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A pair of nickel plated metal and red marble mounted columnar table lamps, of recent manufacture, each with Composite capital, tapering shaft, square section plinth and stepped base, 60cm high overall Please note: These table lamps are silver plated, not nickel plated condition report:** Good overall shape, as would be expected given their recent make. Electrical fittings/wiring will need checking by an electrician.
A small collection of silver and vertu, including: a silver tortoiseshell pique circular silver box by E. S. Barnsley & Co., Birmingham 1919, 6cm diameter; a Continental silver coloured flask, pseudo marks, late 19th-early 20th century, cast with figures on a terrace to either side, 7cm high; a late Victorian circular silver pill box by Heath & Middleton, Birmingham 1899, 3.6cm diameter; a heart shaped embossed pill box by Adie & Lovekin Ltd, Birmingham 1900, 4cm wide; a patinated metal and marble desk seal, mounted with a model of a seated cherub, 5.2cm high; a 19th century gilt painted cut glass scent phial and stopper, 13cm long; a silver metal desk seal, 12 lot standard, German or East European, 19th century, the table with a monogram ‘SM’; two various vesta cases and five other treen or metal boxes
A late Victorian silver-mounted flask by Beare Falcke, London 1896, with hinged spherical cover, to a plain glass body with cup base, engraved with a monogram ‘CI’; another similiar, with silver-plated mounts; a silver rectangular cigarette case by Stephen J Rose, London 1945, engine turned, and a Victorian silver-gilt sovereign case by William Neale, Birmingham 1885, both engraved with a griffin crest, 287g (9.2oz) gross weighable
A matched silver cream jug and twin handled sugar basin, maker’s mark rubbed, Birmingham 1926, and by Charles Weale, Birmingham 1931, the sugar basin import marked for Dublin 1930-31, of pedestal form with stylised celtic serpent handles, the cream jug 9cm (3.5in) high; and a sugar tongs, Sheffield 1930, import marked for Dublin 1930-31, 379g (12.2oz) gross, in a fitted case for Weir & Sons (Dublin) Ltd
A Victorian silver oval half reeded teapot by Charles Stuart Harris, London 1888, with composition lobed finial and harp shaped handle, on a collet foot, engraved with a crest and legend ‘Nobilis est ira leonis’, 24.5cm, 9.75in long, 510g (16.6oz) gross. The crest and motto of this teapot belongs to the name of Stuart, kinsman of the Marquesses of Bute who use this crest and motto along with another crest and motto for CRICHTON. The first husband of Mrs Knatchbull-Hugessen (Ropley House) was Lord James Charles Crichton-Stuart, son of Sir John Crichton-Stuart, 5th Marquess of Bute and Lady Eileen Beatrice Forbes. In 1947 ownership of Dumfries House passed to Sir John Crichton-Stuart,5th Marquess of Bute and upon his death in 1956, the Dowager Marchioness of Bute returned to live at Dumfries House.
A William IV silver three piece tea set by Edward, Edward Jr, John and William Barnard, London 1835, the compressed circular bodies with shaped, everted rims and engraved with scrolls, foliage and trellis work panels between mainly vacant cartouches, of a teapot with sprung domed cover to a whippet finial, engraved with a crest and initials TJC?, a two handled sugar basin with gilt interior, and a cream jug, the teapot 27.5cm (10.8in) long, 1395g (44.85oz) gross
A collection of silver condiment containers, comprising a pair of circular mustard pots by Tessiers Ltd (Herbert & Lawrence Parsons), London 1957 and 1958, each with blue glass liners, 5cm (2in) high; a complete set by Viner’s Ltd., Sheffield 1958, of a pair of salt and pepper shakers and a mustard pot, the shakers 10.8cm (4.25in) high; a squat baluster shaker by Elkington & Co Ltd, Birmingham 1908; a bon bon dish by Walker & Hall, Sheffield 1925; and a navette shaped salt, heavily restored, with blue glass liner
A collection of silver napkin rings comprising a set of six Victorian circular examples by George W Adams for Chawner & Co, London 1875, bright cut engraved; a cased oval pair by Henry Clifford Davis, Birmingham 1957, inscribed with a date; a further oval example by John Rose, Birmingham 1934, with Silver Jubilee mark; and pair of wine labels by Francis Howard Ltd, Sheffield 1970 and 1972, inscribed ‘Sherry’ and ‘Whisky’, and a further Victorian silver wine label by George Unite, Birmingham 1844, inscribed ‘BRANDY’ between engraved scrollwork, 397g (12.8oz) gross
An Edwardian silver octafoil dish by Skinner & Co, London 1909, in the mid-17th century style, embossed with a stylized flower within each heart-shaped panel to a slightly convex centre embossed ensuite, with two shell handles, 20cm (8in) diameter, 373g (12oz)
A collection of silver flatware comprising a set of six teaspoons and sugar tongs by Walker & Hall, Sheffield 1934, in a case; and three Fiddle pattern dessert spoons and six Fiddle pattern dessert forks, various dates and makers, 488g (15.7oz); together with various electro-plated items, including a pair of mid-19th century coasters
A mahogany silver table, in George III style, 19th century, the waved gallery and serpentine top above blind fret decorated cluster column legs and stretchers, 73cm high, 92cm wide, 58cm deep condition report:** Marks, scratches and abrasions consistent with age and use. Old closed splits, some likely later repairs/replacements. Possibly constructed with 18th century elements
* Ruskin (John). Notes by Mr. Ruskin. Part I. On his Drawings by the Late J.M.W. Turner, R.A. Part II. On His Own Handiwork Illustrative of Turner. The above being exhibited at The Fine Art Society’s Galleries, 148, New Bond Street. 1878, 11th thousand, revised edition, [1878], Ruskin’s own copy, with his ms. ink and pencil annotations, orig. printed wrappers, dusty and a little marked, front cover detached and frayed (at one time attached with brown tape still present at gutter of title), upper margin of front cover with ms. note in Ruskin’s hand ‘Mine - with Guardian reviewinside’ (review no longer present), ‘With the Author’s Compliments’ slip tipped-in oninside front cover, 8vo, together with Ruskin’s own green morocco-backed blank drawing book, approx. forty blank leaves of coloured paper, upper hinge broken, folio, plus a large cloth portfolio containing fifteen blank sheets of drawing paper which belonged to Ruskin, plus an armorial seal, possibly Italian, the ivory seal in engraved silver setting, with carved agate handle, length 70mm (2.75ins), plus an amethyst and gold watch key, the stone engraved with a flower and ‘To You’ (in reverse), length 20mm (.75ins), and a small amethyst and gold drop earring, both of which belonged to Ruskin’s mother, plus a small quantity of related catalogues and ephemera (6)
A Victorian silver plated epergne, the cut glass trumpet shaped flower vase supported on a tapered reeded and palmette column, the circular base embellished with three mythical winged beasts and foliate borders, registration marks to the base, overall height 58cm.
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