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A collection of assorted WWI First World War and WWII Second World War miltaria to include; WWII military stamped 1938 tannoy microphone, RAR Royal Army Reserve crested wooden box, navy cap band with royal navy crest, pips, collar dogs, badges, WWI silver and tortoiseshell sweetheart ladies brooch for Royal Medical Corps, Silver ARP badge, Silver scouts badge 1925 and much more.
A collection of antique / vintage bicycle paraffin / oil lamps. To include; Lucas ' Silver King ' (AF), a Perfecta Original, a ' Nife ' NH10A Safety Lamp, Smiths ' Wootton Lantern ', Crestella (several), Miller Generator (battery unit), and many others. Interesting collection - with some rare examples present.
Figure skating.- Freddie Tomlins.- A good archive relating to Tomlins, including photographs (a few signed by him), press cuttings and printed memorabilia, housed in 3 albums, c.1935-1942 (Sm.Qty.)⁂ Frederick William Edwin "Freddie" Tomlins (1919-1943) was a British figure skater. He was the 1939 World and European silver medallist, and competed at the 1936 Winter Olympics, were he placed 10th. He served in the Royal Air Force in World War II. He was killed in battle against a Nazi submarine over the English Channel.
Pair of Georg Jensen silver cornucopia earrings, length of each earring approx. 22mm, stamped to reverse with Georg Jensen oval mark and '925 S DENMARK', pattern number 363, post and butterfly pierced ear fittings, gross weight of pair approx. 10.5g. For condition reports go to www.peterwilson.co.uk
Georg Jensen moonlight silver brooch , pattern 159, of stylised foliage set with moonstones, marked '925S DENMARK' with Georg Jensen oval dotted mark, diameter 55mm, gross weight 16.5g, together with a Georg Jensen box. For condition reports go to www.peterwilson.co.uk
Victorian five panel tortoishell piquet work bracelet , the five panels comprising gold and silver floral inlays with gold inlaid borders, waved edges, the reverse of two of the panels marked 'EC' in gold lettering, threaded silk cord, each panel 4cm x 3cm. For condition reports go to www.peterwilson.co.uk
Pair of large silver plated candelabras , Corinthian columns with square stepped bases, four reeded branches to each, acanthus leaf and beaded decoration to each sconce, marks to base 'AW EP', height of each approx. 69.7cm. For condition reports go to www.peterwilson.co.uk
Crocodile skin leather cased silver travelling set , 15 pieces of silver and glass dressing table items, together with silver handled manicure set complete with original notepad and pencil, the case printed with initials 'E.M.R', 43cm x 33cm. For condition reports go to www.peterwilson.co.uk
Scandinavian silver and enamel fan shaped brooch by Volmer Bahner of Denmark , silver-white engine turned enamel decoration, pin and safety loop fastening to reverse, length approx. 7cm, weight approx. 13.8g. For condition reports go to www.peterwilson.co.uk
Victorian silver whistle , in a silver reeded case brooch, tapered cylindrical form, loop and pin fastening to reverse, length approx. 6cm, gross weight 35.8g, marks for Joseph Jennens & Co, Birmingham, 1845. For condition reports go to www.peterwilson.co.uk
American sterling silver basket by Towle , engraved and embossed floral decoration to bowl and handle, width approx. 25cm. height approx. 15cm, together with a matching bowl, width approx. 15.1cm, both stamped to base 'Louis XIV patented dec. 23. 1919.', gross weight of pair approx. 14.87ozt. For condition reports go to www.peterwilson.co.uk
Four piece silver teaset , comprising teapot, coffee pot, milk jug and sugar bowl, each piece of compressed oval form with half reeded decoration on collet foot, marks for John Round, Sheffeild, 1911, gross weight of set approx. 57.1ozt. For condition reports go to www.peterwilson.co.uk
Georg Jensen sterling silver dove earrings , circular wreath design with central dove motif, diameter approx. 23mm, reverse stamped with Georg Jensen oval mark and '925 S DENMARK', design number 66, post and butterfly pierced ear fittings, gross weight of pair 13.3g. For condition reports go to www.peterwilson.co.uk
