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A William III silver two-handled porringer, by William Denney, London 1701, circular form, fluted decoration, scroll handles, with an oval cartouche with scroll mantling, initialled, 'B' over 'LC', the reverse with a later presentation inscription, on a circular fluted foot, the underside scratch initialled 'LB', height 14cm, approx. weight 19.5oz.
An Edwardian silver oil and vinegar stand, by Catchpole and Williams Limited, London 1903, oval form, part-fluted decoration, ribbon and reed borders, wire-work frames, on four paw feet, with two silver-mounted glass oil and vinegar bottles, one by Sebastian Garrard, the other by Charles Stuart Harris, length 30.2cm, approx. weight 31.8oz.
An 18th century silver tea urn, apparently unmarked, circa 1760-70, baluster form, embossed trailing grapevine and fluted decoration, oval beaded side handles, pull-off cover, on three pierced scroll feet, engraved with an armorial, the tap with a wooden handle, height 54cm, approx. weight 70oz.
A late-Victorian silver two-handled cup and cover, by Charles Stuart Harris, London 1898, in the early 18th century manner, circular form, central girdle above cut-card decoration with masks, leaf capped scroll handles, the pull-off cover with cut-card decoration and a knop finial, on a circular foot, later metal liner, height 34cm, approx. weight 70oz.
A pair of George III silver candlesticks, by Smith, Tate and Co, Sheffield 1814, the drip pans 1815, tapering circular form, part-fluted decoration, campana capitals with foliate decoration, on raised circular base with a foliate and shell border, engraved with a crest, height 31.7cm. (2) The crest is that of Sharp, of Durham, Lancashire, within a buckled strap inscribed with the motto of the French Order of St. Louis, for military valour.
λA five-piece silver tea and coffee set, by Walker and Hall, Sheffield 1915, tapering circular form, rosewood scroll handles with cut-card decoration, central girdles, on circular bases, with a pair of electroplated sugar tongs, height of coffee pot 27cm, approx. weight 86oz. (6)
A George III silver four-light candelabrum, by Matthew Boulton, Birmingham 1809, the inside of the capitals with maker's mark TM, fluted knopped stem, with a central capital and three fluted scroll arms each supporting a capital, on a raised circular base with a gadroon borders, height 34.5cm, approx. weight of branch 80oz.
A George III silver salver, by Ebenezer Coker, London 1762, circular form, shell and gadroon border, the centre engraved with an armorial within foliate mantling, on four claw and ball feet, diameter 41.2cm, approx. weight 60oz. The arms are those of Stavely of Yorkshire impaled by another.
A George III silver salver, by Robert Rew or Richard Rugg, London 1762, circular form, shell and scroll border, the centre engraved with an armorial and motto within foliate mantling, on three paw feet, diameter 30.8cm, approx. weight 31.5oz. The arms are those of Vernon of Hanbury, Worcestershire, impaling Whalley.
A George III silver six-section cheese warming dish, by Thomas Robinson, London 1809, rectangular form, gadroon borders, the hinged cover with fluted decoration, and fluted urn and ball finial, turned wooden baluster handle with a chain, and with a hinged water compartment, the interior fitted with six rectangular dishes, engraved with a crest, length 23.2cm, approx. weight 58oz. The crest is that of Bromwich, Carrington, How, Marden, Perkins and other families.
A George III silver salver, by Paul Storr, London 1814, circular form, gadroon and shell border, the centre engraved with an armorial, on three foliate bracket feet, diameter 20.5cm, approx. weight 14.9oz. Provenance: Fine Silver, Bonhams, New Bond Street, 22 November 2006, lot 152. The arms are those of Parker impaling Popham of Linton.
]A George II silver cup and cover, by William Tuite, London 1758, circular form, leaf capped scroll handles, the domed pull-off cover with a gadroon border and foliate finial, central girdle, on a raised circular foot, engraved with an armorial, height 34cm, approx. weight 67.5oz.
λA Victorian silver kettle on stand, by Hayne and Cater, London 1844, octagonal baluster form, engraved foliate scroll decoration, central hinged handle with ivory insulators, the stand of shaped square form, engraved decoration, scroll borders, the burner of tapering circular form, on four scroll legs terminating in oval bases, height approx. weight 89oz.
A George III silver teapot, by Paul Storr, London 1792/93, plain oval tapering form, scroll handle, tapering straight spout, flush-hinged slightly domed cover with a knop finial, length handle to spout 28.2cm, approx. weight 15.8oz. Paul Storr registered this mark on the 12 January 1793.
A George IV silver eight bottle cruet frame, by William Elliott, London 1820/1, rectangular form, reeded wire-work frame, central foliate scroll carrying handle, gadroon and foliate shell borders, one four foliate bracket paw feet, with four silver-mounted cut glass condiment bottles, and four cut glass condiment bottles, plus a mustard spoon, height 22.5cm, approx. weight 20oz.
A pair of George III silver two-handled sugar vases and covers, by William Tuite, London 1759, baluster form, foliate and fluted decoration, scroll side handles, domed covers with a gadroon border and large bird finial, engraved with an armorial and a crest, on raised circular bases, height 21cm, approx. weight 26oz. (2)
A George IV silver two-handled souffle dish, by John Wrangham and William Moulson, London 1824, circular form, drop-ring handles, on four bun feet, engraved with an armorial and with an electroplated liner, diameter 17.5cm, approx. weight 15.5oz. The arms are those of Ellis quatering Hervy, Felton, Howard and Warrenne, for Lt Col. the Hon Augustus Frederick Ellis, (1800-1851), MP, who was created Baron Seaford of Seaford in 1826.
