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Lot 533

A SET OF SIX IRISH GEORGE III SILVER TABLESPOONS, ONE MICHAEL KEATING, FIVE JOHN DALRYMPLE, DUBLIN, 1788the stems and pointed terminals bright-cut on one side, further engraved with a crest378gr (12oz)

Lot 534

A SET OF SIX GEORGE III SILVER DESSERT SPOONS, THOMAS CHAWNER, LONDON, 1776 AND CIRCAOld English wrigglework pattern, plain terminals200gr (6oz 8dwt)

Lot 535

A SET OF TWELVE IRISH GEORGE III SILVER DESSERT SPOONS, MICHAEL KEATING, DUBLIN, 1794the stems bright-cut on one side below pointed terminals, each further engraved with the crest of White of Ireland305gr (9oz 16dwt)

Lot 536

A SET OF SIX SCOTTISH GEORGE III SILVER TEASPOONS, ALEX ZIEGLER, EDINBURGH, CIRCA 1775all bright-cut on one side, the pointed terminals engraved with the initials G over MM and variously numbered 1, 2, 4, 5, 11 and 1274gr (2oz 7dwt)

Lot 539

~A SET OF TWELVE SILVER FISH FORKS, TWELVE FISH KNIVES AND A PAIR OF FISH SERVERS, ATKIN BROTHERS, SHEFFIELD, 1927/39with ivory handles(26)

Lot 540

A SET OF TWENTY-THREE GEORGE III SILVER TABLE FORKS, ELEY & FEARN, LONDON, 1815/16Fiddle Thread and Shell pattern, the terminals engraved with a crest2320gr (74oz)

Lot 541

A GERMAN SILVER THREE-PIECE TRAVELLING SET, AUGSBURG, 1723-1735comprising a knife and a fork with steel blade and prongs respectively and a spoon, the handles decorated in Regence style with flat-chased strapwork and applied profile roundels, in fitted leather case with tooled decorationthe spoon 50gr (1oz 12dwt)

Lot 542

A SET OF TWELVE FRENCH SILVER-GILT AND MOTHER-OF-PEARL FRUIT KNIVES, MAISON GAVET, PARIS, CIRCA 1820the plain nacre handles with moulded terminals and inset with a vacant shield, in probably original fitted case, 800 standard, nine Francois Charles Gavet and two indecipherable, 1809-19, one C.G. Gavet, 1819-1838

Lot 543

A SET OF VICTORIAN SCOTTISH TABLE SILVER, J. & W. MARSHALL, EDINBURGH, 1868Kings pattern, single struck, the terminals engraved with the crest and motto of the Clan Grant (‘STAND FAST’ above a burning hill) comprising:thirty-one table forks nine dessert spoonsseventeen dessert forkstwo teaspoonsa butter knifetwo serving spoonstogether with the following, matching, some engraved with the crest and motto of the Clan Grant: six dessert spoons and twenty-three teaspoons, various makers, Edinburgh, 1824-1869, one teaspoon, Sheffield, 19044398gr (141oz)(91)

Lot 547

FOUR TABLE KNIVES AND FOUR CHEESE KNIVES, S.J. PHILLIPS LTD., LONDON, 2010plain silver handles, stainless steel blades

Lot 548

A SET OF SIX TABLE KNIVES AND SIX DESSERT KNIVES, STANIFORTH, PARKIN & CO., SHEFFIELD, LATE 18TH CENTURYthe handles with silver curved fluting terminals and reed mounts between reeded mother-of-pearl panels, unmarked, the steel blades stamped ‘Shemel’(12)

Lot 549

A SET OF FIVE GEORGE III SCOTTISH SILVER TABLESPOONS, JAMES HEWITT, EDINBURGH, 1784Celtic Pointed pattern, plain; together with five assorted Scottish silver tablespoons, same pattern, all initialled except one, various makers, Edinburgh, 1790-1809603gr (19oz)(10)

Lot 550

A SET OF GEORGE V TABLE SILVER, MAPPIN & WEBB LTD., SHEFFIELD, 1918the pointed terminals struck with ribbon-tied husk and pendant cartouches within strapped reeded borders, engraved with a monogram, comprising:eight tablespoonstwenty-four table forkstwenty-three table knives with steel or stainless steel bladestwelve dessert spoonseleven dessert forksten dessert knives with stainless steel bladestwelve soup spoonstwelve fish knivestwelve fish forkstwelve fruit knivestwelve fruit forksand a pair of fish servers, a soup ladle, a serving spoon, two fruit serving spoons, a crumb scoop, a pair of meat carvers, a pair of poultry carvers and a steel, Patent Office Design Registry No.547092weighable silver 7755gr (249oz)(170)

