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A set of Brett Payne silver flatware, comprising dinner knife and fork, soup spoon, dessert spoon and dessert fork, with curled stylised dolphins head handles, marked 'BP', '925', Sheffield, 1999, (boxed) and two Brett Payne long coffee spoons, marked 'BP', Sheffield, 1996 an d 1997, (boxed).
A collection of rare Chinese Kingfisher Feather and Silver Gilt Jewellery pieces, 19th century. Comprising three trembleuse hair pieces, each mounted with various coloured stones; Three horseshoe shaped cuffs, mounted with coral and coloured stones and a further collection of brooches and parts of jewellery. (a lot)
A Collection of Victorian & later jewellery. To Include a cameo brooch carved with profile of 'The Pope', another silver mounted cameo brooch carved with a Grecian female portrait, a pinch beck mounted red agate brooch a white metal and paste set open work pendant and further items. (12)
A Continental, two-piece suite of silver gilt and paste set costume jewellery. Comprising a necklace and matching bracelet. Both pieces constructed of articulated rectangular panels each set with a central blue paste surrounded by white paste. Stamped 925 and makers mark 'CP Ld'. Bracelet 17cm long, necklace 39cm long. (2)
A French silver and gilt chatelaine, 19th century. Hung with three chains with a universal watch key and a seal attached. An 18ct gold and opal pendant of tear drop design, 3cm long; also an arts & crafts design silver and mother of pearl pendant, with a silver chain, An attr active gold wirework stylized leaf pendant on black silk cord, boxed. (4)
'Tutankhamun', a copper and enamel miniature propelling pencil, also a silver and enamel charm in the form of a mose's basket; 4 Victorian and later gold stick pins; an edwardian 9ct gold and amethyst pendant on chain; an opal set stick brooch; a 9ct gold and opal set pendant also a silver pendant pill box. (a lot)
Two Vintage silver prints, 'Little Bird Arapahoe' & 'Black Horn Sioux'. Each image titled to the bottom left 'copyright 1898 F.A.Rinehart, Omaha'. Also each image numbered bottom left, black horn No1507 & little bird No 1115. Both images cut and glued to boards. Both photos a pprox 24x18cm. (2)
Attributed to Herbert List (1903 - 1975). A black & white gelatin silver print, bearing title to the backboard Arkadien: 'Arkadische Landschaft'. The image depicting 'sheep grazing in an olive tree grove. Photo 27x21cm. Framed, with facsimile to the back, also typed label to the rear. (glass damaged). Also a small albumen print, depicting a male and two females having a picnic, framed, photo 9x14cm. (2)
*A Vintage silver print by Maurice Goldberg of 'Jack Buchanan'. Early 20th century. With pen autograph and dedication by Jack Buchanan to the bottom right of the photo. Signed in pencil Maurice Goldberg to the board. Photo 23.5 x 18.5cm, framed. Also a Victorian albumen print of The Palatine Hill, Rome, framed. (2)
*Robert Whitaker (1939) - 'The Beatle's', Two black and white photographs. One of Paul McCartney seated in contemplation, signed to the margin in silver pen, 50 x 40.5cm. The other image unsigned of John Lennon & Paul McCartney, stuck down on a board, 38 x 30.5cm. (2) (may be subject to Droit de Suite)
*Angus McBean (1904-1990) - a vintage silver print of Dorothy Baird, signed in pencil to the margin 'Angus McBean / London', also with ink pen dedication "To Jock Much Love and Thanks Dorothy", 19.5 x 24.5 cm, stuck to board; Also another vintage silver by unknown hand, of Jac k Buchanan dated c1935, with ink pen dedication ' Eon Jack, with so many thanks for adding Eleanor to the night !'. 26 x 20cm. (2)
Zero BOOK OF HOURS, UNCERTAIN USE, IN LATIN AND FRENCH, ILLUMINATED MANUSCRIPT ON VELLUM, [?northern France, first half 16th Century]. 114 leaves plus 4 additional ms. leaves used in binding, 150mm x 95mm, 24 lines, ruled in very pale red ink, written space 130mm x 75mm, written i n black ink, rubrics in red, Calendar in alternate lines of blue and red with major entries in gold, one- and two-line initials and line-fillers throughout in burnished gold on black grounds with white tracery, some 3-line initials on illuminated leaves, some rubbing and thumbing affecting outer margins, eleven large miniatures in arched compartments above large initials and within full borders, sixteen small 8-line miniatures, historiated initial, numerous prayers and psalmes added to endpapers in near-contemporary and later hands, including Obsecro Te and Stabat Mater, lacking at lest three large miniatures at Nones, Vespers and Office of the Dead, some additions in French and Latin, generally sound, some offsetting to calendar some trimming to margins with slight loss of borders on large miniatures, nineteenth century vellum, ruled in gilt, spine gilt. Provenance: (1) Coat of arms on (fol. 10v) - Unidentified. (2) Present owner - date of acquisition unknown. Catalogue Notes Text: A calendar, in French (fol. 1r), with an entry for every day, singling out in burnished gold the feasts of certain French saints; the Gospel Sequences (fol. 7r); unidentified coat of arms of presumed owner (fol. 10v); Passion Narrative (fol. 11r); the Hours of the Virgin, Matins (fol. 18r), Lauds (fol. 25v), [Intercalated Hours of the Cross (fol. 33r); Hours of the Holy Spirit (fol. 34r)]; Prime (fol. 35r), Terce (fol. 39v), Sext (fol. 43v), None (fol. 47r), Vespers (fol. 50r), Compline (fol. 55r); Office of the Dead, (fol. 61r); Devotion to the Trinity (101r); ending on 109r. Illumination: The illumination is typical of a late northern French style. The subjects of the large miniatures are: 1. St. John holding the poisoned chalice. 