λA four-piece Victorian silver tea set, by The Barnards, London 1853, baluster form, embossed foliate scroll decoration, leaf capped scroll handles with ivory insulators, domed covers with foliate finials, on four scroll feet, height of coffee pot 25.5cm, approx. weight 79.5oz. (4)
A large George II silver beer jug, by John Swift, London 1736, baluster form, central girdle, leaf capped scroll handle, domed hinged cover with a removable pin, pierced thumb-piece and knop finial, on a raised circular foot, the front engraved with an armorial with a mask and foliate mantling, on a raised circular base, with traces of gilding, height 32.5cm, approx. weight 59oz.The arms are possibly that of the Duke of Hamilton.
A fine Victorian presentation silver centrepiece, by John Samuel Hunt, overstamping another maker, London 1851, modelled as a lady falconer seated on a horse, holding her falcon in her left hand about to let it fly and holding the falcon's hood in her right hand, beside her a standing cadger looks on carrying his padded wooden cadge frame mounted with three falcons, at the horse's feet lies a dead heron, on a raised rocky base, mounted on a lack wooden base, the front and back applied with the Dutch Royalm Coat of Arms, and applied 'LOO CHALLENGE CUP 1851', the other end applied 'CHALLENGE CUP GIVEN BY HM THE KING OF THE NETEHRLANDS TO BE WON TWO YEARS IN SUCCESSION BY THE SAME PERSON WON IN 1851 AND 1852, BY MR STIRLING CRAWFURD'S DARKIE', height of figures 52.5cm, total height 71cm, approx. weight 176oz. Provenance: William Stuart Sterling Crawfurd and then by descent to the present owner. William Stuart Stirling Crawfurd (1819-1887) was passionate about racing. His great step niece, The Baroness of Kilbridge, Helen Constance Stuart Stevenson, wrote in her book titled 'Helen is may name': 'Uncle Crawfurd, having such good race horses, was one of the young men asked by King William of the Netherlands to bring his horses to race privately at Loo racecourse at Dorn in Holland. King William was much interested in the breeding and racing of horses and had his own club. It was called the hawking club and in spite of my extensive inquiries here and in Holland the origin of the name is a mystery. All racing trophies bore some representation to the art of hawking.'
A Continental enamel double snuff box, mid 18th century, the rectangular form with a silver-mounted hinged cover to each side, decorated perhaps in the Fromery workshop, each cover with a fox, dog and birds amidst continuous foliate scrolls and flowering branches, richly decorated with jewelled green and pink enamels, and raised gilding on a white ground, the silver mounts with Paris discharge marks, 7.7cm across.
A Continental enamel double snuff box, mid 18th century, the rectangular form with silver-mounted hinged lids revealing adjacent compartments, possibly decorated in the Fromery workshop, with rich elaborate raised gilding and jewelled green enamel in formal scrolling designs, with Paris discharge marks for 1758, 8cm.
A mid-19th century Russian silver-mounted hard stone snuff box, assay master Alexander Mitin, St. Petersburg 1857, oval fluted form, the cover and base with radiating decoration, the mounts with chased strap-work on a matted background, silver-gilt lined interior, length 8cm.
A 19th century Indian silver snuff box, by Peter N. Orr, Madras circa 1860, rectangular form, the hinged cover with chased foliate decoration and birds, tapering sides with engraved decoration, the hinged cover with a crest and inscribed 'A remembrance of Richard Green', the interior gilded and with a later inscription 'A.S.Kettlemell, from H.G, 1876', length 9cm, approx. weight 7.5oz. The crest is that of Green of Norfolk and Essex.
A 19th century Chinese Export silver snuff box, maker's mark M.B, Canton circa 1840, rectangular form, the hinged cover and sides with figural scenes in landscape settings, the base with radiating decoration and with traces of initials, gilded interior, length 6.3cm, approx. weight 2.8oz.
A George III silver snuff box, by John Shaw, Birmingham 1817, curved and rounded rectangular form, engraved lattice decoration, the hinged cover initialled, gilded interior, the end with a hinged compartment, which opens to reveal a rectangular frame, length 6.3cm, approx. weight 2oz.
A George IV silver raised relief snuff box, by Joseph Willmore, no apparent date letter, Birmingham circa 1825, rectangular form, the hinged cover with a raised classical battle scene, possibly Alexander The Great on horseback at the Battle of Issus, reeded sides and engine-turned base with a vacant cartouche, length 7.7cm, approx. weight 4oz.
A George III provincial silver snuff box, by Langlands and Robertson, Newcastle circa 1790, oval navette form, the flush hinged cover with a bright-cut border and with a crest, the interior with traces of gilding, length 8.6cm, approx. weight 2.5oz. The crest is that of Bokenham, Brockett, Creekman, Ward and other families.
A William and Mary silver double snuff box, maker's mark T.F with a bird above, possibly for Thomas Fowles, London circa 1690, oval form, with two flush hinged covers with engraved scroll and shell decoration, gilded interior, the sides with traces of gilding, length 7.5cm, approx. weight 2.6oz.,
An early 19th century jewel-set, hard stone and gold box unmarked, oval form, the cover set with a reeded panel of amber-coloured agate set with cabochon gems including a opal, moonstone and nephrite, with trailing leaf frame applied with flower heads in silver and rose gold, the gold sides finely chased with panels of foliage below a band of stiff leaves, the underside chased with a spray of flowers on a matted ground within a stiff leaf border, length 5cm.
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2465183 item(s)/page