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Marples & Co Edwardian silver cigarette case, the planished top with repousse woman's head amongst swags over flower with scrolled foliage, hinged with thumb catch, the interior gilded and with a fabric retainer and a gilt spring retainer, marks for Birmingham, 1903, maker's stamp, overall 8.3cm x 6.3cm, gross weight 2.5 ozt
George III silver table spoon engraved with initials to the terminal, marks for London, 1809, maker's stamp Thomas Wallis II, (2.1 ozt); a George III silver dessert spoon with chasing to the stem and engraved initials, marks for London, 1785, maker's stamp TN, (1.2 ozt); and six assorted Georgian silver teaspoons (combined weight of teaspoons 2.8 ozt)
A silver card case and small articles of silver and imported silver. This lot comprises - (1) A silver card case, engine turned, vacant panel for personal engraving, rectangular with open end and internal sprung clip, (for card size 77mm x 46mm), Birmingham, 1961, maker's stamp R G H, gross weight 1.1 ozt (2) A pair of silver circular pill pots with repousse lids, Chester, 1908, maker's stamp J & R Griffin, combined weight 0.3 ozt (3) an imported silver oval pill pot with hinged abalone lid, stamped import marks, 0.15 ozt (4) two silver watch chains, combined 1.5 ozt (5) a small mesh coin purse with imported silver mount (6) A pair of needlework scissors with repousse white metal handles stamped sterling
A silver-gilt mounted wine coaster, limited edition by Aurum Designs to commemorate the 80th birthday of Her Majesty the Queen Mother in 1980, turned wooden base set with Her Majesty's personal coat of arms and pierced foliate decoration, overall diameter 15cm, marks for London, 1980, maker's stamp Aurum Ltd, stamped number 9 - 250, with certificate of authenticity numbered 9/250, photograph, papers and fitted cardboard box
A matched three-part silver tea set comprising a George III silver teapot with acanthus moulded handle, the side engraved with initials W.M.K, the hinged lid with knop moulded as a rose, the body with a border of foliate moulding and gadrooning, partially distinct hallmarks for Sheffield, 1819, maker's stamp John & Thomas Settle, (23.9 ozt); the oval sugar bowl (8.4 ozt) and milk jug (6.1ozt) each similarly decorated and raised on ball feet, gilt interiors, the sugar bowl and milk jug bearing marks for Chester, 1902, maker's stamp George Nathan & Ridley Hayes
A sterling silver and enamel double-sided pear drop necklace, by Rachel Gogerly, with a series of pear-shaped links, all joined by jump rings. Polychrome enamel decoration in shades of lime green to dark green on one side and sky blue to purple on the other, with a 'T' bar clasp. London 2008. 438mm long, 70.95g Rachel Gogerly was honoured by the Worshipful Company of Goldsmiths as a Freeman of the City of London.
A sterling silver Tiffany & Co. 'Return to Tiffany' bracelet, with a round tag with 'Return' lettering suspended from a trace link bracelet with side lever clasp, London 2002, 200mm long, 39.22g, with original box and pouch, together with a sterling silver Tiffany & Co. initial 'A' lock bracelet, with the hinged openwork initial 'A' lock suspended from a trace link bracelet with side lever clasp, London 2006, 185mm long, 35.22g, with original box and pouch (2)
A sterling silver and gold 'Leg' brooch, by Martin Page, c.1980, with a relief of a lady's leg, with textured stocking, sling back shoe with applied gold straps and pierced gold suspender belt, together with a pair of sterling silver and gold earrings, by Barbara Tipple, c.1990, silver lily pads with riven textured finish, each one with an applied frog in different positions, with gold post and butterfly fittings, and a silver parcel gilt brooch, by Yuki E Osumi, c.1990, of crescent moon form, with a planished rabbit rowing against waves, with a cultured pearl pendant, suspended below, signature and marked silver All pieces with receipts from 'The Electrum Gallery', dated 1982, 1992 and 1991 (4)
An Edwardian garnet and diamond circular cluster, later mounted to a two row twisted wire ring shank. A cushion-shaped old Swiss cut garnet, claw set in silver with a border of rose cut diamonds, claw set to a gold scalloped gallery with a two row underbezel. A two row twisted wire shank, with applied bands. Tested as sterling silver, 9ct gold and 18ct gold. Later rhodium plating. 12.7mm wide, 3.39g. Finger size E
A silver Arts and Crafts smoky quartz and moonstone pendant, c.1910, attributed to Kate Eadie. Circular shield form, with a circular mixed cut smoky quartz claw set to the centre, with a border of radiating oak leaves. A circular cabochon moonstone claw set at the compass points, with a polished bead between, to a twisted wire hoop, suspended below an oak leaf and wire bale. 41 x 22mm, 4.28g. Kate Muriel Mason Eadie RMS ARBSA (1878-1945) Kate Eadie trained at the Birmingham School of Art, and was possibly taught by Arthur Joseph Gaskin. She later married another Birmingham School of Art tutor, the Pre-Raphaelite painter, Sidney Harold Meteyard, who often used Kate as a model. She was selected as a Professional Associate Member of the Royal Birmingham Society of Artists in 1915.
