TRANSOCEAN NEWS SERVICE, Portrait of Professor Carl von Eicken, Berlin, 1936 or earlier, framed gelatin silver portrait of Prof. von Eicken (1873-1960), surgeon to Adolf Hitler, Transocean blind stamp, Eicken signature and inscription in ink recto, some metallic tarnishing of black background, notes pasted frame verso detailing receipt of the framed photo in 1936, image 8.5cm x 13cm, frame 17cm x 24cm. Note: Hitler had polyps from his vocal cords removed by Prof. von Eickenin 1935 and again in 1944. The Transocean News Agency became an organ of Nazi propaganda after 1933. There are additional biographical notes with this lot.
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RAYMOND MOORE (1920-1987), Seascape at Maryport 1977, fibre based gelatin silver print, printed 1979, signed in pencil verso 'Raymond Moore 1977/79', image 31.5cm x 21.3cm, sheet 37cm x 28.2cm, unmounted but with card mount 50cm x 40cm. Note: Illustrated Raymond Moore Murmurs at Every Turn Travelling Light 1981
PHILIPPE HALSMAN, Winston Churchill at Chartwell, gelatin silver print of Sir Winston Churchill at Chartwell in 1951, printed later, c.1980, stamp verso 'The Toni Parks (UK) Collection' in ink 'No. 29', image 26.8cm x 34cm, in cream mount 50cm x 70cm. Provenance: Gordon Parks Collection, Toni Parks Collection. Note: In Halsman's Sight and Insight, he describes the difficulty of the photo shoot, with Churchill avoiding him, the back view was taken out of desperation but turned out to be the most successful photograph. An example of this image is in the collection of the Museum of Modern Art, New York.
HERBERT PONTING (1870-1935), Two Photographs Scott's Antartic Expedition, silver gelatin prints, 1910-1913, printed c.1930, Stamps and inscriptions verso, 'Antarctic Scott's Expedition Eating, Drinking, Resting; The chef of the Expedition, Clissold, the cook whose ingenious concoctions were the admiration of all' 15.4cm x 21.4cm, 16cm x 21cm
HENRI CARTIER-BRESSON Refugees In Jammu, Kashmir 1949, silver gelatin print, stamps verso ' Please Credit Henri Cartier-Bresson (Magnum) Magnum Photos Inc 55 West 8th Street N.Y. Photos Must Not BE Altered By Trimming' 'see 23 Apr 1949 Illustrated' with additional typed information slips, image 17cm x 25cm
GRAHAM SMITH (1947-) The Tyne Bridge Newcastle Side vintage gelatin silver print, titled signed and dated 1977 in pencil verso, with original card mount also titled signed and dated, image 27.8cm x 35.7cm, sheet 30.5cm x 40.5cmCondition Report: Very good condition overall, image has a slight graze to the emulsion above the two figures, an arc of about 5cm which shows in reflected light, otherwise good, verso has age yellowing at edges, being a vintage print from 1977. Original mount (also signed) scuffed and discolourd, replaced but original included in lot.
School of Ashachi Kono and Others, Nine Japanese Modernist Photographs, gelatin silver prints, mostly c.1930's unknown photographer(s) but in a distinct Japanese modernist style, two examples with exposure details in mss and wetstamp of Japanese characters verso, all approximately 30cm x 25cm
DAVID HURN (1934-) Two Photographs, unsigned, one for Ken Russell, Omnibus 1970 -Dance of the Seven Veils, gelatin silver print, wetstamp verso 'The K S Russell Collection', image 20.5cm x 28cm in cream mount 37cm x 46cm, with Les Demoiselles de Rochefort (1967) vintage promotional silver print c. 1967, for Warner Pathe, image 24.7cm x 19cm, in cream mount 37cm x 46cm
JAN SAUDEK (1935-) The Dolls 1975, vintage silver gelatin print on Kodak paper, printed c.1975-1984(?), image 18.8cm x18.8cm delineated in pen on sheet 25.4cm x 20.3cm. Note: This appears to be printed from the full 6 x 6 medium format frame used by Saudek, and differs from the later cropped version, all Saudeks negatives from this period were lost; with a handwritten and illustrated letter to 'Colin' describing a curious reverie, signed 'Jan' and with a date stamp 3 Jan 1984Note: The letter is almost certainly to Colin Osman, editor of Creative Camera. It is established that Jan Saudek was in correspondence with Colin Osman. The date stamp 3 Jan 1984 would presumably be when the letter was received at the Creative Camera office.
