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Three pairs of silver chain-link cufflinks. A pair gilded silver green and and white polka dot enamel cufflinks, a pair of silver bark textured cufflinks and a pair of novelty silver watering can and trowel and fork chain link cufflinks. Each pair hallmarked. Weight 28.15g
Three articulated silver and gold plated silver gem set bracelets, one set with opal triplets, one set with peridot, Citrine, aquamarine and amethyst and one set with pale pink and blue opaque stones. All fastens with a hidden push clasp with safety catch. Stamped 925.
'XXXV biennale di venezia padiglione tedesco', Essen, Museum Folkwang, 1970, vier Hefte mit je einer lose eingelegten Original-Grafik je 16 Seiten, davon sechs mit einem Text von Dieter Honisch sowie zehn Seiten Fotodokumentation zum Werk des jeweiligen Künstlers, in Original-Pappmappe, 36,5 cm x 22,5 cm Mappenmaß, eines von jeweils 120 Exemplaren, die Grafiken jeweils signiert u. datiert (70, 71 bzw. 5.2.71), 1. Thomas Lenk, o.T., Siebdruck in Silber und Grün auf semitransparenter Folie - 2. Heinz Mack, Venedig-Gitter, Siebdruck auf Aluminium-Folienkarton, Literatur: Wvz. Kuhn 80 - 3. Georg Karl Pfahler, o.T., Farbsiebdruck auf leichtem Karton - 4. Günther Uecker, o.T., Prägedruck mit Nägeln auf Büttenkarton, Literatur: Wvz. Van der Koelen L 7003 - Die Mappe und Heftumschläge mit Lager- und Gebrauchsspuren, Umschlag der Mappe Lenk partiell ausgeblichenPortfolio for the 35th Biennale di Venezia (Lenk, Mack, Pfahler, Uecker) (F)XXXV biennale di venezia padiglione tedesco', Essen, Museum Folkwang, 1970, four booklets, each with a loosely inserted original graphic, 16 pages each, six of them with a text by Dieter Honisch as well as ten pages of photo documentation on the work of the respective artist, in original cardboard folder, 36.5 cm x 22.5 cm folder size, one of 120 copies each, the graphics each signed and. dated (70, 71 and 5.2.71), 1. Thomas Lenk, o.T., silkscreen in silver and green on semi-transparent foil - 2. Heinz Mack, Venedig-Gitter, silkscreen on aluminum foil board, literature: Wvz. Kuhn 80 - 3. Georg Karl Pfahler, o.T., color silkscreen on light cardboard - 4. Günther Uecker, o.T., relief printing with nails on handmade cardboard, literature: Wvz. Van der Koelen L 7003 - The folder and booklet covers with traces of storage and use, cover of the folder Lenk partially faded
Die zehn Gebote, jeweils 5 geprägte Silbermedaillen in 2 transluziden Plexiglasrahmen, 999 Silber, punziert, Medaillen jeweils Ø 9,5 cm, Plexiglasrahmen 43 cm x 17 cm x 29 cm, Medaillen jeweils im Guss signiert, 1975 datiert, partiell minimal beriebenSalvador Dalí (1904 Figueres/Spain - 1989 ibid.) (F)The Ten Commandments, 5 embossed silver medals each in 2 translucent plexiglass frames, 999 silver, hallmarked, medals each Ø 9,5 cm, plexiglass frames 43 cm x 17 cm x 29 cm, medals each signed in the casting, dated 1975, partly minimally rubbed
DOUBLE BARREL PERCUSSION SHOTGUN WITH SIGHTED OCTAGONAL BARREL. ENGRAVED & DECORATED BRRECH. BREECH TANG ENGRAVED WITH STARBURST WITH GOLD INLAY. SIDELOCKS WITH FERN BORDER ENGRAVINGS. SLIDING SAFTIES SIGNED V . FUNCH. ENGRAVED DOLPHIN HAMMERS. FIGURED WALNUT HALF STOCK WITH ANIMAL HEAD FOREND AND MOTHER OF PEARL ESCUTCHEON???? HIGHLY DECORATED TRIGGER GUARD. SLIDING BUTT TRAP. SILVER ESCUTCHEON ON WRIST ENGRAVED WITH CHERUBS AND A 'J'
