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Lot 2282

A gents Longines quartz bi-metal wristwatch with silver tone dial, date aperture and gold tone bezel. Mounted on a two tone strap.

Lot 2295

A gents Rotary gold on silver wristwatch, the gold tone dial with date aperture and baton indicators, mounted on a conforming strap.

Lot 2301

A silver pair case lacking outer case and part movement silver dial with William Headley around the edge for the time

Lot 2304

Four pocket watches including three silver pocket watches suitable for spares and repairs.

Lot 204

A SMALL JAPANESE CLOISONNE ENAMEL VASE BY NAMIKAWA YASUYUKI (1845-1927) MEIJI 1868-1912 The ovoid body decorated with a delicate design of a small lemon-yellow butterfly fluttering above irises and other flowers, on a dark midnight-blue ground, with a silver rim and foot, the base with four chiselled cursive characters on a silver plaque reading Kyoto Namikawa, 8cm.

Lot 207

A JAPANESE CLOISONNE ENAMEL VASE IN THE STYLE OF NAMIKAWA YASUYUKI (1845-1927) MEIJI 1868-1912 The tall baluster body densely decorated with silver wires and coloured enamels, with lappets around the waist enclosing stylised dragons and phoenix, a band of diamond-shaped patterns above, the upper half with butterflies and flowerheads amongst karakusa scrolls and shaped panels of flowers to the shoulder, the neck and foot with further lappets and silver mounts, unsigned, together with a small wood stand, 15.5cm. (2)

Lot 209

A GOOD JAPANESE SILVER, BRONZE AND ENAMEL VASE MEIJI 1868-1912 The bulbous body raised on three shaped feet and with a tall flared neck, decorated with a continuous scene of many cockerels, hens and chicks amid ferns and flowers, all applied on a buff ground and depicted in colourful enamels, the foot and neck with formal designs of flowerheads and scrolling tendrils in cloisonn? enamels, the base signed Tomomi in a rectangular cartouche, 28.2cm. Provenance: a private English collection, Wiltshire. Acquired from Percy Bates of 53 St Ann Street, Salisbury, on 14th July 1965. A copy of the original invoice is available.

Lot 210

A JAPANESE SILVER VASE MEIJI 1868-1912 The baluster body with a short everted rim, decorated with a small bird perched on a stem of bamboo and surrounded by daffodils, Nihon Suisen, with details highlighted in gilt and copper, signed Yoshin koku to the side and the base with punch marks for jungin (pure silver) and a swallow in flight used by the factory of Hattori Kintaro (1860-1934), 18.2cm.

Lot 212

A NEAR PAIR OF JAPANESE SILVER VASES 20TH CENTURY Both with a tall fluted body raised on a large circular base, one decorated with chrysanthemum flowerheads, the other with prunus blossoms, both marked Konoike zo for Konoike of Yohama, and jungin (pure silver), 13.5cm. (2)

Lot 219

A JAPANESE BRONZE VASE 20TH CENTURY The tall ovoid body decorated in kebori and silver nunomezogan with two Mandarin ducks on a stream, with the Three Friends of Winter (prunus, bamboo and pine) around them, a two character mark to the base for Eizan, 35.5cm.

Lot 235

A PAIR OF JAPANESE MINIATURE INLAID-IRON KOMAI VASES MEIJI 1868-1912 The baluster bodies decorated in nunome zogan (gold and silver inlays), both with two fan-shaped and two circular panels containing flowers, birds and landscapes, one with Mount Fuji and another with a temple resembling Kiyomizu-dera, on a silver-inlaid ground of asa-no-ha and other geometric patterns and mon, the neck and foot with a dense pattern of vine leaves, a band of key fret above the foot rim, one with the base marked Kyoto no ju Komai sei (Made by Komai of Kyoto), 9cm. (2)

