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STAR WARS THE EMPIRE STRIKES BACK 1980, British quad film poster, black on silver lettering and logo, printed by W.E. Berry Ltd., Bradford, folded as originally, has tear to top edge, some damage and wear mainly to cross folds, edges and corners including old Sellotape repairs, Sellotape and other Blu-tack type marks, title in pencil to reverse, size approx. 101cm x 76cm
Japanese Showa period cloisonne shouldered vase on a pale gray-blue ground with a bird perched atop a snow covered branch, elegantly worked with silver cloisons. This design is reminiscent of the works of cloisonne artisans such as Hattori Tadasburo.Height: 7 1/4 in x diameter: 4 in.
Japanese cloisonne shouldered vase with a pale celadon ground. Decorated with leaves and a flower accompanied by a bird perched on the stem. This vase is beautifully executed, and features silver cloisons. Marked "Made in Japan" to the footrim. Similar to many Taisho and Showa period vases by the Ando Company and the Sato Cloisonne Company.Height: 8 1/2 in x diameter4 1/2 in.
Japanese Showa period cloisonne shouldered vase with a bright yellow ground. Decorated along one side with a branch with two small birds perched atop it surrounded by flowers. Marked along the silver footrim. Similar to vases by the Ando Jubei Company and the Sato Cloisonne Company.Height: 8 1/2 in x diameter: 4 1/2 in.
Japanese Showa period cloisonne shouldered vase with a white ground. Decorated with several bright green stalks of bamboo and a small bird perched atop a small shoot, beautifully rendered with silver cloisons. This vase resembles works by the Ando Jubei Company and the Sato Cloisonne Company.Height: 7 1/4 in x diameter: 4 in.
Japanese cloisonne shouldered vase with a pale yellow ground. Meticulously decorated with mountains, a waterfall, and several cliffside dwellings. This vase features silver cloisons and several areas of wireless decoration to the background, which show the skill of the artist. This vase strongly resembles many by the Ando Company and the Sato Cloisonne Company.Height: 10 in x diameter: 5 in.
Japanese cloisonne vase with a gray ground. Decorated with a mountain landscape with a house and stream in the foreground, beautifully worked in silver wire. The cloisons along the mountain have been removed, showcasing the skill of the artist. Marked "Japan Cloisonne" along the footrim. This vase is similar to many by the Ando Jube Company.Height: 8 1/4 in x diameter: 5 1/4 in.
Japanese Meiji gold lacquered ryoshibako document box, with silver mounts. Decorated with a Japanese garden scene.Provenance: Gift to Louis W. Hill from Komura Jutaro, a passenger on the Hill's ship "Dakota;" collection of the James J. Hill Reference Library.Marquess Komura Jutaro (Japanese, 1855-1911) was a Japanese statesman and diplomat. Komura served as Vice Minister for Foreign Affairs until September 1898, when he was named ambassador to Washington, D.C.Dakota was a steamship built by the Eastern Shipbuilding Company of Groton, Connecticut for the Great Northern Steamship Company owned by railroad magnate James J. Hill to enhance and promote trade between the United States and Japan. In 1904 the Great Northern Railway made an effort to facilitate trade with Asia, particularly with Japan and China, by entering into shipping business, and as a part of this endeavor two great steamers of approximately 20,000 GRT were ordered. Dakota was the second of these vessels, and was laid down at the Eastern Shipbuilding Company's yard at Groton, and launched on February 6, 1904 (yard number 2), with Miss Mary Bell Flemington of Ellendale being the sponsor. The ceremony was attended by nearly 5,000 people, including the governor of Connecticut Abiram Chamberlain, ex-governor Thomas Waller, James J. Hill, president of the Great Northern Steamship Company, many members of the board of trade from Minnesota and North and South Dakota, senators Hansborough and McCumber of North Dakota among others. At the time, she and her sister-ship Minnesota were described as the largest ships ever built in America.Certain individuals are prohibited by law to purchase items in this auction. Descendants of James J. Hill within three generations (Great Grandchildren and closer) are not allowed to purchase items. Additionally, board members of the foundation and their families (spouses, children, spouses of children, grandchildren) are also prohibited from purchasing items.Height: 5 in x width: 9 1/2 in x depth: 8 in.
