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Lot 72

A George V silver capstan inkwell by Walker & Hall, Sheffield 1922, of hexagonal form with hinged cover and pen rest, clear glass liner to interior, polished hardwood base, initials 'W.H.K.F' to cover, with inscription to neck 'Presented to William Henry Kemball Forbes Esq. by his partners and staff upon the completion of 50 years in practice as a solicitor of the supreme court as a token of their esteem June 1945', 5.5cm high, 12.5cm wide, weight (excluding liner) 9.36ozt

Lot 73

A pair of silver goblets by Deakin & Francis, Birmingham 1972, each of tapered form with gilt interiors, on knopped stems and spreading circular bases, each 11cm high, weight 5.32ozt (2)Condition Report; Good order. No splitting or signs of repair. One goblet has a dent to the rim of the foot, and a small dent to the knop of the stem, but no other large dents to the goblets. Moderate wear to the gilt interior, mostly concentrated around the rim. Hallmarks and inscriptions are crisp and clear. Both sit flat on a level surface.  

Lot 74

A selection of silver tableware, to include a silver christening cup by Bishton's Ltd, Birmingham 1945, 9cm high, a miniature silver egg cup, 5.6cm high, a pair of white metal sugar tongs, 10.6cm long, a silver teaspoon, 10.5cm long, a white metal condiment spoon, 7cm long, and an EPNS pepperette (6)

Lot 76

A set of four Edwardian silver and enamel menu card holders by Sampson Mordan & Co, Chester, each individually enamelled with a game bird, depicting a duck, a grouse, a pheasant and a partridge, each on a plain polished circular base, three dated 1907 and marked '10', one dated 1908 and marked '11', each stamped 'RD402227', each 3.5cm high, complete in a fitted Goldsmiths & Silversmiths Company Ltd case (at fault)Condition Report; There is a large crack/loss to enamel on the partridge example, measuring 12mm across - please see the picture provided which illustrated this. There is no loss to the enamel on any of the other examples. All enamel shows some scratching and light wear consistent with age and use.The example with the duck is slightly bent, leaning back further then the other examples. Please see the additional image which illustrates this. The clip to the partridge example is very slightly slick (the teeth do not sit completely flat against the panel), but all clips are secure and in working order. Each pieces some small denting and pitting concentrated around the borders. No splitting or repair to any of the metal.Hallmarks and dates are clear to the majority of pieces, however there is some wear to the Sampson Mordan hallmark on the grouse example. This is example is dated 1908.One of the hinges to the box cover is broken. There is heavy wear and tear to the case exterior. Some moderate wear to the interior, but the card holders sit securely in their settings.

Lot 77

A five-piece silver backed dressing table set, marks for 'DCBs', London 1969, comprising mirror, two hair brushes and two clothes brushes, engine turned decoration and engraved floral detailing to borders, initial 'G' to the reverse of each piece, length of mirror 25.6cm long, together with a pair of silver plated telescopic candlesticks, each 16.3cm high, and a silver plated goliath pocket watch upon a silver mounted stand (9)

Lot 78

A George V silver sauce boat, Chester 1932 (maker?s marks worn), of typical from with reeded border and acanthus capped scroll handle, upon three stepped hoof feet, 19.8cm long, 10.5cm high, weight 11.29oztProvenance: Ruyton Hall, Shropshire

Lot 79

An Edwardian silver cigarette box by Robert Pringle & Sons, London 1906, of rectangular form, engraved with the Star of the Order of the Thistle, enclosing a two-compartmented fruitwood interior, 17.6cm x 8.7cm x 5.5cm, weight 21.14ozt Provenance: Ruyton Hall, Shropshire The Most Ancient and Most Noble Order of the Thistle is an order of chivalry associated with Scotland. The current version of the Order was founded in 1687 by King James VII of Scotland (James II of England and Ireland) who asserted that he was reviving an earlier Order. The Order consists of the Sovereign and sixteen Knights and Ladies, as well as certain "extra" knights (members of the British Royal Family and foreign monarchs). The Sovereign alone grants membership of the Order; he or she is not advised by the Government, as occurs with most other Orders.

