* Timania (Ramji P., Photographer). An album of fifty gelatin silver prints, early 20th c., mainly buildings of Bhavnagar but including the Motibagh Palace (destroyed by fire), state band, steam ferry, Magirag Girls' School, mounted back to back with printed captions pasted beneath, approx. 14.5 x 20.5 cm, most leaves det., orig. cloth lettered in gilt to upper cover, rubbed and partly faded, oblong folio The upper cover is lettered 'Album of photographs of Bhavnagar, specially prepared for His Highness The Maharaja Bhavsinhji by Ranji P. Timania, Photographer, Bhavnagar. Part II', with old palace label to front pastedown. (1)
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World Cruise, of the British Special Service Squadron, 1923-1924, an album of over 250 mounted gelatin silver print photos, depicting the cruises of HM ships Hood, Repulse, Delhi, Danai, Dragon, Dauntless and HMAS Adelaide, the images showing crew, ships, scenes and peoples visited inc. Sierra Leone, Durban, Australia, South America, Singapore, etc., the majority of images with printed captions on the photo mount, mostly small-format photos of cigarette card size and larger mounted as multiples to each page, port. of the King by van Dyck and printed map and schedule as frontispieces, together with Arthur Box's greetings card for the voyage on HMS Hood loosely inserted, orig. gilt lettered suede, rubbed and marked, oblong folio (1)
* Tonk. A studio portrait of a prince from Tonk (?), early 20th c., gelatin silver print by Johnston & Hoffmann of Calcutta, showing a heavily armed prince seated by a desk, a little abrasion damage to photo surface at extremeties, 290 x 220 mm, framed and glazed (1)
* Udaipur. Portrait of H. H. Sir Fateh Singh, Maharana of Udaipur, c. 1900, gelatin silver print by Herzog & Higgins of Mhow, wearing the breast star of a Knight Grand Commander of the Order of the Star of India and seated on a silver throne, 355 x 220 mm, framed and glazed (1)
* WWI. A group of five various Parliamentary War Savings Committee posters, c. 1915, together five colour printed posters, various printers, approx. 1110 x 630 mm (40 x 25 in) and smaller, framed and perspex-glazed The titles are: Speed the 'Silver Bullet', Buy the New Government War Loan, Do you think my 5/- won't help the War Loan? Do you realise thousands may be thinking the same... , If you buy the new War Loan your Country gets funds to carry on and win the war..., You have in your pocket silver bullets that will stop the Germans... & You can help to win the war with 5/- A safe and patriotic investment. (5)
Hernmarck (Carl). The Art of the European Silversmith 1430-1830, 2 vols. (Text/Plates), pub. Sotheby, 1977, numerous b&w plts., illusts., orig. cloth in d.j.s, with slipcase, 4to, VG, together with Watts (W. W.), Old English Silver, 1924, numerous b&w plts., partly untrimmed, orig. cloth, a few minor marks (generally in clean condition), large thick 4to, plus Jackson (Charles James), An Illustrated History of English Plate, Ecclesiastical and Secular, 2 vols., reprint ed., Holland Press, 1967, b&w illusts., orig. cloth in frayed d.j.s, thick 4to, and Bohan (Peter and Hammerslough, Philip), Early Connecticut Silver, 1700-1840, pub. Wesleyan University Press, 1970, numerous b&w illusts., orig. cloth in d.j., a few minor marks to extrems., 4to, plus others on silver and plate, including The Values of Old English Silver and Sheffield Plate, by J. W. Caldicott, 1906, Old Oxford Plate, by Harold Charles Moffatt, 1906, Silberne Abendmahlsgeräte in Schweden aus dem XIV. Jahrhundert, 2 vols., Uppsala, 1956 (two sets), Old Danish Silver, by Gudmund Boesen and Chr. A. Boje, Danish & English editions, pub. 1948/49 respec., mostly 4to/8vo (38)
A silver circular small brandy pan by William Hutton and Sons Ltd, London 1902, with a turned ivory handle and on a scroll wirework stand with feet and a lamp, 13cm (5in) high, 162g (5 oz) gross; and a similar small brandy pan by Maurice Freeman, London 1906, with a domed cover and a turned wood handle, 16cm (6.25in) long, 145g (4.5 oz) gross
