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A mid 19th century Tartan ware (McBeth) sewing companion of rectangular curved end form, the lid with a silver shield plaque initialled ïEEFÍ, the blue velvet lined flush fitted interior with a full compliment of tools comprising silver pencil, steel bodkin, two pairs of steel scissors, pearl folding knife, thimble and a set of six mother of pearl handled tools, 15cm (From the collection of the late Mary Cruwys).
Two tape measures comprising an early 19th silver example of cylinder form decorated with flowers and leaves, spindle wound, original printed tape commencing at 2 ins, slight loss to base terminal, 2.5cm, and a mother of pearl cylinder tape measure with complete printed tape 2.7cm (2) (From the collection of the late Mary Cruwys).
A rare mid 19th Century Dutch silver emery in the form of a kettle of bulbous form, scrolling swing handle, struck twice with bird mark and once with cross mark to the neck, and to the base with the makers mark AV for A.D. Verschuur, active since 1848, Amsterdam, 5.8cm high See Victor Hovart; Miniature Silver Toys page 84
An early 19th Century silver basket form pin cushion by Joseph Taylor decorated with leaf sprays and the Prince of Wales feathers issuing from a crown, basket weave base, swing handle, marked to underside of handle IT for Joseph Taylor, 4cm high (From the collection of the late Mary Cruwys).
A mid 19th Century French rosewood sewing box in the form of a grand piano with inlaid keyboard on five turned tapering legs, the tray later fitted with a set of ten Chinese silver sewing tools including bird form scissors, sliding crochet hook, shuttle, thimble, multiple reel and silk winder, the latter with makers mark ïMKÍ, box 29.5 x 20 x 15 cm, together with a Regency red morocco and gilt tooled sewing box of sarcophagal form 18 cm (2) (From the collection of the late Helen Eastgate).
Three Edwardian leather covered dressing cases comprising a rectangular example fitted with brushes, jars and other accessories, complete, 23.5 x 21 x 7cm, another some damage to leather, 24 x 18 x 13cm and a small example with five silver mounted fittings, Birmingham 1905/06, 15.5cm (3)
A mid 19th Century continental sewing box of canted rectangular and shallow form, the lid with a colour print of a continental city within a tooled border, the sides in red leather, the interior in blue velvet, flush fitted with silver tools comprising stiletto, scissors, female head needlecase, seam knife, waxer, ribbed thimble guard, a key form needlecase on lyre form chatelaine clip, a replacement thimble, with a brass and steel clamp and a mother of pearl snowflake winder, interior lid silk shredded, general wear to velvet and exterior, 18 x 15.5 x 3.5cm (the small brass and steel clamp fits into the front of he box below the catch to secure the box to the work surface)
A mid-19th Century mother of pearl small format rectangular sewing box with a full compliment of fittings, the box in geometric pearl with abalone shell borders to the central lid, white metal plaque and escutcheon, the interior in blue silk with shaped lid panel, over a lidded and compartmentalised lower section with a set of four mother of pearl top reels, a silver thimble, a tool card with steel scissors and four tools, the lower section with waxer and tape measure en-suite, with key, 24 x 9 x 6.2cm (From the collection of the late Mary Cruwys).
A mid Victorian papier mache sewing box with a full compliment of fittings, of serpentine rectangular form, decorated in mother of pearl and gilt and painted with flowers, on four bun feet, the interior with lidded and compartmentalised tray in paper and red velvet, with a set of six mother of pearl top reel holders (one sd to edge), matching waxer and emery, silver thimble, the tool card with silver handled scissors with sheath, two bodkins and two pearl handled tools, and with a set of six mother of pearl silk winders, complete with key, 28 x 22 x 16cm (From the collection of the late Mary Cruwys).
A mid 19th Century mother of pearl sewing companion, of rectangular curved end form in geometric pearl and abalone, white metal lid cartouche, the blue silk and velvet interior flush fitted with steel scissors, silver thimble, steel bodkin and two mother of pearl handled tools, replacement needlecase, minor losses to exterior 15.2cm (From the collection of the late Mary Cruwys).