Lot 8

A Victorian silver salver by Martin, Hall & Co, London 1890, of circular from with beaded and embossed border on three ball and claw feet, dual crests to centre depicting a dragon holding an axe and a speared hog within foliate wreaths and swags, inscription reading ?Presented to G.B.P. Spooner Hillingston Esqre. On the occasion of his marriage from the servants at Ferriby. Penzance. 6th June 1895?, 21cm wide, weight 11.32ozt

Lot 80

A Victorian silver tea caddy Pairpoint Brothers, London 1896, of plain polished octagonal form with urn shaped finial to hinged cover, 9.7cm high, weight 5.21ozt Provenance: Ruyton Hall, ShropshireCondition Report; Overall very good. There are a few small dents to some of the corners on the cover, but no other major dents, splitting or signs of repair. Hinged cover is in good order, opening smoothly and sitting flush. There is moderate wear to the maker's mark, but the rest are crisp and clear. Caddy sits flat on a level surface.  

Lot 81

An Art Deco silver cigarette box by Cartier, London 1937, of rectangular form with reeded decoration and gilt clasp, marked ?Cartier London? to cover, and ?925? with ?J.C? mark to interior, latter engraving to inside cover, 12cm x 7.8cm x 1.8cm, weight 6.84ozt Provenance: Ruyton Hall, Shropshire

Lot 82

A George V silver mounted cigarette box by Henry Matthews, Birmingham 1922, of rectangular form with engine turned decoration to cover, central cartouche with monogrammed initials, with two-compartment fruitwood interior, 14cm x 8.7cm x 5.2cm, weight 11.39oztProvenance: Ruyton Hall, Shropshire

Lot 83

R.A.F INTEREST: An Art Deco silver mounted cigarette box by Sanders & Mackenzie, London 1937, of rectangular form with engine turned decoration to cover, central cartouche reading ?SQN ? LDR, N.B. Thomson from the officers of 912. Squadron R.A.F.? with fruitwood lined interior, 15cm x 8.8cm x 3.2cm, weight 10.07oztProvenance: Ruyton Hall, Shropshire

Lot 84

An Art Deco silver mounted aide memoire holder, Fortum & Mason, London 1937, of rectangular form with engine turned decoration, plain polished hinged cover and pen holder, tan leather lined, weighted base, 11.5cm x 8.9cmProvenance: Ruyton Hall, Shropshire

Lot 85

A Victorian silver cigar case by John Millward Banks, Birmingham 1896, of curved rectangular form, plain polished with gilt interior, engraving to cover ?CM 1904?, 13.2cm x 8.2cm, weight 5.38oztProvenance: Ruyton Hall, Shropshire

Lot 86

A George V silver sugar caster by S Blanckensee & Son Ltd, Birmingham 1934, of baluster form on circular foot with pierced decoration pull-off lid, 13.8cm tall, together with a Victorian example by Henry Atkin, Sheffield 1895, 11.4cm tall, and another Victorian example, London 1893 (maker?s marks worn), 10.5cm high, weight 6.65ozt (3)Provenance: Ruyton Hall, Shropshire

Lot 87

A Scottish Victorian silver jug, possibly by James McKay, Edinburgh 1860, of baluster form on stepped circular foot with acanthus capped scroll handle, with engraved foliate decoration to body, 14.4cm high, weight 6.18ozt Provenance: Ruyton Hall, ShropshireCondition Report; General scratching, wear and pitting to the exterior body and handle. Heavy amount of denting concentrated around the decoration to centre. There are numerous dents to the circular base, including a large dent (visible in the third picture), and it does wobble when sat on a level surface. Signs of damage, repair and solder where the handle meets the body (see additional pictures). Moderate wear to the decoration and hallmarks. 

Lot 88

A pair of George V silver pepperettes by S Blanckensee & Son Ltd, Birmingham 1914, each of urn form on spreading circular feet with pierced pull-off cover, each 8.9cm high, together with a pair of silver open-salts by William Devenport, Birmingham 1898, gross weight of group 6.63ozt (4)Provenance: Ruyton Hall, Shropshire

Lot 89

A matched pair of Victorian silver bon-bon dishes, one marked for London 1857, the other for 1870 (maker?s marks to both worn), each of circular form on domed circular feet, with embossed shell motifs and engraved foliate decoration, each 6.3cm high, together with a set of four Victorian silver spoons by John Wilmin Figg, London 1843-45, each 9.6cm long, gross weight 5.5ozt (6)Provenance: Ruyton Hall, Shropshire

Lot 9

A George III silver salver by Thomas Oliphant, London 1792, of circular form with beaded border on three raised feet, 16.2cm diameter, weight 6.17ozt

