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A silver box, by R & W Sorley, London 1918, of oval form with gadroon borders and lion mask ring handles, 16.5cm wide, 15oz CONDITION REPORT: Small dent to reverse. Surface scratches. Spot of corrosion to inside lid surface. Small knocks to inside rim. Please view additional images.
A James II trefid spoon, by Edward Hulse, London 1690, with beaded rat-tail and prick-dot engraved initials 'N*C', 9cm long In London Silver Spoonmakers 1500-1697 (The Silver Society, London 1981, pp.49-50), Tim Kent mentions a maker called 'E H crowned' which was later identified as Edward Hulse in The Finial (April 1994, p.8 ). Tim mentions an 'exceptionally rare gold trefid' by him and described him as 'a specialist spoonmaker of skill' CONDITION REPORT: Marks a little rubbed. Edges of bowl thin. Two small dents to bowl. Very slight crease beneath initials, only visible to reverse though. General wear, including surface scratches and small knocks. Please view additional images.
A pair of George III silver wine coasters, probably by Crispin Fuller, London 1819, of half fluted circular form with gadroon borders, the turned wooden bases inset with circular discs engraved with crests, 14cm wide CONDITION REPORT: Generally worn. Both have dents to them and foot rims are worn with the wooden bases not fitting snuggly. One has a mishapen rim that has been squashed and creased. The other rim is slightly mishapen. See images.
A silver caster, by Hamilton & Inches, Edinburgh 1933, of baluster form with moulded girdle on circular pedestal foot, the pierced domed cover with baluster finial, 20cm high and a second silver caster, by Francis Howard Ltd, Sheffield 1965, of octagonal baluster form, with gadroon border to foot, 17.5cm high, 10oz (2)
A collection of six silver caddy spoons, one by Joseph Taylor, Birmingham 1812, with leaf shaped and engraved bowl and bifurcated fiddle pattern handle, 7.5cm long, a shovel caddy spoon with twisted whale bone handle, by same maker, Birmingham probably 1807, 10.5cm long, another shovel example with turned ivory handle, by Joseph Willmore, Birmingham 1806, monogrammed, 9.25cm long, two modern examples to include a jockey cap, and another Georgian example (6)
A pair of George III silver shoe buckles, possibly by Joseph Egginton, London 1792, of oblong form with a band of double beadwork with flowerhead decoration, 8cm long CONDITION REPORT: E.E engraved to reverse of both buckles. Surface of steel rusted and a little uneaven. Decoration a little rubbed but normal. Please view images.
An enamel silver miniature carriage clock, with import marks for Stockwell & Co., London 1910, the case with powder blue enamelling within white enamelled borders, the enamel dial inscribed Tiffany & Co., with single fusee movement with repeater striking on a gong, 7.5cm high CONDITION REPORT: Cracks to enamel on dial. A number of areas of loss to enamel on case. Remnants of silver gilt, the majority is rubbed off. Inner rim of door is bent in places, so doesn't close tightly. Movement works, repeat and stike work.
A Continental sewing compendium, probably French, early 19th century, with mother-of-pearl sewing implements comprising, a pair of scissors, bodkin and spike, needle case, pair of winders, wax spool, with gilt metal mounts and a silver thimble en suite, in a treen fitted case CONDITION REPORT: The thimble with French hare discharge mark
A pair of silver harebell posies, by Sarah Jones, London 1982/83, the enamelled flowers standing in silver mounted glass vases, and another posy of dandelions, lacking vase Sarah Jones is well known for her small decorative silver which is held in numerous private collections including those of the Royal Family. For a similar example, see Treasures of the 20th Century, The Goldsmiths' Company 2000, page 87
A collection of five silver caddy spoons, to include: a shovel, by John Lawrence & Co., Birmingham 1818, with trellis engraving to bowl, 8.5cm long, another shovel, maker's mark unclear, possibly Birmingham 1836, with mother-of-pearl handle, monogrammed, 11cm long, and two modern jockey caps and another example (5)
A silver mounted agate snuff box, unmarked, 18th century, of cartouche shape, with fruit and foliate border, gilt interior, 6.75cm wide CONDITION REPORT: The base agate has a number of cracks. It has associated losses, some of which have been filled. Some discolouration to interior gilding. General wear and a crude scratched letter to the back, beneath hinge.
