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An early 20th century white metal (tests as silver) and moonstone necklace and earrings. The pierced design oval pendant is set with an oval and round cabochon moonstone on a silver trace chain along with a pair of matching white metal (tests as silver) and moonstone screw back chain drop earrings. Length 28cm.
An Art Deco silver part canteen for twelve people by B Worth & Sons, Sheffield. Hallmarked BW&S, Sheffield, 1929. The blades of the knives silver plated with ivorine handles. The canteen with hinged lid and two drawers with brass handles. Two silver plated salad servers. (one tea spoon missing) Approximate silver weight 4113g H.26 W.48 D.34.5cm.(box)
Silver ewer and basin. Empire style with decoration of winged lions and lyres on the eaves of the basin. Jug with an oval belly with a band of vegetal decoration, ending in a circular foot with vegetal decoration. The handle of the jar is decorated with vegetal decoration based on palmettes and vine leaves and branches. French punchesWeight: 1930g.Measurements:
JOHAN ROHDE (1856-1935) for GEORG ARTHUR JENSEN (Denmark, 1866 - 1935)."Bonbonnière no. 249.Sterling silver.With contrasts on the base.Measures: 14 x 11 x 11 cm."Elegant and refined, Johan Rohde's exquisite collection of silverware for Georg Jensen combines elements of Art Nouveau and Art Deco, while adding a distinctive touch of classic Scandinavian style". This is how Jensen's own silverware defines the collaboration with designer Johan Rohde, who played an important role in the development of Danish craftsmanship with his high-quality silver designs. Rohde worked for Jensen for many years, securing an exclusive contract with him in 1914. Among his most significant designs for Georg Jensen are the cutlery patterns Acorn (Konge, 1915) and Schroll (Sagam 1927) and the Cosmos yea and coffee. service (1915). A Danish silversmith active in the late 19th and early decades of the 20th century, Jensen was the son of a knife sharpener from Raadvad, north of Copenhagen. He began his training as a silversmith at the age of fourteen in the Danish capital, as a pupil of Guldsmed Andersen, and became independent in 1884 to follow his own creative path. Interested in sculpture since he was a child, he entered the Royal Academy of Fine Arts, where he graduated in 1892. From this date onwards he began to exhibit his works. Although his clay sculpture was well received, Jensen turned his attention to the applied arts in order to earn a living. He began to work as a modeller at the porcelain manufactory Bing & Grøndahl, and from 1898 he combined this activity with his work in the small ceramics workshop he founded together with Christian Petersen. However, although his pieces were once again well received, his sales were not enough to support Jensen and his family, so in 1901 he abandoned ceramics and began to work as a silversmith and designer with Mogens Ballin. Three years later he became independent and opened his own silversmith's workshop in Copenhagen. Jensen's training as a silversmith and his education in fine art enabled him to combine the two disciplines to revive the tradition of the artisan artist. Soon, the beauty and quality of his Art Nouveau creations fascinated the public, ensuring his success. By the end of the 1920s, his Copenhagen workshop had grown considerably, and he had also opened shops in New York, London, Paris, Stockholm, Berlin and other cities. In fact, during this decade Jensen sold his Spanish-made designs in the old jewellery shop at 90 Paseo de Gracia in Barcelona. Today, the firm that bears his name is still active and has become the paradigm of Scandinavian luxury design.
Jug; JONES BALL & POOR, Boston, United States; 19th century.Silver.Punched on the base.Measurements: 25,5 x 18 x 15 cm.Silver jug made by the firm Jones Ball & Poor. The piece has an ornate finish with vegetal elements that are arranged over almost the entire surface. The round base is supported by a globular body with a handle that ends in a cylindrical neck of great height. Finally, the slightly curved lip has a circular perimeter, except for the front part, where it opens out like a beak.