Lot 90

A set of four 18th century silver teaspoons, each with shell form bowls and engraved initials ?T.W.E? to terminals, each handle stamped indistinctly with lion passant mark and makers mark, 9.3cm long, together with a set of five Victorian Old English pattern silver teaspoons by Henry Aitkin, Sheffield 1895, each 10.3cm long, five Edwardian silver teaspoons by Josiah Williams & Co, London 1903, each 10.2cm long, four George III silver condiment spoons by Thomas Dicks, London 1803-7, and six further assorted silver spoons, gross weight of group 7.64ozt (24)Provenance: Ruyton Hall, Shropshire

Lot 91

A George V silver bell by Goldsmiths & Silversmiths Co, London 1934, 6.4cm high, together with a set of three unusual white metal salt spoons with stylized handles, each 6cm long, two further white metal salt spoons, a silver apostle spoon, a silver condiment spoons, a pair of silver sugar tongs and a silver napkin ring, gross weight of group 7.63ozt (10)Provenance: Ruyton Hall, Shropshire

Lot 92

A George V three-piece silver tea service by Charles S Green & Co Ltd, Birmingham 1925, comprising teapot, sugar bowl and milk jug, each piece of oval form with half-reeded decoration and angular handles, ebonised knop and handle to teapot, gross weight 25.8ozt (3)Provenance: Ruyton Hall, Shropshire

Lot 93

A late Edwardian silver sucrier by Goldsmiths & Silversmiths Company, London 1910, of compressed cauldron form with shaped border, raised on four paw feet, 11.5cm high, 10.5cm long, weight 8.68ozt Provenance: Ruyton Hall, ShropshireCondition Report; Overall good. There is a very small dent to the underside, and a small nick to the lid. There is quite a heavy patch of scratching to one side of the finial. No other dents, splitting, major damage or signs of repair. Some general scratching, wear and tear only. Heavy scratching and some discoloration to the gilt interior. Hallmarks and lettering are quite heavily worn, but are still legible. Hinged cover is in good order, opening and closing smoothly. Lid does not sit completely flush on one side, leaving a small gap at the seam. Feet are not completely level, and it does wobble slightly on a level surface. 

Lot 94

A George V silver cigar case by Hirst Brothers & Co Ltd, Birmingham 1915, of curved rectangular form with scrolling foliate decoration, vacant cartouche to centre, gilt interior, push button release, 13cm x 6.7cm, together with a silver cigar piercer by Cohen & Charles, gross weight 5.01ozt (2) Provenance: Ruyton Hall, Shropshire

Lot 95

An Art Deco four-piece silver mounted dressing table set by Walker & Hall, Sheffield 1930?31, comprising mirror, two hairbrushes and a clothes brush, each with engine turned decoration and monogrammed initials to diamond shaped cartouche to reverse, mirror 26.6cm long (4)Provenance: Ruyton Hall, Shropshire

Lot 96

A George V silver sucrier by George Nathan & Ridley Hayes, Chester 1912, of compressed ovoid form on four raised pad feet, lion mask lugs and loop handles, hinged cover with flame finial, 12.5cm high, weight 5.23ozt Provenance: Ruyton Hall, ShropshireCondition Report; Very good. No large dents, splitting or signs of repair. Some scratching and wear, concentrated at the feet and base. The hinge cover opens smoothly and shuts, sitting flush. Lugs are secure, and show no signs of splitting or thinning. Masks and finial in good order, all detailing crisp. Gilt interior in very good order. Sucrier sits flat on a level surface. 

Lot 97

A Charles I silver seal-top spoon by Edward Hole, London 1626, fig-shaped bowl with tapered stem, the seal top engraved with a phoenix crest, traces of gilding to bowl, stem and seal, 16.8cm long, weight 1.49ozt Provenance: Ruyton Hall, Shropshire Condition Report; Bowl: Good order. Some denting to the reverse of the bowl. Heavy wear to the gilding, particularly on the reverse. Light pitting, moderate scratching and general wear to front and reverse. No splitting or signs of repair. Crown leopard mark lightly worn, but is clear.Handle: Good order. Very heavy wear to the gilding on the handle. Moderate pitting, heavy scratching, particularly to the facet edges on the spoon (see pictures). Very slight signs of bending to the handle. Wear to hallmarks, but they are clear and legible.Terminal: Fair order. There is a moderate amount of wear to the detailing, some pitting and moderate scratching and wear. Very heavy wear to the gilding. Engraved crest to the seal is crisp and clear.