Lot 239

A FINE JAPANESE TAZUKE-RYU SCHOOL INLAID MATCHLOCK CARBINE, OZUTSU TEPPO EDO 1615-1868 Of massive proportions, the 30-monme (26mm bore) carbine with a heavy 71cm barrel finely decorated with gold and silver wire inlays, the lower section with the maru ni kuginuki (nail-puller in a circle) mon family crest on a dense asa-no-ha ground, the other two thirds of the barrel depicting Tekkai Sennin blowing his soul out of his body, the underside signed Tomioka Saheiji Yoshihisa, the stock made from sturdy Japanese oak wood, approx. 11,8kg and 103 cm overall. Cf. C Sinclaire, Samurai, The weapons and spirit of the Japanese warrior, pp130-131, and I Bottomley & A P Hopson, Arms & Armour of the Samurai, pp.124-125, for other examples of Japanese inlaid hand cannons. Also, the National Gallery of Victoria, Melbourne, access. no.2892-D3. The maru ni kuginuki mon was used by several families, including the Hori Clan. Tekkai is typically depicted here as a sennin (immortal hermit), wearing a coat and skirt made of mugwort leaves and carrying a tall wood staff. Tekkai Sennin was an Immortal who blew his soul out of his body in order to meet his master on Mount Hua. When his spirit tried to return, he found that he had been cremated. He thus had no choice but to inhabit the body of a lame beggar lying nearby. This type of large teppo carbines known as ozutsu ('cannon') was mounted onto castle walls to protect it against invaders. They were also used on ships, on horseback, as assault weapons to blast through door hinges and to launch incendiary or explosive arrows (hiya) to set fires during sieges. These powerful firearms had large recoil and bails of rice would be necessary to support the gunner's back. Heavy round lead balls were used as ammunition, with sizes described as monme. Taking 30-monme shots, this carbine is one of the largest examples of Japanese Edo Period hand-held firearms. By the 19th c., these had become obsolete and were only used to call monks to prayer, to signal the time in cities, and for official inaugurations. Yoshihisa was a gunsmith from the Musashi Province, an area stretching today from Tokyo to the Prefectures of Saitama and Kanagawa. He is recorded working circa Tenpo 14 (1843) and was an official supplier to the Shogun.

Lot 240

A JAPANESE COMPOSITE ARMOUR, GUSOKU LATE MOMOYAMA/EARLY EDO The iron sujibachi kabuto helmet with 62 riveted plates and raised ridges, fitted with a five-tier tehen kanamoto (pierced circular finial), the fukigaeshi (turnbacks) and riveted mabizashi (visor) with stencilled leather; the maedate (frontal decoration) applied with silver decoration shaped as scrolling clouds; the four-tier shikoro (helmet neckguard) with blue and yellow kebiki-odoshi lacing and the reverse lacquered in red; signed Saotome Iehisa to the inside at the back of the bowl; with an iron menpo (face mask), a four-lane yodarekake (throat guard) and a three-tier nodawara (lower neck protector); the iron do (chest armour) embossed with a ferocious dragon emerging from crashing waves under two chrysanthemum-shaped gilt rings, the back with a further strip of stencilled leather; the sode (shoulder guards) laced in white and green with a circular design, both with a painted dragon on the lower part and with fittings decorated with a fan-shaped mon; with shino-suneate (shin guards) of lacquered iron; together with a lacquered wood nagayari (long spear); displayed on a European wooden artist's model and raised on a square wood base; 170cm (the spear 220cm). Provenance: from the collection of Sir Henry Norman (1858-1939) on display at Ramster Hall, Surrey, and thence by descent. Saotome Iehisa lived in the Hitachi province (today in the Ibaraki Prefecture, Honshu) and his is sometimes listed as the ninth generation of the Saotome family of armour makers. Sir Henry Norman (1858-1939) 1st Baronet Privy Councillor was an English journalist and Liberal politician. He worked as an editor for the Pall Mall Gazette and later the News Chronicle, becoming its Assistant Editor in 1895. In 1887, the Pall Mall Gazette sent him on an interviewing tour around the world. It was planned that his tour would last for at least six months, although he actually remained on tour for nearly four years, travelling through numerous countries including Canada, Japan, China, Korea, Siam and Malaya to name a few. As far as the history of the press was concerned, such a tour was an exceptional venture, and so Henry Norman's journey and the various newspaper articles he wrote during his travels garnered much attention. By the time he had returned to Britain in 1891, he had seen more of the world than most others of his generation or position and he used information collected throughout his tour to write two travel books about East Asia, both of which were enthusiastically received. In both The Real Japan and The Peoples and Politics of the Far East, he explores various aspects of these cultures and enthusiastically recounts his countless exciting experiences, many of which occurred during his time in Japan, Hong Kong and Beijing. In 1899, he retired as a journalist and subsequently became a Member of Parliament. He was knighted in 1906 and was made a baronet in 1915.