A late Victorian diamond bat in the moon brooch, circa 1890, the bat with outstretched wings pave set throughout with old cut diamonds and cabochon ruby eye, silhouetted against a crescent moon of cushion shaped old cut diamonds, approximately 2.00 carats total, mounted in gold backed silver
A late Victorian diamond crescent brooch, circa 1890, pave set with a double row of graduated old brilliant cut diamonds with small diamond points between, approximately 7.00 carats total, mounted in gold backed silver with a removable brooch fitting, in a later maroon leather fitted case
A late Victorian pearl and diamond brooch/pendant and earring suite, circa 1890, the cluster brooch/pendant centrally set with a10mm pearl to a pierced mount of old brilliant cut diamonds, approximately 1.10 carats total, and an outer border of six 7mm pearls, with a removable 8mm baroque pearl and diamond drop suspended beneath and a removable diamond four stone pendant loop, with a removable brooch fitting to the reverse, mounted in gold backed silver; with a pair of 5mm baroque pearl and diamond drop earrings en suite (all pearls untested); in a purple velvet Collingwood & Co fitted case
A pair of late 19th century diamond pendent earrings, circa 1890, the open drops centrally set with a pear shaped old brilliant cut diamond with a graduated old cut diamond fringe beneath, with diamond two stone terminals, approximately 1.60 carats total, mounted in gold backed silver (with later post fittings)
A Victorian diamond starburst brooch, centred with a cluster of seven principle old-cut diamonds, approximately 2.60 carats total, within graduated old-cut diamond radiating stars and flame motifs and set throughout in silver and gold with a removable brooch fitting, in an fitted case marked S J Rood & Co, 51 Burlington Arcade
A mid Victorian multi gem set insect brooch, circa 1860, the head set with emerald eyes and an opal, the thorax set with an emerald and rose cut diamonds, the carbuncle garnet abdomen enclosed by rose cut diamond wings, mounted in gold backed silver (one leg missing)
Rolex, a gentleman’s silver wristwatch, circa 1926, no.57263 121, silvered dial with black Arabic numerals and subsidiary seconds, RWC three piece hinged case stamped ‘Rolex 18 World’s Records, Gold Medal, Geneve-Suisse’, Rolex 15 jewel movement, case and movement signed
C.G. Schwensen, Copenhagen, a mid 18th century silver open face pocket watch, no.56, circa 1755, the verge movement with a finely foliate engraved and pierced border and balance cock with steel end-plate, a steel balance, a silvered regulation dial, and Egyptian pillars, the silver champleve dial with Roman numerals, the case maker ‘DC’ (formerly a pair case but now lacking the outer case See Baille, G.H., Watchmakers and Clockmakers of the World where Christian Ludvig Schwensen, Copenhagen, is recorded as master 1755. The engraving on the plate suggests this watch may be by this maker.
Thorogood, London, an early George III silver pair case pocket watch, no.1561, circa 1762, the verge movement with a pierced and foliate engraved balance cock, foot and mask, a steel balance, a silvered regulation dial and Egyptian pillars, the white enamelled dial with black Arabic numerals signed ‘Thorogood London’, the silver dust cover engraved ‘Ste,n Thorogood, London 1561’, the inner case engraved ‘RG 1784’ the outer case with similar foliate script initials, both cases hallmarked London 1762 (case, dial and movement in need of attention, lacking the glass)
Cha’s Wilson, London, a George III silver pair case pocket watch, circa 1792, no.2994, the English fusee verge movement with a foliate engraved and pierced balance cock and foot, a steel balance and turned pillars, the white enamelled dial with black Arabic numerals, the cases hallmarked London 1792
Camden, London, a George III silver pocket watch, no.69390, circa 1795, the verge movement with a star-pierced and foliate engraved balance cock and foot, a steel balance, a silvered regulation dial and turned pillars, the white enamelled dial with black Arabic numerals, the case hallmarked 1795 (formerly a pair case but now lacking the outer case) See Baille, G.H., Watchmakers and Clockmakers of the World where John Camden, London is recorded pre 1811, a tentative attribution for this watch.
