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Lot 628

Wellner 90/12 German silver plated ladle, 13" long; together with a good white metal fondue pan with hardwood turned handle, on small stove, with foliate rim raised on three foliate cast legs and paw feet, 7" diameter, 6.5" high and an engraved plated card case, 4" x 2.75" (3)

Lot 268

A hall way mirror having decorative silver frame

Lot 108

1000-1500 AD, Crusader Period. A silver D-shaped hoop with incised vegetal motifs on the shoulder and circular bezel set with a whiteish glass cabochon. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. This ring may have belonged to one such crusader, perhaps a knight, as a mark of his status. Good condition; wearable; Size: D: 18.35mm / US: 8 1/4 / UK: Q 1/2; 6.4g; Provenance: From an old London collection formed in the 1990s;

Lot 109

C. 1000-1450 AD. Medieval Period. This beautiful silver ring comprises a D-shaped hoop with scalloped decoration on the shoulders and a rounded bezel with incised decoration depicting a dove. The dove is a symbol of Christianity during the Middle Ages, and typically stood for the Holy Spirit. This elegant ornament may therefore have belonged to a pious Byzantine soldier. Excellent, wearable condition. Size: D: 16mm / US: 5 3/8 / UK: K 1/2; 3g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.

Lot 114

C. 1000-1500 AD. Medieval Period. This beautiful silver ring comprises a circular hoop and a lozenge-shaped bezel with incised linear and curvilinear decoration. This simple yet elegant ornament may have belonged to a high status woman, a warrior or perhaps a merchant. Good, wearable condition. Size: D: 19.84mm / US: 10 / UK: T 1/2; 3.4g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.

Lot 115

700-1100 AD, Viking Age. A heavy silver twisted bracelet comprised strands of silver woven together, with applied granulations and with looped terminals decorated with incised dots meant evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;” Old Norse Jörmungandr, “Great Beast”), also called the “Midgard Serpent,” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. Excellent condition. Size: L:55mm / W:75mm ; 44g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.

Lot 141

C. 1-300 AD. Roman. A heavy bronze armilla bracelet with rectangular section and sub-elliptical, recurved terminals. Armillae were armband style bracelets awarded as a military decoration. The rank of the soldier in question determined the metal from which the bracelet was made either gold, silver or bronze. These bracelets were not for everyday wear, but were occasion pieces worn at special military and civic events suchs a triumphs, religious ceremonies and games. Superb condition. Size: L:60mm / W:68mm ; 34g; Provenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market formed in the 1980s.

Lot 145

1-200 AD. Roman. Silver ligula, or spoon, with a deep, teardrop-shaped bowl, a cylindrical shank, and carinated handle. In the Roman world, spoons were used just as commonly for measuring and mixing medicines as for eating and drinking, and it is likely that a spoon of this type belonged to a Roman doctor (medicus). Excellent condition; on a custom stand. Size: L:160mm / W:11mm ; 23g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.

Lot 147

c. 1200-1600 AD. Medieval. Silver ring with circular hoop and a round bezel. The bezel bears incised decoration in the form of a two soldiers supporting a family crest over an eagle. Heraldry, or the use of an inherited coat of arms, was a means by which to display personal identity and familial relations. This tradition began c. 12th century AD in battlefield contexts were elitesneeded a symbol to display in order to be easily recognizable even when their faces were obscured by armour. By the 13th century AD this practice was adopted by nobles and knights who took immense pride in their family arms and colours. The heraldic ring was a key part of this personal branding as it allowed the owner to stamp their coat of arms on their correspondences. Fair condition. Wearable.Size: D: 18mm / US: 7 3/4 / UK: P 1/2; 4g; Provenance: From an old London collection formed in the 1980s;

Lot 148

C. 1500-1700 AD. Post-medieval. A rare silver ring with a circular hoop and applied bezel in the form of a devil’s head, with beaklike mouth, hollow circular eyes, elaborately modelled beard and hair. Possibly owned by someone practicing witchcraft and used as a sign of devotion to the Devil. Very few of these survived due to the persecutions of the church. Excellent condition; wearable.Size: D: 17.13mm / US: 6 3/4 / UK: N 1/2; 9g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Lot 149

c. 900-1100 AD. Viking age. Silver ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, round carnelian gem. This simple yet elegant ornament may have belonged to a Viking warrior. Good condition.Size: D: 16.1mm / US: 5 1/2 / UK: L; 8.3g; Provenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1990s.

