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Prada handbag in patent leather in burgundy and beige with part silver chain strap and 1960s Balenciaga headpiece in black and a modern hat boxSold on behalf of Princess Alice HospiceCondition Report: Prada Bag- light wear to exterior, fabric disintegrating in areas to interior particularly under Prada labelBalenciaga- appears to be in good vintage condition
Vintage fashion to include Christian Dior silk nightgown and negligee in apricot, a cream silk shawl with floral embroidered decoration, a blue and silver lame coat, Dior chiffon scarf and two other scarves, panel of black lace, and other vintage clothing Condition Report: Christian Dior marked label size 38, Shawl with some light areas of staining Blue silver coat 100cm underarm, buttons coming loose
An early stump work picture (possibly late 17th century) depicting 2 ladies in a garden with typical stylised figures and motifs including peacock , beehive, sun and crown worked in silk, gold and silver couched thread with pearl, shell and beaded accents 16.5x 21cm. Embroideries of this period often featured biblical scenes and royalty. This example shows a silver thread shape in the bottom left of picture amongst reeds- possibly a representation of Moses in the bulrushes. Condition Report: Backing silk mottled , damage to (mica?) surface of pool, later frame grubby and poor condition Metal embroidery tarnished The piece would benefit from a professional clean/ restoration..See extra images
An early Edwardian Empire Line short sleeved evening gown, in cream silk chiffon and silk satin with pewter and silver beading and pearls, and tassel embellishments, slight split train with beaded edging together with a cotton satin spotted bodice with matching ruched double layered skirt skirt and a silk fringed bodice and matching overskirt.Condition Report: Dress poor condition, damage under the sleeve, tears and stainsPoor condition to other items in the lot
Max Esser (1885-1945): Croix d'autel en bronze, circa 1929-1930 Max Esser (1885-1945): A bronze Altar Cross, circa 1929-1930Inscribed 'INRI' within a sunburst, the shaft with thorns at the front, on a rectangular base and stepped plinth, ca. 75cm highFootnotes:Provenance:Max Esser (1885-1945);Acquired directly from the Estate of the artistOn 15 December 1929, a new and modern Protestant church was consecrated in Berlin-Schmargendorf, for which the altar garniture was commissioned from Max Essser. He designed a five-metre high porcelain cross and four bronze sculptures of the symbols of the Evangelists, as well as various other altar vessels. On 31 August 1931, Esser wrote to Max Adolf Pfeiffer: 'I have to work extraordinarily hard to finish everything; I shall be finished with the work in the church in about 14 days and everything will be very beautiful in the real material. The altar looks very beautiful with the large brass embossed top and the brass base for the cross. The silver vessels for the church are also finished and at the moment on display. Also three of the symbols of the Evangelists in bronze are finished, also the baptismal font is finished. The church itself is already so advanced that the painters are there. Now I'm worried about the cross, especially as I've heard that the two end pieces of the crossbar have cracked in the firing. The church should definitely be consecrated by the end of November' (quoted by Marusch-Krohn 1993, p. 111).The monumental porcelain cross was destroyed in the war. Esser made a smaller version in porcelain in 1930 (67cm high) of the same design: it and this bronze version are perhaps after a maquette for the original monumental cross.For further information on this lot please visit Bonhams.com
Très rare groupe en porcelaine figurant Petruschka, Meissen, circa 1930-1933 A very rare Meissen group of Petruschka, circa 1930-1933Modelled by Paul Scheurich, the female dancer with her arms raised and her right leg outstretched wearing a tutu and pink trousers, the male dancer leaning forwards and wearing a tunic decorated with silver stars and bells and striped trousers, a barrel organ between them, on a high elongated octagonal base decorated with a blue, iron-red and grey border, incised 'Scheurich' to the reverse of the organ, 27cm high, crossed swords and dot between the hilts in underglaze-blue to the rear of the base, incised model number A 1225, impressed former numeral 42 for Alexander Struck and incised LW 75 ('Massezeichen')Footnotes:Provenance: Private commission for Alexander Struck (1902-1990), modeller and designer at the Meissen manufactory 1923-1968Exhibited:Meissen, Museum der Meissen Porzellan-Stiftung, Paul Scheurich. Porzellangestalter Zeichner Grafiker, 6 March 2020-21 February 2021 This example is the only decorated version of the period known outside of the manufactory. The model is based on another ballet first performed by Diaghilev's Ballets Russes in Berlin in December 1912. It is likely that Scheurich saw one of the performances at the time, but it is unknown why he created a porcelain group based on the ballet 18 years later in April 1930 (Rafael 1995a, p.92, no. 42). A sketch for the model has survived and was published in the magazine 'Sport im Bild', 37/14 (1931). The first example was formed in October 1930 and then fired and painted shortly thereafter. However, for an unknown reason the group was not included in the selling catalogues of the manufactory and only in 1943 were three white examples noted as sold. See Rafael 1995c for a full discussion of Scheurich's ballet models.For further information on this lot please visit Bonhams.com
After F. Henning. after Raphael, 7 early 19th century silver plate on copper electrotype plaques with relief decoration in black wooden frames. All scenes of of a religious nature including The Miraculous Draught of Fishes, Healing of The Lame Man, Christ's Charge to Peter and more. Frame dimensions range from 28cm x 32cm to 26.5cm x 35.5cm
A silver, enamel and marcasite desk tidy, the green shagreen base with red enamel and marcasite clip, Swiss assay marks.Condition report: Overall condition fairDimensions 11.3 x 8.1 cmMarks, discolouration and losses to shagreen, see imagesMarks legibleChips to enamelThree marcasites deficientClip in working order
Two George V silver tankards and cigar case, William Neale & Son Ltd, Birmingham, 1933, Ollivant & Botsford, Birmingham, 1935, and D Bros, Birmingham, 1932, gross weight of tankards 18ozt. Condition report: Overall condition good to fairWilliam Neale Tankard - sits flat, marks legible, personal inscription to frontOllivant & Botsford Tankard - sits flat, minor dents, monogram and date to front, signed Ollivant & Botsford to baseCigar case - marks worn, partially legible, lid closes flush, scratches and dents throughout in keeping with general use, signed Finnigans Lts to base
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