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Lot 98A

An Edwardian umbrella, the silver handle naturalistically cast as a swans head with red stone inlaid eyes, London 1904, the handle engraved “E W Applegate” and together with a Victorian gold metal citrine set brooch (2)

Lot 116A

A George III green shagreen and silver mounted etui case (no contents)

Lot 135A

A WWI period silver cased wristwatch, Birmingham import mark 1917, with white enamel dial and Roman numerals (later leather strap)

Lot 257

A George IV rosewood and bone inlaid table cabinet, circa 1825, hinged lid opening to a quilted silk interior, two cabinet doors enclosing four drawers, fitted with white metal sewing tools, a drawer of watercolours, marble slab and glass dishes, a drawer of eight metal mounted cut glass bottles and six French plaster plaques over a drawer fitted with a writing slope and two inkwells, one lid silver hallmarked for 1829, 64cm high, 38cm wide, 28cm deep. Provenance: The White House, Marlborough.

Lot 259

A mahogany silver table, in George III style, late 19th/early 20th century, fretwork gallery, acanthus carved cabriole legs united by a shaped stretcher incorporating rocaille, 76cm high, 106cm wide, 66cm deep. Provenance: The White House, Marlborough.

Lot 514

A Victorian silver mounted ivory page turner, hallmarks indistinct, surmounted by an owl, 26.5cm long; together with two George III fruitwood snuffboxes in the form of shoes, one with pique work and inset with mother-of-pearl and dated 1878, 6cm high, 10.5cm long; the other with lid inset with a cross, 5cm, high, 12cm long

Lot 566

An Indian silver coloured metal foil covered carved wood center table, 20th century, the shaped top carved floral rosette, quadrants and borders, fluted and lobed tapering legs in William IV style, 76cm high, 198cm wide, 91cm deep overall.

Lot 1

An Arts & Crafts moonstone, emerald and blister pearl pendant, c.1900, an oval cabochon moonstone and two oval cabochon emeralds, rub set above a cruciform drop, formed from moonstones, an emerald and blister pearl, all rub set to plain silver collets, with twisted fine wire borders. Trefoil clusters of gold beads to the outer edges of each collet, with trace chain and toggle clasp. Possibly the Birmingham School

Lot 2

A sterling silver amazonite brooch by Georg Jensen, an oval cabochon amazonite, rub set to the centre, with a circular cabochon at each end. A flower head to each side, to an open lobed frame, decorated with graduated silver beads. Marked for Georg Jensen 1945 to date, no. 236B

Lot 4

A cased sterling silver Georg Jensen moonstone bar brooch, No. 117 with a circular cabochon moonstone, to a foliate surround, at the centre of a tapering bar. Georg Jensen marks for 1915-1927

Lot 5

A Georg Jensen sterling silver brooch, by Arno Malinowski, a kneeling deer amongst stylised flowers, within an oval frame, marked for Georg Jensen, 1945 to date, Sterling, Denmark, with an import hallmark London 1959

Lot 6

A sterling silver brooch by Geoffrey Bellamy for Ivan Tarratt Ltd., a pair of leaping gazelle with bulrushes, within an oval frame, signed `Geoffrey G Bellamy, Birmingham 1962`, marked for Ivan Tarratt

Lot 7

A Norwegian silver gilt Jugendstil style cigar cutter by Marius Hammer, the cuspid shaped body with sky blue and light turquoise guilloché enamel decoration, with bead squeeze action cutter. Marked `MH 830S`

Lot 8

An Arts & Crafts silver brooch in the style of Mary Thew, a circular round wire and twisted wire frame, with free-form cornelian cabochons, leaves and graduated beads

Lot 9

A sterling silver slave bangle by Hans Hanson, c.1930, court section bangle 8.2mm wide with script signature, marked `925S Denmark`

Lot 10

A sterling silver twisted wire slave bangle by Georg Jensen, twisted gilded wire and filed round wire, forming a flat section bangle, no. 17B, import hallmark London 1987

Lot 12

A sterling silver enamel garter brooch by Charles Horner, the polychrome enamel brooch of open circular form, decorated with stars to a mottled guilloché ground, together with a sterling silver Charles Horner adjustable bangle, Chester 1946, belt loop and retaining bead deficient (2)

Lot 14

A blue enamel brooch by Einar Modahl of Oslo, the flower head brooch with bead and coiled wire centre, with cornflower blue guilloché enamel petals, to a wavy ground, together with a sterling silver galleon brooch by Shetland Silvercraft, Edinburgh 1964 (2)

Lot 15

A Norwegian enamelled silver locket, with the silhouette of a moose against a sunset, to a circular waves guilloché ground, together with a filigree brooch by Marius Hammer of Bergen, 1847-1927, marked 830S, and another similar example (3)