Silver gilt and enamelled brooch and earring set by Hans Myhre , abstract design brooch and earrings with blue engine turned enamel decoration, each piece stamped to reverse '925 S STERLING' and 'MADE IN NORWAY', pin and safety loop fastening to brooch, clip on fastenings to earrings, gross weight of set 13.5g. For condition reports go to www.peterwilson.co.uk
Georg Jensen silver brooch designed by Henning Koppel , triangular form, length approx. 6cm, reverse stamped with Georg Jensen oval mark and 'STERLING DENMARK', pattern number 327, import marks for London, 1961, pin and safety loop fastening, gross weight approx. 19.6g. For condition reports go to www.peterwilson.co.uk
Russian silver and niello snuff box , Russian '84' standard mark, Moscow, outer case with belt and buckle design, niello chequerboard patterning and central cartouche, 90mm x 52mm, gross weight approx. 2.45ozt. For condition reports go to www.peterwilson.co.uk
Lady's Rolex Oyster Perpetual Date steel bracelet watch , round silver tone dial with baton markers and date window to 3 'o' clock, fluted bezel surround, case size 26mm, automatic movement, steel president bracelet, serial number 6748563, circa 1981, complete in original boxFor condition reports go to www.peterwilson.co.uk
Georg Jensen blooming floral silver brooch , measuring approx. 33mm x 33mm, the reverse stamped with Georg Jensen oval mark and '925 S DENMARK', pattern number 71, pin and safety loop fastening, gross weight approx. 11.1g. For condition reports go to www.peterwilson.co.uk
American silver bowl by Spaulding, round fluted body on pedestal foot, 'D' monogram to front, marks to base 'Spaulding & Co, Sterling, 2670' and 'Dublin 1720 reproduction', width approx. 20.3cm, gross weight approx. 12.63ozt. For condition reports go to www.peterwilson.co.uk
Stuart Devlin Surprise silver-gilt egg, hollow textured gilt egg measuring approx. 7cm high, stamped '68' to base, marks for London, 1984, interior containing detachable silver-gilt and enamel figure of three blind mice, complete on red leather display stand with plaque to front reading 'Works of Art by Stuart Devlin, Exclusive to Boodles', measuring approx. 6cm x 10cm x 12.5cm. For condition reports go to www.peterwilson.co.uk
American sterling silver bowl by Towle , round body with embossed floral decoration to inside bowl and rim, marks to base 'Louis XIV by Towle' and 'Sterling 52023', width approx. 25.3cm, gross weight approx. 11.54ozt. For condition reports go to www.peterwilson.co.uk
American sterling silver handled vase by Wallace, vase of compressed trumpet form with applied and pierced decoration on circular spreading foot, waved basket handle, marks to weighted base 'STERLING 30473' and 'WALLACE', height approx. 49.8cm, gross weight approx. 16.25ozt. For condition reports go to www.peterwilson.co.uk
Stuart Devlin silver gilt surprise Easter egg , hollow textured gilt egg measuring approx. 6.5cm high, stamped '50' to base, marks for London, 1978, interior containing silver gilt and enamel scene of a donkey, and mouse surrounded by cacti, complete in fitted black leather box. For condition reports go to www.peterwilson.co.uk
Georgian silver milk jug, compressed oval body with embossed floral decoration on 4 ball feet, makers mark 'ID', London, 1808, weight approx. 3.93ozt, together with an Elkington & Co Victorian silver cup, tapered oval body with embossed floral decoration on pedestal foot, marks for Elkington & Co, London 1872. For condition reports go to www.peterwilson.co.uk
MARIANO FORTUNY Y MADRAZO (1871-1949)RARE PRINTED SILK VELVET PANEL, CIRCA 1920 the design printed with golden metallics with a repeating pattern of flowering carnations, framed117cm x 93.5cmNote: A panel of silk velvet by Fortuny in the same design is held in the collection of the Cooper Hewitt Smithsonian Design Museum, museum no. 1938-57-1226-b (bequest of Erskine Hewitt); and for a similar panel see V&A T.130-1977.Fortuny's production of printed textiles was strongly influenced by his family's collection of Arabic and Oriental decorative arts and textiles and he was also influenced by the art of Venice where he lived and worked and where he studied Renaissance arts.He developed and patented techniques for metal printing on velvet to simulate the textural effect of woven fabrics, using hand-cut wooden blocks. He then printed with metallic powders, using bronze or copper powders for a golden effect and aluminium for silver.