Lot 281

A JAPANESE SOMADA SCHOOL TWO-CASE LACQUER INRO EDO 1615-1868 The body decorated with typical iridescent shell inlays and kirikane, nashiji and fundame, one side with a small spider weaving its net and the other with a silver moon peeking from behind clouds, the lower tiers with various depictions of flowers and leafy branches, the shoulder, underside and the cord runners with brocade patterns and mon, together with a wood ojime and a netsuke shaped as a straw hat, the inro 5.7cm. Provenance: from the collection of W B Tapp (d.1992), Bristol.

Lot 314A

λ A JAPANESE SILVER-MOUNTED AND IVORY SHIBAYAMA TUSK VASE MEIJI 1868-1912 With coral, mother of pearl, horn and stained ivory inlays, decorated to one side with a large hanging basket filled with an assortment of chrysanthemum, prunus blossoms, wisteria and peony flowers, with jewels below, the other side with a small lantern-shaped bird feeder on a rootwood table, with branches of chrysanthemum and wisteria flowers around, four small birds surrounding it, a two character rectangular seal mark to the side for Masamitsu, with silver mounts to the rims, all raised on a hexagonal wood stand with tall cabriole legs, the tusk 34cm, 67cm overall. (2) Provenance: an English private collection. Cf. Bonhams London, 6th November 2012, lot 373 for a pair of comparable tusk vases signed Masamitsu.

Lot 317

A JAPANESE GOLD LACQUER WRITING BOX AND COVER, SUZURIBAKO EDO/MEIJI PERIOD Of rectangular shape, the overlapping cover painted with a musical instrument with pipes, sho, and a richly decorated headdress with long tassels, tori kabuto, in hiramaki-e on a nashiji ground, the inside of the cover and inner tray with flower sprays in gold and silver scattered across the surface, including hibiscus, peonies, chrysanthemum, prunus and others, together with an ink stone and various implements for calligraphy, 23cm x 21cm x 4.5cm. (5) The shape of a tori kabuto hat is inspired by the crownlike head of the mythical phoenix. This headdress, together with the sho wind instrument, were used for gagaku, the traditional imperial music and dance performance.

Lot 319

A JAPANESE WOOD AND LACQUER WRITING BOX, SUZURIBAKO EDO 1615-1868 The rectangular body with lobed corners, the lid decorated in gold and silver takamiki-e with thatched huts and a small temple in a mountainous landscape, a silver moon and clouds above, the inside in hiramaki-e, with a large rectangular ink stone and a white metal water dropper, suiteki, 28.5cm x 22.5cm x 6cm. (4) Provenance: The Collection of Sir Jeremy Lever.

Lot 21

NO RESERVE δ David Ross (b. 1960)Kate Moss, First Sitting, 1988Gelatin silver print, 1988 (printed later), signed in black ink, signed again, titled, dated and numbered from the edition of 5 in pencil with printer's stamp on the reverse, on gloss photographic paper, sheet 500 x 335mm (19 3/4 x 13 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 22

δ Terry O'Neil (b.1938)Sting, circa 1990 Gelatin silver print, circa 1990, signed in black ink in the margin, stamped in black ink on the reverse, on gloss photographic paper, image 250 x 250mm (9 7/8 x 9 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 23

NO RESERVE δ Marc Hispard (1938-2015)Eva Herzigova, Paris, 1991A unique gelatin silver contact sheet, 1991, signed, titled and numbered from the edition of 1 in pencil, and again in black ink on the photographer's label affixed to the reverse of the frame, sheet 730 x 840mm (28 3/4 x 33 1/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 24