Lot 98

A Victorian silver christening cup, London 1896, (possibly Charles Cooke), of baluster form on stepped circular foot with beaded scrolling handle, 10.2cm high, together with a George V silver sauce boat, weight 7.34ozt (2)Provenance: Ruyton Hall, Shropshire

Lot 99

A George V silver and enamelled pill box by William Neale, Birmingham 1929, of circular form on three raised feet, with turquoise guilloche enamel decoration to hinged lid, 7.1cm diameter, together with an Art Deco silver mirror, marked for ?G Co? London 1933, 7.5cm diameter (2) Provenance: Ruyton Hall, ShropshireCondition Report: Trinket Box: Very good. No chipping or loss to the enamel, only light scratching. There is a light dent to the rim of base, but no other denting, splitting or repair. Hinged cover opens smoothly and closes flush. Some wear to the hallmarks, but they are legible. Feet are in good order, the box sits flat on a level surface. The gilt on the interior is in very good order, but there is moderate wear to the gilt around the rim consistent with contact with the lid.Mirror: Good order. Glass is in tact. Handle in good order Small dents to the reverse and around the border. Moderate amount of scratching. No signs of splitting or signs of repair. Engraved decoration has worn in some areas, but is mostly crisp. Hallmarks show some wear (particularly maker's marks) but are all legible. 

Lot 1011

2 silver necklaces. A 925 silver butterfly necklace set with small clear stone. Together with a boxed 925 silver necklace with diamond illusion set pendant.

Lot 1039

A large sterling silver empty portrait brooch/pendant with rope chain detail to edge. Both pin back and hanging bale are present. Marked 'Sterling Silver'. Approx. 6cm x 4cm.

Lot 1105

A men's Seiko 5 fixed bezel 7S26-02T0 automatic wristwatch with stainless steel case and strap. White face with silver tone hands and hour markers. Seconds hand and date function. Luminous detail to hour, minutes and date. Water resistant to 50 metres. In working order.

Lot 1108

A bag of scrap silver pieces from a jewellery maker. Selling on behalf of a charity. Untested. Total weight approx. 335g.

Lot 1120

An antique silver collared double vinaigrette bottle, one stopper missing. Together with a silver topped scent bottle and a cut glass cosmetic bottle with decorative metal lid. Vinaigrette bottle hallmarked London 1919, scent bottle hallmarked Birmingham 1929. Tallest item approx. 17cm tall.

Lot 1127

A Victorian highly decorative silver bon bon dish with pierced work, fruit and floral detail. Hallmarked Sheffield 1894. Dish measures approx. 18cm x 14cm across. Total weight approx. 144.1g.

Lot 24

PAIR OF ROSEWOOD MARQUETRY, MOTHER-OF-PEARL, SILVER METAL, AND BRASS BANDED OCCASIONAL TABLES CIRCA the shaped rectangular tops inlaid with specimen woods and white metal stringing, centred by a coronet and four inlaid white metal entwined Bs, the cypher for the Marquess of Breadalbane, raised on folding X supports with trestle bases(67cm wide, 72cm high, 46.5cm deep)Footnote: Note: These exquisite folding tables, executed in a variety of contrasting exotic veneers and luxury materials, were most likely supplied for John Campbell, 2nd Marquess of Breadalbane, prior to the 1842 visit by Queen Victoria and Prince Albert. The west wing of Taymouth Castle was exentisively re-modelled from 1837-1842 by James Gillespie Graham, with interior decoration supervised by the London firm J. G. Crace. Invoices from the firm from 1842 reveal that they did not supply any of the furniture for the refurbishment, with much of the work completed by the Edinburgh furniture company founded by William Trotter, often to the designs of A.W.N. Pugin. While the Banner Hall and Library lavishly adhered to the neo-Gothic taste, others spaces were designed with a less purist approach. These tables, while not truly Gothic in their style, are nonetheless evocative of an earlier style, with elements reminiscent of furniture from the late 17th century. They are designed for convenience; to be quickly set up and moved where needed, but the informal nature of their purpose is quickly overshadowed by the sumptuous execution and materials. The inclusion of the Marquess's cypher, delicately inlaid into the centre of each table top, had one purpose; to impress and remind the user of the power and influence of the family within whose house they reside.