Lot 16

A pair of Art Deco 9ct gold cufflinks, the rectangular plates with skyscraper skylines to an engine turned ground and chain connections, Birmingham 1931, together with a pair of pale pink guilloché enamel oval cufflinks, marked silver (4)

Lot 22

A pair of 9ct gold rounded triangular cufflinks, c.1960, each flat section plate diamond cut and lightly barked, to swivel fittings, London 1969, together with two pairs of sterling silver cufflinks, c.1970, one silver gilt rectangular pair, with pierced dot decoration, London 1979, and a pair of German silver cufflinks, with brushed rectangular heads, with pierced design, import hallmark, Sheffield 1974

Lot 24

A Finnish sterling silver Lapponia ring, c.1975, a folded fabric style head, with flat shoulders, signed `Lapponia` with Finnish assay marks for 1975, possibly by Bjorn Weckstrom, a Danish amber ring, c.1960, attributed to Carl Ove Frydensberg, a narrow oval cabochon amber, rub set to a tapering flat band, marked `Håndarbejde, Denmark`, with maker`s mark, together with a sterling silver ring by Magnus Maximus Designs, c.1970, a tube with cut out section to reveal a natural crystal, mounted to a flat section bar, Birmingham 1971 (3)

Lot 25

A sterling silver ring by Georg Jensen, designed by Nanna Ditzel, import hallmark London, 1966, No.91 finger size J, together with a sterling silver torque bangle by Georg Jensen, of tapering concave form, marked 925S Denmark, No 188 (2)

Lot 26

A sterling silver splash ring, c.1960, by Andrew R Taylor, a splash effect head, mounted to a flat section adjustable band, Sheffield 1969, a round section wire knot ring, Sheffield 1977, together with a contemporary sterling silver bracelet, of polished wavy bars to a hook clasp (3)

Lot 27

A sterling silver Blue John pendant, c.1970, oval slices of Blue John 45 x 35mm, within a flat section frame with enlarged hallmark detail, Sheffield 1977, suspended on a Prince of Wales chain

Lot 30

A sterling silver high `D` section band ring, London 1995, an American ring by Versani, with a rectangular head and impressed Versani logo, signed and marked 925, a wide band ring, with spinning silver and gold bands to a rose gold inlaid band, together with four other late 20th century band rings (7)

Lot 150

A silver three piece condiment set, by C. J Vander, London 1970, with textured finish

Lot 151

Two novelty silver and silver gilt mushrooms, by Christopher Lawrence, London, 1979 and 1980, `Pulling the Cracker` No.123 of 250, and `Lapis Miners`, No.165 of 250, each upon a slate plinth, 11.5cm and 12.5cm high respectively

Lot 152

A silver caddy spoon, by Edward Spencer (1872-1938) for Articifers` Guild, 1931, the pear-shaped bowl, with a round terminal and rope twist edging centred with initials `GS` pierced with three arrows, 8.7cm long

Lot 153

An Edwardian silver table suite, by Elkington & Co. Ltd., Birmingham 1907, consisting of a large shaped oval bowl on pedestal foot, with twin bifurcated scrolling handles inscribed `Presented to The Right Hon. Reginald McKenna, MP for North Monmouthshire, First Lord of the Admiralty, by his Constituents, on the occasion of his marriage, 3rd June, 1908`, a set of four navette shaped dishes on pedestal feet, and a pair of similar smaller dishes, all inscribed `Calon Wrth Galon`, a Welsh motto that translates as `heart to heart`, in original fitted oak case, 95oz. Provenance: Reginald McKenna (6 July 1863-6 September 1943) was a British financier and politician. He was the youngest son of William Columban McKenna. After being elected as MP for North Monmouthshire in 1895, he served in the Liberal governments of Henry Campbell-Bannerman and Henry Herbert Asquith, successively as President of the Board of Education, First Lord of the Admiralty, Home Secretary and Chancellor of the Exchequer. In 1908, he married Pamela Jekyll, daughter of Sir Herbert Jekyll and niece of Sir Herbert’s sister, Gertrude Jekyll. They had two sons: Michael (died 1931) and David, who married Lady Cecilia Keppel, daughter of 9th earl of Albemarle, by whom he had three daughters, Miranda, Primrose and Sophia. From 1919 until his death, he was Chairman of the Midland Bank, and it was in this capacity that he commissioned his friend, Edwin Lutyens, to design a number of buildings for the Bank between 1922 and 1932. Lutyens also designed McKenna’s homes in London (36 Smith Square), Mells Park House, Somerset and Halnaker House, Sussex. Thence by descent.

