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A PAIR OF VICTORIAN SILVER GRAPE SCISSORS by Richard Martin & Ebenezer Hall, Sheffield 1891, vine pattern, in their original fitted case. Shears 17.5cm long, 4.5 troy ouncesThe marks are clear and well-struck. The scissors function well. The case is a little worn, but the hinges are in good order, and it closes on the catch firmly. In generally good condition commensurate with age.
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO, A CYMRIC SILVER SPOON by Liberty & Co Ltd, Birmingham 1906, with hammered circular bowl, the handle with entwined Celtic knot motif. 20.5cm long, 2.5 troy ouncesArchibald Knox (1864-1933) was a highly influential designer and artist of the Arts and Crafts movement, known for his distinctive contributions to the Celtic Revival and Art Nouveau styles. Hailing from the Isle of Man, Knox's designs are celebrated for their organic, flowing forms and intricate knotwork, often drawing inspiration from the natural world and Celtic motifs. His work for Liberty & Co. in London, where he spent much of his career, was pivotal in shaping the company's reputation for innovative design during the late 19th and early 20th centuries. Knox's legacy continues to captivate collectors and enthusiasts worldwide, and his pieces remain highly sought-after examples of the decorative arts of the era. This auction presents a unique opportunity to acquire rare and exquisite pieces designed by Archibald Knox, showcasing his enduring artistic influence and significance in design history.No. 341. The marks are clear. In generally very good condition.
AN EARLY VICTORIAN SILVER SAUCEBOAT by Edward, Edward junior, John & William Barnard, London 1840, with leaf-capped handle above a scrolling rim with a reeded edge and interspersed by flower sprigs, raised on a stepped oval foot, engraved with an H. 17.5cm high overall, 20.5cm long, 15.8 troy ouncesThe marks on the front of the sauce boat are clear. It rocks slightly on the oval foot. Some surface wear but generally in good condition commensurate with age and use.
A GEORGE III SILVER TWO-HANDLED SUGAR BOWL by Stephen Adams II, London 1809, decorated with wavy reeding above a bright-cut engraved foliate band, 19.5cm wide across handles; together with a George III silver cream jug, by Peter & Ann Bateman, London 1796, 14cm high. (2) 12.6 troy ounces
A LIBERTY & CO SILVER, ENAMEL AND GLASS DRESSING TABLE BOX by Liberty & Co Ltd, Birmingham 1909, rectangular with rounded ends, the pull-off cover decorated with a border of leaves picked out in blue and green enamels. 17cm longThe marks appear to be distinct and easily noticeable. There is no personalised engraving present. There are noticeable dints and bruises along the sides of the cover. Additionally, there are a few instances of enamel loss. However, the glass remains in good condition.
STUART DEVLIN: A SET OF EIGHT SILVER AND SILVER-GILT GOBLETS by Stuart Devlin, London 1969, each tapering cylindrical bowl with gilded interior, raised on a silver-gilt deep, pierced and textured foot. (8) 15cm high, 67 troy ounces grossThe marks are clear. In generally excellent condition.
A VICTORIAN SILVER WATSONIAN CLUB MEDALLION by John Bartleman & Son, Edinburgh 1900, circular with an attached heraldic crest and motto reading TERRAQUE MARIQUE, engraved with a presentation inscription. 8.5cm high (incl. heraldic crest), 3.2 troy ouncesPresentation inscription: PRESENTED TO / Hector M. Bowie / FOR SCHOLARSHIP / AND / ATHLETICS / 1901 / CLASSICAL SIDEGood condition.
AN EARLY GEORGE III SILVER SWEETMEAT BASKET by Thomas Foster, London 1768, shaped oval form with swing-handle, the wirework sides applied with fruiting vines, wheat and insects. 17.5cm wide, 4.4 troy ouncesThe marks on the side of the foot are clear enough. Some old repairs. The handle is in good order. No personalised engraving.
ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO, A SILVER AND ENAMEL JAR by Liberty & Co, Birmingham 1920, circular, picked out with four enamel knotwork motifs, no. 5692. 10cm high, 6.2 troy ouncesArchibald Knox (1864-1933) was a highly influential designer and artist of the Arts and Crafts movement, known for his distinctive contributions to the Celtic Revival and Art Nouveau styles. Hailing from the Isle of Man, Knox's designs are celebrated for their organic, flowing forms and intricate knotwork, often drawing inspiration from the natural world and Celtic motifs. His work for Liberty & Co. in London, where he spent much of his career, was pivotal in shaping the company's reputation for innovative design during the late 19th and early 20th centuries. Knox's legacy continues to captivate collectors and enthusiasts worldwide, and his pieces remain highly sought-after examples of the decorative arts of the era. This auction presents a unique opportunity to acquire rare and exquisite pieces designed by Archibald Knox, showcasing his enduring artistic influence and significance in design history.The marks are clear. The enamels are in good condition. The lid fits snuggly. Stands well and does not rock. In generally very good condition.
STUART DEVLIN: A SILVER-GILT SURPRISE EGG by Stuart Devlin, London 1977, no. 139, ovoid form, textured surface above and below a polished band, the interior depicts a cluster of broadleaf foliage and seed pearls, in original fitted case. 7cm high, 4.9 troy ouncesThe marks are clear. Probably missing a hummingbird.
A PAIR OF 18TH CENTURY CAST SILVER CANDLESTICKS marked with a lion passant on each nozzle, the removeable nozzles with beaded rims above urn shaped sconces, each baluster stem decorated with acanthus leaves below gadrooned knops, all raised on square bases with fluted, beaded and acanthus leaf borders, both engraved with a crest. (2) 27.2cm high, 21.7 troy ounces grossIn good condition with wear commensurate with age and use. Hallmarks erased.
AN ARTS AND CRAFTS SILVER AND ENAMEL TWIN-HANDLED CUP by John Ferguson Gow, London 1954, tapering cylindrical form, twin scroll handles, the body decorated with a brown enamel flower head to each side and a raised border at the rim and foot. 5.4cm high, 3.4 troy ouncesWith a letter from the makers daughter to a family friend/ doctor to say thanks and celebrate a belated silver wedding anniversary by gifting this cup.Good condition overall.
GERALD BENNEY: A PAIR OF SILVER SALTS by Gerald Benney, London 1965, of cylindrical-form, raised on a stepped circular foot, with green glass liners and original spoons. (4) 8.5cm high, 14 troy ounces gross (excl. glass)The marks are clear. Some surface marks and scratches. The liners are in good condition. As a whole, in good condition.
AN AUSTRO-HUNGARIAN SILVER AND ENAMEL CIGARETTE BOX by Georg Adam Scheid, 900 grade silver, Vienna, import marked, William Hornby, London 1899, retailed by A. Barrett & Sons, rectangular, the hinged cover decorated with an enamel panel depicting a hunting scene, wood lined. 9.5cm wide, 10.1 troy ounces grossThe covers hinge works well and closes flush, one minor impact mark on the right hand side, light surface wear and scratches to the enamel commensurate with age, generally in good condition.
A CONTINENTAL 800 GRADE SILVER AND ENAMEL CIGARETTE CASE, CIRCA 1930 stamped 800, square, the hinged cover enamel decorated with a horse racing scene of jockeys clearing a fence, the underside with engraved monogram. 7.6cm square, 3.9 troy ounces Scratches to the enamel but no losses. The hinge is in good order, and the lid snaps shut tightly.
A PAIR OF LATE VICTORIAN SILVER CORINTHIAN COLUMN CANDLESTICKS by James Dixon & Sons Ltd, Sheffield 1895, each with a stop-fluted column and beaded sconce, the square bases chased with bellflower swags and scrolling foliage, weighted (2) 27cm highOne with a replacement nozzle. One with a small split to the bottom of the column. Some bruises and dints around the bases. Some of the load is loose inside. One leans ever so slightly. They present very well as they are such a good design.
A GEORGE III SILVER FISH SLICE by Peter & William Bateman, London 1809, Fiddle pattern, the shaped rectangular blade pierced and bright-cut engraved with floral swags and leaves, engraved initials D B. 28.5cm long, 4 troy ouncesThe marks are clear but for some slight rubbing to the maker's mark. Some surface wear commensurate with age but generally in good condition.
AN EDWARDIAN SILVER CARD CASE maker's mark illegible, Birmingham 1904, rectangular-shaped, embossed with a standing female figure with flowers by her feet, engraved with a monogram. 10.2cm by 7.6cm, 2.3 troy ouncesLight damage to the corners, some play in the hinge leading to the cover not closing flush, otherwise in good condition.