δ Victor Skrebneski (b.1929)David Bowie Diptych, 1991Two gelatin silver prints, 1991, each signed and dated in pencil in the margin, with photographer's copyright stamp on the reverse, each on gloss photographic paper, each sheet 340 x 290mm (13 3/8 x 11 1/2in) (framed) (2)Provenance: Galerie Thierry Marlat, Paris.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 29

NO RESERVE δ Marc Hispard (1938-2015)Sophie Marceau, 1998Gelatin silver print, 1998, signed, titled, dated and numbered from the edition of 5 in black ink on the photographer's label affixed to the reverse of the frame, on gloss photographic paper, sheet 990 x 650mm (39 x 25 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 3

δ Henri Cartier-Bresson (1908-2004)Quai St. Bernard, Paris, circa 1932Gelatin silver print, circa 1932 (printed circa 1980), titled and annotated in black ink in an unknown hand with photographer's agency stamp on the reverse, printed by Magnum, New York, on gloss photographic paper, sheet 240 x 305mm (9 1/2 x 12in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 30

NO RESERVE δ Marc Hispard (1938-2015)Eva Herzigova, Paris, 1998Gelatin silver print, 1998, signed, titled, dated and numbered from the edition of 5 in black ink on the photographer's label affixed the the reverse of the frame, on gloss photographic paper, sheet 960 x 760mm (37 3/4 x 29 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 44

NO RESERVE δ Cornel Lucas (1920-2012)Stewart Granger, 1946Gelatin silver print, 1946 (printed 1960s), mounted onto wove support, signed in pencil on the support and again signed in pencil on the reverse of the support, on gloss photographic paper, sheet 390 x 300mm (15 3/8 x 11 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 46

Saleroom notice: Please note a stock image has been used for this lot, therefore please refer to the condition report below:Change of Guard:Soft handling creases to the sheet, two or three harder creases.A 3 x 2cm patch of skinning to the lower right corner, extending into the image area.A further 10 x 1 cm patch of skinning to the upper sheet verso, not apparent recto.A 10cm vertical crease to the upper left sheet corner and margins.A further 3cm crease to the lower right corner in margin.Very pale, scattered pinhead sized fox spots, predominantly in margins and verso.Very light undulation to the right sheet edge.The image area generally good.Musicians:A few handling creases to the sheet.Undulation along the upper and lower sheet edges.Very pale, scattered pinhead sized fox spots, predominantly in margins and verso.1cm crease to the lower left corner.The image area generally good.NO RESERVE Julio Etchart (b.1950)Last Change of Guard under Military Dictatorship, Brasilia, Brazil, 1985; Musicians at the Diablada Festival, Oruro, Bolivia, 1991-1992Two gelatin silver prints, printed 1991-1992, each signed, one on the reverse, on gloss photographic paper, each sheet 406 x 305mm (16 x 12in) (unframed) (2)

Lot 47

Saleroom notice: Please note that the second image ‘Villa El Salvador Shanty Town with Migrants from Highlands, Lima, Peru’ has been withdrawn from the lot.NO RESERVE Julio Etchart (b.1950)Nativa Quechua Peasants on their Way to Occupy Idle Land, Chimbarazo, Ecuador; Villa El Salvador Shanty Town with Migrants from Highlands, Lima, Peru, 1991-1992Two gelatin silver prints, 1991-1992, each signed, one on the reverse, on gloss photographic paper, each sheet 500 x 406mm (20 x 16in) (unframed) (2)

Lot 48

NO RESERVE Julio Etchart (b.1950)Fishermen Resting after a Long Night Shift, Quayaquil, Ecuador; Children Playing Outside the Quechua School, Pimbaro, Ecuador, 1991-1992Two gelatin silver prints, 1991-1992, each signed, one on the reverse, on gloss photographic paper, sheets in two sizes, 406 x 305mm (16 x 12in) and 406 x 500mm (16 x 20in) (unframed) (2)