Geo Colman, London, a George III silver pair case pocket watch, no.1001, circa 1807, the cylinder movement with a foliate engraved balance cock and foot with diamond end-stone, a steel balance with three finely beveled arms, brass Bosley-type regulation dial, turned pillars and ruby end-stone to escape wheel, the white enamelled dial with subsidiary seconds and black Roman numerals, the cases hallmarked 1807
Thos. Hume, London, a George IV silver pair case pocket watch, no.2604, circa 1823, the verge movement with a foliate pierced and engraved balance cock and foot, a steel balance, Bosley-type regulation dial and turned pillars, the white enamelled dial with black Roman numerals(large chip at 4), the inner case hallmarked 1823, the associated outer case 1835, together with Tobias Fletcher, Barnsley, a George III pocket watch movement, no.611, circa 1810, the verge movement with a leaf pierced balance cock, a silvered regulation dial and turned pillars, together with a tortoiseshell covered gilt metal pair case, and a Victorian woven hair ‘albert’ with foliate engraved gold mounts, stamped ‘15c’
J Henley, London, a George IV silver pair case pocket watch, no.8857, circa 1828, the verge movement with a foliate pierced and engraved balance cock and foot, a steel balance, Bosley-type regulation dial and turned pillars, the white enamelled dial with black Roman numerals, the cases hallmarked 1828
J B Gardiner, London, a George III silver pair case calendar pocket watch, no.1837, circa 1805, the verge movement with a foliate engraved and pierced balance cock and foot, a steel balance, silvered regulation dial, and turned pillars, the white enamelled dial with Arabic numerals and an inner 31 day date chapter ring, the cases hallmarked 1805
Evans, Shrewsbury, a Victorian silver pair case pocket watch, no.953,circa 1861, the English fusee verge movement with a foliate engraved and pierced balance cock and foot, a steel balance and turned pillars, the engraved brass annular dial with a white enamel chapter ring with Roman numerals and an outer legend ‘Keep Me Clean And Use Me Well, And I To You The Truth Will Tell’, the silver cases hallmarked Birmingham 1861
Morrison, Wishaw, a Victorian silver cased open face pocket watch, no.55137, circa 1872, the English fusee lever movement with a foliate engraved balance cock and a steel regulation indicator, the engine turned silver dial with raised gilt Roman numerals, the case hallmarked London 1873, together with Charles Davies, Thornhill Road, Islington, a Victorian silver cased open face pocket watch, no.252, circa 1857, the English fusee lever movement with a plain balance cock and a steel regulation indicator, the white enamel dial with black Roman numerals, the case hallmarked London 1856
A Victorian embossed leather ‘Lady’s Companion’ book-shaped necessaire, the interior fitted with silver-coloured metal implements comprising: penknife, pencil, bodkin case, wax spoon, tape measure, button hook, scent bottle, scissors, silver thimble, leather needlecase and aide memoire, 11cm (4.25in) high
A silver mounted tortoiseshell box, by Mark Willis & Son Ltd, Sheffield 1915, the hinged shell with silver mounts and raised on four ball feet, 13cm long: and Victorian silver and tortoiseshell paper clip, makers mark JB, London 1891, heart shaped backplate with silver clip cast as a putto standing on a pedestal, retailers mark W Thornhill New Bond Street
A silver pepperette in the form of a Suffragette by Saunders & Shepherd, Chester 1908, modelled as a woman in a bonnet and carrying ivory sandwich boards inscribed ‘Votes for Women’ and ‘We Can Make Things Hot For You’, Reg. No.522382, 8.5cm (3.25in) high, 43.9g gross (1.5oz)
A George III silver snuff box by Joseph Willmore, Birmingham 1816, rectangular and engraved overall with fruiting vine, the cover inscribed ‘JA to JH’, 6cm (2.25in) long; together with a small silver cartouche shaped snuff box by M J Jessop, Birmingham 1900, 4.5cm (1.75in) long, 72.3g (2.3oz) (2)
An early Victorian silver ‘Reform’ table snuff box by Thomas Edwards, London 1837, the engine turned cover with embossed floral border above engraved inscriptions ‘Vote by Ballot’, ‘Reform’ and ‘Extension of Suffrage’, the interior inscribed ‘Presented to Frederic Villiers Esq by his Friends the Inhabitants of Canterbury in Approbation of his Conduct in Supporting Reform and Purity of Election September 1837’, the sides and base with engine turned decoration, 10cm (4 in) wide, 315g (10 oz)
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2466194 item(s)/page