Lot 40

LATE ELIZABETH I - JAMES I ENGLISH PROVINCIAL SILVER GILT APHRODITE KNOP SPOON Richard Chandler, Plymouth c.1600, the fig bowl with later engraved Gothic B surmounted by Marquise's coronet, the finial cast with traditional Aphrodite knop(Length: 19cm, weight: 52.7g)Footnote: Provenance: Highly likely the collection of Gavin 1st Marquess and 7th Earl of Breadalbane.

Lot 41

GEORGE III SILVER GILT APOSTLE SPOON Edward Farell, London 1818, the fig bowl with engraved Gothic S surmounted by a Prince's coronet, the apostle finial of traditional cast form(Length: 19.5cm, weight: 62g)

Lot 42

EDWARD IV SILVER GILT ST. SIMON APOSTLE SPOON London 1478, or 1538 the fig bowl with engraved Gothic B surmounted by a Marquise coronet, the reverse of bowl with prick engraved initials FL, the cast finial with a halo nimbus(Length: 18.5cm, weight: 57g)Provenance: Highly likely the collection of Gavin 1st Marquess and 7th Earl of Breadalbane.Footnote: Note: Although earlier English Apostle spoons do survive this Edward IV example is a documentary part of the evolution of one of the most important aspects of British silver, the hallmark. Although hallmarks have been struck since circa 1300 it is not until the application of an annual changing date letter in 1478 that the recognisable format of maker and date were established. The date letter ‘A’ stuck to this piece is therefore the first example of this now centuries old, tradition being applied and the start of what would become a cornerstone of the oldest, continual and still virtually unchanged form of consumer protection in the world. It is easy to see why this spoon was not only collected but adorned by Gavin Campbell 1st Marquess and 7th Earl of Breadalbane and not just that but saved by the family from the sales of his collection in 1926 and 1935.

Lot 43

RARE CHINESE EXPORT PORCELAIN JACOBITE PUNCH BOWL QIANLONG PERIOD finely painted to both sides with a polychrome portrait of Bonnie Prince Charlie wearing a tartan jacket, blue bonnet and white cockade, flanked with white roses, in flower and bud, on vibrant green leafy stems, the interior with a further white rose spray, the internal rim with a rui sceptre gilt border(28.8cm diameter, 12.1cm high)Footnote: Note: This punch bowl forms an important part of a small group of Jacobite Chinese export porcelain wares. So far recorded are a small number of punch bowls, with either Prince Charles or Highland figures depicted, beer jugs and a small amount of armorial porcelain with Scottish Royal arms showing Jacobite standards. A closely comparable example to this punch bowl is held in the Drambuie Collection of Jacobite Works of Art and was previously in the staunchly Jacobite family collection of the Earl & Countess of Perth (see The Jacobite’s and their Adversaries, Christie's Glasgow 12th June 1996, Lot 88 and previously on loan to National Museums Scotland, Bonnie Prince Charlie and the Jacobite’s, 2018). As with the example under discussion, it is a particularly fine example showing the highest quality of decoration in the floral sprays and borders, with the detail much finer than more often seen. The portrait also shows far more attention to detail than normal, and, while it is copying the recognisable portrait used in many forms of Jacobite art, the use of such a wide palette of colours is unusual. The portrait is a direct copy of one of the most prolifically produced and recognisable engravings of Prince Charles completed by Sir Robert Strange, an engraver from Edinburgh and member of Prince Charles’s Lifeguards regiment, during the ‘45. Sir Robert’s connection to the cause was close and he is known to have had at least two personal meetings with the Prince in Inverness just before Culloden to create the engraved printing plate for the proposed Jacobite Banknotes (now in the collection of the West Highland Museum Fort William). The print was immediately popular and can be seen in varying scales from miniatures to large-scale prints (see Lyon & Turnbull, Scottish Silver & Applied Arts, 14th August 2019 lot 468). This piece is unusual and differs from the Drambuie example in that the sprays of white roses are of undoubted Jacobite significance, rather than the more generic red/ pink sprays seen in the Drambuie work. These white or Stuart roses were a constant symbol of the Jacobite cause and their use in sprays of three with open and closed buds closely mirror the iconic use in Jacobite glasses. It has been much discussed that the large open rose head represents King James and the buds, Prince Charles and Prince Henry. The commissioning of punch bowls in support of the Jacobite cause is interesting and the connection between them and the associated and more prolific glassware is important. Whether used in private homes or in Jacobite clubs or societies, the use of punch to toast support of the cause is well recorded. The symbolic drowning of Hanoverian Kings on coins set into punch ladles or the passing of glasses over the punch bowl to symbolise the ‘King over the water’ would all have been well-understood in 18th-century society. To carry out these acts using such a fine and bold Jacobite punch bowl would have made what was already a significant act even more important to those involved. Indeed the kudos of owning such an exotic, fashionable and fine piece of porcelain suggests that a high-status Jacobite supporter would have owned this bowl. Moreover, they were comfortable demonstrating their support in an overtly public way so soon after the ’45. In 1863 a large inventory of the contents of Taymouth Castle was prepared by Christie Manson & Woods for the Marquess of Breadalbane. The punch bowl is listed in the inventory as No. 966 'A punch bowl with two medallion portraits of the Pretender'. [National Records of Scotland GD112/22/54-58]

