A George V silver sucrier and milk jug, John Round & Son Ltd, Sheffield 1910, each of oval form with angled handles and reeded detail to bodies, each numbered to base 10638, the sucrier inscribed 'Broad Street Sunday School Crewe Presented to Mrs J North May 1911', each 10cm high, together with a Victorian fiddle pattern tablespoon, John Stone, Exeter 1846, 22.5cm long, gross weight 11.03ozt (3)CR; Sucrier in good order, no large dents, thinning, splitting or repair. Moderate scratching and wear throughout. Engraving crisp and in tact.Milk jug shows a peppering of small, shallow dents throughout. Moderate scratching and wear throughout. No thinning, splitting or repair.Spoon in good order, no large dents, thinning, splitting or repair. Heavy scratching and wear throughout.
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An Art Deco cut glass and silver mounted decanter, Goldsmiths & Silversmiths Company, London 1937, the body of tapering rectangular form with stepped shoulders, plain polished silver mount, faceted stopper, 27cm high (at fault)CR; Some small chips and nibbles to the edges and corners of the body. Scratching and wear throughout, mostly concentrated to the base. No large fractures of losses. Silver mount in good order, no splits, major thinning or repair. Some minor denting, general scratching and wear commensurate with age and use. 2cm long area of chipping to the glass inside of the collar, as well as general nibbling to the edge (see pictures). Several chips and losses to the bottom stopper (see pictures). The head of the stopper is in good order, no major cracks, chips or losses. Light scratching and wear only.
A Victorian silver sugar caster, Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, Birmingham 1886, of baluster form with reeded detail to body, upon circular foot with pierced pull off cover, 15cm high, weight 2.79oztCR: Some light denting to the body, general scratching and wear commensurate with age and use. No major thinning, splitting or repair to the body. Some light denting to the cover, general scratching and wear commensurate with age and use. No signs of major thinning, splitting or repair. Moderate wear to the gilt interior, concentrated where the cover meets the body. Cover pulls off with ease and sits flush with the body.
A Dutch silver coloured snuff box, of shaped rectangular form, the cover embossed with courting couples in 18th century dress amongst a floral surround, the sides and base engraved with shells and scrolling fruit and foliate detail, 7.2cm x 6.3cm x 2.2cm, weight 2.05ozt
A George III silver christening mug, possibly William Bennett, London 1813, of tapering cylindrical form with banded detail and shaped handle, gilt interior, 8.5cm high, weight 4.84oztCR; There are a couple of mid-sized dents to one side of the cup - these are in the areas of coopered detail and are not immediately obvious. The largest is approx. 2cm wide. There is moderate scratching and wear to the exterior commensurate with age and use. No major thinning, repair or splitting, There are a few mid-sized dents to the base (underside and rim) largest approximately 2cm wide. Moderate scratching and wear commensurate with age and use, but no major thinning, splitting or repair. There is some denting/misshaping to the rim when viewed top down. Moderate scratching and wear commensurate with age and use, but no major thinning, splitting or repair. Some loss to the gilt interior, moderate scratching and wear. Handle shows moderate scratching and wear, no no splitting, thinning or repair. Cup sits flat on a level surface.
A George V silver spirit kettle, Hukin & Heath, Birmingham 1922, of circular form with ebonised handle and knop to the hinged cover, 16.5cm high, the circular stand raised on four paw feet, supporting a circular silver well with silver plated burner, stand 8.3cm high, overall height 24.5cm, gross weight (excluding burner) 38.53ozt
An Edwardian silver mounted photograph frame, W J Myatt & Co, Birmingham 1903, of square form embossed with scrolling foliate and floral detail, rope twist border to circular aperture, purple velvet reverse, easel stand, 16.9cm x 16.9cm (at fault)CR; Heavy splitting and loss throughout. Heavy denting throughout, some areas of lifting around the edges. Heavy scratching and wear throughout. Lacking glass. Heavy wear to the velvet on the reverse. See pictures for illustration.
A George V silver tea strainer and stand, W J Myatt & Co, Birmingham 1933, the circular bowl with pierced detail, wirework handle and clip, 11.5cm long, the plain polished stand of compressed circular form, 5.7cm diameter, gross weight 1.87ozt (at fault)CR: There is beginning signs of splitting to some of the pierced holes. The bowl shows some light denting, moderate scratching and general wear commensurate with use. There is heavy denting to the rim, moderate scratching and wear. Possible signs of solder repair where the bowl meets the clip and handle. Clip shows moderate denting, general scratching and wear. Handle in good order, no obvious denting or bending, moderate scratching and wear. Bowl in good order, some light denting throughout, mostly concentrated to the rim. General scratching and wear throughout. Strainer sits flush on the stand. Stand wobbles very slightly on a level surface. See pictures for illustration.