A William IV silver card case, by Taylor & Perry, Birmingham 1831, of rectangular form, the front engraved with trellis work and foliage on a pricked linear background, the reverse with central shield shaped cartouche surrounded by foliage against a similar background, monogrammed, 8.75cm long CONDITION REPORT: General wear. Case doesn't lie completely flat, slightly twisted. A number of small dents, including one to side. Please view additional images (available upon request).
A novelty scent bottle, late 19/th/early 20th century, modelled as a bird's egg with a silver cover modelled as a chick's head, with 'Rd. No. 20772' on base of egg, and 'Rd. No. 20060' on cover, 7.5cm long CONDITION REPORT: Crazing to ceramic egg. Minute knocks to rim of head. No obvious major fault.
A George IV silver nutmeg grater, by Joseph Taylor, Birmingham 1828, of engine turned rectangular form, with hinged steel grater, monogrammed within a plain rectangular cartouche, 4.25cm long CONDITION REPORT: Rust to steel grater. Some tarnish. Lid doesn't shut tightly. Light general wear.
A Victorian novelty silver mounted double ended scent bottle, by S. Mordan & Co., the silver mounts modelled as British military Shako caps, with red glass body, 14.75cm long CONDITION REPORT: Tarnished. Both ends missing stoppers. Underside of one lid, beneath glass, dirty and discoloured. Other end very difficult to open, so some marking to star badge button. Also has white substance visible beneath collar, perhaps reattached to glass body.
A pair of large George III Irish silver wine labels, by George Nangle, Dublin c.1795, of navette form with pierced leaf borders and brightcut decoration surround, incised 'Port' and 'Claret', 6.5cm wide CONDITION REPORT: Dent to border above 'L' and 'A' in CLARET. Surface scratches. Please view additional images.
Three George III/Victorian silver wine labels comprising; one by Elizabeth Morley, London 1793, of rectangular form with canted corners with shell capped reeded borders, incised 'Sherry', 4.75cm long, another by Thomas & James Phipps, London 1821, of rectangular form with canted corners and reeded borders, incised 'Sherry', 4.5cm long, and another by Colen Cheshire, Chester 1899, of vine leaf shape pierced 'Whiskey', 7.5cm long, an old Sheffield plate example, incised 'Madeira', and two silver plated examples, incised 'Brandy and 'Port' (6)
A Continental diamond set matched necklace, earring and brooch suite, late 18th or early 19th century, possibly Iberian or Portuguese, the necklace composed of a series of rectangular silver paper scroll links, quatrefoil links and sea scroll links, all rub set with rose cut diamonds and applied gold loops. The earrings composed of a rose cut diamond to a scallop collet with later post and butterfly fittings, pendant drops deficient. The brooch formed from the diamond set clasp section of a similar necklace. Fitted case by Bright and Sons, Scarborough (4) CONDITION REPORT: Some areas with lead solder repairs to the underside of the necklace. Some diamonds deficient.
A Victorian graduated rock crystal 'Pools of Light' necklace and bracelet suite, the necklace composed of eighteen spherical rock crystal beads, 10.8-24mm diameter, with each bead spectacle set in a band with dash decoration, and a scalloped guard to each side. Concealed box clasp, safety chain and evidence of pendant fitting to the central bead. The matching bracelet of twelve beads, 9.1-16.8mm diameter, that can be joined to the necklace and worn at a longer length. Tested as silver (2) CONDITION REPORT: Many of the eyelets are open and will have to be secured. Evidence there was once a pendant to the necklace. Some traces of gilding remain. Bracelet 190mm in length. Necklace 380mm in length. Chip to one sphere (see image). Section of gallery deficient (see image). There may be other inclusions of marks to the surface of the spheres, but as many turn in the spectacle settings, we can not discount them or provide images (see one image). Each sphere appears to be a whole, not two halves.
