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A jade-mounted metal hand mirrorThe jades late Qing dynastyThe silver plated metal frame surrounding a large oval jade plaque with a caparisoned elephant supporting a ribonned vase carved across the convex surface, the handle mounted with a jade belt hook carved in high relief with a dragon-head hook facing a deeply undercut chilong reversed by an oval button (lacking glass mirror). 9 1/4in (23.5cm) length overall
Two jadeite banglesThe first carved from stone of cloudy white color displaying subtle areas of greenish tinge, mounted in opposing metal alloy clasps; the second bangle comprised of half stone of more translucent icy hue and half of silver metal alloy chased in floral motifs. 3 1/4in (8.2cm) outer diam. (2).
A jade and hardstone-mounted circular silver box and coverThe fitted lid closing over the cylindrical body of wire filigree colored with in blue enamels, mounted with jadeite and semi-precious stone cabochons and two nephrite bangles carved as stylized dragons.3 3/4in (9.5cm) high (2).
Two pairs of embroidered civil official's rank badges, buzi Early 20th centuryBoth pairs made for the fifth rank official, each square with an applied silver pheasant attached to its center perching on a rock; one pair embroidered in fine gold and silver-couched threads and blue silk flosses in varied shades, depicting a silver pheasant facing the red sun surrounded by dramatic large cloud scrolls above crashing waves and a lishui border; the second pair similarly decorated, with rows of stylized lingzhi-clouds surrounding Buddhist emblems; all enclosed by metallic thread-embroidered borders; each square framed and glazed.11 x 11 1/2in (28 x 29.2cm) and 11 x 12in (28 x 30.5cm) dimensions of rank badges excluding frames (4).
A large studio ceramic jarMeiji era (1868-1912), late 19th centuryDecorated in colored enamels and gilt over a clear glaze with poem cards illustrating the Rokkasen (Six Immortal Poets), each figure raised in relief and superimposed over another card inscribed with a poem, unsigned; the wide mouth fitted with a reticulated and silver-washed metal cover. 16in (40.7cm) high [excluding the cover]
A pair of Shibayama lacquer vases with elaborate overlay decorationMeiji/Taisho eraEach of hexagonal baluster form, covered in various shades of gilt lacquer including thekinji, gyobu nashiji, nashiji, hiramaki-e and takamaki-e techniques, the floriform lip on the neck mounted in silver also used for the elephant heads with loose rings at the shoulder and the frames surrounding the flower and bird panels on the vessel walls intricately worked with various colors of other-of-pearl, lacquer and other materials, the two-character mother-of-pearl cartouche reading To'an (repairs).10 3/8in (27cm) high (2).
Eduardo, Sir Paolozzi (1924-2005)Zero Energy Experimental Pile I The complete set of six screenprints in colours, 1970, on Astrolux, laminated to clear acrylic, each signed, dated and numbered 4/100 in black ink on laminate, with justification page additionally signed, dated and numbered 4/100 in black ink, with the original silver solander box, published by Petersburg Press, London, the full sheets, each 840 x 580mm (33 1/8 x 22 7/8in)(7); 870 x 600 x 55mm (34 1/4 x 23 5/6 x 2/18in)(Box)This lot is subject to the following lot symbols: AR
Sir Peter Blake (British, born 1932)American Trilogy (Black) Screenprint in colours, 2012, with silver leaf and embossing, on wove, signed and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 150, published by CCA Galleries, London, the full sheet, 834 x 604mm (32 7/8 x 23 3/4in)(I)This lot is subject to the following lot symbols: AR
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2475480 item(s)/page