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Three displays of 19th Century and later buttons, comprising a display of thirty nine black glass and gold lustre, largest 3.4cms, another display of sixty two black glass and silver lustre, largest 3.2cms, and a similar display of sixty six, largest 3.2cms. (3) From the collection of the late Christine Mariner
Tunbridge ware - two pieces, comprising a burr maple slanting form watch stand, the circular recess within a panel of cube work within a geometric mosaic border, complete with a silver cased watch, 8cms wide, and a rectangular rosewood box, the pin hinge lid with a panel of mosaic within a geometric mosaic border, the sides with a narrow band of geometric mosaic, 14cms. (2)
Mauchline ware - five pieces, comprising a black ground dome top reel box (Keepsake/sailing ship), 8cms, an alternate woods circular pin disc (Parade Looking North, Blackpool), 6.6cms, a slant top thimble box (St. Georges Hall), with silver thimble, 3.5cms, a pin disc (Bayeaux, la Cathedrale), 4.5cms, and a cylinder needle case (N.D. des Anges), 9.5cms. (5)
A Victorian silver circular tape measure, the complete printed tape in cms and ins., one side engraved with the crest of George Henry, 5th Earl Cadogan, Sheffield 1878 by James Chesterman and Co., 3.7cms dia. George Henry, 5th Earl Cadogan of Chelsea House, Cadogan Place, London. Born in 1840 he served as MP for Bath and succeeded to the Lords in 1873, he served in the Government as Under Secretary for War and then the Colonies before becoming Lord Privy Seal and Lord Lieutenant of Ireland. A passion for collecting lasting forty years Part 3
Four metal tape measures, comprising a silver disc form example on hanging chain with slightly reduced printed tape, Birmingham 1900, 2.5cms excluding chain, a modern circular tape measure one side decorated with the head of a cat, stamped 'Sterling 925', complete with metal tape, 3.2cms dia., a silver cylinder tape measure decorated with thistle, shamrock, and roses, lacking bottom rivet, 2.5cms, and a white metal cylinder tape measure with pierced decoration and top wind handle with complete printed tape in ins. and cms, 2.2cms dia. (4) A passion for collecting lasting forty years Part 3
Five tape measures, comprising a silver lantern form example with engraved decoration, complete printed tape, 3cms, a gilt and mother of pearl bird cage example, with replacement ribbon, 3.5cms, a rosewood cottage form example, lacking tape, 4.2cms, a vegetable ivory cylinder example with pierced body, printed tape commencing at 2ins., and a wooden barrel form example with ivorine straps, tape worn and reduced, 4cms. (5) From the collection of Enid Riley Part 3
Six pin retainers, comprising a silver plated disc form example inscribed 'St Bartholomew Guard Prosper and Bring Happiness', 5cms dia., another in gilt brass with a knight in armour amid leafy branches, 4.5cms, a celluloid pin wheel advertising 'Molassine' with mirror to reverse, 5cms, a gilt brass pierced example, 3cms, another in gilt brass as a book, 5.5cms, and a bone disc form pin cushion on three ball feet below a spire form tape measure, tape within, 7cms. (6) A passion for collecting lasting forty years Part 3
Three pin cushions and a pin poppet/thimble case, comprising two Irish bog oak cauldron examples, both carved with shamrocks, a silk pin disc one side with floral and bird pierced silver mount, 4.8cms, and a turned fruit wood acorn form case fitted with pin poppet and turned wooden thimble, 7cms. (4) A passion for collecting lasting forty years Part 3
Two silver pin cushions, comprising an example in the form of a cross frame folding chair with import marks for London 1886 with makers mark for David Bridge, 5.5cms high, and another as a chick emerging from an egg, London 1982, 2.7cms. (2) A passion for collecting lasting forty years Part 3
Four pin cushions, comprising a painted bone cylinder form example faintly inscribed 'Esteem The Gift', 3.5cms dia., a turned wooden pin poppet in the form of a pear, 4cms, a pin cushion formed from a miniature hoof, 4cms, and a small silver pin cushion, of reeded cylinder form, slight loss to top border, makers mark only possibly for 'John Bettridge', 2cms dia. (4) A passion for collecting lasting forty years Part 3
An early 19th Century Dutch silver heart shaped hanging pin cushion, with two oval pierced panels of a woman holding a pannier with further panels of trellis and leaves, with hanging loop on a silver chain, pin cushion, 9.5cms. See Sullivan (K), Needlework Tools and Accessories - A Dutch Tradition, page 95, plate 13, for a similar example.
