Fischer, Arno -- Reportage photo series of Equatorial Guinea. 1972. 37 vintage gelatin silver prints on doubleweight paper. Circa 40 x 30 cm and some smaller.Some slightly soiled on verso / in margins, some with light edge wear, otherwise in good condition.Lit.: Elke aus dem Moore (ed.). Arno Fischer. Fotografie (exhibition catalogue). Ostfildern 2009, ill. pp. 115-127 (images from the same series).Provenance: Arno Fischer Archive
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Fischer, Arno -- New York. 1978. Vintage gelatin silver print on doubleweight paper. 39,8 x 30,1 cm. Signed, annotated and dated by the photographer in pencil and photographer's stamp on the verso.Corners bumped and with creases, some edge wear, otherwise in good condition.
Marquardt, Sven -- Portrait. 1980s. Vintage gelatin silver print. 37 x 25,5 cm. Signed by the photographer in pencil in lower margin.From East Berlin, Sven Marquardt started his training as a photographer and cameraman at the DEFA studios. After his first publications in the magazines Sonntag and Das Magazin from 1985-1986, he was the assistant of Rudolf Schäfer. He worked as a fashion photographer until the late 1980s for Sibylle together with Roger Melis and Arno Fischer, and he became known for documenting the subculture of the GDR. After the reunification of Germany he stopped photographing for a period and worked as a bouncer at the Berlin club Berghain, where he soon became a symbolic figure of the club culture. His work has been featured in several exhibitions, and he continues to photograph today. – Corners bumped, a few handling creases, otherwise in good condition.
Marquardt, Sven -- Masked woman with crow. 1985. Vintage gelatin silver print. 27,2 x 39,6 cm. Signed by the photographer in pencil in lower margin; photographer's stamp on the verso.Corners bumped, crease in lower left corner, small tear in right edge, watercolor paint on right side.
Heyden, Bernd -- Photo story of a young couple in East Germany. 1970s. 14 vintage gelatin silver prints on doubleweight paper. 29,5 x 23 cm. 8 with photographer's B. Heyden, 1055 Berlin, Am Friedrichshain 19c stamp on the verso.Bernd Heyden was closely connected to and integrated in Prenzlauer Berg, Berlin, where he spent most of his life. The autodidact initially trained as a woman's tailor and worked as an ironer, chauffeur and laboratory assistant until he was admitted as a photographer in 1974. Since 1967 he worked in the Club junger Fotografen (Club of Young Photographers) founded by Arno Fischer and Sibylle Bergemann. His photographs were rejected by GDR officials as "trash can photography", nonetheless they were highly valued by many of his colleagues. This group comprises a photo story involving a young couple riding on a motorcycle and having fun in the countryside. – Slightly curled in edges, corners slightly bumped, a few handling dents, one photo (illustrated) with layout marks near upper edge and near right edge, otherwise in good condition.
Schulze Eldowy, Gundula -- From the series "Berlin in einer Hundenacht". 1983-1986. 3 vintage gelatin silver prints on carte postale. Each circa 10,3 x 14,8 cm and 14 x 10,2 cm. Each with photographer's stamp and 1 also signed by the photographer in pencil on the verso.Some corners slightly bumped, otherwise in very good condition.
Steinberg, Uwe -- Dessau. Circa 1963/printed later. Gelatin silver print. 27 x 39,5 cm. Photographer's stamp and annotated in pencil on the verso.Born in Breslau, Uwe Steinberg moved to Dessau in 1959 where he did an apprenticeship at the ADN-Zentralbild (GDR central press agency). In the 1970s he was a photojournalist for the NBI magazine in Berlin. He later also studied at the Leipzig Art Academy. In 1982 he was the head of the photography department in the Berlin VBK, the central artist association. – In excellent condition.
