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A bag and three boxes of coins includes Gibraltar One Crown Silver 2008, CU/NI 2008, Cook Islands One Dollar 2007 gold plated, Nuie Island One Dollar 2011, Edward 8th gold plated pattern coins x 3, banknote coins x 9, Tudor and Diana Princess of Wales Commemorative coins x 11 with a bag of various coins
WW2 Badge & Sweetheart collection comprising of screen printed silk hankie with Cap badges of the British & Commonwealth Forces: Royal Warwicks cap badge: Free Czech Forces enamel badge: Free Polish Air Force Observers stick pin: RAF Officers cap eagle. OA's RAF cap badge, RAF buttons, Sterling Silver US Army Ring, 2nd Lt Rank bar, US Officers collar dog, Enlisted mans cap badge, US Navy buttons, 1953 Coronation Bust ERII in silver, Jubilee 1935 badge.
New Zealand Proof sets (15) 1971, 1972 x 2, 1973 x 2, 1974 x 2, 1975, 1977 x 2, 1978, 1979, 1980, 1981, 1982. Uncirculated sets (22) 1965 x 2, 19767 x 2, 1968 x 2, 1969 x 2, 1970 x 2, 1971 x 2, 1972, 1973, 1974, 1975, 1977, 1978, 1979, 1980, 1981, 1982, Silver proof 1 Dollar 1983 in red case.
A collection of coins includes USA Morgan Dollar 1921, Falkland Islands 50 Pence 2002, Silver Proof x 4 and a CU/NI, Silver Proof 2 Pounds 2009 in box with certificate; a double Proof set combination CU/NI 1970 and Silver Proof 2008 in box with certificates, gold plated 1 oz silver ingot 1948 Olympiad, sealed mint tube of 12 USA Dollar 2008 P, London Olympics 2012, 5 coin set of 50 Pence (4)
AN EDWARDIAN SILVER CASED DRESSING TABLE AND MANICURE SET, LEVI & SALAMAN, BIRMINGHAM, 1902 comprising: two globular cut-glass bottles, two cylindrical cut-glass bottles, a nail buffer, nail beautifier, nail file and button hook, chased with scrolling foliage enclosing a cartouche engraved with initials, tallest bottle 7,5cm high (8)
A PAIR OF SOUTH SEA BAROQUE PEARL, EMERALD AND DIAMOND PENDANT EARRINGS each surmount claw-set with a pear-shaped emerald weighing approximately 1.68cts for the pair, suspending a round brilliant-cut diamond weighing approximately 0.36cts, terminating in a greenish silver baroque South Sea pearl, acid tested as 18ct gold, butterflies impressed 375, approximately 3cm in length (2)
AN ART NOUVEAU WMF (WURTTEMBERGISCHE METALLWARENFABRIK) MASSIVE ELECTROPLATE CHAMPAGNE COOLER, CIRCA 1900, PROBABLY PRIVATELY COMMISSIONED of hollow form, the circular base moulded with a broad band of dancing putti amongst garlands and swags, rising up into a tapering cylindrical column mounted with bacchanalian figures of a male on one side and a female on the other, each holding aloft large bunch of grapes with vine leaves, the column with curvilinear motifs, a detachable fitted liner, signature under each figures feet 68cm high Wurttembergische Metallwarenfabrik (WMF) initially began as a metal repair workshop operating under the name Metallwarenfabrik Straub & Schweizer in 1853, located in Geislingen, Germany. This workshop contributed to the construction of the Geislingen railway and won an award at the World Exhibition in London in 1862. In 1880 the company was officially renamed Wurttembergische Metallwarenfabrik after merging with a German company called Ritter & Co. By 1890 they had became the largest manufacturer of household metalware worldwide, subsequently patenting the silver plating technique we know today. In 1925 the company appealed to a new market, largely due to the Art Nouveau influence, establishing a viable market in contemporary art and design. The demand for elaborate and intricate designs prompted the development of handfinishing techniques, as opposed to factory production, giving each piece a unique appearance. WMF preferred to create its own designs under the direction of sculptor and designer Albert Mayer. From 1894 Mayer specialised in designs which depicted organic forms and sinuous shapes including beautiful maidens and nymphs with flowing hair and graceful postures.