EMMANUEL FONTAINE (Commercy, France, 1856-1935)"Soldier".Bronze sculpture.Signed E. Fontaine.Size: 67 x 36 x 27 cm (with base).Emmanuel Fontaine, is a French sculptor.Active in the Montparnasse district, he was a pupil of François Jouffroy, Alexandre Falguière, Antonin Mercié and Louis Noël at the École des beaux-arts de Paris. He exhibited medallions and busts at the Paris Salon from 1877 to 1882. His sculptures received different mentions over the years, the most important being: an honourable mention in 1887, a third class medal in 1893, a second class medal in 1896, a silver medal in 1900, and a first class medal in 1904.He was made a Knight of the Legion of Honour in 1910 and was classified out of competition in 1922.The bronze statue of his Monument to Jacques Boucher de Perthes, erected in the Place du Pilori in Abbeville in 1907 and unveiled in June 1908, was demolished by the German occupiers during the Second World War.Prisca Hazebrouck preserves in the work The Reclining Lovers, a bronze burial located in the cemetery of the Abbeville Chapel ("the most astonishing monument in the cemetery") and representing "lovers holding hands", side by side, drawn by Emmanuel Fontaine with expressive and peaceful features: "A barely sketched smile hovers on the lips of the young woman who turns her head slightly towards her husband". If it is established that the concession was bought in 1866 by the Abbevillois Adolphe Masse, the total absence of any mention of the burial for this site, the absence of any inscription on the burial, make it a monument where beauty is allied with mystery.
Prussian Pickelhaube helmet, 1860.Metal and horsehair.Measurements: 40 cm height.Prussian army helmet, model 1860, "Pickelhaube". When the Spanish colonies in America became independent, they created their own military academies, where the cadets were trained by instructors from the dominant countries of the time. Thus Chile and Bolivia had German instructors, and Argentina had English and French. This helmet is Prussian and not from another German state because of the base of the plume, which has been used ever since at the Chilean military academy Bernardo O'Higgins.The "pickelhaube" was a Prussian helmet created in the 19th century for the army, firemen and police, and is characterised by its spiked peak, which is entirely ornamental although Paul von Hindenburg suggested that it represented the symbolic link between German soldiers and the Huns. It was designed in 1842 by Frederick William IV of Prussia, and was made of leather with a shiny finish, with metallic ornaments in silver or gold.
Rangers FC Legends 11 Signed 12x8 inch Black and White Photo. Signed in Silver Ink by Dave Smith and others. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Football Real Madrid Legend Raul Signed Real Madrid Replica Home Shirt. Signed in Silver ink on his Number 7. Shirt Housed in a Frame Measuring 25 x 25 inches. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
1950's Entertainment and Olympics Collection of Autographs inside a Vintage Autograph Book. Signatures include Margaret Rawlings, Sylvia Peters, Freddie Mills, Sandy McPhearson, Cyril Fletcher, Sir Spencer Summers, Ben Lyons, Peter Dimmock, Rosemary Squires, Dennis Spicer, Richard Murdoch, Susan Allday, Pamela Russell, Brian Shenton, Frank D Sando, Victor silver, Juliet Mills and many Olympic runners. Only a Few Pages Without Signatures. Used Condition. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
An alexandrite jewellery set, comprising ring and earrings, the ring with round faceted alexandrite in a four claw setting on a white metal band, unmarked, ring P, 7g all in, and a pair of associated alexandrite earrings, in yellow coloured setting, stamped silver, with screw in backs, 3.5g all in. (3)
A group of silver and other costume jewellery, comprising a Victorian silver hinged bangle, with foliate detail, silver scarf pin set with green agate and three leaf clover design, a silver and marcasite dress ring, a various other silver plated marcasite and stone set jewellery. (a quantity)
A group of jewellery and effects, comprising a Victorian silver bar brooch 2.1g, a gate bracelet with 9ct gold padlock on a plated chain, the gold 2.3g, a 9ct white gold diamond set hoop earring 1.4g, an unmarked yellow metal hoop earring 0.9g, and three paste earrings. (a quantity)
Various decorative china and effects, 19thC Staffordshire Toby part cruet set, late 19thC Wedgwood light blue jasperware vases, bird ornaments, unusual book pottery vase, magnifying glass, whistle, Crown Devon Bleur Royale dish, Churchill statue, jewellery casket, silver plated ware. (a quantity)
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2466194 item(s)/page