Gyger, Emanuel -- Near Adelboden. 1930s. Vintage gelatin silver print. 29,5 x 19,5 cm. Signed and titled by the photographer in pencil in lower corners; photographer's stamp on the verso.Light fold in upper right corner, otherwise a fine tonal print in near excellent condition.Lit.: Paul Hugger. Das Berner Oberland und seine Fotografen. Thun 1995.
Gyger, Emanuel / Arnold Klopfenstein -- Alpine views: "Portjengrat"; "Nadelhorn. Der Dom"; "Bei Saas-Fee". 1930s. 3 vintage (2 brown-toned) gelatin silver prints. Each circa 20 x 29,5 cm. Each signed and titled by the photographer in ink in lower corners; each with number stamp and Photographische Werkstätte Emanuel Gyger, Adelboden printed on the verso.Arnold Klopfenstein started an apprenticeship with Emanuel Gyger in 1914, eventually becoming his business partner in 1928. He was a trained mountaineer and often took longer hikes with E. Gyger, when he made his picturesque alpine views. Klopfenstein and Gyger worked together very closely and their images are often indistinguishable from one another. – One print with light handling mark in upper left corner, one with oxidation mirroring in dark areas and edges, one with crease in lower left corner, otherwise beautiful tonal prints in very good condition.Lit.: Paul Hugger. Das Berner Oberland und seine Fotografen. Thun 1995.
Heidersberger, Heinrich -- Rhythmogramms. 1950s. 3 vintage ferrotyped gelatin silver prints on Agfa-Portriga-Rapid and Agfa paper. 23,7 x 17,5 cm. Each with photographer's stamp with archive number in pencil and signed by the photographer in pencil on the verso.Minimal nicks in edges, otherwise in very good condition.
Höch, Hannah -- Photographer: Hilde Zemann (b. 1922). The artist Hannah Höch. 1967. Vintage ferrotyped gelatin silver print. 23 x 29 cm. Signed and titled by the photographer in pencil and photographer's label on the verso.Some handling marks, otherwise in very good condition.
Industrial Photography -- Documentation album with views of the construction of the Inn channel, Germany. 1919-1922. Circa 130 gelatin silver prints. Various sizes most circa 12 x 17 cm and some smaller. Mounted to card, bound in cloth album (edges slightly rubbed).Extensive documentation of the individual stages of construction of the channel and the hydroelectric power station built simultaneously. – Some with oxidation mirroring in edges, otherwise in very good condition.
Industrial Photography -- Photographer: C. Leiterholdt. Industrial views of pipe production, Düsseldorf. 1920s/30s. 12 vintage large-format gelatin silver prints. Each circa 17 x 23 cm. Each with photographer's stamp and annotated in pencil on the verso.Corners bumped, a few photos with nicks in edges, slight oxidation mirroring in edges, a few photos with stronger oxidation, otherwise in good condition.
Japanese Photography -- Photographer: Seien Takagi. Landscapes and views of Japan. 1937. 21 vintage gelatin silver prints on chamois paper. Each circa 28 x 17,5 cm (26,5 x 20,5 cm). First page with title in Japanese characters and signed and dated by the photographer in ink, each photo signed, titled in Japanese characters in ink in lower margin, photos inserted in album page corners, bound in cloth album with chord binding with embossed Japanese characters on front cover (some stains/soiling).Very attractive album with atmospheric views of Japan. – Fine tonal prints, most in excellent condition.
Jewish Synagogue Rykestr. -- Photographer: Werner Weigl (1931-2019). Jewish Synagogue, Rykestr., Berlin. 1955. Vintage ferrotyped gelatin silver print on doubleweight paper. 39,7 x 30,2 cm. Various exhibtion stamps and annotations on the verso.The image shows a Chuppa ceremony with the Jewish community of both West and East Berlin attending. – Corners bumped/with creases, some handling marks, some edge wear.
Keetman, Peter -- "(Augen-)Blick". 1961. Vintage ferrotyped gelatin silver print on doubleweight Agfa paper. 30 x 23 cm. Signed, titled and dated by the photographer as well as number in pencil and photographer's stamp on the verso.Light buckling, a few small retouched spots, otherwise in very good condition.