A gentlemen's stainless steel Tag Heuer automatic chronometer strap watch, WH5113-K1. The case 38mm diameter, with a dark blue dial, raised silver Arabic numerals, luminous markers at 12 and 6, luminous hands and date aperture, with after market strap fitted. Case no. 97666 Receipt from Kutchinsky dated 02/07/1998. A service receipt from a local watchmakers dated 27/06/2014. Zip insert and cushion. No outer box. Original strap and buckle included
A Continental gold and silver, blue and white sapphire oval form spray brooch, an oval gold hoop frame with a flower head at each end, pavé set with graduated old cut white sapphires with blue sapphire stigma. A row of graduated circular mixed cut sapphires claw set in yellow collets, with pierced sapphire set leaves to the centre, with a pin and visor clasp. Tested as approximately 9ct gold and silver. A case, possibly unrelated, by 'Kure Japan, Hiroshima Pearl Co.'. 62 x 32mm, 20.86g
A ladies' Art Deco platinum diamond set mechanical cocktail watch, on a later 9ct white gold bracelet. A circular case, 18mm diameter, with a silvered dial, silver Arabic numerals and blued hands. A line of eight cut diamonds, milligrain set to the bezel, with crescent lugs and ring end fittings, also milligrain set with diamonds. A white gold mesh cord bracelet with a ladder snap clasp, Birmingham 1960. Movement signed 'Vertex Revue'. Case no. 199/9137. Marked PLATINUM. 17.11g
A white gold diamond set heart pendant, with a brilliant cut diamond, claw set to a plain collet, suspended at the centre of an open heart. A row of brilliant cut diamonds, claw set, forming the heart-shaped frame with a split 'V' bale, suspended on a box chain. Pendant marked 750, chain marked 585. Silver extension section at the back. Pendant 26 x 20mm, 7.10g
A sterling silver enamel fish pendant, c.1970, by Alexandra Placzek. An oval disc with the skeleton of a fish to an enamelled ground in shades of blue, white and black, with trace chain at each side. Dublin 1976. Disc 41 x 29mm,17.62g. Original receipt from 'The Electrum Gallery' dated 1976.
A Georgian foiled citrine and diamond cluster, later mounted as a ring. An oval mixed cut foiled citrine, claw set to a border of rose cut diamonds to a silver head, later backed in gold to tapered chevron shoulders and a plain shank. Head 15.0 x 15.7mm, 5.37g. Finger size L-M (approximately)
A Georgian rectangular form gold and green paste set buckle/clasp or double brooch, c.1820 , each side composed of a rectangular step cut paste, with a border of square paste, all in gold cut down collets, with gold chased settings, a hook clasp and a pair of brooch fittings, one pin and one paste deficient, tested as approximately 9ct gold, buckle 49 x 34mm, together with four paste set dress mounts, possibly for a uniform or livery, each one of flower head form with a yellow foil-backed paste to the centre, with a border of calibré cut dark blue paste, radiating alternating petals set with other red or white paste, set in silver to a bronze coloured back plate, deficiencies . Flower head mount 39mm (5)
A cased French gold, silver, diamond and paste grape and vine brooch, attributed to Fonsèque et Olive. A naturalistic yellow textured vine, with two frosted green paste grapes, mounted to a silver branch, grain set with a row of rose cut diamonds, all backed in gold with a 'C' catch. French poinçon. Maker's mark indistinct . Case by 'Alfred Souter, 70 Nethergate, Dundee'. Tested as approximately 18ct gold and silver. 24 x 20mm, 8.45g
A late Victorian sapphire and diamond sunburst brooch/pendant, c.1890, with a circular mixed cut sapphire in a cut down collet at the centre. A frame of old Swiss cut diamonds, in cut down collets, with an aperture to radiating sunrays, grain set with lines of graduated old Swiss cut diamonds. A concealed wire hook, bale deficient, and a detachable brooch fitting, wing nut deficient . Tested as sterling silver backed in 9ct gold. 48 x 47mm, 19.16g
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2466194 item(s)/page