2 PRESENTATION CASES - MUSKET FLINTS FROM THE WRECK OF THE EASTINDIAMAN 'EARL OF ABERGAVENY' WHICH DUE TO PILOT ERROR, RAN AGROUND ON THE SHAMBLES OFF PORTLAND BILL ON FEBRUARY 5TH 1805, FOUR DAYS OUT OF PORTSMOUTH ON A VOYAGE TO BENGAL THEN CHINA. OF THE 400 SOULS ABOARD, 315 WERE LOST INCLUDING THE COMMANDER OR CAPTAIN JOHN WORDSWORTH, BROTHER OF THE POET WILLIAM WORDSWORTH. THE CARGO INCLUDED 26 CHESTS OF SILVER COINAGE, INGOTS OF IRON, COPPER, TIN AND LEAD, HARNESSES, SADDLES, BARRELS OF GUNFLINTS, ETC. AND WAS VALUED AT £300,000. RECOVERED BY THE CHELMSFORD MARINE ARCHAEOLOGY UNIT (1995)
SILVER HALLMARKED ELCHO SHIELD WHICH WE BELIEVE MAY HAVE BEEN PRESENTED TO THE THE WINNING TEAM. THE ELCHO SHIELD, NAMED AFTER ITS PRESENTER, DESIGED BY WATTS & CAYLEY, DEPICTING SCENES FROM ANGLO-SCOTTISH HISTORY, INCLUDING BOTH BANNOCKBURN AND FLODDEN. FOR BALANCE BRUCES SPIDER CAN BE SEEN IN THE DETAIL. ACCOMPANYING THE SHIELD IS COPIES OF PHOTOGRAPHS WHICH SHOWS THE SHIELD AND COMPETITORS TO INCLUDE LORD DUFFERIN AND THE FAMOUS GUNSMITH JOHN RIGBY.
An Italian tabernacle with Christ at the Column, from the workshop of Guglielmo Della Porta, 1500-1577, Rome, c.1570, the silver figure of Jesus Christ stood with hands bound behind his back in front of the silver-gilt Corinthian column, within ebony tabernacle with gilt-bronze and silver appliques of a dove and winged cherub masks, 32cm high, 19.3cm wide, 7cm deepProvenance: Christie's, London, 4 December 2019, lot 181, £5,250, Property from the Michael Hall Collections. Exhibited: New York, Mobile, Evansville and Sacramento, American Bible Society, Mobile Museum of Art, Evansville Museum of Arts and Sciences and Crocker Museum of Art, Icons or Portraits? Images of Jesus and Mary from the Collection of Michael Hall, July 2002 - Jan. 2004, cat. no. 45. Footnotes: Note: As noted in 'Guglielmo della Porta: A Counter-Reformation Sculptor' by R. Coppel et al., Coll & Cortes, Madrid, 2012, pp. 74-97' the present lot is closely comparable to a relief depicting the Flagellation of Christ attributed by Rosario Coppel to Roman silversmith and sculptor sculptor Guglielmo della Porta. In both the relief and this present tabernacle the figure of Christ is almost identical, and Coppel bases this attribution on convincing comparisons with both drawings by della Porta and a series of other figures of Christ at the Column and Flagellation groups historically attributed to him.
A pair of French gilt-bronze figural candlesticks, in the manner of Corneille van Clève (1646-1732), second half 19th century, one modelled with a seated and draped male figure holding a cornucopia, the other with female figure holding a foliate and ribbon-tied floral cornucopia, each with gadrooned spreading and foliate drip-pan and scaled nozzle, above a gadrooned spreading base with entrelac and rosette border, the underside of one marked H, 35cm high (2)Footnotes: Note: These candlesticks are a variant of the celebrated model by Corneille van Clève (1646-1732). The original drawings were once originally attributed to Charles Le Brun (1619-1690) but are now thought to be by van Clève and are held in the Staatliche Museen zu Berlin. These designs were first executed by Clevé's brother-in-law, the goldsmith Nicolas de Launay in 1702 in silver-gilt. The strapwork and entrelac bases of these candlesticks are identical to those on a pair of early 18th Century candlesticks in the Wallace Collection, illustrated in F.J.B. Watson, Wallace Collection Catalogues, Furniture, London, 1956, pl. 20, F22.Condition Report: Generally in good, ready to place condition. Inevitable wear in areas to the gilded surface, such as the knees, shoulders of the figures and the extremities overall to be expected with age and use. Dark dirt to the recesses of the casting. Both lacking drop-in drip pans.