Lot 553

A SET OF ITALIAN SILVER-HANDLED KNIVES, 20TH CENTURYthe reeded and foliate handles engraved with initials AC below a count’s coronet, comprising twelve table knives and eleven dessert knives, all with stainless steel blades, and a pair salad servers (with damaged horn bowl and tines), all stamped ‘800’(25)

Lot 555

A SET OF FOUR GEORGE II SILVER HANOVERIAN PATTERN TABLESPOONS, MAKER’S MARK POORLY STRUCK, LONDON, 1736one side of the terminals engraved with the initials ‘I*M,’ the other with a coat-of-arms and crest, helm and foliate mantle300gr (9oz 12dwt)The arms are those of De Costa of London (otherwise Da Costa). This Jewish family, of Portuguese origin, settled in the Netherlands and elsewhere, hence perhaps the rather Continental look of the arms.

Lot 556

ROYAL: AN ASSEMBLED SILVER-GILT CHRISTENING SET, LONDON, CIRCA 1776 TO 1833Hourglass pattern, the terminals engraved with the initial MA below a royal crown for Princess Mary Adelaide of Cambridge and M below a royal crown for Princess May of Teck, comprising: a dessert spoon additionally engraved with the date 1783, bottom marked, maker’s mark of George Smith of London, circa 1776, a dessert knife with loaded handle and steel blade stamped ‘W [crown] R/Garrard’ and a dessert fork, both Mary Chawner, London, 1829 and 1833 respectivelythe spoon and fork 113gr (3oz 12dwt)(3)This set once formed part of a composite silver-gilt Royal Christening suite. The set, mostly Thomas Heming, London, 1776, started with Princess Mary (1776-1857), later the Duchess of Gloucester, the eleventh child of George III. Pieces were added (the majority R.J. & S. Garrard, London, 1833) when Princess Mary gave the set to her niece and god-daughter, Princess Mary Adelaide, later the Duchess of Teck (1833-1897). Princess Mary Adelaide in turn gave the set to her daughter Princess May of Teck, later Queen Mary (1867-1953), the wife of George V and the grandmother of our present monarch. The complete set was sold at Sotheby’s, London, 24 April 1986, lot 148.

Lot 557

A GEORGE IV SILVER VEGETABLE SPOON, WILLIAM BATEMAN, LONDON, 1830Old English pattern, plain terminal30.5cm long, 128gr (4oz 2dwt)

Lot 558

A SET OF GEORGE IV TABLE SILVER, WILLIAM CHAWNER, LONDON, 1823/24/28Old English Thread pattern, engraved with a crest, comprising: nine tablespoons, seventeen table forks, one dessert spoon and four dessert forks; together with a set of nine silver dessert forks, Eley & Fearn, London, 1799, same pattern, differing crest2637gr (84oz)(40)

Lot 561

ASSORTED OLD ENGLISH PATTERN TABLE SILVERengraved with the crest of Kenyon of London, comprising: a three-piece silver-gilt Christening set, R. & S. Garrard & Co., London, 1910, five table forks, London, 1788/1813, and four teaspoons, London & Dublin, 1807-1869; together with the following assorted table silver: a Scottish Fiddle pattern toddy ladle, initial H, Francis Howden, Edinburgh, 1818, two American serving forks and two butter knives638gr (20oz)(17)

Lot 562

A SET OF TWELVE GEORGE V DESSERT KNIVES AND TWELVE FORKS, ATKIN BROTHERS, SHEFFIELD, 1921with silver tines and blades and mother-of-pearl handles, in original fitted oak case with vacant brass oval to lid(24)

Lot 564

A SET OF TABLE SILVER, VINERS LTD., SHEFFIELD, 1932-39Sandringham pattern, plain terminals, comprising:twelve tablespoonssix table forkstwelve dessert spoonstwelve dessert forkssix soup spoonssix teaspoonssix coffee spoons3429gr (110oz)(60)