Lot 152

1-300 AD, Roman. Silver ring with a D-shaped hoop formed from a thick, flat-sectioned, flaring band bearing a red gem intaglio with an incised rooster. This item probably served as a signet ring used to seal letters or other documents and may have belonged to a Roman merchant. Good condition. Wearable.Size: D: 14.65mm / US: 3 3/4 / UK: H; 5g; Provenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.

Lot 154

C. 700-1100. Viking Age. Gilded silver amulet featuring a disc shape with an integral suspension loop. The central section depicts the god Odin gripping two ravens. The ravens probably represent Hugin and Munin (pronounced “HOO-gin” and “MOO-nin”; Old Norse Huginn and Muninn), the two ravens in Norse mythology who are helping spirits of Odin, the god of knowledge, war and battle. Excellent condition; wearable. Size: D: 20mm / US: 10 1/4 / UK: U; 5g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed before 2000.

Lot 169

C. 700-1100. Viking Age. Gilded silver amulet featuring a disc shape with an integral suspension loop. The central section depicts the god Odin gripping two ravens. The ravens probably represent Hugin and Munin (pronounced “HOO-gin” and “MOO-nin”; Old Norse Huginn and Muninn), two ravens in Norse mythology who are helping spirits of Odin, the god of knowledge, war and battle. Excellent condition; wearable. Size: L:23mm / W:18mm ; 3g; Provenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1990s.

Lot 176

900-1000 AD, Byzantine. A silver, gilt ring with a circular hoop and a trumpet bezel, bearing an incised depiction of a gryphon within a circular. The griffin, griffon, or gryphon is a legendary creature with the body, tail, and back legs of a lion; the head and wings of an eagle; and sometimes an eagle's talons as its front feet. This item may have belonged to a Byzantine official. Excellent condition; wearable. Size: D: 17.35mm / US: 7 / UK: O; 19.8g; Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.

Lot 177

700-1100 AD, Viking Age. A superb silver ring comprised of a twisted band with wrapped terminals. This ring was intended to evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;” Old Norse Jörmungandr, “Great Beast”), also called the “Midgard Serpent,” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. Good condition. Wearable.Size: D: 18.6mm / US: 8 5/8 / UK: R; 5g; Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.

Lot 178

C. 1-300 AD, Roman. Silver ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, elliptical blue gem. This simple yet elegant ornament may have belonged to a merchant or a Roman matrona. Good condition. Wearable.Size: D: 16.51mm / US: 6 / UK: M; 6g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Lot 179

700-1100 AD, Viking Age. A silver ring with D-shaped hoop and flattened, circular bezel bearing an incised depiction of a stylised wolf within a circle. Fenrir (pronounced “FEN-rir;” Old Norse Fenrir, “He Who Dwells in the Marshes”) is the most infamous of the many wolves in Norse mythology. His importance for the pre-Christian Scandinavians is demonstrated by his being depicted on numerous surviving runestones, not to mention his ubiquity in Old Norse literary sources. This ring may have belonged to a Viking warrior, who wore it as a sign of his prowess in battle. Good condition; wearable.Size: D: 16.7mm / US: 6 1/4 / UK: M 1/2; 3.3g; Provenance: Property of a London gallery, previously in old British collection formed in the 1970s.

Lot 180

C. 700-1100 AD, Viking Age. A silver ring with a D-shaped hoop, a lozenge-shaped bezel with incised linear and curvilinear decorations, possibly runic symbols. This simple yet elegant ornament may have belonged to a Viking warrior. Good condition; wearable. Size: D: 18.8mm / US: 8 7/8 / UK: R 1/2; 3.5g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.

Lot 189

Ca.1700-1950 AD. Yemeni Tribal. Lot of five white metal Yemeni Tribal intaglio rings with turquoise and blue coloured stone itaglio settings some with intricate scroll work or incised decoration on the hoops. Yemeni tribal rings were made by Jewish silversmiths between the 18th and the. first half of the 20th century, when the majority of Yemeni jews emigrated to Israel. Yemeni silver was traditionally given to brides as an emergency fund from her family, which she would cherish and care for throughout her entire life or otherwise sell if she was in financial need. These items may have belonged to either Yemeni brides orrepresent part of a silver merchant's stock. Excellent condition; wearable.Size: D: mm / US: Set of 5; / UK: P 1/2; 49g; Provenance: Private London collection, formed since the 1980s on the UK and European art market.

Lot 196

C. 1-300 AD. Roman. A heavy bronze armilla bracelet with rectangular section and sub-square flattened terminals. Armillae were armband style bracelets awarded as a military decoration. The rank of the soldier in question determined the metal from which the bracelet was made either gold, silver or bronze. These bracelets were not for everyday wear, but were occasion pieces worn at special military and civic events suchs a triumphs, religious ceremonies and games. Superb condition.Size: L:53mm / W:66mm ; 26g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.