A late 18th/early 19th Century Anglo Chinese rectangular visiting card case comprised of panels of mother of pearl engraved with figures, buildings, terraces and trees, initialled ïFMÍ in an oval cartouche, silver bindings, crack to lower plain base panel, pull off cover, 9 x 5.2cm. (From the collection of Dr Ian McFeeters).
Three 19th Century rectangular visiting card cases comprising two with diamond pattern mother of pearl decoration, one with inset floral branch in tortoiseshell, and a tortoiseshell example inset to each side with a panel of flowers in abalone shell and silver wire, each approx 10.5 x 7.7 cm. (3) (From the collection of Dr Ian McFeeters).
Two smaller format silver visiting card cases comprising a rectangular example with engine turned decoration, one side with monogram, Birmingham 1876 by Deacon and Francis, 8.5 x 5 cm, in original leather case, and another with hinged cover and patent slider, London, 1909, by Needham Brothers, and stamped ïPatentÍ, 8.2 x 4.2 cm (2) (From the collection of Dr Ian McFeeters).
An early 19th Century Tunbridge ware rosewood sewing box of sarcophagal form the lid in cube work with a canted border of van dykes, on gilt brass ball feel, the compartmentalised and lidded tray in yellow paper and silk, with four later silver handled tools and a thimble, 22 x 16.5 x 10cm
Three knitting needle gauges comprising a bell form silver plated example by Chambers and Co, Priory Needle Mills, Warwickshire, Patented 17th September 1847, 7cm, a rectangular brass example stamped No. 517815, 10.5cm, and a bone example 11cm (3) (From the collection of the late Jo Ball).
Two 19th Century Dutch silver knitting sticks comprising a belt mounting example with floral engraved panel within scroll borders to a turned finial, elongated hexagonal aperture mount, 14.5cm and another with brooch form mount the tapering body with variant diaper and trellis panels to a vase form aperture, 8.6cm (2) (From the collection of Dr Ian McFeeters).
Three silver and white metal needlecases and a sewing compendium comprising a Georgian example of oval section and tapering form with engraved decoration, old repair to lower section, makers mark of Samuel Pemberton, 8.7cm, a plain cylinder needlecase, initialled, Birmingham 1906, a continental needlecase, and a German enamel and gilt metal compendium with thimble and spool, chip to enamel on upper section, 6.5cm (4)
A small composite Chatelaine with three accessories, the pin mount pierced and cast with cherub head, leaves and scrolls with three chains to a pierced white metal thimble case stamped ïSterlingÍ, a silver pencil case, and a continental silver thimble bucket with a crowned oval male portrait bust, XL within a garter oval ñCar. D.G. Scot. Ang Fr. Et. Hib.î R being an impression of a coin for Charles 1st (From the collection of the late Helen Eastgate).
Four thimble cases comprising a silver example for a chatelaine, on chain, pierced and decorated with female masks, Chester 1899, by Cornelius Desarmeaux Saunders and James Francis Hollings Shepherd, with silver thimble, 7cm, a trunk form example with silver thimble, a vegetable ivory egg form example with painted decoration, and a leather shoe form example (4) (From the collection of the late Jo Ball).
An early 19th Century continental silver thimble and pin box in the form of an oval miniature tea caddy with engraved leaf and swag decoration, dished lid centered by a fan motif and ring handle, the interior with thimble within a gilt liner to take eighteen pins, indistinct mark to lid interior, part mark to base and two indistinct marks to rim, 3.8cm wide (From the collection of the late Helen Eastgate).
A Georgian silver thimble and pin case of egg form the hinged cover with ring, hinged clasp, interior with thimble provision within a circular frame for pins, indistinctly marked to interior of top for London, probably 1782 or 1793, general dents and wear, with a later silver thimble, 6cm (From the collection of the late Helen Eastgate).
Five thimble cases and stands comprising an engine turned white metal thimble egg, makers mark A and W only, 3cm, another of barrel form, a gilt metal casket form example, a mother of pearl thimble cart with gilt metal frame and horse, 9.2cm, and a modern silver thimble stand modelled as a child on the beach with sandcastles, London 1984 by Thomas Charles Jarvis, 5cm, all with a thimble (5) (From the collection of the late Helen Eastgate).
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2466194 item(s)/page