2. The Agony in the Garden 3. The Annunciation in Renaissance style with lilly symbolising Mary's purity. 4. The Visitation with Mary and Anna in the Garden with John the Baptist. 5. The Crucifixion with Mary, John the Evangelist and Mary Magdelene. 6. Pentecost. Virgin Mary surrounded by the Apostles and the dove of the Holy Spirit. 7. The Nativity. 8. Annunciation to the Shepherds. 9. Adoration of the Magi. 10. Coronation of the Virgin. 11.The Trinity. The subjects of the small miniatures are: 1. (fol. 8r) Luke. 2. (fol. 9r) Matthew. 3. (fol. 10r) Mark. 4. (fol. 103v) St Michael killing the dragon. 5. (fol. 104r) John the Baptist holding the Agnes Dei. 6. (fol. 104v) John the Apostle with silver cup empty. 7. (fol. 104v) Peter and Paul together. 8. (fol. 105r) St Nicholas with three children in a tub. 9. (fol. 105v) St Claudius (Antipope). 10. (fol. 106r) St Lawrence with griddle. 11. (fol. 106v) St Anna teaching the Virgin to read. 12. (fol. 107r) Mary Magdelene in a cave with a pot of ointment. 13. (fol. 107v) St. Catherine with wheel. 14. (fol. 108r) Margaret with dragon. 15. (fol. 108r) Genevieve with candle, devil and angel. 16 (fol. 108v) Apolonia with tooth.
A French, tortoiseshell, oval box and cover, early 19th century. The cover inset with two tone gold and silver pictorial design of a seated animal. The cover and body fitted with a chased silver mount. 6.5 cm diam. Also an 18th century tortoiseshell, silver inlaid and mounte d oval box & cover, the cover inlaid with silver nail head foliate decorated monogram. 8cm max diam, and a Victorian tortoiseshell & mother of pearl inlaid card case, 10.5 x 7.5cm. (3)
A tortoiseshell, gold and silver pique work, ball shaped pendant purse, 19th century. The exterior decorated in gold and silver with foliate garlands and flower head motifs. Fitted with silver hoop link pendant chain. the interior fitted with pink silk covered concertina wall et. 4.5cm diam.
A French ivory & silver oval box and cover, 19th century. The oval silver body, inset with ivory panels to the top and bottom. The top panel with brass pin head inlaid design of a foliate sprig. 8cm max diam. Also an ivory and gilt metal mounted rectangular patch box and cov er, 19th century. The cover decorated with fine brass pin head foliate decoration, 8cm wide; also a Victorian ivory and silver plated mounted purse, of rectangular shape. The ivory cover carved with a floral vignette, the interior fitted with leather and blue silk lined expanding wallet. 8.5cm wide. (3)
Two George III wooden and silver mounted navette shaped snuff boxes. The smaller box with hinged cover mounted with silver engraved shield with monogram 'J B S'. Inside the cover fitted with a glazed memoriam oval framed hair lock. 9cm long. The larger box with chased silver hinge, oval silver shield (blank) and silver mount to the edge, 10 cm long. (2)
A Collection of Mother of pearl & horn, silver mounted accessories, early 19th century & later. To include a Regency mother of pearl & silver mounted large folding magnifying glass, 10cm max width, also a smaller tortoiseshell and silver mounted example, 8cm max width; A 19th century mother of pearl and silver mounted quizzing glass, 4cm diam; A mother of pearl and red leather mounted purse, 19th century, the cover carved with a greyhound, 8cm wide and a Victorian mother of pearl and silver mounted notelet, the interior with red silk lining, fitted with matched pencil, 11.5 x 8cm. (5)
Three tortoiseshell 'objects of vertu'. To include A Regency tortoiseshell and silver mounted miniature note book. The interior fitted with hand cut vellum pages. The exterior with foliate motif silver line inlaid decoration and silver mounts, 6.5 x 5cm; A tortoiseshell and g old pique circular box and cover, 19th century. The cover decorated with foliate motif decoration, 7cm diam also another example of similar decoration, 19th century, 6.5cm diam. (3)
A tortoiseshell, miniature portrait, snuff box, early 19th century of circular shape. The cover inset with a miniature by Guiseppe Tresca. The portrait of a young female head and shoulders turned to left wearing a pink silk turban and robe, signed bottom right. 'Trseca f. Vme ', 6cm diam. The interior of the box silver lined. 8cm diam.
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2475480 item(s)/page