Lot 49

NO RESERVE Julio Etchart (b.1950)Native Taquile Quechua Sailing At Lake Titicaca, Peru; A Refugee from the War Zones Having a Bath in a Dirty Pool, Downtown Managua, Nicaragua, 1991-1992Two gelatin silver prints, 1991-1992, each signed, one on the reverse, on gloss photographic paper, sheets in two sizes, 406 x 305mm (16 x 12in) and 406 x 500mm (16 x 20in) (unframed) (2)

Lot 5

NO RESERVE δ Hugo Brehme (1882-1954)Muchacha de Acapulco, circa 1940Gelatin silver print, circa 1940, mounted onto wove support, signed, titled, dated and annotated in pencil on the wove support, dedicated in pencil in an unknown hand on the reverse of the support, on Agfa-Bovira paper, sheet 340 x 260mm (13 x 10 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 50

NO RESERVE Julio Etchart (b.1950)Santeria Ritual, Marianao, Cuba; Cock Fighting in Port au Prince, Haiti, 1991-1992Two gelatin silver prints, 1985-1992, each signed, one on the reverse, on gloss photographic paper, sheets in two sizes, 406 x 305mm (16 x 12in) and 406 x 500mm (16 x 20in) (unframed) (2)

Lot 52

Thomas Joshua Cooper (b.1946)The Swelling of the Sea, 1990Gelatin silver print, 1990 (printed 1996), titled, dated and numbered from the edition of 7 on the reverse of the frame, signed in pencil on the front of the support, on gloss photographic paper, sheet 410 x 565mm (16 1/8 x 22 1/4in) (framed)In 1990, Thomas Joshua Cooper travelled across Scotland for a photographic project, exploring and capturing the views from the furthermost edges of Great Britain. 'The Swelling of the Sea' was taken just off the furthest West point of the British Isles at Ardnamurchan in Scotland.

Lot 53

Thomas Joshua Cooper (b.1946)The Gorge of the River North Esk, Grampian Region, ScotlandGelatin silver print, 1997-2000, titled, dated and numbered from the edition of 3 on the reverse of the frame, signed in pencil on the front of the support, on gloss photographic paper, sheet 410 x 565mm (16 1/8 x 22 1/4in) (framed)In 1990, Thomas Joshua Cooper travelled The Gorge of the River North Esk, Grampian Region, Scotland across Scotland for a photographic project, exploring and capturing the views from the furthermost edges of Great Britain.

Lot 8

NO RESERVE Osvaldo Salas (1914-1992)Che Smoking, 1964Gelatin silver print, 1964 (printed later), signed, titled and dated in ink by Roberto Salas on behalf of his father in the margin, with the photographer's estate stamp, on gloss photographic paper, sheet 315 x 420mm (12 1/4 x 16 1/2in) (unframed)

Lot 9

NO RESERVE δ Jane Brown (1925-2014)Pumpkins, 1970sGelatin silver print, 1970s (printed 1980), signed in pencil verso, titled and numbered from the edition of 200 in pencil in an unknown hand on the reverse of the support, on Agfa paper, sheet 300 x 400mm (11 3/4 x 15 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 756

GENTLEMAN'S OMEGA GOLD PLATED AUTOMATIC WRIST WATCH, the round silver coloured dial with applied gold coloured baton hour markers, outer seconds track in black, tapered gold coloured hands, 36mm case marked Seamaster to caseback, on partial generic brown strap, lacking box and papers

Lot 769

LADY'S EARLY TWENTIETH CENTURY MANUAL WIND WRIST WATCH, unsigned movement, the case signed Rolex, the round dial with Arabic numerals in black, 12 in red, applied dot outer seconds track, 21mm case, on an expanding bracelet strap; along with a late nineteenth silver century key wind fob watch, the round white dial with Roman numerals in black, outer seconds track, 38mm case (2)

Lot 770

GENTLEMAN'S JUNGHANS SILVER MANUAL WIND WRIST WATCH, the square grey dial with applied stainless steel baton hour markers, stainless steel pencil hands, centre seconds hand, 32mm case with 0.925 to the caseback, on an integrated stainless steel bracelet strap with foldover clasp, lacking box and papers