Lot 7

FINE GEORGE I SEAL BOX Francis Garthorne, London circa 1726, of conventional circular outline, with reeded foot, the cover finely engraved with the arms of George I, within housed the great seal of George I (broken), attached by red silk and bullion corded tassels, to a vellum commission to John Lord Glenorchy granting him plenipotentiary power to act as ambassador, Kensington, 27 July 1726, signed at head, vellum document, 56 x 31cm.(Diameter: 17cm, weight: 20oz)Footnote: Note: For a similar example (lacking document) see Christie's, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes on the 10th Jun 2010, lot 320

Lot 12

FRENCH GILT BRONZE AND MALACHITE BOX 19TH CENTURY malachite and silver gilt box(13.5cm wide, 9cm high, 10cm deep)

Lot 16

THE BREADALBANE HEATHER PATTERN WORCESTER PORCELAIN BREAKFAST SERVICE CIRCA 1840 an extensive service, each piece painted with sprigs of heather on a white ground, centred with the Breadalbane coronet of a B below a crown, with gold rim, the service includes pieces commissioned from Flight, Barr and Barr, with brown printed mark Flight, Barr & Barr, Worcester and Coventry St London, and slightly later unmarked pieces. Comprising: twenty five small saucers, 14.5cm diameter (nine marked Flight, Barr and Barr) fifty four large saucers, 17.2cm diameter (thirty marked Flight, Barr and Barr) thirty one side plates, 19.6cm diameter (eighteen marked Flight, Barr and Barr) sixty five plates, 21.5-22.5cm diameter (thirty one marked Flight, Barr and Barr) twenty one plates, 25.5cm diameter (twelve marked Flight, Barr and Barr) fifteen egg cups four sugar bowls with covers three tall jugs, 18cm high two small cream jugs, 9.5cm high four small hot water pots (covers lacking), 12cm high one hot water pot with cover 13.5cm high three jugs with branch formed, handles 15cm high one round bowl, 11.5cm diameter five slop bowls, 18.5cm diameter fourty three large tea cups twelve coffee cups three cylindrical jars with domed covers, on stands, jars 11.5cm diameter (with an additional stand and an additional cover) four round muffin dishes with domed covers, 22cm diameter (with an additional cover)Provenance: Taymouth Castle, Perthshire Wooton House, Bedfordshire Thence by descent.Footnote: Note: This extensive rare and historic service comprises pieces from two distinct Worcester periods. Part of the service is pre-1840 and the pieces are marked with the Flight, Barr and Barr brown printed mark. In addition to these there is a large quantity of post-1840 unmarked pieces, which were made around the time when Chamberlain’s took over the running of the factory in 1840. The slightly earlier Flight, Barr and Barr pieces have subtle differences in the decoration, and are painted with bell heather rather than the common ling heather depicted on the unmarked pieces. This service may well be the first to have been produced in the Heather pattern. However, The Duke of Sutherland ordered an identical pattern service for Dunrobin Castle in Sutherland. Dunrobin was remodelled in 1845 so the service there is likely to be later, ordered after the renovations in 1845. The service offered in this lot was supplied to John Campbell, 2nd Marquess of Breadalbane, prior to the visit to Taymouth Castle by Queen Victoria and her consort Prince Albert in 1842. It was the royal couple's first visit to Scotland and they were guests of the Marquess from 7th - 10th September. The unmarked pieces are likely to have been an additional order to increase the quantities of the service, ensuring that it would be extensive enough to cater for the large volume of guests. In the Worcester archive there is an invoice, dated 1842, for approximately 53 pieces, at the cost of £8-12-11. It was delivered to Taymouth Castle in January 1843. One can speculate that these pieces were perhaps acquired to make up for any losses and damages to the service that had been incurred during the revelery of the royal visit. The Worcester archive also contains a letter dated Sept 26th 1843, from the Worcester Porcelain Works to the Marquess of Breadalbane, respectfully