Lot 155

A modern silver shallow bowl, by Gerald Benney, London 1975, of circular form, the sides with textured bark effect, stamped `Gerald Benney, London` to base, 10cm diameter, 5oz

Lot 156

A set of four silver graduated dishes, designed as stylised flowers on four ball feet, the smaller pair by Goldsmiths` and Silversmiths` Company, Sheffield 1944, 8cm diameter, the larger two by Roberts & Belk, Sheffield 1944, 23 and 18.5cm diameter, 28oz

Lot 159

An Art Deco sterling silver strainer and stand, each of circular petal shape, with an oval handle, stamped `Sterling Silver` (2)

Lot 160

A set of six Edwardian silver dessert knives, by John Biggin, Sheffield 1902, with stylised Art Nouveau handles, and silver blades, by William Hutton & Sons Ltd., London 1902, 17.3cm long (6)

Lot 163

An Edwardian silver and enamel novelty table matchbox, by William F Wright, London 1905, realistically modelled as a giant Bryant & May Patent Special Safety Match box, with pull-out drawer, the sides enamelled in pale blue, gilt interior 12.75cm long by 8.25cm wide (2)

Lot 164

A Russian silver gilt and cloisonné enamel matchbox holder, maker`s mark unclear, possibly by Pavel Ovchinnikov, pre-1896, enamelled with stylized scrollwork surrounding a central flowerhead, in pale shades of blue, green and pink, within a white bead border, 6cm long

Lot 165

A French Art Deco silver-plated coffee set, of square tapering form, wire work thumbpiece and blue enamelled handles, comprising coffee pot, milk jug and sugar (3)

Lot 166

An Art Nouveau silver and oak photograph frame, by Henry Charles Freeman and Charles S Green & Co., Birmingham 1903, with applied silver mounts of fruiting trees, 22cm high

Lot 169

An Austrian silver coffee pot, maker`s mark for Bruder Frank, 1922-25, 800 standard, of oval cylindrical form, with an ivory handle and finial, 17cm high, 16oz

Lot 170

An Austrian silver tray, maker`s mark for Bruder Frank, 1922-25, 800 standard, of oval form with a flared rim, with ivory handles, 54cm long, 30cm wide, 42oz

Lot 171

A pair of silver salt and pepper pots, by Carr`s, Sheffield 2000, 8cm high (2)

Lot 173

A silver-plated sugar bowl and shovel, designed by Dr Christopher Dresser, Walker and Hall, of tapering form, with an ebonised handle, numbered 2017, 16cm (2)

Lot 174

A continental metalwares four-piece tea and coffee set, possibly Swiss or Dutch, c.1950, of panelled form, with ebonised handles, the milk and sucrier with gilt interiors, coffee pot 23.5cm high. Born in Amersfoort, Netherlands, in 1949, Jan van Nouhuys trained as a goldsmith at the Middelbare Technische School, Vakschool Schoonhoven (1968-71). From 1971 to 1974, he worked as a goldsmith in The Hague, after which he worked for several major silversmiths in London. Between 1976 and 1978, he ran his own studio in the Hague and then returned to Schoonhoven, where he has been teaching at his former school and running his own highly successful studio. In 1990, I was selected by a silk and garment company, Ravissant, in collaboration with a Swiss investment Bank, Alliance, to come to New Delhi to be put in charge of setting up a silversmithing workshop: Setting up the place, the layout, the tools etc. Training the appointed silversmiths to work according to the quality desired in the world. Providing the workshop with designs along which the skills could be gained and improved. Bringing about a discipline of working promoting an art focus into the whole concept of the silver work, for this company. Initially we got started with 7 silversmiths. Within a year we moved towards 20 silversmiths. The first sales took place in Bombay. In the three days for 100,000 Guilders was sold and commissioned. An unprecedented phenomena in those years, where the Western public did have no interest in contemporary silver what so ever.’

Lot 175

A cased set of twelve silver cocktail sticks, by Garrard & Co, Birmingham 1961, the terminals enamelled as playing cards, in fitted case

Lot 176

A silver-plated lighter and compact, by Dunhill, 1920s, with a concealed lipstick cylinder, 6cm

Lot 177

A pair of silver-plated chambersticks, after a design by Dr Christopher Dresser, stamped `BIRKS`, 15cm (2)

Lot 178

A silver and shagreen cigarette case, by Adie Brothers Ltd, Birmingham 1933, and a mock shagreen leather wallet, by Frank Smythson Ltd

Lot 182

An Art Deco silver corkscrew, by William Suckling Ltd, Birmingham 1938, with a stepped `T` bar terminal, 11cm

Lot 192

David Kemp (b.1945), an abstract carved red marble sculpture, inset to the base with two sterling silver medallions, one inscribed Kemp, 33cm

Lot 206

A WMF silver-plated inkwell, the clear glass bowl in a swirling stand with a putto holding a bunch of flowers, impressed mark, 7.5cm