Five pin cushions, comprising a bone basket form example painted and inscribed 'Forget me not', handle lacking, 3cms dia., a bone disc form example, 4.5cms, another in abalone shell inscribed 'St Valery en Caw', 3.4cms, a reverse glass decorated example with robin and Christmas scene 'A Merry Christmas', reverse glass cracked, 4.6cms dia., and a scroll and floral decorated silver girdle pin cushion, 2.6cms. (5)
A rare silver pin cushion/thimble case in the form of a chick, the circular silver base below the chick's body in faded red velvet and with silver head, the body hinged and opening to reveal a silver thimble, Birmingham 1910 by Cohen and Charles, base dia., 4cms, 5.5cms high. From the collection of the late Sue Read
An unusual heart shaped silver standing pin cushion incorporating stands for thimble and scissors, the circular base incorporating a steel measure, etched for 'J. Rabone and Sons Birmingham', the base initialled and with 'Pat. 10019 Rd 540928', Birmingham 1909 makers mark poorly struck 'A ++ P', 11cms high, 5.6cms dia. at base. From the collection of the late Sue Read
Two silver pin cushions, comprising a silver disc mounted circular velvet example decorated with an iris type flower, Birmingham, 1908 by William Comyns and Sons Ltd., 6cms dia., and a continental drum form silver pin cushion decorated with scrolls and flowers initialled to base and dated 'Easter 1909', 4.5cms dia. (2) From the collection of the late Sue Read
Eight pin cushions, comprising a rectangular silver mounted example depicting St. Paul's Cathedral, Birmingham, 1905 by Charles Penny Brown, 5.5 x 4.2cms, a square form example in silk printed with a chess board, bevel edge mirror to reverse, 5cms, a pair of silk booties, a playing card, a natural shell, a silver pig and a vegetable ivory disc form example. (8) From the collection of the late Sue Read
A tortoiseshell and brass inlaid Boulle style French etui, stamped 'Lund, London', the shaped oval case with engraved brass trailing leaves encircling a vacant cartouche, the purple velvet interior with flush fitted base section and engraved silver gilt fittings comprising stiletto, bodkin, plain thimble, needle case and steel bladed scissors, 12.5cms. A passion for collecting lasting forty years Part 3
A late 18th Century tortoiseshell and silver inlaid etui, of elongated octagonal section and tapering form, attractively inlaid with vacant ovals, stars, wavy borders, the lid with a shield motif. The interior with a pair of cut glass bottles with stoppers but one extensively damaged to neck, a steel tweezer and file and two ear spoon end bodkins, 5.4cms high, 3.8cms max width. A passion for collecting lasting forty years Part 3
An early 19th Century brown silk and cream embroidered sewing wallet, unfolding to form a skein holder and terminating in a three tier graduated flannel over tool provision complete with stiletto, engraved silver tweezer/earspoon, steel scissors, steel bodkin and mother of pearl handled folding knife, 10.5 x 8cms closed. A passion for collecting lasting forty years Part 3
An early 19th Century maroon leather rectangular etui with silver fittings in the style of Joseph Taylor, the flush fitted velvet base with folding blade knife with floral silver scales, a pair of scissors with fancy silver arms to floral oval loops and complete with sheath, a stiletto with birds head and vine silver handle, a replacement fish form bodkin, and a replacement thimble, case 11.5 x 7.7 x 3.5cms. A passion for collecting lasting forty years Part 3
A 19th Century French silver gilt sewing companion, of tapering cylinder form in imitation of basket weave, the screw cover with hanging loop and opening to reveal a four division tapering reel incorporating a needle case below a vinaigrette top, stamped several times 'F', 10cms. A passion for collecting lasting forty years Part 3
A mahogany, line inlaid and crossbanded mahogany sewing box of sarcophogal form, circa 1820, floral patterned brass ball feet, double eagle ring side handles, bone escutcheon. The interior with fancy velvet and ribbon lid lining over a compartmentalised wooden tray with a matched set of eight mother of pearl top reel holders, another, mother of pearl waxer, needle book and tape measure, silver finger guard and thimble, a pair of scissors, and two fitted pin cushions, 30 x 18.5 x 18cms.
A Palais Royal satinwood sewing box, circa 1840, the bombe sides below a moulded lid with central burr panel mounted with a brass carrying handle, the ebonised base on four ball form steel feet. The lid interior lined with a mirror over a flush fitted purple velvet tray with four mother of pearl snowflake thread winders in circular compartments, a cut glass scent bottle with silver screw cover, matching silver stiletto, thimble, needle case and bodkin, and with replacement steel scissors, 18.7 x 13 x 9.5cms excluding handle.
A well fitted rosewood rectangular sewing box, circa 1840, the base and top with bobbin turned mouldings. The pink paper compartmentalised and lidded tray with a selection of wooden thread winders, a set of five rosewood reels, matching waxer, a rosewood tape measure, double ended pin cushion, silver thimble and a pair of cut glass scent bottles with stoppers, 26.5 x 21 x 11.5cms.