A Victorian ribbed glass silver mounted scent bottle, Hukin & Heath, Birmingham 1892, the ribbed glass body of inverted conical form with elongated neck, plain polished mount and hinged top with interior stopper, registered design number 48328-9, 14.8cm high (at fault)CR; There is a crack radiating from the side to the base, with possible signs of previous repair (see pictures). Several chips and nibbles to the ribbed detail throughout (see pictures). Moderate scratching and wear throughout. Minor denting to the rim of the silver cover, general scratching and wear throughout, but no major splitting, thinning or repair. The cover is moderately wobbly at the hinge, however it does open smoothly and close flush. Moderate nibbling to the glass in the interior of the collar. See pictures for illustration.
A pair of Victorian silver goblets, possibly James Dixon & Sons, Sheffield 1864, each of typical form on knopped stem and circular foot, embossed with repeat floral motifs and beaded borders with vacant diamond shaped cartouche, gilt interiors, each 16cm high, gross weight 13.70ozt (at fault)CR: Both stems have been previously broken and subsequently repaired. Both feet show moderate denting. One of the feet shows small areas of splitting. Some denting to the highpoints of detail on the cups. Both show light scratching and wear throughout. Gilt interior in good order, possibly restored. Heavy wear to the hallmarks. Some loss of definition to the details. Both examples are leaning slightly. See pictures for illustration.
A Victorian cut glass and silver mounted Whisky decanter, James Dudley, London 1895, of inverted baluster form with star cut base and C-scroll handle, engraved 'Whisky', the silver flared collar with inscription 'Souvenir of Redlands Nursery from George & Alma Foster', cut glass spherical stopper, 20cm highCR; Body in good order, no cracks, chips or losses. Moderate scratching and wear throughout commensurate with age and use, particularly to the base. Silver collar largely in good order, no major dents, splitting, thinning or repair. General scratching and wear commensurate with age and use. Glass knop in good order, no cracks, chips or losses. Moderate scratching and wear throughout commensurate with age and use.
A large quantity of silver mounted, silver plated and silver coloured tableware and accessories, to include; a cased set of six copper wine goblets by Berczi, each 15cm high, a twin-handled silver plated tray by Viners of Sheffield, 58.5cm wide, an EPNS four-piece tea service by James Deakin & Sons, three serving dishes and covers with Pyrex liners, 26cm wide, a weighted silver handled carving knife and fork by Cooper Brothers & Sons Ltd, Sheffield 1979, and a further selection of serving dishes, centrepieces and cutlery (Qty) (at fault)
An Ashberry four-piece silver plated tea service, comprising teapot, hot water jug, sucrier and milk jug, each piece of baluster form with half-reeded bodies, teapot and hot water jug with black angled handles and knops, hot water jug 24cm high, together with an silver plated oval galleried tray, 45cm x 30cm, and pair of silver mounted clothes brushes, Daniel Manufacturing Company, Birmingham 1922, 13.5cm long, and a further silver mounted clothes brush, 12cm x 7cm (8)
A selection of silver commemorative coins, to include four silver 500 lire coins commemorating the V Centenary of the birth of Michelangelo Buonarroti, two further 800/1000 silver coins commemorating the V Centenary of the birth of Michelangelo Buonarroti, four 500 lire coins commemorating the centenary of the birth of Guglielmo Marconi, and two cased Canadian silver dollars commemorating the centenary of The Transcontinental Railway (12)
A Victorian silver and mother of pearl fruit knife, Thomas Marples, Sheffield 1867, the shaped handle with beaded border, 13cm long, together with a further Victorian silver and mother of pearl fruit knife, marks for 'H&F', Birmingham 1863, 10cm long, and six further Victorian and later silver and mother of pearl fruit knives, longest 13.5cm (8)CR; See further pictures for illustration.William Needham example: Small dent to the tip of the blade. General scratching and wear to blade. No cracks, chips or losses to the mother of pearl handle. General scratching and wear throughout.Thomas Marples example: Heavy wear/loss to the end of the blade. Some light bending to the blade. Heavy scratching and wear to the blade. Handle shows moderate scratching and wear, and requires cleaning, but no large cracks, chips of losses.John Yeomans Cowlishaw example: Moderate wear to the blade around the tip and edge. Some light bending/misshaping. General scratching and wear commensurate with age and use. Handle shows moderate scratching and wear, but no large cracks, chips of losses.Francis Howard example: General wear and minor loss to the tip of the blade, heavy scratching and wear. No obvious bending or misshaping. Blade does no sit flush when folded (see pictures). Handle shows moderate scratching and wear, but no large cracks, chips of losses.H&F example: Some light denting to the tip. Thinning around the edge. Moderate scratching and wear. Some bending/denting to blade. Handle shows moderate scratching and wear, but no large cracks, chips of losses.Villiers & Jackson example: Some thinning and minor loss to the blade. General scratching and wear throughout commensurate with age and use. Handle shows moderate scratching and wear, but no large cracks, chips of losses.Second William Needham example: Some bending and misshaping to the tip. Some light bending to the blade. Moderate scratching and wear throughout. Handle shows moderate scratching and wear, but no large cracks, chips of losses.