Lot 197

700-1100 AD, Viking Age. Beautiful silver bracelet with elongated terminals which feature two grooves ornamented with a ‘scale’ pattern and end in cross motifs. Bracelets of this type are intended to depict stylised dragon. In Viking society, arm rings and bracelets were not just decorative, but also served to mark bonds of loyalty between a lord and his followers in a culture where honour was a matter of life and death. Such items were also. given to young men to mark their coming of age and bracelets of precious metals were also used as currency in a time before the widespread availability of coinage. Dragons were important figures in Norse mythology, and were known for their powerful, destructive nature, perhaps reflecting a claim to power by the individual who once owned this bracelet. Good condition; wearable.Size: L:66mm / W:73mm ; 35g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.

Lot 218

700-1100 AD, Viking Age. A heavy silver twisted bracelet comprised strands of silver woven together, with looped terminals meant evoke the form of a snake. In Norse mythology, Jormungand (pronounced “YOUR-mun-gand;” Old Norse Jörmungandr, “Great Beast”), also called the “Midgard Serpent,” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. Excellent condition.Size: L:54.5mm / W:72mm ; 26.5g; Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.

Lot 228

700-1100 AD. Viking Age. A silver ring with D-shaped hoop with incised hatching decoration on the shoulders, and flattened, elliptical bezel bearing an incised bird motif, perhaps intended to represent either Hugin or Munin. Hugin and Munin (pronounced “HOO-gin” and “MOO-nin”; Old Norse Huginn and Muninn) are two ravens in Norse mythology who are helping spirits of Odin, the god of knowledge, war and battle. Good, wearable condition. Size: D: 17.45mm / US: 7 1/4 / UK: O 1/2 ; 3.9g; Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Lot 229

c. 1000-1100 AD. Viking age. A beautiful silver ring with a circular hoop and round bezel bearing incised decoration in the form of a dragon, probably Fáfnir. In Norse mythology, Fáfnir (Old Norse and Icelandic) or Frænir is a son of the dwarf king Hreidmar and brother of Regin , Ótr, Lyngheiðr and Lofnheiðr. After being affected by the curse of Andvari’s ring and gold, Fafnir became a dragon and was slain by the brave hero Sigurd. The wearable reminder of this myth would have inspired bravery in Viking warriors. Good condition.Size: D: 17.7mm / US: 5 / UK: J 1/2; 3.4g; Provenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.

Lot 234

Ca.1700-1950 AD. Yemeni Tribal. Lot of five white metal Yemeni Tribal intaglio rings with turquoise, blue, black and deep red coloured stone intaglio settings and delicate incised decorations on the hoops. Yemeni tribal rings were made by Jewish silversmiths between the 18th and the. first half of the 20th century, when the majority of Yemeni jews emigrated to Israel. Yemeni silver was traditionally given to brides as an emergency fund from her family, which she would cherish and care for throughout her entire life or otherwise sell if she was in financial need. These items may have belonged to either Yemeni brides orrepresent part of a silver merchant's stock. Excellent condition; wearable. Size: L:Set of 5;mm / W:O 1/2 mm ; 47.8g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.

Lot 236

1100-1500 AD. Medieval. Large silver gilt ring with D-shaped hoop, with applied shields containing wing motifs on each shoulder, and flat, circular bezel with depicting an incised eagle with outstretched wings. Heraldry, or the use of an inherited coat of arms, was a means by which to display personal identity and familial relations. This tradition began c. 12th century AD in battlefield contexts were elites needed a symbol to display in order to be easily recognizable even when their faces were obscured by armour. By the 13th century AD this practice was adopted by nobles and knights who took immense pride in their family arms and colours. The heraldic pendant was a key part of this personal branding as it allowed all who viewed it a glimpse into the owner’s genealogy. Within this context, eagles were common heraldic symbols because of their connotations of nobility and power. This exceptional item may have belonged to a general or other senior noble. Excellent condition; wearable. Size: D: 19.1mm / US: 9 1/8 / UK: S; 13.5g; Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.

