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A silver citrine set two strand necklace and pair of matching pendant earrings. The retangular cut citrines in a spectacle setting and with chain links, length 37cm, the earrings with a screw back; together with a pair of opal pendant earrings, a pair of white metal and blue paste earrings, a silver butterfly wing pendant, pair of earrings and a ring.
An early 20th century platinum amethyst and diamond set pendant. The briolette-cut amethyst suspends from an open-work millegrain five diamond-set cap, the largest stone 0.03ct, with a further tiny diamond to the bale, length 45mm; on a 925 silver chain.The length of the amethyst is approximately 35mm. The length including bale is approximately 45mm.The amethyst has tiny chips to the girdle and some tiny chips to the facets. These can only be seen with a x8 loupe.
A selection of costume jewellery. To include a modern silver and rose gold inlaid hinge bangle by Liberty & Co, Birmingham 1961, 36.2g; a gold plated curb-link bracelet with padlock clasp, a gold plated stone set ring, a silver cross pendant, pair of faux pearl clip earrings and two faux pearl necklaces.
Two loose oval cabochon white opals. Both showing multiple colours, one is 12.6 x 9.8mm, 0.66g, the other is 12.5 x 10.2mm, 0.55g. Provenance: From the estate of William Arthur Blackburn Leach.DOB: 2nd Jan 1872.Leach was born in Norwich where he attended a local grammar school, later becoming an apprentice carpenter and engineer. In 1902 after he had qualified, he went to China where he obtained a position in the Public Works Department of the Shanghai Municipal Council. He spent his working life in Shanghai until he left in 1926.During his time in China he held interests in a Christian Mission school and helped to support street children.He seized every opportunity to visit other parts of China and took thousands of photographs. He purchased widely on his travels, particularly woodcarvings, bronzes, traditional kimonos, paintings and porcelain. He treasured silver items and bought much to take home. He travelled home at least four times during his stay in China and these return visits were round-the-world trips in which he travelled through and visited Europe, Russia, the Middle East, Egypt and The Holy Land, the Far East, Canada and USA.On his return to the UK he lived in Northampton where he was a lay preacher and a local councillor. He gave a great many talks on his experiences in China and the many other Countries he had visited.He died in 1962.Provenance: From the estate of William Arthur Blackburn Leach.DOB: 2nd Jan 1872.Leach was born in Norwich where he attended a local grammar school, later becoming an apprentice carpenter and engineer. In 1902 after he had qualified, he went to China where he obtained a position in the Public Works Department of the Shanghai Municipal Council. He spent his working life in Shanghai until he left in 1926.During his time in China he held interests in a Christian Mission school and helped to support street children.He seized every opportunity to visit other parts of China and took thousands of photographs. He purchased widely on his travels, particularly woodcarvings, bronzes, traditional kimonos, paintings and porcelain. He treasured silver items and bought much to take home. He travelled home at least four times during his stay in China and these return visits were round-the-world trips in which he travelled through and visited Europe, Russia, the Middle East, Egypt and The Holy Land, the Far East, Canada and USA.On his return to the UK he lived in Northampton where he was a lay preacher and a local councillor. He gave a great many talks on his experiences in China and the many other Countries he had visited.He died in 1962. We believe these to be Australian in origin. More images added online.
Frederick James Partridge (1877-1942) A pair of silver and horn buttons and a similar brooch. The oval brooch with carved and pierced horn flower heads, the back stamped PARTRIDGE, width 40mm, the buttons also stamped PARTRIDGE, diameter 21.5mm. From the estate of Ella Naper (1886–1972). Ella Naper attended the Camberwell School of Arts & Crafts from 1904 to 1906. There, under the jeweller Frederick James Partridge, she learned a wide range of techniques for working in metal, wood, and enamel. In 1906 she went to Branscombe, Devon, where Partridge rented some cottages for his students. Here she met Charles Naper. These are believed to be a gift from Fred to Ella.Frederick James Partridge (1877-1942) was a jeweller from Barnstaple, North Devon. He attended the Birmingham School of Art and worked at the Barnstaple Guild of Metalwork, the Guild of Handicraft at Chipping Camden and the Camberwell School of Arts and Crafts in London. In 1910, Partridge set up a studio in Dean Street where he designed for Liberty & Co. among others. He showed a strong Art Nouveau influence in his jewellery and his use of plique-à-jour enamel was particularly notable for an Arts and Crafts jeweller. Examples of his work can be seen at the Victoria and Albert Museum in London. The carved horn on the brooch is in good condition. The painted red backing is flaking and unstable. Quite dirty. One button appears to have a crack to the horn. The other button has a missing loop attachment on the back and is slightly misshapen.
Frederick James Partridge (1877-1942) An Arts & Crafts silver and amethyst set floral brooch. Of openwork design with gilt applied flower heads, set with five round cut pink and purple amethysts, the back stamped PARTRIDGE, width 42mm, 12.34g. From the estate of Ella Naper (1886–1972). Ella Naper attended the Camberwell School of Arts & Crafts from 1904 to 1906. There, under the jeweller Frederick James Partridge, she learned a wide range of techniques for working in metal, wood, and enamel. In 1906 she went to Branscombe, Devon, where Partridge rented some cottages for his students. Here she met Charles Naper. This jewel is believed to be a gift from Fred to Ella.Frederick James Partridge (1877-1942) was a jeweller from Barnstaple, North Devon. He attended the Birmingham School of Art and worked at the Barnstaple Guild of Metalwork, the Guild of Handicraft at Chipping Camden and the Camberwell School of Arts and Crafts in London. In 1910, Partridge set up a studio in Dean Street where he designed for Liberty & Co. among others. He showed a strong Art Nouveau influence in his jewellery and his use of plique-à-jour enamel was particularly notable for an Arts and Crafts jeweller. Examples of his work can be seen at the Victoria and Albert Museum in London. The stones have some very minor facet nibbles but not noticeable by eye. The metals are good.
A Victorian silver collar with oval locket pendant. The locket engraved with a Wren bird on a grass stalk, the back leaf engraved with vacant cartouche, the book link chain with bright cut decoration and ball end links, chain width 23mm, length 42cm, 83.3g.The back of the locket has some minor dents. Also a scratch by the ear of wheat. A few of the links are fixed, so could be soldered. But this is not obvious and doesn't stop the free movement of the chain.
A 9ct diamond set star pendant necklace and two cultured pearl necklaces. The star pendant necklace weight 2.35g; the black pearl necklace with 10k gold clasp, length 41cm, the white pearl necklace with silver fronted clasp, length 44cm.These pearls haven't been tested and we consider them cultured. The dark pearls are grey peacock. Not tested for treatment.
A 9ct gold cased lady's wristwatch and an .800 silver Turkish market full hunter fob watch. The 9ct manual wind wristwatch with 20mm white dial, the 15 jewel movement and inner case inscribed VISIBLE, Birmingham import mark for 1926, gross weight 13.5g; the fob watch with gilt engine turned dial and black markers, the case front and back engraved with irises.
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2475480 item(s)/page