QUEEN ELIZABETH II INTEREST; A Garrard limited edition Silver Jubilee clock, number 85 of 250, the walnut arched case applied with a sterling silver ring handle above the 15cm break arch solid silver dial applied with the E.R cipher, and enclosing the 28 day, three train movement chiming three tunes on a graduated nest of eight bells, the back plate with engraved foliate detail and inscribed 'Specially Commissioned By Garrard The Crown Jewellers, From F.W Elliot 85/250', 32cm high, complete with framed certificate and key
A Tudor Oyster wristwatch, the circular black dial with Thai numerals and subsidiary seconds dial to six 'o' clock, set to a silver coloured case, Rolex coronet monogram to crown wind, the reverse engraved 'By Rolex Geneva Original Oyster Case' and numbered '315547' and '7958', case 32mm diameter, upon a later leather strap with buckle fastening Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding. CR: Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Some wear and loss to the enamel numbers and letters, visible under 10x magnification. Dial in good order, no cracks, chips, fracture or loss. Moderate scratching and wear to the hands. Heavy scratching to the glass. Moderate scratching and wear to the case, with heavier wear to the ridges on the reverse cover. Reverse case cannot be removed, however their does appear to be deterioration to the rubbed seal sticking out of the cover under 10x. Heavy wear to the leather strap, one of the leather loops securing the strap has split. This watch ticks when wound. See additional images for illustration.Both hour and minute hands are present - please view pictures six and seven for illustration.There is no indication that this dial is a later replacement.
A cased Danish fish serving set by David Andersen, the tapering two-colour handles engraved with floral motifs and monogrammed initials to cartouche with urn finials to terminals, the shaped silver gilt blades with foliate engraving, fork 28cm long, knife 30cm long (2)
A Georg Jensen Mobius silver bangle, designed by Vivianna Torun, no. 206, Georg Jensen oval mark, 8.1cm x 6.5cm (interior 5.7cm x 7.1cm), weight 58.4gms, in associated boxCR; Bracelet shows no obvious thinning, splitting or repair. There is moderate denting peppered throughout, particularly to the borders. There is heavy scratching and wear commensurate with age and use throughout. This piece would also benefit from professional cleaning.
A Georg Jensen sterling silver sphere bangle, designed by Regitze Overgaard, no. 473, George Jensen oval mark, 7.9cm wide (interior 6.6cm diameter), weight 18.7gmsCR: Overall condition is good, no thinning, splitting or repair. There are small dents to the edge of the bangle peppered throughout, moderate scratching and wear to the piece throughout, commensurate with age and use. Spheres appear secure, though there is a slight rattling sound when the bracelet is moved, the source of which cannot be located. There is no enamel on this pieces - there is a gap between the spherical spacers and the border, similar to a 'halo' setting. There is some dirt build up between the spacers and borders, and some cleaning is required. The marks to the bracelet are: '925S', Georg Jensen pinprick oval mark, design numbered '473' and the letter 'L'.
A Georg Jensen silver rope twist bangle, design no. 17B, George Jensen oval mark, 7.5cm wide (interior 6.6cm wide), weight 23.5gmsCR; Measurements are as stated in description.Bracelet in good order, no major denting, splitting, thinning, misshaping or repair. There is general scratching and wear/minor loss of definition to the highpoints throughout commensurate with age and use. Marks are crisp and clear.
An early 20thC open faced pocket watch, with 4cm diameter Roman numeric dial, marked Kendall and Dent, with subsidiary Arabic second hand in a part engine turned case with vacant cartouche, marked 0.800, 6cm high, a Sekonda eighteen jewel silver plate pocket watch, various part movements, faces, one marked A N Cross, etc. (a quantity)
An early 20thC open faced pocket watch, the 5cm diameter dial marked Acme Lever H. Samuel Manchester, with Roman numeric dial and subsidiary second hand, in engine turned case with vacant cartouche, marked 925, keywind movement, with silver Albert watch chain with T bar end, 39cm long, in associated case.
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2466194 item(s)/page