Lot 237

700-1100 AD, Viking Age. Silver ring with a circular hoop, and a lozenge shaped bezel onto which is mounted a large, circular black gem. This simple yet elegant ornament may have belonged to a Viking Warrior. Good condition. Wearable.Size: D: 17.1mm / US: 6 3/4 / UK: N 1/2; 5.2g; Provenance: From an old London collection formed in the 1980s;

Lot 239

1-200 AD. Roman. Silver ring with D-shaped hoop and flattened, hexagonal bezel bearing an incised galloping horse motif. The cavalry played a major role in Rome’s wars of expansion and represented some of the most elite units of the Roman military. This ring may have belonged to a proud member of the Roman calvary, perhaps an officer. For more information on Roman rings, see: Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991. Good condition; wearable. Size: D: 16.7mm / US: 6 1/4 / UK: M 1/2; 3.7g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.

Lot 248

c. 400 AD. Late Roman. Silver ligula, or spoon, with a squashed, teardrop-shaped bowl suspended from a square shank, which is in turn connected to carinated handle. A nielloed cross motif at the junction of the bowl and the shank reflects the probable Christian identity of the item’s owner. In the Roman world, spoons were used just as commonly for measuring and mixing medicines as for eating and drinking, and a spoon of this type may have belonged to a Roman doctor (medicus) or an aristocrat. Excellent condition; on a custom stand. Size: L:135mm / W:25mm ; 33.3g; Provenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.

Lot 249

Ca. 100 AD, Roman. Silver lunar amulet comprising a crescent moon with a wide banded suspension loop. In Roman mythology, Luna (the Moon) is sometimes viewed as a goddess in her own right, and sometimes appears as an epithet of more senior goddesses like Diana or Juno, meaning this item may be a sign of devotion to senior gods within the Roman pantheon. Excellent condition; on modern chain. wearable.Size: L:23mm / W:23mm ; 4.6g; Provenance: From the private collection of a Cambridgeshire gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.

Lot 252

700-1100 AD, Viking Age. A superb silver example of an axe or Perun amulet comprising a suspension loop and a stylised axe head. This type of amulet is modelled after the axe Molnia and is often seen as a counter part to the common Mjolnir amulet. Some associate these axe pendants with Perun who was the ruler of living world, sky and earth who used the axe to kill the snake that stole the earthly light. Excellent condition, with neck chain. Wearable. Size: L:20mm / W:11mm ; 2.6g; Provenance: Private Kent collection, formed in the 1980-90s on the UK art market.

Lot 258

700-1100 AD, Viking Age. A silver ring with a D-shaped hoop, an elliptical bezel with incised linear and curvilinear decorations, possibly runic symbols. This simple yet elegant ornament may have belonged to a Viking warrior. Good condition; wearable.Size: D: 18.2mm / US: 8 / UK: Q; 3.7g; Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.

Lot 259

c. 1000-1500 AD. Medieval Crusader period. A silver ring with a round hoop and a circular bezel bearing incised decoration in the form of a ship and sailors. This item may have belonged to a merchant who made his fortune in shipping. Good condition.Size: D: 18.8mm / US: 8 7/8 / UK: R 1/2; 3.7g; Provenance: Private collection of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Lot 260

Ca.1700-1950 AD. Yemeni Tribal. Lot of five white metal Yemeni Tribal intaglio rings with turquoise and blue coloured intaglio stone settings some with intricate scroll work or incised decoration on the hoops. Yemeni tribal rings were made by Jewish silversmiths between the 18th and the. first half of the 20th century, when the majority of Yemeni jews emigrated to Israel. Yemeni silver was traditionally given to brides as an emergency fund from her family, which she would cherish and care for throughout her entire life or otherwise sell if she was in financial need. These items may have belonged to either Yemeni brides orrepresent part of a silver merchant's stock. Excellent condition; wearable.Size: D: 17.75mm / US: Set of 5; / UK: P; 50g; Provenance: From an old British collection, acquired on the UK art market in the 1990s.

Lot 264

Ca. 100 AD, Roman. Silver lunar amulet comprising a crescent moon with a suspension loop, conical terminals, and an applied phallic pendant comprising two applied testes, and an applied shaft with a linerally deliniated glans. In Roman mythology, Luna (the Moon) is sometimes viewed as a goddess in her own right, and sometimes appears as an epithet of more senior goddesses like Diana or Juno, meaning this item may be a sign of devotion to senior gods within the Roman pantheon. Indeed, Phallic charms also refer to a a deity himself (Fascinus),and were used to invoke this god's divine protection against evil Excellent condition; on modern chain. Wearable.Size: L:35mm / W:32mm ; 9g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.