A Victorian silver necklace, composed of hollow tubular links, with hand engraved arched plaque links between, with a polished bead to each outer edge CONDITION REPORT: Length: 410mm. The large hollow bolt ring clasp looks in keeping with the piece, but is probably a replacement. It does not have a stop bead, so is difficult to operate. One dent to the underside, some bruises and scratches commensurate with its age. No noticeable marks to the front. Engraving nice and bright.
A Victorian silver fringe necklace, with two rows of double belcher link chain, with a row of polished decorative beads to the inside edge and a row of pear shaped drops, forming the fringe to the outer edge CONDITION REPORT: Tests as silver below sterling standard. No dents, splits or obvious repairs to the interior row of beads. Occasional dents and splits to the hollow two row belcher links. No obvious damage to the pear shaped fringe links. Length 485mm approximately. Width 23mm approximately.
A Victorian silver gilt sliding boss, the plaque 104mm diameter, with a large circular mixed cut smokey quartz, claw set to the centre. A border of six micro mosaic roundels depicting religious symbols, Chi Rho, Mariner's Cross, the Eye of God, with repoussé leaves between, to a twisted wire edge CONDITION REPORT: Very dirty and tarnished. Dull and matt finish. Gilding worn on some of the high points. The loop fittings on the back appear to be original to the piece, and would fit a leather belt. 90-95mm wide (worn diagonally across the body?). Tesserai all intact, but dirty.
An Aesthetic Movement silver bracelet, with a series of hollow elliptical plaques, each one hand engraved with naturalistic scenes, all joined by arched links to a concealed box clasp and safety chain, together with a sterling silver wide link bracelet, Birmingham 1962 (2) CONDITION REPORT: Aesthetic movement bracelet: 212mm (approximately) in length. Wide bracelet: 190mm (approximately) in length.
A silver and silver gilt lariat style bracelet, possibly Austro-Hungarian, pairs of square fleur de lys links, all joined by gilt jump rings, decorated with either a pair of gilt caps with a milled border, or a red paste stone, claw set to a white enamel collet, with gilt milled border. Pairs of foxtail chain tassels with ornate bead terminals and adjuster bead CONDITION REPORT: Minor blemishes and imperfections to the enamel. Some wear to the gilding, noticeably paler on the chains. Tarnish to the silver. The sliding bead lariat does not grip. Weight 31.6g. One chain length 45mm; one chain length 45mm; bracelet length 120mm. The bracelet section is 120mm in length plus 45mm of chain at each side, when the lariat bead is at the furthest point.
An Austro-Hungarian silver gilt and gem set locket on a gold chain, the oval hinged locket with foiled garnets and cabochon turquoise, between raised enamel flower heads, to enamel swags and a textured ground. Glazed and hinged back cover with a turquoise and enamel set scroll top and flower head bale. A gilt metal chased split ring to a baby belcher gold chain with a wire hook clasp. The chain tested as approximately 18ct gold CONDITION REPORT: Dimensions of the oval section of the locket 33 x 27mm. Length including the flower head bale 52mm. The engraved split ring is not part of the locket, and can be removed. The chain will run through the bale as intended. Chain 700mm long. Matrix visible in some of the turquoise cabochons. Some wear and losses to the enamel. Wear to the gilding.