RUTH BERNHARD (1905-2006) House from Celebration of the Commonplace series, and Mother and Child, vintage gelatin silver prints c.1970's, both with photographer's wetstamp verso, 'Celebration' (18cm x 24,4cm) titled and Mother And Child (19cm x 24cm) annotated, both in Bernhard's hand
Two Photographs of Cecil Beaton on a Film Set, vintage gelatin silver prints, anonymous, 1949, from the set of 'The Small Back Room', Beaton looking into studio camera, holding his Rolleiflex, another loading film (?), with two photographs of the film set, one with Sid James, Kathleen Byron and David Farrar, all images 24cm x 19cm
BERT HARDY,Three Picture Post Press Photographs, Korea & Tibet, silver geLatine prints, 1950, Korean war correspondents James Cameron of Picture Post with Lionel Crane of the Daily Express and another photographer, inscribed verso ‘Adelbert de _onzac, Lionel Crane, J. C.; James Cameron with unidentified others with South Korean army officer to rear; Tibet (later in 1950) inscribed in ink ‘Monastery on Tibet Road’, all stamped to verso ‘Please credit Picture Post photograph by Bert Hardy’, 23.5cm x 19.5cm, 20cm x 20cm
ARTHUR J LEESON, A Collection of Early Quarter-Plate Autochromes, six still life studies by Leeson, subjects including flowers, antique silver and porcelain and a Japanese cloisonne vase, one inscribed 'Branch of Pears, A J Leeson'. Biographical Note: Arthur Leeson was secretary of the Birmingham Photographic Society in the early years of the 20th century, He was an RPS exhibitor of autochromes from 1910 to 1913. He also exhibited with the Edinburgh Photographic Society and won a medal in 1914 for his autochrome 'Foxgloves'
Personal Archive of Astronomer David W G Arthur, Early Photograph and Documents 1950's and early 1960's documents relating to Arthur's early career and the Moon Atlas project, including technical papers, Vol 4 of his self published and rare Contributions to Selenography -Selenographic Positions from Photographs April 1955, extensive correspondence with Gerard P Kuiper, appointment to Yerkes Observatory, later University of Arizona Lunar Laboratory etc, with a photograph of Arthur at the Yerkes Observatory, gelatin silver print, inscribed verso 'me at the end of the Yerkes 40" 1958', image 13.3cm x 87cm
Planetary Exploration -The Mariner Program, collection of photographs and documents including the following gelatin silver prints provided by the Jet Propulsion Laboratory, 12 prints from Mariner 6, titles recto 'Mariner 6, Top and Frame Number, each with JPL Office of Public Information description verso c.1969, each image 24cm x 19cm, with two JPL Status Bulletins July 30 1969, August 1 1969
Planetary Exploration -The Mariner Program, collection of photographs and documents including the following gelatin silver prints provided by the Jet Propulsion Laboratory, 3 prints from Mariner 7, titles recto 'Mariner 7, Top and Frame Number, each with JPL Office of Public Information description verso c.1969, each image 24cm x 19cm, with three JPL Status Bulletins July 31 1969, August 3 and 5 1969, 10 JPL large sheet film negatives of the surface of Mars (sheets approx 15.5cm x 12.5cm,
Planetary Exploration -The Mariner Program, Four medium format gelatin silver transparencies, one marked NASA LRC, cratered surface of Mars(?), with seven silver gelatin prints JPL camera calibration, each sheet 20cm x 25cm, all dated 1971 , documents including JPL Mariner 9 TV calibration report 1971, Mercury Rotation Period Determined from Mariner 190 Photography
Planetary Exploration - Mariner 9 and The Viking Program, Phobos 75 prints, glossy silver gelatin prints and others, all c.1977 images of Phobos some with hand drawn mapping and annotation by D W G Arthur, with five transparencies (for OHP?)and a related document on Phobos mapping
A George IV Bronze Plaque by John Henning, rich brown patination, depicting Raphael's 'The Healing of the Lame Man' titled with inscription from King James bible Acts 3:6,7 'Peter said silver and gold have I none but such as I have give I thee: In the name of Jesus of Nazareth rise up and walk then he took him by the right hand and raised him up' , signed Henning F May 2 1821 After Raphael, plaque 26,5cm x 18cm, in antique ebonised wooden frame frame 34.5cm x 27cm
George Romney portrait of Lt Col W Calderwood-Framed oil painting on canvas of Lieutenant colonel William Calderwood (1745-87) by George Romney (1734-1802)-William was the son of famous diarist Margaret Calderwood (1715-74) & Thomas Calderwood (d.1773)-he became Lt-Col with the 1st horse guards in the post of silver stick-married Anne Baineaves in 1780 (daughter of Col John Baineaves of Cairnbadie)-died in 1787 in Lausanne, Switzerland where a monument was erected in the cathedral to his memory-size 75cm x 88½cm (29½"x35")
HARDSTONE SET SILVER RING, with the green oval hardstone surrounded by white gems, along with a collection of other costume jewellery including a pair of yellow metal hoop earrings, gem set earring, ladys Sekonda wrist watch, Fero fob watch, Timex wrist watch and an animal claw brooch
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2466194 item(s)/page