Spazierstock mit Elfenbeingriff, Frankreich, 19. Jh.Walross-Elfenbein, Malakkaholz. Sehr gefühlvolle Darstellung einer sitzenden Katze, die einen aus jedem Winkel zu beobachten scheint. Ziselierter Silberkragen, Malakkaholzschaft, Messingzwinge. Deutliche Gebrauchsspuren an der Zwinge. Gesamtlänge: 89 cm, Elfenbeinknauf: 8 x 4 x 4 cm CITES-Handelsgenehmigung von 2022 liegt vor. Cane with ivory knob, France Ivory, malacca wood. Depiction of a sitting cat, silver collar, malacca wood shaft, brass ferrule. Signs of use on the ferrule. Comes with CITES trading permit from 2022.
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Brosche, 2. H. 19. Jh.Trauerschmuck. Ovale Fassung Silber (800), vergoldet, Porzellanplakette mit handgemalter Darstellung Amor vor schwarzem Hintergrund, gold gerandet. D. 35 mm Brooch (mourning jewellery), gold plated silver mounting with porcelain plaque, handpainted depiction of Amor. D. 35 mm.
Spazierstock mit Elfenbeinknauf, England, 19. Jh.Elfenbein, Malakka-Schaft. Detailliert geschnitzter Elfenbeinknauf, der sechs Pferde darstellt. Die paarweise aufgereihten Pferdeköpfe streben wellenförmig von der Spitze des Griffes. Silberhalsband und Malakka-Schaft, Hornzwinge. Gesamtlänge: 86 cm, Elfenbeingriff: 13 x 5 x 4 cm CITES-Handelsgenehmigung von 2022 liegt vor. cane with ivory knob, 19. c. Ivory, malacca shaft. Detailed carved ivory knob depicting six horses. Horse heads lined up in pairs extend undulatingly from the top of the handle. Silver collar and malacca stock, horn ferrule. Comes with CITES trading permit from 2022.
Spazierstock mit Elfenbeinknauf, England, Mitte 19. Jh.Elfenbein, Ebenholz. Der Elfenbeinknauf zeigt einen englischen Windhund mit besonders langer Schnauze und sehr detailliertem Faltenwurf, braune Glasaugen. Mit floralen Ornamenten zart gravierter Silberkragen, Ebenholzschaft, Metallzwinge. Gesamtlänge: 91 cm, Elfenbeinknauf: 11,5 x 4 x 4 cm Cites-Handelsgenehmigung von 2022 liegt vor. Cane with ivory knob, England Ivory, ebony. Depiction of an english greyhound with naturalistic details, brown glass eyes. Floral ornaments on the silver collar, ebony wood shaft, metal ferrule. Comes with CITES trading permit from 2022.
Spazierstock, Anfang 20. Jh.Silber. Silbergriff (gestempelt 925, Halbmond und Krone) in Form eines Schwanenkopfes, der aus einer Lilienblüte hervortaucht. Ebonisierter Holzschaft, am Ende abgesägt. Gesamtlänge: 90 cm Cane Silver handle (stamped) in of a swan coming out of a lily. Ebonized wood shaft, cut off at the end.