asking him to pay his invoice, nine months after it had originally been received. Then, also on record at the archive, is a written instruction from the Marquess ordering the payment to Chamberlain and Co Worcester Porcelain for the additional items, dated 27th October 1843. The 2nd Marquess, made huge efforts to make the royal visit memorable and a truly 'Scottish' experience for the couple. From arches of heather at the entrance of the castle and around the village, and an array of tartan dress on display, to finer details such as the use of the Heather pattern breakfast service, there was attention given to every aspect of the visit. Mrs Maule, a wife for the Liberal MP for Perthshire, was a guest at Taymouth Castle on the day of the Queen's arrival. Below is an excerpt from her diary: At 10, people in the park beginning to collect and the mist rising gracefully from the hills. The flags flying, birds singing and the hum of voices all round… From one o’clock we began to see people flocking into the Park, all the ladies with Tartan in scarfs or ribbons. 50 of Sir Neil Menzies tenants clad in their Tartan joined the rest in front of the house. Between 3 and 4 we began to expect the Queen and Prince and everything was put in readiness for Her reception. … Outriders and part of the escort preceded Her carriage and 6 other carriages followed… HM on reaching the door was welcomed by a simultaneous burst of cheering that echoed back again and again and anything so enthusiastic I never saw or heard. Lord Breadalbane at first stood in front of his splendid Highland Guard of 200 men and then having made a bow, bonnet in hand, he came round and assisted the Queen to alight and came up stairs to the drawing room where we were all waiting to receive her. [National Records of Scotland reference: GD45/26/89, pp.2-5] The Marquess wore highland dress and Queen Victoria commented in her journal, "it seemed as if a great chieftain in olden feudal times was receiving his sovereign". During the royal visit to Taymouth meals were provided for 730 people each day, including members of the royal party, guests, staff, pipers etc. While important Royal and invited guests would have had their lunch and evening meals served on and in silver, they would have had breakfast and refreshments from the Breadalbane Heather porcelain service being offered in this lot.

Lot 17

WILLIAM IV COMPREHENSIVE COMPOSITE KING'S HONEYSUCKLE PATTERN CANTEEN predominantly Mary Chawner, 1834 (other makers and dates noted), engraved with crest and coronet or initials and coronet, comprising three soup ladles, fish slice, four serving spoons, sixty four tableforks, forty five table knives, twenty one tablespoons, twenty five dessert forks, eighteen dessert spoons, thirty two dessert knives, twenty four teaspoons, two sauce ladles, two pairs of sugar tongs, a salt spoon, a matched six piece carving set, three carving knives and a converted silver plated and silver stilton scoop, all presented in a six tier canteen retailed by Garrards, with name plate for the Dowager Marchioness Breadalbane; together with matched obverse and reverse steel dies and a collection of plated flatware (Weighable silver: 476oz)

Lot 347

Silver Jubilee limited edition jug; Portrait medallion of the King and Queen uncrowned in relief.Surrounded by flags and trumpeters. Above the medallion is marked, HAPPY AND GLORIOUS. The reverse shows St. George before Windsor Castle. Doulton backstamp. Issued: 1935Dimensions: 10"HEdition Number: 826 of 1000 Manufacturer: Royal DoultonCountry of Origin: England

Lot 368

Incised designed stoneware with kittens. Includes lidded silver teapot 5"H, sugar bowl 3"H and cream pitcher 3.25"H.Impressed Doulton Lambeth mark and artist signed to bottom base. Manufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 370

Stoneware; blue and green glaze; silver hinged lid. Figures of Abel, Woods and MacGregor in relief.Tan coloration with stylized blue and green floral detail. Doulton backstamp. Issued: c. 1900Dimensions: 9.5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 371