Lot 566

A SET OF EIGHTEEN VICTORIAN DESSERT KNIVES AND EIGHTEEN DESSERT FORKS, ELKINGTON & CO., BIRMINGHAM, 1875with fern-engraved silver blades and prongs and plain mother-of-pearl handles, in contemporary coromandel veneered case, the burgundy-coloured interior with later retailer’s label: ‘From Fortnum & Mason’s Gift Department’

Lot 567

AN EDWARDIAN SILVER TEAPOT, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1901moulded oval George III style, with wrigglework borders, presentation inscribed 25cm long, 609gr (19oz) including composition wood handle and finial

Lot 568

A PAIR OF GEORGE V SILVER SAUCEBOATS, STOKES & IRELAND LTD. OF BIRMINGHAM, CHESTER, 1915oval, each with waved rim, C-scroll handle and three shell-headed pad feet15.5cm long, 341gr (10oz 18dwt)

Lot 569

A SET OF FOUR SILVER BUN PEPPERS, TESSIERS LTD., LONDON, 1959/60/68in George I style, plain girdled baluster, pellet pierced covers7.5cm high, 239gr (7oz)

Lot 570

ASSORTED ENGLISH SILVER, COMPRISING:an Edwardian tea caddy, in George III bright-cut style, oval, Nathan & Hayes of Birmingham, Chester, 1905, 11cm long, an oval sauceboat with waved rim and three feet, Viners Ltd., Sheffield, 1957, 15cm long, a sugar bowl, plain circular, base set with an 1815 George III Bank Token coin for 3s 6d, John Edward Wilmot, Birmingham, 1899, 9cm diameter, and a cased pair of berry spoons, with typical Victorian decoration to the originally Georgian tablespoons, bottom marked, Thomas Northcote, London, 1781470gr (15oz) including wood finial to caddy(5)

Lot 571

A GEORGE V SILVER SWEETMEAT DISH, BARKER BROTHERS SILVER LTD., BIRMINGHAM, 1929the shaped circular dish on rim base and four paw and scroll panel feet, inscribed, the rim applied with slender leafy scrolls and drops24cm diameter, 497gr (16oz)The inscription reads: Henley Golf Club / Captain’s Prize / 1930 / A.W.B. Brakspear.

Lot 572

A GEORGE V SILVER VASE, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1911octagonally faceted trumpet shaped and scroll pierced at the flared rim, 13.5cm high; together with two silver trophy cups, each with two handles, neither inscribed, London, 1926 and 1939, 18cm and 14cm high respectively389gr (12oz) (3)

Lot 573

A GEORGE V SILVER-MOUNTED EAST AFRICAN CAPE BUFFALO HOOF INKWELL, ROBERT PRINGLE & SONS, LONDON, 1932the plain lid inscribed ‘Rumuruti / R.N. / February 1932’ hinging to reveal a gilt well with glass liner16cm longRumuruti in Kenya’s Rift Valley is presumably where the buffalo was shot, its hoof subsequently mounted as a hunting trophy inkwell.

Lot 574

~AN EDWARDIAN SILVER-GILT DRESSING TABLE SET, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1907each pearl finished and centred by an applied bunch of flowers surrounded by ribbon-tied floral swags on an engine-turned ground, comprising: three oval trays in sizes, two oval boxes with hinged lids in sizes, a circular jar with screw-on cover, a small circular jar and cover, a hand mirror, a pair of hand brushes, two further brushes, a tortoiseshell comb, a seven-piece manicure set, a shoe horn, a button hook and a pair of glove stretchers, all in a later Garrard blue velvet lined caselargest tray 32cm long, weighable silver 1591gr (51oz)(23)

Lot 575

~A LEATHER CASED DRESSING TABLE SET, THE GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1910/11the hammer-finished silver initialled BN in an oval, comprising: seven glass jars in sizes with silver covers and a loose silver cover (glass lacking), a hand mirror, a pair of hair brushes, a pair of clothes brushes, and a set of four implements in case (one implement lacking), together with a leather travelling inkwell, a leather tray and a leather blotting pad case with ivory pencil and nib pen, original green leather case gilt initialled BN, green watered silk lined fitted interiorcase 46cm long(qty)

Lot 577

A GEORGE VI SILVER HIP FLASK, J.B. CHATTERLEY & SONS LTD., BIRMINGHAM, 1942curved oblong form, the front engine-turned, with bayonet fitting hinged cap13.5cm high, 224gr (7oz)