PUIFORCATPartie de ménagère «Cabourg»création en 1926Argent, dans son écrinComprenant 12 couverts, 12 couteaux en argent fourré et lame acier, 12 couverts à entremets, 9 couteaux à entremets en argent fourré et lame acier, 12 fourchettes à dessert et 10 cuillères à thé Poinçon tête de Mercure 1er titre pour l'exportation et poinçon de maître orfèvre.Poids brut: 6050g. A silver 'Cabourg' flatware service by Puiforcat designed in 1926Footnotes:Bibliographie:F. de Bonneville, 'Jean Puiforcat', Edition du Regard, Paris, 1986, modèle similaire p. 248For further information on this lot please visit Bonhams.com
Michelangelo Pistoletto (Italian, born 1933)One Work, from 'Terzo Paradiso' Series Unique drawing in black ink, 2003-present, on mirrored acrylic panel, signed in silver ink, from the edition of unknown size, published for FAI-Fondo Ambiente Italiano, Italy, the full sheet, 350 x 496mm (13 3/4 x 19 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Peter Doig (British, born 1959)Fisherman Pigment print in colours, 2002/14, on wove, numbered 343/500 in silver ink, the full sheet printed to the edges, 880 x 695mm (34 5/8 x 27 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)My Heart Is With You Always Offset lithographic poster printed in colours, 2014, on glossy wove, signed and dated '2015' in silver felt-tip pen, from the edition of 500, printed and published by Emin International, London, the full sheet printed to the edges, 697 x 496mm (27 1/2 x 19 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)But Yea Offset lithographic poster printed in colours, 2016, on glossy wove, signed and inscribed 'X' in silver felt-tip pen, from the edition of 500, printed and published by Emin International, London, the full sheet printed to the edges, 699 x 499mm (27 1/2 x 19 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)The Kiss Was Beautiful Offset lithographic poster printed in colours, 2016, on glossy wove, signed and inscribed 'X' in silver felt-tip pen, from the edition of 500, published by Emin International, London, the full sheet printed to the edges, 700 x 500mm (27 1/2 x 19 6/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)You Loved Me Like a Distant Star Offset lithograph printed in colours, 2012, on glossy wove, signed in silver felt-tip pen, from the edition of 500, the full sheet printed to the edges, 700 x 500mm (27 1/2 x 19 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Tracey Emin (British, born 1963)Love is What You Want Offset lithographic poster printed in colours, 2015, on glossy wove, signed and inscribed 'X' in silver felt-tip pen, from the edition of 500, printed and published by Emin International, London, the full sheet printed to the edges, 700 x 500mm (27 1/2 x 19 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Helmut Newton (German, 1920-2004)Cyberwoman 3 Gelatin silver print, 2000, on photo paper, from the edition of 500, published by Eyestorm, London, with margins, 325 x 250mm (12 6/8 x 9 7/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Takashi Murakami (Japanese, born 1962)Korpokkur in the Forest Offset lithograph printed in colours, 2020, on wove, signed and numbered 113/300 in silver ink, published by Kaikai Kiki Co. Ltd., Tokyo, 765 x 921mm (30 1/8 x 36 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Daphne Krinos (Contemporary)Cage necklace, 2022oxidised silver, amethysts, lemon quartz52cm long. Lot 723-737 to be sold on behalf of Contemporary Applied Arts.Contemporary Applied Arts (‘CAA’) is a unique organisation with a remarkable history. Founded in 1948, its mission is to celebrate, champion and advocate for fine Craft in the UK. It is a registered charity and membership organisation with over 200 makers working in all the crafts disciplines - ceramics, glass, textiles, jewellery, wood, paper, metals and textiles.Makers are selected by their peers and membership is seen as a kitemark of excellence. CAA continues to welcome new and emerging makers alongside its existing cohort of established and respected UK-based makers. CAA has a prime gallery space in central London, just off Marylebone High Street, which showcases the work of its makers and holds exhibitions there. It also has an online gallery and shop and, in recent years, has broadened its reach through extensive social media activity and engagement. It has an outreach programme – and is committed to expanding this to more schools and wider audiences in 2023 - and participates in events such as London Craft Week and selected external exhibitions including the 2022 London Art Fair. CAA also initiates and facilitates commissions for private collectors. CAA receives no regular public funding but relies on sales, membership subscriptions and a small amount of funding from grants and private donors supportive of its mission. It was a grateful recipient of Arts Council lockdown funding. CAA celebrates its 75th Anniversary in 2023 – and remains a unique and constant presence in an applied arts world which has seen huge and dramatic changes over that period. It needs continuing support and the inclusion of selected and special work in the Modern Art Auction is a part of a series of fundraising initiatives as its 75th Anniversary approaches. Support for CAA via generous bidding will be very much appreciated.