Lot 777

GENTLEMAN'S LONGINES AUTOMATIC CONQUEST STAINLESS STEEL WRIST WATCH, originally purchased 2005 from papers, the round silver coloured dial with applied gold coloured wedge hour markers, date aperture at 12, 35mm case, with L1 611 4, 32131607 to the caseback, on a brown leather strap with a signed Longines clasp, in box, with outer box, with papers

Lot 788

GENTLEMAN'S SEIKO STAINLESS STEEL AUTOMATIC WRIST WATCH, the round brown dial with silver coloured baton hour marks, date aperture at 3, inner seconds track in white, silver lume filled hands, 40mm case, on bracelet strap; along with two other gentleman's Seiko automatic wrist watches, including one on expanding strap, each lacking box and papers (3)

Lot 792

FIVE VARIOUS TWENTIETH CENTURY WATCHES, including a ball pendant watch, approximately 30mm diameter, unmarked; a gun metal half hunter fob watch; a continental silver fob watch and another in metal similar; and a nine carat gold keyless wind fob watch, 26.5g

Lot 793

SILVER WALTHAM OPEN FACE KEY WIND POCKET WATCH, the round white dial with Roman numerals in black, subsidiary seconds at 6, railroad outer seconds track in black, 50mm case, along with silver watch chain, with fob, 161g gross

Lot 798

COLLECTION OF NINETEENTH AND TWENTIETH CENTURY POCKET WATCHES, most with silver cases, most with white enamel dials and including one with THO's Russell and Son to the dial, 1080g gross (9)

Lot 800

GENTLEMAN'S GIRARD-PERREGAUX GYROMATIC STAINLESS STEEL WRIST WATCH, the round dial with applied silver coloured baton hour markers, outer seconds track in black, tapered silver coloured hands, 36mm case, on tapered bracelet strap marked Speidel, lacking box and papers

Lot 822

CONTINENTAL EIGHTEEN CARAT GOLD FOB WATCH, the round gold coloured dial signed C. Lannier Geneve, with central floral motif section, Roman numerals in black, leaf hands, 36mm case, metal movement cover, marked K18 to the caseback interior, 35.5g gross; along with two continental silver fob watches, each marked 0.935, 95g gross (3)

Lot 823

GENTLEMAN'S OMEGA GENEVE DYNAMIC STAINLESS STEEL WRIST WATCH, the round blue and silver dial with extended baton hour markers, lume index hands, blue seconds hand, date aperture at 3, oval 48mm case, on a tapered stainless steel bracelet strap with Omega clasp, lacking box and papers

Lot 828

GENTLEMAN'S HAMILTON AUTOMATIC STAINLESS STEEL WRIST WATCH, the round silver coloured dial with applied stainless steel arrow hour markers, date aperture at 6, outer seconds track, lume dauphine hands, centre seconds hand, 34mm case with transparent caseback, with H323250 to the edge, on a stainless steel bracelet strap, with a deployant clasp, lacking box and papers

Lot 834

LADY'S CHOPARD HAPPY DIAMONDS EIGHTEEN CARAT WHITE GOLD WRIST WATCH, the rounded square case with central circular silver coloured dial, lacking numerals, with dauphine hands, within a black border set with free-moving diamonds, 24mm case with four cabochon gems, with Kutchinsky engraved to the caseback along with 128370, 5089 5, on an integrated mesh bracelet strap with Chopard clasp, 53.1g gross, in box, with outer box, lacking papers

Lot 851

PAIR CASED POCKET WATCH, the movement signed Rich Trap London and numbered 8292, the round silver coloured dial with raised Roman numerals, Arabic outer seconds track, the dial signed TRAP with shell motif below, 44mm case, unmarked, with outer case, with makers mark TM to the interior, 120.1g gross