A Victorian diamond set flower head cluster brooch/pendant, c.1890, an old European cut diamond, claw set to the centre of a flower head, with old European cut and rose cut diamond set petals. Cushion shaped old European cut diamonds claw set to blade edge bars between, to blade edge wire petal shapes set with old eight cut and rose cut diamonds. All silver setting backed in gold. Concealed flat wire pendant hook with detachable brooch pin and hinged 'C' catch. Tested as silver backed in 9ct gold. The pin bearing French poinçon and maker's mark, probably a replacement CONDITION REPORT: 34mm diameter. Pine and hinge unscrews to enable it to be completely removed. The 'C' catch folds down. There are some claws in the settings that are not touching the diamonds, although no stones appear to be loose. Diamonds are bright and lovely.
A pair of 19th century diamond set chain-link bracelets that can also be worn as a necklace, each bracelet composed of an oval link with graduated old European cut and old Swiss cut diamonds, set in cut down collets, to an open figure of eight centre. All joined by arched links set with old Swiss cut diamonds, to a concealed box clasp with pierced tongue. The two bracelets can be joined together with the later addition of a triple chain-link section and be worn as a necklace. Tested as silver backed in 15ct gold. Additional section tested as approximately 9ct gold. One small diamond deficient. Bracelet box by Harvey & Gore, 4 Burlington Gardens, London W. CONDITION REPORT: The pair of bracelets are 182mm each. Additional chain section 55mm. No apparent damage. Diamonds are bright and lively. Box clasps are secure. 35.2g.
A late Victorian two row ruby and diamond closed crescent brooch, an outer row of graduated oval Swiss cut rubies, claw set to cut down collets with a scalloped gallery, to an interior row of graduated eight cut diamonds, grain set in silver. A brooch fitting and vacant fitting for a forchere CONDITION REPORT: Tested as silver and 9ct gold. 27mm diameter. Slight table facet edge wear to some of the central rubies, only visible under 10x magnification, but no damage to the stones. Good colour, tone and saturation to the rubies. Some tarnish. A forchere is a forked hair fitting.
A cased late Victorian ruby and diamond pendant, c.1900, a pear cut ruby, claw set to a gold scalloped gallery, suspended from diamond set leaves. Diamond set crescents to each side, to a blade edge swag, claw set with graduated old European cut diamonds and diamond set bow above. Detachable diamond set bale and later base metal chain. Tested as silver backed in gold
An 18ct gold key wound open faced pocket watch, with an ivory coloured enamel dial, black Roman numerals, silver spade hand and blued second hand. The case, 52mm diameter, with a slide on the band, blind cartouche to the back cover, rolled gold replacement bow, Chester 1876, together with a George III sterling silver pocket compass, with a painted enamel dial, 45mm diameter, the dial signed A Abraham, Optician, Liverpool. Hand engraved crest of a sphinx to the reverse. London 1819 (2)
A ladies cased diamond set Art Deco cocktail watch, an elongated octagonal case, with silvered dial, black Arabic numerals and blued spade hands. The bezel milligrain set with a line of graduated old European cut diamonds to shell lugs, milligrain set with eight cut diamonds. A moiré band adjustable strap, the clasp marked silver. The case marked ALL PLATINUM CONDITION REPORT: Case by E Trench Smith, Huntingdon. Winding crown and replacement. Winds and ticking, although no guarantee given as to time keeping. The moire band and clasp are in keeping with the piece, but like any strap they wore out and were replaced. The clasp is of the correct period. Diamonds nice and bright.
A ladies 18ct white gold Longines mechanical bracelet watch with diamond set bezel, a landscape oval, silvered, raised baton dial with silver and black hands. An integral Milanese bracelet with textured finish, and a row of brilliant cut diamonds, claw set to the bezel. Hallmarked 18ct gold, London, possibly 1972 CONDITION REPORT: Winds and ticking, but no guarantee given as to time keeping. 152mm in length. This has been shortened to fit a small wrist, but could be lengthened by a good jeweller. Minor marks to the glass, some dust on the dial. Bezel setting to the diamonds secure. No damage to the bracelet.
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2466194 item(s)/page