Lot 578

AN EDWARDIAN SILVER FOUR-PIECE TEA AND COFFEE SET, FORDHAM & FAULKNER, SHEFFIELD, 1909elongated octagonal outline, engraved with initials and crest for Violet Manners, comprising a teapot, a coffee pot, a milk jug and a sugar bowlcoffee pot 23.5cm high, 1870gr (60oz) including wood finials and composition handlesProvenance: Violet Manners, Duchess of Rutland (1856-1937). Known as Queen of The Souls (the artistic and intellectual loose association of friends), she painted and sculpted, despite no formal training and is best known for her depictions of family and their circle. Much admired as a beauty (as was her daughter Lady Diana Cooper), she was painted by G.F. Watts amongst others. Thence by descent.

Lot 579

A SET FOUR GEORGE V SILVER CANDLESTICKS, THOMAS A. SCOTT, SHEFFIELD, 1910pointed oval outline, plain excepting moulded borders, the flared stems terminating in urn-shaped scones and complete with detachable nozzles30.5cm high, loaded

Lot 580

A GEORGE V SILVER THREE-PIECE TEA SET, COOPER BROTHERS & SONS LTD., SHEFFIELD, 1921oblong, part lobed pattern, on bun feetteapot 30.5cm long, 1365gr (43oz) including fibre handle

Lot 581

A GEORGE V SILVER BACHELOR’S TEAPOT, J. PARKES & CO., LONDON, 1923of bullet form, engraved to the shoulder and flush-hinged lid with foliate diaper strapwork, underside inscribed J. Parkes & Co. / 12 Vigo St W19.5cm long, 363gr (11oz) including wood handle and finial

Lot 583

A THREE-PIECE SILVER TEA AND COFFEE SET, WALKER & HALL, SHEFFIELD, 1908/10the oblong bodies with a band of alternate lobes and flutes below a gadroon rim, bun feet, comprising a teapot, a coffee pot and a two-handled sugar bowlcoffee pot 24cm high, 2097gr (67oz) including composition handles and finials to pots

Lot 584

A VICTORIAN SILVER HOT WATER JUG, CARRINGTON & CO., LONDON, 1890cylindrical and part lobed, 16cm high; together with two silver milk jugs, both London, one plain oblong, Horace Woodward & Co. Ltd., 1911, 11cm high, the other plain baluster, J. Parke & Co., 1922, 8cm high587gr (18oz) including wood handle and finial to hot water jug(3)

Lot 587

A WOOD AND SILVER-MOUNTED PHOTOGRAPH FRAME, THE MOUNTS WILLIAM COMYNS & SONS, LONDON, 1884the wood easel frame of spreading ogee form probably later, oval glazed aperture, applied with three mounts pierced with eighteenth century gentlemen and scrolling foliage23cm high

Lot 597

AN AMERICAN SILVER DOUBLE PHOTOGRAPH FRAME, GORHAM MANUFACTURING CO., PROVIDENCE RI, EARLY 20TH CENTURYrectangular, engraved with initials C.P.B, with green velvet easel back24cm long

Lot 598

A SILVER-MOUNTED EASEL MIRROR, WILLIAM COMYNS & SONS, LONDON, 1891with heart-shaped bevelled plate, the silver surround stamped and pierced with mythical birds, putti, young mermen and a grotesque mask amid scroll foliage and rocaille and a heart-shaped vacant cartouche26cm high

Lot 599

A PAIR OF VICTORIAN SILVER DESK CANDLESTICKS, GOLDSMITHS & SILVERSMITHS CO. LTD., LONDON, 1898square gadrooned bases and stop fluted Corinthian column stems, with detachable nozzles17.5cm high, loaded

Lot 601

A VICTORIAN SILVER TEAPOT, EDWARD BARNARD & SONS, LONDON, 1894oval, part lobbed pattern26.5cm long, 561gr (18oz) including composition handle and finial

Lot 602

A VICTORIAN SILVER HOT WATER JUG, THE GOLDSMITHS & SILVERSMITHS CO., SHEFFIELD, 1884baluster, short pedestal foot, part lobbed pattern, engraved with the crest of Neve28cm high, 539gr (17oz) including composition handle and finial