Kessels, Willy -- Microphone. 1932. Vintage gelatin silver print. 24,8 x 16,8 cm. Photographer's blindstamp in lower right; photographer's stamp and annotated in pencil on the verso. Hinge-mounted in mat.Willy Kessels attended the Ecole des Beaux Arts in Gent and then moved to Brussels, where he worked as a sculptor and architectural draftsman in the 1920s. He began his photographic career in 1929, seeing photography as a modern means of representation. Kessels was very active during the 1920s-1930s, and his photo montages, aerial views, angles and use of light illustrate the modern movement of Belgian photography at the time. His attractive nudes also are a large part of his oeuvre. – A rich beautiful print in near excellent condition.
Kessels, Willy -- Cactus and sculpture. 1934. Vintage gelatin silver print. 22,8 x 16,5 cm. Photographer's blindstamp in lower left corner; photographer's stamp and annotated in pencil on the verso.A few small nicks in edges, otherwise a beautiful print in near excellent condition.
Klemm, Barbara -- Delhi, India. 1982. Gelatin silver print. 28,8 x 40,5 cm. Signed, titled and dated by the photographer in pencil and photographer's/copyright stamp on the verso.A few light handling marks, slightly buckled in side edges, retouched spot, otherwise a fine tonal print in very good condition.
Lebeck, Robert -- "Leopoldville. Belgisch-Kongo". 1960. 1 vintage gelatin silver print and 10 gelatin silver press prints on RC Stern magazin paper. 20,2 x 25,2 cm and 30,2 x 23,6 cm. Vintage print with photographer's stamp and annotated by the photographer in pencil on the verso; press prints with Stern copyright/credit stamp and watermark logo on the verso.Apart from a rare vintage print of this iconic image by Robert Lebeck of an African man stealing the Belgian King's saber in 1960, this lot also includes an exceptional set of images showing various scenes of the act and the arrest of the man. – Vintage print with stronger creases near right and left edge, layout marks in lower margin, other prints with handling marks, otherwise in good condition.
Lehnert & Landrock -- Female nudes, Tunis. Circa 1910. 2 vintage reddish-brown toned matte gelatin silver prints on structured chamois paper. Each circa 18 x 24 cm and reverse. Each with photographer's logo and number in the negative in lower right/left and with photographer's reproduction limitation stamp on the verso.Corners slightly bumped, some fading in edges, otherwise strong prints in very good condition.
Lehnert & Landrock -- Female nudes, Tunis. Circa 1910. 2 vintage reddish-brown toned matte gelatin silver prints on structured chamois paper. Each circa 24 x 18 cm. Each with photographer's logo and number in the negative in lower right/left and with photographer's reproduction limitation stamp on the verso.Corners slightly bumped, some fading in edges, otherwise strong prints in very good condition.
Lehnert & Landrock -- Female nudes, Tunis. Circa 1910. 2 vintage reddish-brown toned matte gelatin silver prints on structured chamois paper. Each circa 24 x 18 cm. Each with photographer's logo and number in the negative in lower right/left and with photographer's reproduction limitation stamp on the verso.Corners slightly bumped, some fading in edges, otherwise strong prints in very good condition.
Link, O. Winston -- "Swimming Pool, Welch, West Virginia". 1963/printed 1984. Gelatin silver print. 50,4 x 40,5 cm. Signed and dated by the photographer in pencil, annotations in pencil and photographer's reproduction limitation and copyright stamp on the verso. Minimal oxidation mirroring in upper area, only visible at an angle, minimal fading/toning in lower edge, otherwise a fine tonal print in very good condition.Provenance: Purchased from the estate of Herb Ritts.
Luxemburg, Rosa -- Photographer: Hänse-Herrmann, Berlin. Portrait of Rosa Luxemburg. 1910. Vintage sepia-toned gelatin silver print in oval. 14,7 x 10,2 cm. Mounted to board (unevenly cut), photographer's stamp below the image on the mount. A fine tonal print in very good condition.