Japanese pipe, from a finely carved and hollowed antler holding a wooden pipe with silver additions. Japanese characters are incised along one side of the antler along with a red stamp. The antler is carved and painted with a figure in armor standing underneath a tree.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Pipe; Length: 7 1/2 in. Antler case; Height: 3/4 in x width: 7 1/2 in x depth: 1 1/4 in. Gross weight of sterling: .80 Troy oz.
Michael Spano (America, b. 1949). Photograph titled "Union Square Park, New York, 1980," silver gelatin print on rough surface paper. Pencil signed and dated 1986 along the lower right; numbered 377-80 along the lower left. The photograph depicts a group of individuals gathered around the Independence Flagstaff in Union Square Park. The bas-relief plaques have graffiti which obscures the original text, possibly changing the meaning of the original phrase.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 22 in x width: 51 1/2 in. Framed; height: 29 in x width: 58 in.
Michael Spano (America, b. 1949). Photograph titled "Corner of 32nd & 7th Ave., NYC, 1979," silver gelatin print on rough surface paper. The photograph depicts a panoramic view of a New York City street corner with figures walking past and a boy perched atop the base of the building. Pencil signed and dated 1986 along the lower right; numbered 479-79 along the lower left.Provenance: Distinguished corporate collection, Minnesota.Sight; height: 22 in x width: 51 1/2 in. Framed; height: 29 in x width: 58 in.
Frank Gohlke (American, b. 1942). Untitled photograph depicting a badminton net with a trailer, tree, and swing set in the background against a vast, gray sky. Silver gelatin print. Signed in pencil along the lower right corner of the verso; dated 1980 along the lower right of the verso; inscribed along the lower edge of the verso "Badminton net, fog on Lake Superior - near Grand Marais, Minn. 1977" and "For Emily, with great appreciation."Unframed; Height: 16 in x width: 19 3/4 in. Matted; height: 18 in x width: 20 in.
Larry Fink (American, b. 1941). Silver print photograph from the Social Graces series titled "Carlos & Tom, New York City, 1981" depicting two suited men on a black background.Provenance: Directly from artist; Distinguished corporate collection, Minnesota.Sight; height: 12 3/4 in x width: 19 in. Framed; height: 24 in x width: 28 in.
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "Bamboo Still Life," depicting a vase of bamboo shoots. Silver gelatin print. Signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 18 3/8 in x width: 13 3/4 in. Matted; height: 23 1/2 in x width: 18 3/4 in.
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a praying mantis clinging to the underside of a blade of grass. Silver gelatin print. Signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 3/8 in x width: 11 in. Matted; height: 18 3/4 in x width: 16 in.
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "A Thousand Hand Buddha," depicting a monk writing in front of a Thousand Hand Buddha sculpture. Silver gelatin print. Signed along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 14 3/4 in x width: 11 1/8 in. Matted; height: 20 1/4 in x width: 16 1/8 in.
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph titled "A Pair of Cranes," depicting two cranes beneath a tree. Silver gelatin print. Hand signed to the mat along the lower right.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 5/8 in x width: 10 5/8 in. Matted; height: 20 in x width: 16 in.
Chin San Long (Lang Jingshan) (Chinese, 1892-1995). Photograph depicting a nude woman reclining against a boulder in a wooded environment. A dramatically silhouetted tree is superimposed over the left side of the composition in the artist's iconic composite photography technique. Silver gelatin print. Hand signed along the backing to the lower right of the photograph.Chin San Long is known for his innovative art photography, particularly his signature "composite photography" technique. He was the first Chinese photographer to take artistic nude photos, and also specialized in nature photography.Provenance: From the collection of William Atkins.William Atkins (1919-2001) was a pilot for Northwest Airlines, who spent his career flying to Asia. He was an avid photographer who was involved in the Photographic Society of America, through which he developed relationships with photography clubs worldwide. It was through the photographic society in Taiwan that he met Chin San Long, with whom he became close friends. In the 1970s, he arranged an exhibit for Chin San Long's photography in Minnesota.Unframed; height: 13 1/2 in x width: 10 5/8 in. Matted; height: 20 in x width: 16 in.
Shusaku Arakawa (Japanese, 1936-2010). Color silkscreen on plastic silver foil titled "Living Room." Signed and dated 1969 in marker along the lower right corner; editioned 4/95 in marker along the lower right.Sight; height: 24 in x width: 28 3/4 in. Framed; height: 25 1/2 in x width: 30 in.