A group of four novelty walking canes, late 19th/early 20th century, comprising: an ebony example adapted from a military flute, signed Starck Barnes & Sons London; a simulated bamboo and metal mounted cane, the sectional shaft incorporating a glass ink phial, propelling pencil and nib pen; a silver-mounted malacca cane incorporating a sand timer; and a white-metal malacca cane incorporating a whistle (4)
A Viennese silver and enamelled lapis lazuli clock, Herman Böhm, Austrian, c.1880, the case with arched cornice surmounted by a seated winged figure of Father Time holding his scythe, cornered by seated putti finials holding aloft leafy garlands and seated above polychrome enamelled corner pilasters, on plinth base with silver mount embossed with birds, grotesque masks and scrolling foliage above angled lapis lazuli panels on naturalistically textured paw feet, stamped throughout with maker's HB and Vienna 800 mark, the circular enamelled dial with Roman numerals, enclosed in enamelled bezel, 16cm high, 11.2cm wide, 8.7cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Mennecy silver-mounted porcelain rectangular snuff box and cover, c.1765, moulded with basketwork to the cover, sides and base, painted with floral sprays and scattered blooms to all sides and the cover interior, bearing paper label to the interior, the box - 3.2cm high, 7cm high, 4cm deep Provenance: Private UK collectionCondition Report: A hairline crack reaching diagonally across the right side, and a second hairline crack partially across the left side. The silver heavily tarnished.
A tortoiseshell and brass library magnifying glass, c.1840-50, the long tapering handle mounted with a crowned brass plaque inscribed Carl Egon von Fürst / Fürstenberg, 51.5cm long; together with a George III silver-mounted tortoiseshell folding magnifying glass, engraved with the initials M W, 7cm wide (2)Footnotes: Note: the plaque almost certainly refers to Charles Egon II, Prince of Fürstenberg, 1796-1854, a German politician and nobleman.
Two Victorian inlaid tortoiseshell and brass spectacle cases, late 19th century, one with a vacant shield to the cover within a trailing leaf border; the other with two vacant cartouches beneath a floral wreath with conforming border; together with a silver-mounted tortoiseshell purse, Birmingham, 1918, Samuel M Levi; and a faux tortoiseshell cigarette case, 1920/30s, the cover inlaid with a Chinese dragon in mother-of-pearl, largest - 14.5cm wide (4)
A late Victorian crocodile skin vanity case, the partially fitted interior with removeable compartments, containing five glass bottles with six silver gilt tops engraved monogram LB, London, 1895, probably Wolfsky & Co (Serlo Bernard Wolfsky), and one other glass bottle with matching top, Birmingham, 1896, Charles Fox & Co Ltd (Charles James Fox), a crocodile skin folding mirror with broken glass, a partially fitted case, two faux tortoiseshell clothes brushes and two matching clothes brushes, a cased portable inkwell, a cased portable glove stretcher, a thread case, a comb case with comb lacking, and portable oil lamp, 37cm high, 54cm wide, 21cm deep
A Flemish parcel-gilt bronze plaquette of the Last Supper, late 16th century, with Christ seated behind a long table holding the Bread, with the twelve Apostles seated around him, Judas to the right with a purse and lacking halo, the foreground with two wine jars, in a later bone inlaid ebonised frame, the plaquette - 6.4 x 10.5cmFootnotes: Note: Plaquettes are small plaques or reliefs made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They were valued as fine miniature works of art and had a role disseminating imagery and designs throughout Europe.In this plaquette it is unusual to see the figure of Judas holding the thirty pieces of silver in a bag.An almost identical un-gilded example is in the Victoria & Albert Museum, London, A.455-1910.
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2475480 item(s)/page