Man Ray -- Rayographs. 1921-1923/printed 1978. 3 gelatin silver prints on Agfa paper. Each circa 29,5 x 22,5 cm (43 x 34 cm). Man Ray's signature stamp, Griffelkunst edition stamp and rayograph stamp, as well as signed and dated by the estate executor in pencil on the verso, each mounted along upper edge to grey board (one mount bumped in right edge), Griffelkunst stamp on mount verso.Two prints with minimal discoloration in areas, otherwise in very good condition.Lit.: Man Ray. Photographs. London 1982, ill. pp. 140-141.
Mantz, Werner -- House of Professor Georgii, Heinestraße 2, Lindenthal, architect H. Walter Reitz. 1928/printed 1932. Gelatin silver print on Agfa paper. 24 x 18 cm. Signed, dated and annotated by the photographer in ballpoint pen in lower margin; annotated in pencil on the verso. The group of detached houses in Heinestraße, Cologne is probably the earliest example of Neues Bauen in that city. The builder of Heinestraße 2 was the pianist and university professor Walter Georgii. The large-scale form and details clearly show an orientation towards Le Corbusier: the free façade structure with window bands, the inclusion of the roof garden in the rectangular outline of the house, the semi-circular avant-corps with a lookout at the apex, concrete planter boxes, a chimney running through to the attic and curved interior walls and a wide concrete band as a closure above the terrace. The August 1929 issue of Die Welt compared the house to buildings of Le Corbusier and Gropius. – Slight discoloration in lower margin, otherwise a fine tonal print in very good condition.Lit.: Reinhold Mißelbeck/Wolfram Hagspiel. Werner Mantz. Vision vom Neuen Köln. Fotografien 1926-1932. Cologne 2000, ill. p. 59.
Mataré, Ewald -- Photographer: Heinz Sangermann. Portrait of Ewald Mataré and the Pope's and Bishop's Doors of the south portal of Cologne Cathedral. Circa 1950. 2 vintage ferrotyped gelatin silver prints on Agfa-Portriga-Rapid paper. 23 x 17 cm and 17,7 x 12,5 cm. Each with photographer's stamp on the verso.In very good condition.
McBride, Will -- Brandmauer, near Bernauer Str., Berlin. 1956. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 29 x 39 cm. Signed by the photographer and layout marks in pencil on the verso.Handling creases throughout, small backed tear in upper right corner.Lit.: Will McBride. I, Will McBride. Cologne 1997, ill. pp. 88-89.
Moholy-Nagy, László -- "Licht-Raum-Modulationen" portfolio. 1930-1946/printed 2005 from the original negatives. 6 gelatin silver prints. Each circa 24,7 x 19 cm (30,2 x 24 cm). Each monogrammed by Hattula Moholy-Nagy in pencil and with Griffelkunst edition text printed on the verso, in original half-canvas folder with illustrated text brochure.The images include: "Licht-Raum-Modulator, Berlin" (1930); "Kinetische Skulptur, London" (1936); "Plexiglas-Mobile in Bewegung, Chicago" (1943); "Space Modulator with Highlights, Chicago" (1942); "Spirals" (1945); and "Wire sculpture, Somonauk" (1946). – In excellent condition.Lit.: Barbara Auer. Künstler mit der Kamera. Photographie als Experiment. Mannheim 1994, ill. p. 14.
Muehl, Otto -- Photographer: Ludwig Hoffenreich. Materialaktion. 1960s. Vintage ferrotyped gelatin silver print. 23,6 x 17,7 cm. Photographer's stamp and layout notations in pencil/blue crayon on the verso.Between 1964-1966 Otto Mühl performed numerous so-called "Materialaktionen" involving objects, paint and material, which were often filmed/photographed by K. Kren and Ludwig Hoffenreich. As of 1966 the body itself became the "material" which Otto Mühl and Günter Brus increasingly worked with. – Stronger crease in upper right corner with crack to emulsion, a few light handling marks, otherwise in good condition.