FABERGÉ: ENAMEL BELT BUCKLE, CIRCA 1900The yellow guilloché enamel ground with applied floral and foliate detail, within engraved and reeded borders, mounted in silver and bicoloured gold, signed Fabergé, maker's mark for Mikhail Perkhin, Russian assay marks (St. Petersburg), length 6.8cmFootnotes:A similar example can be seen in the collection of the Victoria & Albert Museum, London, reference number M.8-2007.For further information on this lot please visit Bonhams.com
COLLECTION OF JEWELS, 19TH - 20TH CENTURY1st: The annular, openwork paste brooch mounted in silver, 2nd: The flowerhead black paste brooch, with an enamel reverse, 3rd: The rock crystal heart-shaped locket, 4th: The 'bird in the hand' brooch, accented by a gem-set eye, the gloved hand detachable, 5th: The enamel St George and the dragon silver pendant, 6th: The pair of flexible earring pendents, set with circular-cut paste, mounted in silver, 7th: The cannetille quatrefoil brooch, set with oval-shaped paste in foiled closed back settings, 8th: Bicoloured, the three openwork silver plaques accented by rose-cut diamonds, 9th: Flowerhead silver earclips, 4th maker's mark, various sizes, 4th cased (9)For further information on this lot please visit Bonhams.com
MICROMOSAIC BROOCH AND BRACELET, MID-LATE 19TH CENTURY1st:The brooch set with an onyx plaque inlaid with polychrome tesserae depicting a bouquet of flowers within a scalloped gold frame, mid 19th century, 2nd: The bracelet composed of alternating onyx plaques, inlaid with polychrome tesserae depicting bouquets of flowers and birds, within silver ropetwist surrounds, late 19th century, brooch engraved on reverse in copperplate possibly reading Carneseech, lengths: brooch 4.8cm bracelet 18.5cm (2)Footnotes:Please note this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
COLLECTION OF JEWELS, MID 19TH-20TH CENTURY1st: Graduated five-stone opal ring, 2nd: Graduated five stone amethyst and seed pearl ring, 3rd: Collection of 3.0-4.4mm coral, corallium rubrum beads, 4th: Collection of ring bands, five enamelled, 5th: Eight lace pins, including a moon face moonstone, and a coral, corallium rubrum cameo carved to depict a pair of clasped hands, 6th: Three stickpins, 7th: Annular jade pin, 8th: The 1936 Olympic rings brooch, 9th: The openwork silver belt buckle, 10th: Pair of silver plated single-sided knot motif cufflinks, 11th: The turtle brooch with a smoky quartz shell, 12th: Pair of Prince of Wales' feathers seed pearl earrings, 13th: Pair of earrings designed as a bunch of grapes, set with pearl simulants, 14th: The ink pen within scrolled decorative casing, 15th: Pair of earstuds, 16th: Enamel clasp, 17th: Brooch depicting a griffin, 18th: Curb-link pin chain suspending 'alpi' charm, 5th one pin fitting deficient, 8th inscribed to the reverse CP GESCESCH, 10th stamped 925 sterling, various sizes (18)Footnotes:Please note, this lot will be subject to US Fish and Wildlife regulations if imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Omar Ramsden (1873-1939), Twin handled pedestal sugar bowl, and a spoon with reeded shaft and scroll terminal, 1926 and 1937, Silver, Hallmarked for London, underside bowl marked 'OMAR RAMSDEN ME FACIT', Bowl 8.5cm high, spoon 17.5cm long (2) Please refer to department for condition report
A JAPANESE AIGUCHI-STYLE TANTÔ (DAGGER), 1800-1850, Sugata (configuration): broad unokubi zukuri (~cormorant~s neck~ form) and hira zukuri (flat, no shinogi ), copper habaki (collar) with silver foil; Hamon (tempering pattern): suguha (straight) but details obscured by rubbing; Nagasa (length): 21.0 cm; Nakago (tang): suriage (shortened), mumei (unsigned); Koshirae (mounting): wooden saya (scabbard) with dark red lacquer finish and stylised cloud decoration, black lacquer kurikata (fitting for sageo, securing cord). Brass kanamono (metal fittings) with hammered decoration, matching kogatana (side knife) with brass kozuka (handle) and kôgai (bodkin). Wooden tsuka (handle) with black silk itô (braiding) over same (rayskin), brass fuchi-kashira (collar and pommel) and menuki (hilt grip)