ATTRIBUTED TO HENRY T. WYSE (1870-1951) FOR THE SCOTTISH GUILD OF HANDICRAFTSARTS & CRAFTS MAHOGANY SIDE CHAIR, CIRCA 1900 the tapered back with inset panel painted in oils with a tree in a landscape, the drop-in seat re-upholstered in Silver Studios woven fabric and raised on square tapering legs linked by stretchers39.5cm wide, 105cm high, 39cm deepLiterature: Cumming, Elizabeth and Jack, Heather 'Henry Taylor Wyse: Artist Teacher Craftsman', Aberbrothock 2016, pp.45-54Note: Between 1897 and 1899 Henry Taylor Wyse was entering competitions in The Studio magazine, including designs for furniture. Whilst living in Arbroath on the east coast, he began exhibiting some of his new furniture at the Dundee Graphic Art Society, produced in collaboration with the cabinetmaker William Middleton. By 1902 he was combining the fine and applied arts by contributing painted panels which were incorporated into Middleton's furniture, which he had designed. This form of decorated furniture reflected sophisticated middle-class taste of the time, initiated by firms like Morris & Co. and promoted at the turn of the century by figures such as C.R. Ashbee and M.H. Baillie Scott. Between 1900 and 1902 Wyse published catalogues of their designs under the title 'Simple Furniture'. The furniture was promoted through the Scottish Guild of Handicraft, inspired by Ashbee's Guild of Handicraft, and set up with his friend Robert Maclaurin in 1898. Essentially a co-operative of independent like-minded craftsmen, the Guild promoted its members works at its gallery in Glasgow before moving to premises in Stirling in 1906.
AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) FOR JOHN HARDMAN & CO.GOTHIC REVIVAL SILVER PLATED AND GILDED BRASS WALL SCONCE, CIRCA 1860 the hexagonal reflector plate embossed with floral motifs and centred with a floret roundel, the pierced and chased backplate supporting three curved arms and candlesticks linked with a leafy frieze stretcher81cm high, 39.5cm wide, 22.5cm deepLiterature: Belcher, Margaret (ed.) 'The Collected Letters of A. W. N. Pugin' 1851-1852, p.291Note: The drawing illustrated relates to a frieze and lobed drip pan designed by Pugin, in the collection of Birmingham Museum & Art Gallery and annotated 'S. Jerningham' to the reverse. This design is repeated in the present lot. Henry Valentine Stafford-Jerningham, 9th Baron Stafford DL (1802-1884), known as Henry Jerningham until 1824 and styled The Honourable Henry Stafford-Jerningham between 1824 and 1851, was a British peer and politician and patron of Pugin. Pugin refers to the family in a letter to Hardman of 1851 instructing him to send a lamp to 'Mrs. Jerningham' (Lady Stafford).
ATTRIBUTED TOP HARRY NAPPER (1860-1930) FOR SILVER STUDIOSPAIR OF ART NOUVEAU PRINTED COTTON HANGINGS, CIRCA 1900 designed as a repeating pattern of roses with whiplash foliage reserved on a formalised grid ground with further stylised plant forms, within later cream linen borders, lined (2)135cm x 84cm including border
CHRISTOPHER DRESSER (1834-1904) FOR WILLIAM FRY OF DUBLINRARE 'HERA' WOVEN COTTON PANEL, CIRCA 1876 depicting peacock feathers, period oak frame54cm x 23.5cmLiterature: 'The Aesthetic Movement' The Decorative Arts Society, 2010, p.124, fig. 11Lyons, Harry 'Christopher Dresser: The People's Designer 1834-1904', Woodbridge 2005, pp. 242-3.Note: Dresser first produced 'Hera' as a woven silk fabric for William Fry of Dublin circa 1876. Previously credited to Arthur Silver, Dresser's design was more likely to have been 'recycled' and later produced as a printed cotton, sold through Liberty & Co., London.