Muthesius, Eckart -- Photographer: Lotte Jacobi (1896-1990). Portrait of the architect Eckart Muthesius. Circa 1930. Vintage gelatin silver print. 22 x 16,9 cm. Signed by the photographer in the negative in lower right; photographer's ATELIER JACOBI, Charlottenburg, Joachimsthaler Str. 5 stamp on the verso, mounted along upper edge to board (some wear). The son of Hermann Muthesius, the German architect and interior designer Eckart Muthesius lived in India between 1930-1939. The Maharaja of Indore commissioned him to decorate and design his Palace at Manik Bagh in the modern International Style; it became a large-scale art project and Muthesius incorporated furniture designed by Eileen Gray, Le Corbusier, Marcel Breuer and Ivan da Silva Bruhns. He often returned to Berlin to collaborate on the projects for the furniture for the palace and this portrait was likely taken on one of those visits. Lotte Jacobi portrayed many famous figures of the day such as Albert Einstein, Emil Jannings, Lotte Lenya and Käthe Kollwitz. – Some creases in corners, otherwise in good condition.Lit.: Reto Niggl. Eckart Muthesius. The Maharaja's Palace in Indore. Architecture and Interior 1930, Stuttgart 1996, ill. p. 13.Provenance: Eckart Muthesius Archive
Neusüss, Floris M. -- "Traumbilder" series. 1961-64. 3 gelatin silver prints on Agfa paper. Each circa 21 x 20 cm (40,3 x 30,3 cm). Each signed, annotated and dated by the photographer in pencil/ink and photographer's stamp on the verso.Edges slightly curled, corners slightly bumped, otherwise in very good condition.Lit.: Fabian Knierem/Ulrich Pohlmann (eds.).Traumbilder. Ostfildern 2012, ill. p. 95.
Neusüss, Floris M. -- Berlin portraits. 1962. 2 gelatin silver prints on Agfa paper. Each circa 39,8 x 30 cm. Each monogrammed by the photographer in pencil and annotated/dated in ink on the verso.A few light handling marks, a few retouched spots, corners slightly bumped, one with small discoloration in upper left, otherwise in good condition.
Neusüss, Floris M. -- "Barbie and Ken". 1993. 2 vintage unique gelatin silver prints (photograms). Each 43,2 x 31,4 cm. Each mounted to board; signed, titled and dated by the photographer in pencil and photographer's stamp on mount verso.Each with crease in upper left corner, and light fold mark in lower right corner, left edge of Barbie print slightly bumped, otherwise in very good condition.
Okada, Koyo -- Mount Fuji. Circa 1950. Vintage gelatin silver print. 23 x 28 cm. Photographer's blindstamp in lower left corner.Koyo Okada came from a family of painters and caligraphists. Since his visit to the small village Oshino near Moujnt Fuji he became fascinated by the mountain and decided to dedicate his work depicting it. As early as 1927 he published his first book with one hundred views of the famous mountain and many followed. In WWII he lost his entire negative archive and equipment which encouraged him all the more to record the mountain on film. Some of his images have been used on stamps and banknotes. – Corners minimally bumped, oxidation mirroring in edges, small nick in lower right edge, paper tape from framing on verso, otherwise a fine tonal print in very good condition.
Paris -- Photographer: Eva Weichberger. Selected views of Paris, including Marais, Pont Neuf, Monmartre and Samaritaine. 1950s. 18 vintage gelatin silver prints. Each circa 18 x 13 cm. Most with photographer's stamp and annotated in pencil on the verso.The images show postwar Paris street scenes with clochards, streetsellers and architecture. – Some corners bumped, otherwise in very good condition.