Lot 603

A GEORGE V SILVER WAITER, TESSIERS LTD., LONDON, 1931engraved with a crest, moulded rim, on three volute feet, 16cm diameter; together with a silver two-handled bowl, maker’s mark rubbed, Birmingham, 1911, applied to the waved rim with scrolls, on short pedestal foot, 18cm long across handles572gr (18oz)(2)

Lot 604

A VICTORIAN SILVER STRAWBERRY DISH, RETAILER’S MARK OF F.B. THOMAS & CO., LONDON, 1893circular, fluted sides, the underside struck: ‘THOMAS / 153 NEW BOND St’ below a crown and Prince of Wales feathers6.7cm diameter, 287gr (9oz)

Lot 606

A VICTORIAN SILVER SALVER, HOLLAND, ALDWINCKLE & SLATER, LONDON, 1888with bright-cut engraving surrounding the presentation inscription, the applied rim cast with alternating oval patera and a bust of a young man with feathered cap, the openwork pales between hung with husk swags20.5cm diameter, 384gr (12oz)The presentation inscription reads: Presented to Herbert Neve Esqr. on the occasion of his Marriage with the best Wishes of the tenants on The Hemsted Estate April 17th 1890Herbert Neve (1860-1935) (son of Richard Neve of Pullington House, Benenden, steward to Lord Cranbrook on the Hemsted Estate), married Elizabeth Burra (1866-1897), sister of the artist Edward Burra.

Lot 607

ASSORTED CONDIMENT SILVER, COMPRISING: a set of four Victorian salt cellars and two salt spoons, circular, waved beaded rims, each on three ball feet, Horace Woodward & Co., London, 1889, 4.2cm diameter, a pair of Victorian pepperettes, baluster, with scrolls, lobes and foliage, T.H. Hazlewood & Co., Birmingham, 1898, 7cm high, and a German caster, elongated inverted baluster, with alternate lobes and flutes hung with ribbon-tied flower swags, pedestal foot, B. Neresheimer & Söhne, Hanau, import marked Berthold Muller, Chester, 1904, 14cm high251gr (8oz)(9)

Lot 608

A SET OF SIX GEORGE V SILVER LIQUEUR TOTS, MAPPIN & WEBB LTD., BIRMINGHAM, 1914of tyg beaker form, in original fitted case, 4.5cm high; together with a Victorian silver salt cellar, three footed cauldron form, with blue glass liner, Charles Stuart Harris, London, date letter rubbed, circa 1890, 5.5cm diameter; and the following electroplate: a helmet shaped milk jug and a cased set of Kings pattern dessert spoons with berry pattern bowls(14)

Lot 610

A WILLIAM IV SILVER CANDLESTICK, CRESWICK & CO., SHEFFIELD, 1835/36shell pattern, square base, knopped stem and waisted sconce, complete with detachable nozzle, engraved with the crest of Bagot of Blithfield, silver covered base28cm high, loaded

Lot 611

A VICTORIAN SILVER NOVELTY FIGURAL CIGAR LIGHTER, ROBERT HENNELL & SONS, LONDON, 1880modelled as a seated terrier with large collar below his detachable head, clutching a pipe in his mouth, flanked by a Georgian style mug and a battered top hat, all on a naturalistic mound, P.O.D.R. lozenge for 7 December 1877, also a barbed ‘H’ mark probably for the retailer Hancocks & Co.green and black granite base 17.2cmThe manufacturing silversmiths Robert Hennell & Sons produced a wide range of naturalistic and figural novelty wares, many retailed by Hancocks & Co. From the 1860s the quality of the modelling becomes noteworthy, under the auspices of James Barclay Hennell, who may well have modelled items himself. Dogs with pipes in their mouths are a familiar theme in Victorian art; examples can be found in Staffordshire pottery. The inspiration for such figures probably stems from paintings by Sir Henry Edwin Landseer such as ‘A Quiet Pipe’, used in Pear’s Soap advertising and ‘Low Life’, where a similar Bull Terrier in large collar is depicted sitting beside a pewter mug. The present rare lot is an usual example where the pipe has a function, in this case issuing the flame of the lighter.