MANNER OF SIR NINIAN COMPERFOUR POLYCHROME CARVED WOOD FIGURES, EARLY 20TH CENTURY each depicting an archangel carved in relief and painted in gilt, Raphael (with a flask for healing), Gabriel (with the annunciation lily), Uriel (with a book) and Michael (with a sword for slaying the devil), painted in silver and colours (4)47cm highNote: For figures carved in a similar manner see the reredos by Sir Ninian Comper for Wymondham Abbey, The Parish Church of St Mary and St Thomas of Canterbury, Norfolk.
CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATHSILVER PLATE TUREEN, COVER AND LADLE, CIRCA 1880 the TUREEN with deep bowl set on three tapering feet, with two cylindrical ebonised wood handles, the cover with turned ebonised wood finial, bears maker's marks to base H&H/ 2123 with registration mark for July 1880, 31cm across the handles, 21cm high; the LADLE with deep bowl and cylindrical, slightly tapering ebonised wood handle, 33cm long (2)Literature: Lyons, Harry, 'Christopher Dresser: The People's Designer 1834-1904', England, 2005, p. 202, pl. 388Whiteway, Michael 'Christopher Dresser 1834-1904', Skira Editore S.p.A., 2001, pl. 79Whiteway, Michael (ed.) 'Christopher Dresser: A Design Revolution', V&A 2004, pl. 186
INDIAN MUTINYCAWNPORE MEMORIAL WELL EMBROIDERY, DATED 1857 raised silkwork bearing printed and embroidered inscriptions, framed and glazed50.5cm x 39cmNote: Worked in silk and woven with silver, gold, grey and black threads, this poignant embroidery commemorates the victims of the Bibighar massacre after the Siege of Cawnpore in India 1857. After hearing of an approaching rescue attempt from the East India Company, around 200 women and children were brutally murdered by rebel Sepoy forces, their bodies thrown into a well in an attempt to cover up the evidence. The inscription at the base of the embroidery reads: 'Sacred to the perpetual memory of a great company of Christian people - chiefly women and children - who, near this spot, were cruelly massacred by the followers of the rebel Nana Dhoondoput of Bhitoor, and cast, the dying with the dead into the well on the XVth day of July 1857'.
CHRISTOPHER DRESSER (1834-1904) FOR WALKER & HALL SHEFFIELDELECTROPLATED SUGAR BOWL AND SCOOP CIRCA 1880 stamped maker's marks 19985A to base of bowl (2)bowl 16cm across, scoop 11cm longNote: A silver example is illustrated in 'Christopher Dresser, Ein Viktorianischer Designer 1834-1904' , Kunstgewerbemuseum, Cologne, 1981, Cat. No. K16.
ATTRIBUTED TO WIENER WERKSTÄTTESECESSIONIST LACE PANEL, CIRCA 1905 depicting dancers and musicians, mounted on a fabric panel, framed and glazed30cm x 43cmNote: Founded in 1903 by Josef Hoffmann and Koloman Moser, the Wiener Werkstätte brought together a progressive group of visual artists in Vienna who were pioneers in modern design, working in ceramics, fashion, silver, furniture and the graphic arts. 1909 and 1910 saw the introduction of the fashion and textile departments; hand-printed silks in particular became a speciality for the Werkstätte, who's impressive output is thought to amount to 18,000 designs by over 80 artists - an indication of the department's huge success. Dagobert Peche had a particular skill for producing laceworks: typically depicting visions of fantasy, these delicate pieces are admired as works of true beauty and craftsmanship.
COLLECTION OF MIXED SILVER COINS Eight £2 2015 Britannia 1oz silver coins; Five USA Silver 1oz dollars 2006, 2010, 2014, 2015, 2015; One 1oz 2017 Silver Krugerrand; Two 500 dram 1oz gold Silver coins; One Australian dollar 1oz Silver Funnell Web Spider; First Day of Issue 2017-p Crown Falklands Island 1oz Silver; One £2 2013 Britannia 1oz silver coin; One £2 2010 Britannia 1oz Silver coin
1914 STAR & BAR TRIO to 17287 Dvr. W.W. Pryor 7th Field Co. Royal Engineers. Walter W Pryor enlisted on 5th August 1914; he landed on the Western Front on 23rd August 1914. He was awarded the Silver War Badge due to sickness and discharged on 10th August 1917 1914 Star with original Bar = 17287 DVR W W Pryor R E Pair = 17287 DVR W W Pryor R E Condition EF
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2475480 item(s)/page