Lot 858

GENTLEMAN'S TISSOT PRS 516 STAINLESS STEEL CHRONOGRAPH QUARTZ WRIST WATCH, the round silver coloured dial with applied stainless steel edged white baton hour markers, subsidiary dials at 2, 6 and 10, date aperture between 4 and 5, outer seconds track in black, rectangular stainless steel edged hands, centre seconds hand in red, black bezel with tachymeter scale in white to the 42mm case, with 1044417, 089-F11 to the caseback, on a stainless steel bracelet strap with signed Tissot deployant clasp, in box, with booklets, lacking papers

Lot 873

TWO SEIKO WATCHES, comprising an automatic example, the round silver coloured dial with two central brighter finish panels, gem dot hour markers, day and date aperture at 3, 34mm tonneau case, on an integrated stainless steel bracelet strap with Seiko clasp, in box, lacking papers; the other a quartz, the round white dial with Roman numerals in black, day and date aperture at 3, outer seconds track, 36mm case with gold coloured bezel, on a bi colour stainless steel bracelet strap with Seiko clasp, in box, lacking papers

Lot 876

GENTLEMAN'S OMEGA SEAMASTER PROFESSIONAL 300M STAINLESS STEEL QUARTZ WRIST WATCH, purchased 2011 from papers, the round black dial with applied dot and baton hour markers, date aperture at 3, outer seconds track in silver, black bezel, 41mm case, on a stainless steel bracelet strap with Omega foldover clasp, in box, outer box and papers

Lot 884

GENTLEMAN'S OMEGA GENEVE AUTOMATIC GOLD PLATED WRIST WATCH, the round silver coloured dial with applied gold coloured baton hour markers, date aperture at 3, 36mm case on a generic black leather strap, lacking box and papers

Lot 891

HAMILTON GOLD PLATED OPEN FACE POCKET WATCH, the round white enamel dial with Arabic numerals in black, outer seconds track in black with numbers in red, subsidiary seconds at 6, leaf hands, 50mm case, along with a silver plated Aviation open face pocket watch, the round dial with Arabic numerals in green, outer seconds track in black, subsidiary seconds at 6, black and green hands, 51mm case (2)

Lot 893

SILVER OPEN FACE KEYLESS WIND POCKET WATCH BY THOMAS RUSSELL AND SON, the round white enamel dial with Roman numerals in black, subsidiary seconds at 6, railroad outer seconds track, 58mm case, 122.5g gross, in leather case

Lot 895

GENTLEMAN'S OMEGA ELECTRONIC F300HZ SEAMASTER CHRONOMETER WRIST WATCH, the round silver coloured dial with applied baton hour markers, date aperture at 3, inner seconds track, 48mm case, with Omega symbol, SEAMASTER, hippocampus motif and personalised inscription to the case back, on a bracelet strap with Omega clasp, in box, with outer box, with papers

Lot 901

EARLY TWENTIETH CENTURY NINE CARAT GOLD OPEN FACE KEYLESS WIND POCKET WATCH, the round white dial with Roman numerals in black, outer seconds track in black, 48mm case, 36g gross; along with a silver pocket watch, the round white dial with Roman numerals in black, outer seconds track in black, subsidiary seconds at 6, 52mm case, 64.4g gross with attached metal watch chain and key (3)

Lot 904

TWO FOB WATCHES, one an open face keyless wind example in gun metal, the round white enamel dial with Roman numerals in black with gold dots between, railroad outer seconds track in black, blued steel leaf hands, 32mm case, suspended from a metal bow motif brooch; the other an open face key wind example, the silver dial with central engraved section and applied gold coloured decoration to the edge, gold coloured Roman numerals, blued steel leaf hands, 37mm case marked 0.935; along with an ornate lady's part watch chain and a woven hair chain with fob drop and T bar fitting, the T bar marked 9C (4)

Lot 110

A rare George II silver pap boat, hallmarked London 1733. CONDITION REPORT: 60.5g. 11cm long by 7cm wide by 2.5cm high. Hallmarks a little rubbed. Two or three very small shallow dents around the foot. Overall in good condition.

Lot 117

Twelve antique meat plates and ashettes together with a silver plated lidded biscuit barrel, Imari lidded tureen on stand and two side plates

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