AN ASSEMBLED SET OF 'OLD ENGLISH' PATTERN SILVER CUTLERY, VARIOUS MAKERS AND DATES, MOSTLY GEORGE III TO EARLY VICTORIAN, 1777-1839 comprising: 12 soup spoons, 12 dinner forks, 12 dessert spoons, 12 dessert forks, 12 teaspoons, 2593g, And A Set of later Matching 12 Dinner Knives and 12 Dessert Knives, Sheffield, 1967, in a later fitted wooden case (Comprehensive list of makers and dates available upon condition report request) (84)
A GEORGE III SILVER SIX-EGG CUP AND SPOON CRUET, REBECCA EMES AND EDWARD BARNARD I, LONDON, 1818 the rectangular open-work frame with shell-and-gadroon rim, the centre surmounted by a salt cellar with swing handle, the six detachable egg cups with conforming decoration, raised on four mask-capped lion-paw feet, salt and egg cups with gilt interior, salt engraved with a stag crest above a latin inscription "UT AMERIS AMA", two egg cups dated 1820, frame slightly bent, 999g, And Six later Victorian Silver "Fiddle Pattern" Teaspoons, Charles Boyton, London, 1867, 107g (13)
UNKNOWN HIGHLY ORNAMENTED SILVER ANGLO-BOER WAR TRINKET BOX Birmingham: 1902 Highly ornamented silver casket with pillared, foliated and tasselled edges. The panelled lid features the scrolled and foliated places where the owner served in the Anglo-Boer War: 'Elandslaagte', 'Kimberley', 'Port Elizabeth', 'Rensburg', 'Colesberg', with extra detail: South Africa and Soudan and the action of Abu Klea there. The lid is surmounted by Anglo-Irish Ryan family crest: a dolphin Naiant with scroll, the motto 'Malo Mori Quam Foedari' (death before dishonour) as a lid handle. The side of the box has the coat of arms of Monmouth School. The two longitudinal sides have the full coat of arms of the Ryan family and also the cap badge of the 19th Hussars, the regiment in which the officer served in the Anglo-Boer War. Very good condition, box is lined with quilted blue satin but additional small scroll missing below crest on top of lid.
A GERMAN SILVER TEA STRAINER, STUTTGART, 19TH CENTURY the pierced oval bowl with foliate terminal, 56g; Another, .800 standard, Martin Mayer, Mainz, the circular star-pierced bowl with foliate rim engraved with initials "ME" below a crown, 50g; A German SIlver Mounted Cut-glass Trinket Box, .835 standard, the circular, faceted body cut with a star base, with plain silver cover, 7,5cm high; A Swedish Silver Jewellery Box, C.G. Hallbergs, Stockhholm, 1935, .830 standard, rounded rectangular, the hinged cover engraved with a crest, "DEINE PATIN", "Ida Mary", "5 APRIL 1936", green velvet-lined, 13cm wide, And A Pair of German Silver Serving Spoons, Muller, Frankfurt, 18th Century, the terminal engraved with a crest, 163g (6) PROVENANCE Property of Estate Late Mrs Liselotte Hardebeck
Anon A 1796 PATTERN INFANTRY OFFICER'S SWORD 1796 Bluing on black extant with gold inlays of trophy of arms, foliated decoration and Queen Victoria's crowned cypher. Lacking right hand side fold down and a little of the silver hand-grip wire is missing. A few rust spots to blade. No scabbard.
A GERMAN SILVER FRUIT BOWL, J. WAGNER & SOHN, BERLIN, .800 STANDARD, CIRCA 1900 shaped oval, the rim and body moulded with scrolls and flowerheads, the sides applied with conforming handles, raised on four scroll and pierced latticework feet, filt interior, 990g, 33cm wide over handles PROVENANCE Property of Estate Late Mrs Liselotte Hardebeck
AN ART DECO FRENCH SILVER FOUR-PIECE CHOCOLATE SET, EMILE PUIFORCAT (1897 - 1945), PARIS, EARLY 20TH CENTURY, .950 STANDARD comprising: 2 chocolate pots, a milk pot and a covered sugar bowl, of tapering cylindrical form with reeded rims, the body, spout and cover with curvilinear decoration, turned wooden side handles, 1670g all inclusive, milk pot 14,5cm high (4) PROVENANCE Property of Estate Late Mrs Liselotte Hardebeck Henri Lappara, a much sought after Parisian silversmith, produced high quality work and is particularly renowned for his Art Deco tea services. The Henri Lappara firm was founded in 1893 and specialized in the production of flatware in classic styles, but after 1920 more of these objects became modern and geometrical of form. The firm cooperated with well known and established decorative arts designer, Paul Follot (1877-1841) and took part in various Paris exhibitions, of which the most important was Decor de la Table exhibition at Musée Galliera in 1930, where Henri Lapparra work was shown next to the work of Jean Puiforcat, Henin et Cie, Tetard Freres and Maison Cardeilhac. c. Krekel-Aalberse A., Art Nouveau and Art Deco Silver, New York 1989, p. 66, 69-70, 256. c. Markezana, Y., Les poinçons français d or, d argent, de platine de 1275 à nos jours, Turin 2005, p. 102.
A PAIR OF SILVER FIVE-LIGHT CORINTHIAN COLUMN CANDELABRA, ELKINGTON & CO, BIRMINGHAM, VARIOUS DATES 1906, 1920 & 1921 the square base moulded with swags and urns between gadroon borders, leaf-capped detachable scroll branches and nozzles, loaded, 52cm high (2) Corinthian Greek column candelabra are based ona classical, architectural style originally popularised in the Stuart era and in particular during the time of King George III. The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The Corinthian, with its offshoot, the Composite, is the most ornate of the orders and is characterised by the slender, fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. Candelabra were used for decoration in larger, wealthier homes and specifically on dining tables for formal occasions. The height and grandeur of the candelabra were practical for creating more light than a single candlestick, but they were designed primarily for aesthetic purposes and the desire to create a lavish item of silverware that would double as a centrepiece on a table.
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2475480 item(s)/page