A VICTORIAN NOVELTY SILVER VESTA CASE, MODELLED AS MR. PUNCH'S DOG, 'TOBY' maker's mark rubbed, London 1882. 6cm highThe marks on the flange are reasonably clear, but the maker's mark is rubbed, and the date letter is difficult to read. The hinge is in good order, and the cover snaps closed well. Registration number to rear of hat. Minute pin-prick size hole to the top, which is not visible from the outside but light can be seen shining through from inside. Some age-related surface wear.
A VICTORIAN SILVER NOVELTY HORN-SHAPED VINAIGRETTE by Sampson Mordan & Co, London 1872, the gilded grille pierced with scrolling foliage, the body with suspension chain. 8.5cm wide, 1.2 troy ounces8cm long. 4cm high. The hallmarks are clear and well-signed to the cover. In generally very good condition without damage. The hinged covers close tightly.
A TRIO OF EDWARDIAN SILVER NOVELTY PEPPERETTES by William Edward Hurcomb, London 1906, modelled as a mother duck with two ducklings. (3) Duck is 5.3cm high, 2.7 troy ounces grossSome wear to the hallmarks but legible, the removeable covers sit flush, in good condition overall.
A GEORGE V SILVER AND ENAMEL CHRISTENING SET by Elkington & Co Ltd, Birmingham 1936, comprising a spoon, knife and fork, each with an enamel panel in the handle depicting Humpty Dumpty, Little Red Riding Hood and a Rabbit, cased. (3) Spoon 15.6cm longA couple of smaller areas where the enamel has come away, otherwise in good condition.
A VICTORIAN SILVER 'PICTORIAL' CARD CASE by Edward Smith, Birmingham 1845, the front engraved with a vignette of a river landscape, within a scrolled frame on a 'patchwork' of various engraved patterns, separated by scrolls, the reverse with similar decoration. 10cm by 7.5cm, 2.3 troy ouncesThe marks are clear. Two flea bite size holes to the edge. The hinge is in good condition, and the cover closes well. Engraved with initials verso. In generally good condition.
A VICTORIAN CHINOISERIE SILVER MUG by Richard Martin & Ebenezer Hall, London 1879, of straight-sided tapering form, chased with a bird and butterfly amidst prunus blossom and two matted reserves, the front with an engraved cartouche inscribed Jeanne, inscribed on the underside From Uncle Billy. 9.5cm high, 5.7 troy ouncesThe marks are clear. The tankard is generally in very good condition.
AN ARTS AND CRAFTS SILVER MUSTARD POT by Omar Ramsden, London 1938, of rounded cylindrical form upon a stepped circular foot with four applied chased gnarled balls, wishbone form handle leading to a hinged domed lid surmounted by a chased knop finial, the cover with embossed pelleted decoration, the underneath signed OMAR RAMSDEN ME FECIT. 11.5cm high, 5.6 troy ouncesClear marks on the underside. The cover a little loose in the hinge. No personalised engraving or erasure. Stands upright and does not rock. In generally very good condition commensurate with age.
A LARGE GEORGE V SILVER-TOPPED CUT-GLASS SCENT BOTTLE by F & Co Ltd, London 1922, of square-section, the hinged bun-shaped top opening to reveal a glass stopper, the body cut in an Art Deco geometric pattern, the base with a chamfered edge and centred by a star. 14cm highThe marks are clear. The hinge is in good condition, and the lid snaps closed tightly. The glass is in very good condition. No personalised engraving.
A GEORGE II SILVER SALVER by Joseph Sanders, London 1741, the border with shells, raised on three hoof feet, engraved with a crest. 20.5cm diameter, 12.5 troy ouncesThe marks are crisp and clear. Engraved with initials on the underside. In generally good condition commensurate with age and use.
A GEORGE III SILVER VINAIGRETTE by John Bettridge, Birmingham 1818, rectangular, engraved with a scalloped, dot pattern and monogram, surrounded by a decorative floral border, the hinged cover opens to reveal a pierced scrolling foliate grille, with a red Morocco leather case. 3.7cm wideGood condition overall, some wear to the leather case.