A French goat cart etui for a child, circa 1860, the alabaster rectangular base supporting two gilt metal harnessed goats pulling a cart in the form of a blue porcelain ball, the hinged lid painted with flowers, the deep blue velvet interior with miniature silver tools comprising thimble, stiletto, needle case, bodkin and steel scissors, base 10.2 x 6.7, max. height 8.5cms. From the collection of Enid Riley Part 3
A well fitted Palais Royal satinwood and cut steel mounted sewing box, circa 1830, of rectangular form raised on four bone feet with mother of pearl escutcheon, the canted lid with a scrolling border of cut steel pins enclosing a burr wood panel with mother of pearl tablet and steel carrying handle. The interior with paper lined lid over an ivory velvet flush fitted tray with pin cushion, four circular mirror base compartments each with a mother of pearl snowflake thread winder (one s.d.), a pair of reels, a gilt rim thimble, a stiletto the handle with gilt metal and enamel pansy motif, a pair of scissors with gilt floral mounts to leaf scroll mother of pearl arms below oval loops, one with old silver repairs, a tambour hook, a quiver form needle case with gilt metal and enamel pansy motif, a bodkin, a quiver form tweezer replacing knife (one scale broken), and a cut glass scent bottle with gilt screw cover complete with stopper, complete with squab. The lower section fitted with a musical box below a glazed panel and with complete comb and key, the movement stamped 'M and C' with engraved inscription and number '6560', the movement operative, 19 x 13.5 x 8.5cms. From the collection of Enid Riley Part 3
A tortoiseshell sewing box, circa 1810, of rectangular form veneered in pewter edged segments with a silver plated escutcheon and lid tablet. The compartmentalised interior in red silk with original carved ivory accessories comprising a set of four leaf carved reels, matching tape measure with slightly reduced printed tape, matching waxer, silver thimble with leaf engraved frieze and initialled 'EBR', and a tool card with steel scissors, bodkin, and bone handled stiletto, 25.5 x 17.5 x 7.5cms. Ivory Act 2018 Registration No. CM5Z92GQ From the collection of Enid Riley Part 3 Ivory Act 2018 Registration No. CM5Z92GQ (Pre-1947 items containing less than 10% ivory by volume).
An inlaid satinwood toilet and sewing box in the style of Palais Royal, circa 1830, of rectangular form the front and lid inlaid in rosewood with anthemion, leaf and floral motifs, the lid with a central ring handle. The interior with mirror lined lid over a fitted lower section with a pair of glass jars with silver plated lids, a pair of screw top scent bottles and a perfume funnel. The purple velvet flush fitted tray with two mirror base circular compartments each with mother of pearl snowflake thread winder, a cut glass scent bottle, a silver handled stiletto, conforming scissors, needle case, bodkin and thimble and a further pair of steel scissors, the tray over a compartmentalised lower section, 21.5 x 15 x 9cms. From the collection of Enid Riley Part 3
A walnut and inlaid sewing box, circa 1880, of rectangular form, the front and lid inlaid in various woods with scrolls, herringbone, and pewter inlaid ebony stripes, mother of pearl escutcheon and lid plaque. The interior with mirror lined lid within a gilt tooled leather surround over a velvet and silver foil compartmentalised and lidded tray with a set of six mother of pearl top reel holders with similar disc form emery and waxer and a velvet tool card with silver needle case, stiletto, silver handled scissors with sheath and a button hook, 29.5 x 22.5 x 13.5cms. From the collection of Enid Riley Part 3
A French etui of tapering form covered in tooled leather, the lid with a white lac panel inscribed 'Souvenir', circa 1850, the interior with mirror lined lid, the velvet flush fitted base with a mother of pearl snowflake winder, a pair of silver handled scissors, silver bodkin with earspoon, and a silver thimble with floral frieze, complete with squab, 12.5cms. From the collection of Enid Riley Part 3
A 'Lady's Companion' of typical book form in maroon leather with gilt tooling and coloured onlays, circa 1840, the interior with card tablet, leather tool card with silver bodkin and worn silver handled scissors, engraved girdle form silver pin cushion, silver pencil, silver handled stiletto, and silver thimble over a reel drawer, some fittings matched, 5.5 x 4 x 9.5cms. From the collection of Enid Riley Part 3
An American sterling silver sewing set, circa 1910, the leatherette rectangular case internally flush fitted with silver mounted strawberry emery, thimble, silver mounted scissors (one loop repaired and rusting), a stiletto, and a double ended darner, case 12.5 x 10 x 3.5cms. From the collection of Enid Riley Part 3
An attractive French ebony cased sewing set, circa 1880, the case of fluted oval form with brass line inlay and oval lid tablet. The interior attractively fitted with to one side a flush fitted red velvet tray with silver gilt needle case, matching scissors, bodkin and stiletto, the opposite side with a mirror over a stamped velvet central lid flanked by three rosewood reels and a silver gilt thimble, case 12 x 7 x 5.2cms. From the collection of Enid Riley Part 3
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2475480 item(s)/page