A JAPANESE NAGINATA (HALBERD), 1750-1850, with broad curved blade mounted on a wooden black lacquered pole, the upper section decorated with raden (mother of pearl) flakes; silver foil covered iron fittings; wooden black lacquered saya (scabbard) with an unidentified gold mon (family crest). The blade has on both sides the traditional two grooves - one long and thin, the other short, broad and infilled with red lacquer - above the shinogi (longitudinal ridge line) in the area next to the habaki (collar); the habaki is of copper alloy covered with silver foil. Forging and tempering details of the blade are obscured by rubbing and the nakago (tang) is firmly attached to the pole, so a maker~s signature has not been identified, 36 cm blade¦¦The unsuccessful invasions of Japan by the Mongols in 1274 and 1281 had several consequences; one was an increase in the production of naginata. These polearms were particularly popular with members of the militant Buddhist clergy, the Sôhei and became one of the principal weapons of the ashigaru (foot-soldier).¦¦Elegantly mounted naginata, as offered here, were used in the later Edo period for the regular Sankin Kôtai processions to and from Edo.¦
A JAPANESE SPEAR (SU-YARI), AN INDIAN SILVER-MOUNTED SPEAR, ANOTHER INDIAN SPEAR, THREE FURTHER SPEARS, 19TH CENTURY AND ANOTHER, the first with tapering blade of flattened-diamond section, recessed at the base (tang not visible), on a wooden haft with gilt metal collar; the second with long slender head of flattened-hexagonal section, on a long carved hardwood haft with broad chased white metal collar decorated with a spiralling design of flowers and foliage at the top, fitted with a fur tuft at the base; the third with slender leaf-shaped head of flattened-diamond section, white metal collar at the base, on its wooden haft; the fourth with stout blade of flattened-diamond section, faceted socket, on its wooden haft with carved terminal; the fifth with tapering blade of flattened-diamond section, recessed at the base to a moulded neck, on a long wooden haft; the sixth with leaf-shaped head recessed to a diamond-section neck, on its long wooden haft bound with rattan at the top and the seventh modern, with lugged iron head, on its haft, the first: 215.0 cm (7)¦
A FINE SOUTH INDIAN SWORD (PATA), 17TH/18TH CENTURY, POSSIBLY MARATHA, with broad straight double-edged European blade with traces of a running wolf mark and further marks within a short slender fuller on each face, heavy pierced and chiselled russet iron gauntlet hilt extending over the forte with a pair of shaped langets with foliate terminals, a pair of low domed moulded panels over the hand filled with scrolling flowers and foliage within a delicate pierced frame, flaring over the fore-arm with a finely roped elliptical moulding beneath a lotus flower at the top and the lower portion filled with panels of pierced scrolling foliage, lotus flowers and beadwork frames, strongly moulded roped border, the interior with a single grip-bar (restored) and moulded arm bar with recurved bud-shaped finials, and the outer surface with some original silver finish, 94.8 cm blade¦¦Roy Elvis Catalogue Number C118. ¦¦Highlight from the Roy Elvis Collection (1944-2022)¦
A DECORATED HIMALAYAN RUSSET IRON HELMET, BHUTAN, 17TH/19TH CENTURY, with hemispherical skull fitted at its apex with a tubular finial on a circular washer, at its front with a shaped peak and the base encircled with a broad band, the fittings all decorated with traditional gold damascened scrollwork on a silver damascened ground (patinated, small losses), 20.0 cm high¦¦
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2466194 item(s)/page