Lot 212

*Francis Bruguiere (1880-1945), CUT PAPER ABSTRACTION 1931, gelatin silver print, credit and date in pencil verso 21 x 2.6cm. Provenance: Weston Gallery Carmel, USA. Francis Bruguiere was born in San Francisco in 1879 (some say 1880). In 1905, he became friends with Frank Eugene and Alfred Stieglitz and became a nominal Photo-Secessionist. A year later, he opened a portrait studio in San Francisco where he was born, but returned to New York in 1919 to work for Vanity Fair, Vogue, Harper’s Bazaar and the New York Theatre Guild. In 1923, Bruguiere began to photograph shaped or cut-paper designs, dramatically lit to create patterns and movement in abstract forms of light and shadow. He came to London from the USA already known as a photographer and with one completed film, and in London he produced the first British abstract film, ‘Light Rhythm’. It is a strictly abstract work which added new dimensions to these shapes: moving light-sources, a scheme of superimpositions, and the elements of time and music. Influenced by Synchromist paintings, he continued to work with cut-paper abstractions until 1937.

Lot 474

C H France, a pair of Art Deco pottery table lamps, of cylindrical form with cog type moulding and silver crackled lustre glaze, moulded mark and gold label `HARVA`, 38cm (2)

Lot 52

Fifty-two vinyl records by Elvis Presley, records include the 1956 HMV album 'Rock & Roll' (CLP 1093) poor to bad condition and the 1957 HMV album 'Rock & Roll no.2' (CLP 1105) poor to bad condition, 'Elvis' (RD 27120) silver RCA spot, two copies of 'Rock & Roll no.2' in mono (RD 7528) silver RCA spot, 'Elvis Golden Records' (RD 16069) red seal, approx 3 New Zealand pressings and a French Press 10inch of 'Good Rockin Tonight', overall condition good unless otherwise stated

Lot 100

Four wooden and metal mounted clarinets comprising J B Albert Bruxelles, retailed by Safleur, Green Street, Leicester Square, London, length 66cm, similar example by the same maker and retailer of larger proportions, length 68.5cm, Hawks Excelsior Sonorous, retailed by Hawks & Son, London no.2061, length 48.5cm, further clarinet missing mouthpiece, unnamed, length 53.3cm, an Alfred Gray special oboe, no.5259, length 60.5cm, an unnamed rosewood and silver-plated five piece flute 65.5cm, also a silver-plated lyre form music clip and adjustable circular mounting band (part with original wooden boxes and leather travel case)

Lot 122

A collection of thirty-six assorted 19th and 20th century magnifying glasses including hallmarked silver, white metal and bone, horn and bone, mother-of-pearl, faceted glass, stained horn and other handled examples, mounted on three wall hanging display panels (illustrated)

Lot 163

A 19th century rectangular bow fronted tortoiseshell mounted tea caddy, the hinged lid enclosing twin lidded compartmentalised interior with ivory corners raised on canted base, lacking original bun feet, with silver wire inlay to corners, height 10cm, width 16cm (losses and af) (illustrated)

Lot 165A

A 19th century rectangular ivory and white metal mounted miniature box, the hinged lid enclosing three section interior with gilt metal hinges indistinctly marked possibly CHB, also a novelty 19th century cruciform pendant marked to interior X Terra Catacacombarum, also an Edward VII hallmarked silver arched rectangular card case by Henry Williamson Ltd Birmingham 1909/10, with all over floral engine turned decoration, the circular end panel engraved 'Frank', 4.2x8.2cm, ivory box 2.2x11.4x6.8cm, pendant height 4.8cm (3)

Lot 177

A Montegrappa 1912 fountain pen with 925 silver body, with 18ct yellow and white gold nib stamped 750, boxed with booklet and velvet pocket badge, complete with original outer slip card case and engine turned Greek Key style decorated body, length of pen 12.5cm

Lot 181

An early 20th century WMF silver-plated metal figure of a young boy child with dog pulling his clothes, on stepped rectangular plinth base, with cast factory marks to side, height 6.5cm, length 14cm

Lot 300

Riley (Harold) - A Day with Lowry, signed by Harold Riley, published 1987, paperback, The Illustrated Limited Editions of L S Lowry, with an introduction and notes by Henry Donn, signed by Henry Donn, published by Henry Donn Gallery, Manchester 2004, Milo Manara a limited edition of 300 copies, no.102/300, signed by the author containing seven erotic coloured loose leaf pictures of a nun, produced by Milo Manara 2000, contained in a blue cardboard folding case with silver lettering, Lorenz (Peter) - Shaven Angels (3), produced by Edition Reuss, 1989, bound in hardboard with photographic pictures of ladies complete with original dust jacket, Weistling (Morgan) The Image of Christ, with inscription 'To Paul may your Heart be filled with the Peace that Only the Knowledge of his Love for You Can Bring, Epiphany 3:16-19 God Bless You, Morgan Weistling', produced by Baker Books 2000 (5)

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