Stoneware; 3 Art Nouveau panels; Abels, Woods and MacGregor. Sterling silver rim.Tan colored with blue and green coloration. Hallmarked Sterling Silver. Doulton Lambeth backstamp. Issued: c. 1900Dimensions: 6"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection, Keith Crump Collection

Lot 378

Tan colored; figures of a wicket keeper, fielder and batsman in relief on green ground. Hallmarked silver rim.Handles are modeled as bats and boaters. Doulton impressed backstamp. Issued: c. 1880Dimensions: 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 379

Tan colored; Art Nouveau style; silver lid. Depicts runner, high jumper and shot putter in relief.Doulton impresed backstamp. Issued: 20th c.Dimensions: 8"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Lot 380

Stoneware; Art Nouveau style border; depicts sporting scenes in relief; silver rim.Doulton impressed backstamp. Issued: 20th c.Dimensions: 6"HManufacturer: DOULTONCountry of Origin: England

Lot 385

Brown with salt glaze ground with cobalt blue glaze decorated with white relief-figured hunting scene.One jug mounted with hallmarked silver rim. Age related wear to blue glaze to both jugs. Impressed Doulton Lambeth to bottom base. Issued: c. 1880 - c. 1910Dimensions: 5.5"HManufacturer: Doulton LambethCountry of Origin: England

Lot 459

Aerographed brown finish on ivory earthenware base.Royal Doulton backstamp. Silver ball stopper. Impressed signature on front bottom right. Dickens figure impressed to back. Artist: Charles NokeIssued: 1935 to 1940Dimensions: 9"HManufacturer: Royal DoultonCountry of Origin: England

Lot 46

Oval form with encircling scene of hunters and dogs; silver rim; lid in the form of 2 foxes.Royal Doulton Flambe mark on base. Issued: 20th c.Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: England

Lot 478

Dark brown glaze and silver rim. Relief of smoker on front and two smokers sitting on back.Royal Doulton backstamp. Issued: 1935Dimensions: 4"HManufacturer: Royal DoultonCountry of Origin: England

Lot 479

Dark brown glaze with Dutch scene stretching around surface. Hallmarked silver rim. With lid.Royal Doulton backstamp. With inscription to hallmarked silver reading 'Presented to Mr. J. P. Humble by the church officers, and friends of S. Pauls church Birkenshaw. In acknowledgment of his long and valuable services as church warden. Easter 1905.' Chip underneath lid. Issued: 1905Dimensions: 6.5"HManufacturer: Royal DoultonCountry of Origin: England

Lot 480

Relief double portrait of two sitters looking into each others eyes window behind. Title on back.Royal Doulton backstamp. Silver lid. Age related crazing. Issued: 1907Dimensions: 8"HManufacturer: Royal DoultonCountry of Origin: England

Lot 481

Rich, dark brown glaze with ochre tones; hallmarked silver lid. Depicts Dame with tea cup.Doulton backstamp. Age and use related wear; light crazing to base. Issued: 20th c.Dimensions: 5.25"HManufacturer: Royal DoultonCountry of Origin: England

Lot 124

Cartier. A gold plated silver quartz wristwatchModel: Must de Cartier RondeReference: 1810 1Date: Circa 1994Movement: Jewelled quartzDial: White, black Roman numerals to cream surround, secret signature at 10, black outer minute track, subsidiary seconds at 6, blued steel sword handsCase: Polished round, back secured by 8 screws, personal engraving reads 'DH 1994', cabochon set crown, No.003542Strap/Bracelet: Tan brown Cartier leatherBuckle/Clasp: Signed plated folding claspSigned: Case, dial & movementSize: 32mmFor further information on this lot please visit Bonhams.com

Lot 126

Cartier. A gold plated silver quartz rectangular calendar wristwatchModel: Tank, Must deReference: 2413Date: Purchased 17th January 2000Movement: Jewelled quartzDial: Silvered, Cartier motif to centre, black Roman numerals, secret signature at 10, black inner minute track, date aperture at 3, blued steel sword hands, centre secondsCase: Brushed and polished rectangular, back secured by 8 screws, cabochon set crown, No.637307CCStrap/Bracelet: Tan brown Cartier alligator leatherBuckle/Clasp: Signed plated folding claspSigned: Case, dial & movement Size: 25mm Accompaniments: Cartier box, International Guarantee Certificate, instruction bookletThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

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