Reinartz, Dirk -- New York. 1974/printed 2014. 6 gelatin silver prints. Each circa 18,8 x 26 cm (29,5 x 39,5 cm). Each with griffelkunst text printed on the verso, in original half linen portfolio with illustrated text brochure. In excellent condition.Lit.: Karin Reinartz (ed.). Dirk Reinartz. New York 1974. Göttingen 2007.
Rocholl, Karin -- Gudrun Landgrebe, Munich. 1984/printed 2014. Gelatin silver print. 24 x 35,7 cm (30,5 x 40,2 cm). Signed, copyrighted, dated and titled by the photographer in pencil on the verso.The photojournalist Karin Rocholl has made many portraits of figures in the cultural scene. Her engaged relationship with the sitter has often enabled her to portray many otherwise elusive prominent people in a more natural and candid way. Much of her work has been published in Stern magazine and several books. – Slightly buckled, otherwise a fine tonal print in excellent condition.
Rössler, Jaroslav -- Selected images, abstract photography. 1923-1961/printed 2009. 6 gelatin silver prints. Each circa 24,5 x 18,5 cm (30,4 x 23,7 cm). Each with printed Griffelkunst edition text on the verso, in original half-canvas folder with illustrated text brochure.In excellent condition.
Ronkholz, Tata -- "Trinkhalle" series (Kiosk Kempener Str. 76, Köln-Nippes). 1983. Vintage ferrotyped gelatin silver print. 26 x 35,5 cm (31 x 40,5). Estate stamp and number 400 in pencil on the verso.Slight buckling in edges, a few light handling marks, otherwise in very good condition.
Ronkholz, Tata -- "Trinkhalle" series (Leverkusen - Rheindorf. Wupperstrasse 1). 1983. Vintage ferrotyped gelatin silver print. 24,7 x 34 cm (31 x 40,5). Estate stamp and number 406 in pencil on the verso.Slight buckling in edges, a few light handling marks, small scuff mark in lower right area, otherwise in very good condition.
Rudolph, Charlotte -- Scene from Mary Wigman's "Chorische Studien". 1929. Vintage gelatin silver print. 14,8 x 22,5 cm. Photographer's blindstamp in lower right corner; photographer's stamp and reproduction limitation stamp as well as annotated in pencil on the verso. Some oxidation mirroring in lower area, small chip to emulsion in lower left edge, otherwise in very good condition.
Rupp, August -- Landscape views. 1934/35. 6 vintage gelatin silver prints. Each circa 18 x 23 cm. Photographer's stamp, copyright stamp and Geätzt stamp on the verso.August Rupp was a German pictorialist photographer who primarily photographed landscapes and still lifes. This group also includes two photos by Eduard von Pagenhardt. – Rupp photos with a few minimal handling marks, otherwise fine tonal prints in very good condition, Pagenhardt photos with stronger handling creases in corners/edges.
[*] Ruscha, Edward -- Every Building on the Sunset Strip. Black and white photographs in 9 sections tipped together and folded as a leporello. 18 x 14,5 cm. Original white wrappers (corners bumped, spine with creases, front cover slightly soiled), with original silver paper covered slipcase (bumped along lower and upper edges, cracked along edges, creases, some light rubbing). Los Angeles, Edward Ruscha, 1966.First edition, second issue (as issued, without rear flap). The Open Book. Hasselblad Center. pp. 198-201. "Ruscha's books and the photos in them have had a greater influence on younger artists and photographers than his paintings" (101 Books). – Two pages with small light brown stain (double page with Weatherly cross street), otherwise very good copy inside.
Sander, August -- The painter Franz Wilhelm Seiwert. 1924/printed 1986 by Gerd Sander. Gelatin silver print. 25 x 17 cm. August Sander, Köln - Lindenthal blindstamp in lower left corner. Mounted along upper edge to thin board, August Sander Archive, New York paper label on the verso.A fine tonal print in excellent condition.Lit.: Photographische Sammlung/SK Stiftung Kultur (ed.). August Sander. Menschen des 20. Jahrhunderts (Studienband). Munich 2001, ill. p. 155.
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2466194 item(s)/page