A FINE PAIR OF GEORGE II SILVER CANDLESTICKS by James Kirkup, Newcastle 1746 and 1747, each shaped square base engraved with a crest and with shell corners, issuing a knopped stem cast with leaves and shells, the detachable nozzles further engraved with a crest and decorated with scrolls and flowers. (2) 21cm high, 40.3 troy ounces grossThe marks on the underside of each are crisp and clear. Each numbered 1 and 2, respectively. The nozzles are unmarked. Each stands upright and does not wobble or lean. One is slightly taller by a few millimetres. The cast decoration is crisp and good. These are a lovely pair of candlesticks in very good condition.
A NORWEGIAN SILVER-GILT AND GUILLOCHÉ ENAMEL POWDER BOX by Marius Hammer, marked '930S', circular form with a hinged cover, enamelled to the cover and sides with powder blue guilloché enamel, with a fine white enamel border at the rim of the base. 6.3cm diameter, 2.8 troy ounces grossTwo small chips to the enamel below the hinge, very light surface wear. The lid closes properly and neatly but not tightly.
STUART DEVLIN: A PAIR OF SILVER AND SILVER-GILT TOTEM WINE GOBLETS by Stuart Devlin, London 1977, with a bull modelled to the textured stem. (2) 15.2cm high, 11.5 troy ounces grossThe marks are clear. Each stands upright and doesn't rock. The gilded bowls in good order. No personalised engraving. Small dint to one bowl.In generally good condition.
AN ELIZABETH II SILVER NOVELTY VESTA CASE makers mark BAC, London 1990, cast in the form of a cats head with a ribbon around the neck, the base decorated with scrolling foliage to each side of the striker. 3.7cm high, 0.7 troy ouncesThe hinge works well, a small hole in the inner left ear, some cast lines, otherwise in good condition.
A PAIR OF GEORGE II SILVER SAUCEBOATS by William Paradise, London 1729, oval form with wavy-edge border and scroll handle, on a raised oval foot. (2) 19.5cm long, 18.3 troy ounces grossEach with clear marks on the underside. No personalised engraving or erasure. In good original condition.
A PAIR OF GEORGE III SILVER SNUFFER TRAYS by Abstinando King, London 1802, of elongated oval form, each with a reeded border and an engraved crest to the centre. (2) 24.5cm wide, 8 troy ounces grossThe marks are crisp and clear on the underside of each. In generally very good condition commensurate with age.
A GEORGE I IRISH SILVER TAZZA by Joseph Walker, Dublin 1723, of circular-form with a moulded rim, on a trumpet foot with a cut-card work junction, the field centre engraved with a coat of arms in an asymmetrical rocaille C-scroll cartouche with foliate surround, all surmounted by a crest of a unicorn's head erased, scratch weight 13-01. 20.5cm diameter, 13.1 troy ouncesThe marks are clear. Stands well without leaning or rocking. Surface wear commensurate with age. In generally good condition.
A VICTORIAN SILVER SPIRIT KETTLE ON STAND by Robert Harper, London 1882, oval, the leaf-capped scroll-form fixed handle with leather grip, the hinged cover partially reeded and with carved wooden knop, the body with a flowerhead border above a crest and arms engraved with the motto AD ASTRA VIRTUS, the stand with further flowerhead border to the rim, raised on four reeded tapering legs, terminating in scroll-form feet, united by stretchers supporting a plated burner. 32.5cm high, 45.7 troy ounces gross
AN 18TH CENTURY SILVER KITCHEN NUTMEG GRATER unmarked, cylindrical, the sleeve engraved with an armorial above the date 17 Mai / 1876-1901, the inner cylinder with steel rasp and loop pull. 10cm high, 1.9 troy ounces grossSome surface wear. The cover sits tightly. In generally good condition commensurate with age and use.
A PAIR OF GEORGE II SILVER TRENCHER SALTS by Gundry Roode, London 1735, of rectangular form with concave corners. (2) 7cm wide, 2.7 troy ounces grossThe marks are reasonably clear on the underside. No personalised engraving. Each stands well. In generally good condition commensurate with age and use.
A SET OF SIX VICTORIAN SILVER NAPKIN RINGS by A E Robinson & Co, Birmingham 1885, each circular, engraved with bands of leaves and vacant cartouche, in a fitted case. (6) 4.2cm diameter, 2 troy ounces grossNo personalised engraving or evidence of erasure. Two with dents to the rim. The case with surface wear but the hinged are good and it closes well.
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2475480 item(s)/page