students for drawing practice. J. Charles Wall wrote in 1900 that 'in commemoration of the millenary of Alfred, Mr. Elliot Stock has reproduced this jewel so that it may be better known than hitherto, and by it to recall the Christian labours of that king'.
A Victorian moonstone and diamond pendant, set with two heart-shaped moonstone cabochons within a surround of rose-cut diamonds with a diamond-set bow surmount, in silver and gold, with inscription to reverse for 'Patrick & Alice' 2.5cm high (excluding pendant loop), caseThe inscription is from Patrick Bowes-Lyon (uncle to the Queen mother) to his wife Alice.
A Regimental brooch for the Warwickshire Yeomanry, by Garrard, pave-set with circular-cut diamonds in 18ct yellow and white gold, maker's mark and Birmingham hallmarks for 1989, 3cm high, with a similar silver brooch for the Warwickshire Yeomanry, set in silver, maker JMB and Birmingham hallmarks for 1994, 3.2cm high
A silver and enamel pendant by Murrle Bennett & Co, of hammered silver trefoil design, decorated with red, green and blue enamel and suspending a silver and enamel plaque, on fine-link neck chain conjoined with two further silver and enamel plaques, signed to reverse with maker's monogram and stamped 950, pendant 4cm long, chain 52cm long
Various items of jewellery, including a diamond half-hoop ring, set with seven circular-cut diamonds in yellow gold, size N, with a diamond solitaire ring, size I 1/2 and a gold ring set with a diamond-set pelican, size M 1/2, case, a 19th century closed-back topaz and seed pearl-set gold cluster ring, four further rings, a silver hinged bangle, two coral necklaces, various items of silver jewellery, gold brooches, paste-set jewellery, a gold-cased sovereign case and a Regency locket pendant
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2466194 item(s)/page