Lot 4

c. 1400 AD. Medieval Persian. Iron sword or large dagger, with curved blade, protruding rectangular guard, and flaring tang. One side of the blade is decorated with silver inlaid letters, perhaps reading “Allah [God] is Great.” Medieval Persia was an unstable and warlike place, where a dozen different dynasties rose and fell by the blade in the course of the 500 years before the Safavids brought peace and stability to the region in 1501 AD. This beautiful axe embodies the need for medieval Persians to be armed and ready in order to survive and thrive. Good condition, on a custom made stand.Size: L:610mm / W:80mm ; 580g; Provenance: From an old British collection formed in the 1990s.

Lot 41

c. 1400 AD. medieval Persian. Iron sword or large dagger, with curved blade, protruding barb on the exterior and flaring tang for insertion into a handle. One side of the blade is decorated with silver inlaid letters, perhaps reading “Allah [God] is Great.” Medieval Persia was an unstable and warlike place, where a dozen different dynasties rose and fell by the blade in the course of the 500 years before the Safavids brought peace and stability to the region in 1501 AD. This beautiful axe embodies the need for medieval Persians to be armed and ready in order to survive and thrive. Good condition, on a custom-made stand. Size: L:480mm / W:65mm ; 390g; Provenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1990s.

Lot 308

CONTEMPORARY ART DECO DESIGN SILK CARPET, 300cm x 240cm, geometric silver field.

Lot 401

ASPREY STEAMER COLLECTION WEEKEND BAG, striped canvas and leather with silver tone hardware, two leather top handles and leather trims, snap closure, 50cm x 20cm x 33cm H.

Lot 1532

Silver finish metal garden rocking chair, W65cm - Condition Report

Lot 107

A Chester silver George III style sauceboat (h.5cm), an Epns three piece condiment set and two various silver napkin rings (a lot) (silver: 120.18g)

Lot 109

A pair of Birmingham silver circular bonbon dishes (108.66g) with pierced sides, a white metal miniature basket and a plated jigger (a lot)

Lot 110

A mixed lot comprising an Eastern white metal chased circular sugar basin (h.5cm), a London silver mounted crystal sugar castor, an Epns six division toast rack, a silver sugar sifting spoon, three china gilt escargot serving dishes and an Epns napkin ring (a lot)

Lot 111

A pair of modern London silver circular salts (d.8cm) (89.76g)

Lot 112

A sterling silver miniature photograph frame (8cm x 6cm) and a white metal circular photograph frame (d.7cm) (2)

Lot 113

A set of six Edwardian Sheffield silver teaspoons with lily terminals with matching pair of tongs and a similar pair of Birmingham silver tongs (8)

Lot 127

A London silver chased winged cherub mounted circular framed wall mirror with scalloped border and a London miniature double oval photograph silver mounted frame with velvet back and easel stand (tallest: 17cm x 15cm shorter: 10cm x 11cm)

Lot 146

A Walker & Hall silver tapered sugar castor complete with pierced dome top (a/f) (h.17cm) (130.57g)

Lot 157

A collection of gifts relating to children including a teddy bear bookmark, a teddy bear ornament, a teddy bear folding frame, a Jemima Puddleduck figure and a silver Mackintosh style bracelet (a lot)

Lot 22

An Edwardian Birmingham silver ring stand of tapered form with four branches, on circular base (base (a/f)) (h.9cm x 6cm)

Lot 33

A pair of Sheffield silver navette shaped pierced bonbon dishes, Sheffield 1918 (h.3cm x 11cm) (61.4g)

Lot 34

A pair of London silver hammered finish napkin rings, with stylised floral and leaf design in the Arts & Crafts taste (h.3cm d.5cm) (84.65g) and an Eastern hammered white metal napkin ring with seated figure decoration (h.3cm x d.4cm) (29.2g) (3)

Lot 35

A modern London silver twin frame oval photograph frame with cherub and ribbon surmount (11cm x 12cm) and a Sheffield silver bead pattern photograph frame (16cm x 11cm) (2)

Lot 365

An Edwardian Birmingham silver five piece dressing table brush set comprising hand mirror, pair of hairbrushes and pair of clothes brushes, with leaf chased borders, and engraved intials M.E.G, complete with original presentation box

Lot 37

A set of six Birmingham silver bean handled coffee spoons with matching tongs, in original fitted case

Lot 38

A crystal triangular tapered perfume bottle mounted with Birmingham silver chased top (missing rubber tube) (h.19cm x 8cm)

Lot 39

A set of six Sheffield silver seal handled coffee spoons, in original fitted case

Lot 40

A pair of Birmingham silver salts with chased borders, complete with blue glass liners (h.3cm x l.7cm) (99.99g)

Lot 41

A Sheffield silver plain Christening mug with fluted handle to side, uninscribed (h.6cm x d.6cm) (57.19g)

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