Erte (Romain de Tirtoff) (Russian/French, 1892-1990). Serigraph on paper titled "Statue of Liberty, Night," depicting a stylized Statue of Liberty in gold with silver stars above New York Harbor, fireworks bursting in the background. Hand signed along the lower right and numbered 117/300 along the lower left.Sight; height: 31 in x width: 22 3/4 in. Framed; height: 40 1/4 in x width: 31 1/4 in.
Vintage gelatin silver print, mounted on original passepartout23.8 x 19 in. (32.4 x 27.3 in. passepartout)Titled and signed in pencil on the passepartout rectoSigned in black ink with photographer's credit stamp and title stamp on the versoÊThis lot is subject to Artists Resale Rights
Vintage gelatin silver print12 x 15.9 in. (9.6 x 14.2 in. picture) Edition 3 of 10Numbered, signed and dated in blue ink with photographer's credit stamp on the verso LITERATUREZdenek Felix (edited by), The best of Helmut Newton, Thunder's Mouth Press, New York, 1996, pp. 136-137
Vintage gelatin silver print19.9 x 16 in. (14.8 x 15 in. picture)Signed, titled and dated in pencil on the versoPROVENANCEEtherton Gallery, TusconLITERATUREJoel-Peter Witkin, Centre National de la Photographie, Paris, 1988, pl. 39J. Blessing, Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Foundation, New York, 2004, pp. 125, 254
Vintage gelatin silver print with interventions in oil pastels17.1 x 24 in. Signed in black oil pastel on the imageMonog. and dedicated M.R. Pour Paolo Giuli in blue ink on the verso EXHIBITIONSArnulf Rainer, Galleria LP 200, Turin, 1973Inter Kunst, internationale Messe fŸr Kunst des 20 Jahrhunderts, Palais Lichtenstein, Wien, 1976This lot is subject to Artists Resale Rights
Gelatin silver print, printed in 1980s11.7 x 15.4 in.Dated in black ink with green photographer's credit stamp and green title stamp on the versoLITERATUREA. Crawford (edited by), Mario Giacomelli, Phaidon, London, 2001, p. 405E. Carli (edited by),ÊGiacomelli. La forma dentro. Fotografie 1952-1995, Edizioni Charta, Milan, 1995, p. 65This lot is subject to Artists Resale Rights
Gelatin silver print, printed 2009, applied on original passepartout7.9 x 7.7 in. (20.5 x 16.5 in. passepartout)Edition 4 of 45Numbered, signed and dated in pencil on the passepartout recto and titled, dated, numbered and signed in pencil with photographer's credit stamp on the passepartout versoFramedThis lot is subject to Artists Resale Rights
Vintage gelatin silver print11.7 x 15.4 in. (8.4 x 12.7 in. picture)Photographer's credit stamp andÊGalleria Il Diaframma CanonÊstamp on the versoPROVENANCEGalleria Il Diaframma, MilanLITERATUREAA.VV.,ÊMorire di classe. La condizione manicomiale fotografata da Carla Cerati e Gianni Berengo Gardin, Einaudi, Turin, 1960, (vertical version)This lot is subject to Artists Resale Rights
Gelatin silver print, printed later15.9 x 11.9 in. (14 x 9.3 in. picture)Titled, dated and signed in black ink on the white recto margin and titled in pencil with photographer's credit stamp on the versoLITERATUREA. Cojean, Marc Riboud: 50 Years of Photography, Flammarion, Belgium, 2004, coverThis lot is subject to Artists Resale Rights
Gelatin silver print, printed later11.9 x 15.8 in. (8.3 x 12.6 in. picture)Titled, dated and signed in pencil on the white recto margin with photographer's credit stamp on the versoLITERATUREMarc Riboud: Photographs at Home and Aboard, Harry N. Abrams Inc., New York, 1988, pl. 42A. Cojean, Marc Riboud: 50 Years of Photography, Flammarion, Belgium, 2004, p. 110This lot is subject to Artists Resale Rights
Gelatin silver print, printed later13.9 x 10.9 in. (12.7 x 9.1 in. picture)Signed in black ink on the white inferior recto margin with photographer's credit blindstamp on the imageLITERATUREC. Vives, M. Sanders, Korda, A Revolutionary Lens, Steidl, Gottingen, 2008, p. 241
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2466194 item(s)/page