Lot 612

TWO GEORGE III SILVER MUSTARD POTS, LONDONboth oval and bright-cut, one pierced with two rows of urns and engraved laurel swags between, the lid with crested oval, beaded rims, Joseph Bradley, 1786, the other with solid sides engraved with ribbon-tied swags, the lid with a vacant shield, reeded rims, Robert Hennell, 1793each 10cm long, 194gr (6oz) excluding two blue glass liners(2)

Lot 613

~A WILLIAM IV SILVER THREE-PIECE TEA SET, PEARCE & BURROWS, LONDON, 1836compressed ogee, chased with matted acanthus flanking lobes and engraved with a crest, on cast rocaille and scroll feet, the teapot with cast convolvulus flower finial, the milk jug and sugar bowl with gilt interiorsteapot 27cm long, 1467gr (47oz) including ivory insulators to teapot The crest is that of Carrington of Bugsworth Hall, Bugsworth (latterly Buxworth), Derbyshire.

Lot 614

A GEORGE III SILVER MUSTARD POT, EMES & BARNARD, LONDON, 1810bellied oblong below a band of horizontal lobes, gadroon rim, the crested domed lid with ball finial and shell thumbpiece, handle to end, on rim foot, glass liner, 11cm long; together with another silver mustard pot, cup shaped, domed lid, fixed blue glass liner, Edward Barnard & Sons Ltd., London, 1919, 6cm wide; and a silver mustard spoon, Fiddle pattern, crested, William Eaton, London, 1819weighable silver 173gr (5oz 11dwt)(3)

Lot 616

A PAIR OF GEORGE III SILVER SALT CELLARS, BOULTON & FOTHERGILL, BIRMINGHAM, 1775oval, each pierced with two rows of arched pales below a bound reeded rim and above a band of lobes, the short pedestal feet engraved with the initial C below a baron’s coronet, 12cm across leafy scroll handles; together with a pair of Georgian silver salt spoons, mid 18th century, Old English pattern with shell bowls, crested, indecipherable maker’s mark only bottom struck twice211gr (6oz) excluding one clear glass liner(4)Matthew Boulton and John Fothergill’s partnership at the Soho Manufactory lasted from 1762-1782. Much of the silver was to special commission. In the 1770s James Wyatt supplied a number of designs, although much of the partnership’s Neo-classical output is probably more directly attributable to the firm’s chief designer at this time, Francis Eginton (1737-1805). Eginton later became better known for his glass painting, an art he revived after leaving the manufactory in 1784. For a related design of Boulton & Fothergill salts with solid sides, see Stair Galleries, New York, 13 September 2009, lot 658

Lot 617

A GEORGE III SCOTTISH SILVER SUGAR BOWL, WILLIAM DICK & THOMAS MCPHERSON, EDINBURGH, 1809the circular body engraved with a crest above a band of lobes, applied gadroon and shell rim, on ball feet, gilt interior, 19cm long across handles; together with another silver sugar bowl, Walker & Hall, Birmingham, 1902, circular, chased with scroll foliage on a matted ground, with engraved scroll initials, 10.5cm diameter; and a silver inkwell, Frederick Charles Welch of Liverpool, London, 1908, circular, hinged lid above an ogee body, 10cm diameter659gr (21oz) excluding electroplate liner to inkwell(3)

Lot 618

A GEORGE III SILVER-GILT BOTTLE STAND, SOLOMON HOUGHAM, LONDON, 1800circular, applied running leaf border, the centre engraved with a crest below the initial W, loaded wood underside12cm diameter

Lot 619

A SCOTTISH GEORGE IV SILVER WINE FUNNEL, GEORGE MCHATTIE, EDINBURGH, 1819of typical two-part form, the funnel with applied ribs, the strainer with shell clip, reeded rims, 13.5cm high; together with a silver wine funnel stand, moulded rim, initialled B below an earl’s coronet, indecipherable maker’s and Edinburgh town marks only, probably late 18th century, 9cm diameter162gr (5oz)(2)

Lot 620

A GEORGE III SILVER COFFEE BIGGIN ON STAND WITH BURNER, JOHN EDWARDS, LONDON, 1803oval, gadroon borders, the pot engraved to both sides with scrolling initials within a shield surrounded by drapery mantling, domed lid with acorn finial, fibre handle, stand with cabriole legs on paw feet, plain burner and cover32cm high, 1321gr (42oz)

Lot 621

A GEORGE III SILVER TEA CADDY AND COVER, DANIEL SMITH & ROBERT SHARP, LONDON, 1761bombé form, with gadroon rims, applied with shells at base, on four shell and scroll feet, one side engraved with a vacant Rococo foliate cartouche13cm high, 231gr (7oz)

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